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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Smock Alley Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal Smock Alley Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4468 results for: Keyword - Theatre Royal, Smock Alley, Dublin
We found 3434 matches on Event Comments, 755 matches on Performance Title, 539 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

551
10 December 1795 @ Drury Lane Theatre

Event Comment: Mainpiece: For this Night only. By permission of the Proprietor of the Theatre Royal, Hay Market. [In mainpiece the playbill assigns Julia to Mrs Jordan, and as afterpiece announces The Wedding Day, but "Mrs Jordan being suddenly taken ill, the Pubick are respectfully informed that Mrs Powell will, with their permission, attempt the Character of Julia in the Surrender of Calais; to which will be added The Adopted Child [with cast listed as above]" (printed slip attached to Kemble playbill).] Receipts: #238 7s. (166.0.6; 66.19.0; 5.7.6)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Adopted Child

Song: Mainpiece: Vocal Parts-Danby, Fisher, Maddocks, Trueman, Welsh, Master DeCamp, Master Gregson, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dibble, Caulfield Jun., [J.] Fisher, Gallot, Tett, Walker, Willoughby, Miss Leak, Miss DeCamp, Miss Arne, Mrs Boimaison, Mrs Bramwell, Miss Chatterley, Miss Granger, Miss Jackson, Mrs Maddocks, Miss Menage, Miss Mellon, Mrs Butler, Miss Stuart

552
29 December 1795 @ Covent Garden

Event Comment: Mainpiece: By Permission of the Proprietor of the Theatre Royal, Haymarket. Receipts: #246 2s. (245.13; 0.9)

Performances

Mainpiece Title: The London Hermit

Afterpiece Title: Merry Sherwood

553
30 December 1795 @ Drury Lane Theatre

Event Comment: 2nd piece: By permission of the proprietor of the Theatre Royal, Hay Market. Receipts: #198 7s. (126.17.6; 67.8.0; 4.1.6)

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: The Suicide

Afterpiece Title: My Grandmother

554
02 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Julia; Or, Such Things Were

Afterpiece Title: The Devil to Pay

Performance Comment: As17951214, but Jobson (for this night only)-Hughes (Proprietor of the Theatre Royal, Weymouth).

555
08 July 1796 @ Haymarket Theatre

Event Comment: 2nd piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane

Performances

Mainpiece Title: All The World's A Stage

Afterpiece Title: No Song No Supper

Afterpiece Title: The Son-in-Law

556
11 July 1796 @ Haymarket Theatre

Event Comment: 1st piece: Not acted these 2 years. 2nd piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane

Performances

Mainpiece Title: The Author

Afterpiece Title: The Prize; or, 2

Afterpiece Title: The Village Lawyer

557
30 September 1796 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Murray (from the Theatre Royal Bath; 1st appearance on this stage); Antonio-Macready; Bassanio-Pope; Gratiano-Knight; Lorenzo (with songs)-Townsend; Launcelot-Quick; Solarino-Claremont; Salanio-Haymes; Old Gobbo-Powel; Duke-Davenport; Tubal-Thompson; Balthazar-Ledger; Jessica (with a song)-Mrs Mountain; Nerissa-Miss Mansel; Portia-Mrs Pope.

Afterpiece Title: The Poor Soldier

558
03 October 1796 @ Covent Garden

Event Comment: [The playbill states that Elliston was appearing "by Permission of the Manager of the Theatre Royal Bath, and for the Last Time." But see 12 Oct.] Receipts: #207 18s. 6d. (197.11.6; 10.7.0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: Robin Hood

559
05 October 1796 @ Covent Garden

Performances

Mainpiece Title: The School For Wives

Performance Comment: Belville-Holman; Torrington-Quick; General Savage-Munden; Capt. Savage-Macready; Leeson-Middleton; Conolly-Waddy (from the Theatre Royal Norwich; 1st appearance on this stage); Spruce-Farley; Leech-Davenport; Crow-Thompson; Wolfe-Wilde; Miss Walsingham-Mrs Mattocks; Miss Leeson-Miss Mansel; Lady Rachael Mildew-Mrs Davenport; Mrs Tempest-Mrs Fawcett; Mrs Belville-Mrs Pope.

Afterpiece Title: Rosina

560
28 April 1797 @ Drury Lane Theatre

Event Comment: Benefit for Palmer. [1st piece originally acted in 1767 as Dido. Prologue by David Garrick.] 3rd piece [1st time; INT 1, consisting of 3 tales in verse inserted into a continuous verse narrative]: As intended for Representation at the Theatre Royal, Hay-market, by George Colman Ynger. Morning Herald, 3 Apr. 1797: This Day is Published My Nightgown and Slippers (2s. 6d.). True Briton, 25 Apr.: Tickets to be had of Palmer, No. 39, Great Pulteney-street, Golden-square. Receipts: #491 16s. (152.3; 77.16; 11.16; tickets: 250.1) (charge: #232 18s. 6d.)

Performances

Mainpiece Title: The Queen Of Carthage

Afterpiece Title: The Spoil'd Child

Afterpiece Title: My Nightgown and Slippers

Ballet: The Scotch Ghost. As17970105

561
06 June 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood (with O bring me Wine by Shield, and There the silver'd waters roam, from The Pirates by Storace)-Sedgwick; Little John (with All in preparation, from The Haunted Tower)-Bannister Jun.; Ruttekin-Wathen; Bowman-Caulfield; Fitzherbert-Dowton; Scarlet-Trueman; Edwin-Incledon (by permission of the Proprietor of the Theatre Royal, Covent-Garden); Clorinda-Miss Leak; Annette-Mrs Bland; Angelina-Miss DeCamp (Their 1st appearance in those characters).

Afterpiece Title: The Devil to Pay

Song: In the course of the evening: The Storm-Incledon

562
07 June 1797 @ Drury Lane Theatre

Event Comment: Benefit for Wathen. 3rd piece: By permission of the Proprietor of the Theatre Royal, Covent Garden. True Briton, 2 June: Tickets to be had of Wathen, No. 2, Frith-street. Receipts: #358 1s. (54.12.0; 61.13.6; 3.14.0; tickets: 238.1.6) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Poor Soldier

Song: End: The Waggoner (composed by Dibdin)-Wathen

563
03 July 1797 @ Haymarket Theatre

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre-Royal, Covent-Garden. [Philipps was from cg.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Lock and Key

564
04 September 1797 @ Haymarket Theatre

Event Comment: Benefit for Elliston [whose 1st appearance as Othello was at Bath, 8 July 1797]. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. True Briton, 30 Aug.: Tickets to be had of Elliston, No. 3, Frith-street, Soho

Performances

Mainpiece Title: Othello

Afterpiece Title: No Song No Supper

Song: End: Sweet Echo, the song-Mrs Bland, the echoMrs Atkins

565
21 September 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Will

Performance Comment: Sir Solomon Cynic-King; Mandeville-Wroughton; Howard-Bannister Jun.; Veritas-R. Palmer; Realize-Suett; Robert-Russell; Copsley-Maddocks; Albina Mandeville-Mrs Jordan; Mrs Rigid-Mrs Walcot (from the Theatre Royal Edinburgh; 1st appearance on this stage); Cicely Copsley-Miss Mellon; Deborah-Mrs Maddocks.

Afterpiece Title: The Prize; or, 2, 5, 3, 8

566
12 October 1797 @ Covent Garden

Performances

Mainpiece Title: Percy

Performance Comment: Percy-Holman; Raby-Murray; Hubert-Clarke; Harcourt-Claremont; Edrick-Toms; Knight-Thompson; Douglas-Pope; Birtha-Miss Mansel; Elwina-Miss Betterton (from the Theatre Royal, Bath; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: Raymond and Agnes

Dance: Afterpiece: To conclude with a Finale-; Spanish Fandango-

Entertainment: Monologue. Preceding: Occasional Address-Holman

567
17 October 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-Caulfield; Whittle-Dowton; Nephew-Holland; Bates-Maddocks; Kecksey-Suett; Thomas-Hollingsworth; Widow Brady-Miss Biggs (from the Theatre Royal Bath; 1st appearance on this stage). 1st appearance on this stage).

Song: As17970919

Entertainment: Entertainment.As17971016

568
23 October 1797 @ Covent Garden

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Johnston (from the Theatre Royal Edinburgh; 1st appearance on this stage); Lord Randolph-Clarke; Glenalvon-Whitfield; Officer-Thompson; Old Norval-Murray; Anna-Miss Mansel; Lady Randolph-Mrs Crawford.

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

Dance: As17971018

569
26 October 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: The Old Maid

Performance Comment: Clermont-C. Kemble; Captain Cape-King; Mr Harlow-Holland; Mrs Harlow-Mrs Goodall; Miss Harlow-Mrs Sparks (from the Theatre Royal Edinburgh; 1st appearance on this stage); Trifle-Mrs Roffey.

570
04 December 1797 @ Haymarket Theatre

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Bull; Portius-Wilkinson; Marcus-Thomas; Sempronius-Williams; Syphax-Minton; Lucius-Dawson; Decius-Cameron; Mutineers-Barnet, Duncan; Juba-Bellamy (from the Theatre Royal York); Lucia-Miss Parker; Marcia-Miss Herbert.

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Wilson (from the Theatre Royal Margate); Young Wilding-Murray; Sir Jasper Wilding-Dawson; Beaufort-Barnet; Dapper-Thomas; Quildrive-Williams; Young Philpot-Wilkinson; Corinna-Miss Twaites; Maria-Miss Sadler.

Song: End: a celebrated Scotch Ballad-

Entertainment: Monologue.Before: [the original Address-; [i.e. Prologue] [written by Pope, with four concluding lines from Prologue of Agis- [by John Home]

571
12 December 1797 @ Covent Garden

Event Comment: By Permission of the Proprietor of the Theatre Royal Haymarket. [Epilogue by George Colman, ynger.] Receipts: #138 0s. 6d. (134.10.6; 3.10.0)

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Round Tower

572
13 December 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17971202, but Gratiano-R. Palmer; Shylock-Archer (from the Theatre Royal Edinburgh; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Citizen

573
20 February 1798 @ Covent Garden

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #179 (168.11.6; 10.8.6)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Peeping Tom

574
07 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Afterpiece Title: The Inconstant

Afterpiece Title: The Son-in-Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

575
12 May 1798 @ Covent Garden

Event Comment: Benefit for Murray. 1st piece: By Permission of the Author [Walsh Porter], and the Manager of the Theatre Royal Bath [William Wyatt Dimond]. [This was 1st acted at Bath, 27 Feb. 1798. It refers to the nation-wide attempt, being made at this time, to raise funds by voluntary contribution for the defense of the country. And see 9 Feb. Larpent MS 1197; not published. Miss Murray's 1st appearance on the stage was at Bristol, 1 July 1793.] Times, 27 Apr.: Tickets to be had of Murray, No. 77, Long Acre. Receipts: #198 17s. (102.6.0; 4.1.6; tickets: 92.9.6)

Performances

Mainpiece Title: Voluntary Contributions

Afterpiece Title: Curiosity

Afterpiece Title: Florizel and Perdita; or, The Sheep Shearing

Song: End 1st piece: Black Ey'd Susan-; End 2nd piece: Admiral Benbow-Incledon