SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Theatre Royal Richmond"/1) | (@(roleclean,performerclean) "Theatre Royal Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3393 matches on Event Comments, 762 matches on Performance Title, 700 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Event Comment: Benefit for the London Hospital. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre; the Doors of which will be opened at 5:30, and the Performance to begin precisely at 6:30. No Money to be returned after the Curtain is drawn up, nor will any Person be admitted behind the Scenes. [Master Braham is identified in Grove. Address by Arthur Murphy (Town and Country Magazine, July 1787, p. 324).] This was the opening night of this theatre, which had been built by and was under the management of John Palmer. Following the afterpiece he explained to the audience the objections of the proprietors of dl, cg and hay to his opening the theatre. He said that he had from the Lieutenant of the Tower of London what he considered to be sufficient permission, but that he would nevertheless close the theatre temporarily. Palmer's difficulty was that he had no really legal permission from anybody for the performance of actual plays. See 3 July, and for further details the head-note to this season. World, 18 July, prints an official accoudting for this night from the theatre's treasurer: Receipts were #273 12s.; paid for music, advertisements, servants, &c. #37 10s.; lost in bad silver #1 19s.; paid the London Hospital #234 4s.; the players acted without salary

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Miss in her Teens

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

Event Comment: Mainpiece: 32nd Night [i.e. in continuation, erroneously, of the reckoning for the preceding season, when it was acted 28 times]. With new Music, Scenes, Dresses, and Decorations. The Music (with a few Exceptions) composed entirely new by Shield. And new Scenery designed and chiefly executed by Richards. Books of the Songs to be had at the Theatre. "Covent-garden is the National Theatre. I was there on 10th Dec. and saw an opera called The Woodman. It was the very day on which the life story of Madam Billington, both from the good as well as from the bad sides was announced [i.e. Memoirs of Mrs Billington, and An Answer to the Memoirs of Mrs Billington, both anonymous, both predated 1792]...She sang rather timidly this evening, but very well all the same. The first tenor [Incledon] has a good voice and quite a good style, but he uses the falsetto to excess. He sang a trill on high C and ran up to G. The 2nd tenor [Johnstone] tries to imitate him, but could not make the change from the falsetto to the natural voice, and apart from that is most unmusical...But the cast is entirely used to him. The leader is Herr Baumgartner [sic], a German who, however, has almost forgotten his mother-tongue. The Theatre is very dark and dirty, and is almost as large as the Vienna Court Theatre. The common people in the galleries of all the theatres are very impertinent; they set the fashion with all their unrestrained impetuosity, and whether something is repeated or not is determined by their yells. The parterre and all the boxes sometimes have to applaud a great deal to have something good repeated. That was just what happened this evening, with the Duet in the 3rd Act, which was very beautiful; and the pro's and contra's went on for nearly a quarter of an hour, till finally the parterre and the boxes won, and they repeated the Duet. Both the performers stood on the stage quite terrified, first retiring, then again coming forward. The orchestra is sleepy" (Haydn, 273-74). Receipts: #194 11s. (191.8; 3.3)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

Event Comment: The United Company. The date of the first performance is not precisely known, but the Gentleman's Journal, April 1693 (issued in May) states that it followed D'Urfey's comedy: And since that [The Richmond Heiress] another by Mr George Powell, call'd, a very good Wife, which hath already been acted five times (p. 130). It is likely that Powell's comedy first appeared late in April or very early in May. Dedication, Edition of 1693: The unexpected Success of this Play. A Comparison between the Two Stages (p. 16): Ramble: The next? Sullen: A very good Wife. Ramble: That's almost a Solaecism: whose is't? Sullen: Oh an excellent Author's! one George Powell's, the Player. Ramble. What was it's Fate? Sullen: Damn'd, damn'd, as it deserv'd

Performances

Mainpiece Title: A Very Good Wife

Event Comment: The Gentleman's Journal, November 1693: Mr Durfey's Richmond Heiress has been Revis'd, and Acted several times, with Alterations and Amendments. We are to have this Winter a Play by him, call'd Don Quixote....We are impatiently expecting a Play by Mr Dryden; 'tis of the Nature of his Spanish Fryar. We are also to have a Tragedy by Mr Southern; a Comedy by Mr Crown; and the Tragedy of Pyrrhus, by Mr H. I need not say any thing of Mr Congreve's Double-Dealer (the only new Play since my last) after the Character which Mr Dryden has given of it

Performances

Event Comment: Luttrell, A Brief Relation, III, 336, 30 June 1694: A quarrel hapned at the play house on Thursday night between the duke of Richmond and one Mrs Leonard, whereupon they challenged each other

Performances

Event Comment: Post Man, No. 372, 16-18 Sept. 1692: On Monday next the 20th, at the new Wells in Richmond, will be performed an Entertainment of Musick, made for the Birth day of his Highness the Duke of Glocester: The Trumpet part to be performed by Mr John Shore. With variety of other new Musick, both Vocal and Instrumental, to begin at Five

Performances

Mainpiece Title: Concert

Event Comment: Post Boy, No. 507, 2-4 Aug. 1698: In the Walks of the New Wells in Richmond, on Monday next, the 8th of August, will be Perform'd an Extraordinary Entertainment of Instrumental Music, with Trumpets, Kettle-Drums, Hautboys, Flutes and Violins, after the manner of the Entertainments lately perform'd in the Queen's Garden at Somerset-House; Price of coming in 1s. To begin before 7 a clock in the Evening because the Performance must end by Day-light. The Musick of the Wells will attend to play Dances

Performances

Mainpiece Title: Concert

Event Comment: Benefit Cibber. Not Acted these Three Years. At the Desire of several Persons of Quality. Mainpiece: With the Famous Battle of Bosworth Fieldv, between him and the Earl of Richmond, afterwards King Henry the Seventh. Written Originally by Shakespear, who in the true and lively Character of Richard, has shewn his most Masterly Strokes of Nature

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Song: As17031102

Music: Sonata for violin and flute-Gasperini, Paisible

Dance: As17040204

Event Comment: At the particular Desire of several Ladies of Quality. Containing the Distresses and Death of King Henry the Sixth , the Murther of young King Eduard the Fifth and his Brother in the Tower, with the Landing of the Earl of Richmond , and the Memorable and Decisive Battle in Bosworth Field

Performances

Mainpiece Title: Richard Iii

Event Comment: Not Acted these Three Years. At the Desire of several Ladies of Quality. Containing the Distresses and Deathv of King Henry the Sixth; the Murther of Young King Edward the Fifth, and his Brother, in the Tower; with the Landingv of the Earl of Richmond, and the Memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

Event Comment: Containing the Distresses and Death of King Henry the Sixth; the Murther of Young King Edward the Fifth, and his Brother, in the Tower; with the Landing of the Earl of Richmond, and the Memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

Performances

Mainpiece Title: Injurd Virtue Or The Virgin Martyr

Performance Comment: See cast for performance at Richmond, probably in summer of 1714, in edition of 1715 and in Rosenfeld, pp. 274-75.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Cibber; Henry VI-Wilks; Buckingham-Mills; Queen-Mrs Porter. Edition of 1718 adds: Prince Edward-$Norris Jr; Duke of York-$Miss Lindar; Richmond-$Ryan; Norfolk-$Boman Sr; Ratcliff-$Oates; Catesby-$Diggs; Tressel-$W. Wilks; Oxford-$Boman Jr; Lieutenant-$Quin; Blunt-$Wright; Lord Mayor-$Miller; Tyrrel-$Weller; Forrest-$Wilson; Dighton-$Higginson; Lady Anne-$Mrs Horton; Duchess of York-$Mrs Baker.
Cast
Role: Richmond Actor: Ryan
Event Comment: At the Great Room, Richmond Wells

Performances

Mainpiece Title: Concert

Music: A choice Collection of extraordinary Musick-

Event Comment: London Journal, 14 Dec.: The Duke and Duchess of Richmond, the Earl and Countess of Albemarle, and a great Number of Gentry were present. [See also 23 Nov.

Performances

Mainpiece Title: Cato

Event Comment: DDaily Journal, 24 Sept.: On Monday last died at Richmond Mr Penkethman, the famous Comedian

Performances

Event Comment: DDaily Journal, 21 Sept.: A Company of Italian Comedians recently arrived here from beyond Sea, and being patronized by the Dukes of Montague and Richmond, 'tis said, that Leave will be given them to perform in the Opera-House in the Hay-Market

Performances

Event Comment: At the particular Desire of several Persons of Quality. [The Duke of Richmond, Duke of Montague, Earl of Albermarle, and several other Noblemen present.

Performances

Mainpiece Title: Love Makes A Man

Song: Mrs Mountfort, Miss Thornowets

Dance: TThe Shepherd's Holiday, as17291125

Event Comment: At the particular Desire of several Ladies of Quality. Receipts: #106 7s. 6d. Rich's Register: Bespoke by the Dutchess of Richmond

Performances

Mainpiece Title: The Beggars Opera

Dance: FFrench Sailor-Salle, Mrs Laguerre; French Peasant-Poitier; Grand Dance in Momus Turned Fabulist-

Event Comment: For the Entertainment of several Persons of Quality and Distinction of the Antient and Honourable Society of Free Masons. [Duke of Richmond present.

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: Flora

Dance: TThe Merry Lass (new)-Miss Wherrit by Newhouse (her Master)

Event Comment: On Monday Night last died, at his Lodgings in Richmond, Mr John Ogden, one of the Comedians...in Lincoln's-Inn-Fields. Daily Journal, 5 July

Performances

Event Comment: Benefit the Famous Signiora Violante. At the Request of several Persons of Quality. At the Great Assembly Room at Richmond Wells. 3s. 6 p.m

Performances

Mainpiece Title: The Beggars Opera

Entertainment: As at hay, 11 Sept. Signora Violante; Harlequin-Master LaFevre, Miss Violante; Louvre in Boys' Clothes-Miss Violante; Two Pierrots-Lalauze, Tobin

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Afterpiece Title: The Devil To Pay

Dance: Tambourine by Miss Rogers. Les Arnarn Consentants by Duke and Miss Baston. 'Richmond Maggot by Lesac and Miss Rogers

Performance Comment: Les Arnarn Consentants by Duke and Miss Baston. 'Richmond Maggot by Lesac and Miss Rogers .

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: The Mock Doctor

Dance: Tambourine by Glover and Miss Rogers. Scot's Dance, as17340920 Richmond Maggot by Le Sac and Miss Rogers

Performance Comment: Scot's Dance, as17340920 Richmond Maggot by Le Sac and Miss Rogers .