SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Edingburgh"/1) | (@(roleclean,performerclean) "Theatre Royal Edingburgh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3351 matches on Event Comments, 728 matches on Performance Title, 475 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Cheats of Scapin

Entertainment: End: Interlude taken from Foote's Comedy of Taste: Lady Pentweazle-The Young Gentleman (who performed it last year at Drury Lane Theatre)

Ballet: II: The Wapping Landlady. As17720424[Sixfold Hornpipe, as17720424

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128, to conclude with The Emperor's Cossac (composed for the Masqued Ball [held at this theatre, 24 Jan.] by Noverre) by Nivelon and Mlle Theodore; End of Act II Divertisement Dance, as17811117; End of Act III Les Petits Riens, as17811211

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Pastoral Dance [see17811117] by Henry, Bournonville, Raymond, with a Pas Seul by Mlle Simonet, and to conclude with the Dances introduced in the Masquerade [held at this theatre, 24 Jan.: The Prince of Wales's Minuet, The Emperor's Cossac, The Queen's Allemande, Quadrilles] (composed by Noverre) by Gardel and Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Slingsby, Mlle Baccelli; End of Act II Le Triomphe de 1'Amour Conjugal, as17820110

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: GRETNA GREEN

Music: Books of the Songs to be had at the Theatre

Song: As17830613

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Little Hunchback

Dance: End II: As17891013; End: The Guardian Outwitted (1st time at this theatre)-Byrne, Boyce, Ratchford, the two Miss Simonets. [This was 1st performed at the king's, 11 Jan. 1783, as Le Tuteur Trompe.

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Love in a Camp

Song: End IV: The Group of Lovers; or, Beauty at her Levee (1st time at this theatre)-Munden; End: The Pleasures of the Chace-Incledon; after which Say Bonny Lass will you lie in a Garrat-, being a Parody on Say Bonny Lass, will you lie in a Barrack; Timothy Staytape-Munden; Miss Tippet-Mrs Martyr

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Irishman in London

Dance: End: The Drunken Swiss (1st time; composed by West)-West (1st appearance at this theatre), Mlle St.Amand (1st appearance these 2 years)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Frolics of an Hour

Afterpiece Title: Harlequin and Faustus

Song: In the course of the EveningOld Towler-Incledon

Entertainment: In the course of the Performances: Imitations of the principal Performers of both Theatres-Townsend

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: A Dramatic Cento

Afterpiece Title: The Sultan

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: See16820209, but Prologue To His Royal Highness Upon His first appearance at the Duke's Theatre since his Return from Scotland. Written by Mr Dryden-Mr Smith; The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-. The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-.
Event Comment: No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.]*c1765 11 01 cg No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Intriguing Chambermaid

Dance: II: The Garland?-as17651003

Performances

Mainpiece Title: The Schoole Of Complements

Performance Comment: [Love Tricks, by James Shirley.] Edition of 1667: The Prologue-; [No actors' names. Epilogue-. [As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.
Event Comment: A playbill [PRO, State Papers 29, Vol. 317, No. 187): At the Booth at Charing-Cross, every day in the Week will be presented variety of Farces Drolls, and Comical Entertainments by Mr Anthony Devo, His Majesties Servant. And this present Monday being the Eleventh of November, will be presented the Dutch cruelties at Amboyna, with the humours of the Valiant Welch-Man. Acted by Men and Women. Beginning exactly at Two of the Clock in the Afternoon, and at Four. Vivat Rex. [This playbill is reproduced in Theatre Notebook, VI (1952), opposite page 36.] L. C. 5@140, p. 129 (Nicoll, Restoration Drama, p. 250): That Antonio diVoto Doe sett forth Exercise & Play all Drolls and Interludes, He not receiuing into his Company any person belonging to his Mates or Royal Highnesse Theatres Nor Act any Play usually acted at any of ye said Theatres Nor takes peeces or Sceenes out of ye Playes Acted at ye said Theatres

Performances

Mainpiece Title: The Dutch Cruelties At Amboyna; With The Humours Of The Valiant Welch-man

Event Comment: By Command of Her Majesty. [This was the first time that members of the royal family had appeared in public since the beginning of the King's illness (his first attack of insanity) in November 1788. See also 21, 24 Apr.] The drop curtain with the King's arms on it shown when the front curtain first rose was the "original curtain exhibited on the opening of Lincoln's Inn Fields theatre [in 1714]...It has lain by in the scene-room of Covent-Garden theatre nearly seventy years, but was rescued from oblivion, retouched, and the appropriate ornaments added for the occasion" (Public Advertiser, 16 Apr.). On the Queen's entrance "the house called for God save the King, and the theatre being prepared, the song was immediately sung by Bannister, Johnstone, and Darley, the house joining in the chorus. It was encored...At the end of the play [it] was again called for, and again sung twice. At the end of the pantomime it was again called for; and the theatre not sending forward the performers, the audience cheerfully sung it for themselves; and having sung, they encored themselves; so that altogether it was sung six times in the course of the evening. Her Majesty had a bandeau of black velvet, on which were set in diamonds the words 'Long live the king.' The princesses had bandeaus of white satin, and 'Long live the king' in gold" (Universal Magazine, Apr. 1789, p. 218). Receipts: #388 16s. 6d. (385.12.0; 3.4.6)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Aladin

Event Comment: By Their Royal Highnesses' Command. At Penkethman's Theatre. Mainpiece: Written by Shakespear. Afterpiece: a diverting Droll. Box Tickets at Penkethman's House in Richmond. Daily Post, 5 Sept.: Mr Penkethman...had the Honour to divert their Royal Highnesses the Prince and Princess of Wales, with Entertainments of Acting and Tumbling perform'd to Admiration; Likewise with his Picture of the Royal Family, down from the King of Bohemia to the young Princesses, in which is seen the Nine Muses playing on their several Instruments, in Honour of that August Family. There were present Nobility, Gentry and Ladies upwards of 200

Performances

Mainpiece Title: Pyramus And Thisbe

Afterpiece Title: The Blind Beggar of Bednal Green; or, The Woman Never Vex'd

Music: Concerto on small Flute-John Baston

Dance: Several surprizing Entertainments of Rope Dancing-a Young Lad lately come from France, who flourishes the Colours, plays on the Violin, and turns several Times on the Rope without a Pole; Ladder Dancing-the greatest Performer in the World, who stands on the Top Round of the Ladder, drinks a Glass of Wine, with his other Hand above his Head in the Middle of the Stage; Dancing , both Serious and Comic,-Monsieur De Long Dents, Monsieur De Long Dents'@two@children , just arrived from Paris; To which will be added, Variety of Tumbling-Mons Tollard, others, just arrived from Madrid

Event Comment: Oratorio composed by Handel. Tickets to be had and places for the Boxes to be taken of Mr Johnston at the Stage Door of the Theatre, at Half a Guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. The Doors to be opened at Five o'Clock. To Begin at Half past Six. N.B. Those ladies who had Side Boxes last year, are humbly requested if they intend to continue them the ensuing season, to give immediate notice to Mr Johnston to have them secured. [The Westminster Magazine (March) commented: "One of those whims by which the public are continually influenced, has made it the ton to resort to this theatre to hear and see Miss Linley, the syren of Bath. This young lady who is greatly indebted to nature for the eclat with which she is followed, and not a little to the fortuitous concurrence of remarkable incidents in her life has drawn crowded houses incessantly; and this success has been insured by the constant attendance of his Majesty and the Royal family at this theatre."

Performances

Mainpiece Title: Judas Maccabaeus

Music: I: Concerto on Violin-Mr ThomasLinley

Event Comment: By His Royal Highness's Command. The Weekly Journal or British Gazetteer, 8 Dec.: Last Thursday Night his Royal Highness the Prince of Wales was at the Theatre in Drury-Lane, when one Mr Freeman, a mad Gentleman of 2000l. per Ann. offering to go into the Boxes, and being stopt by one of the Centries in the Passage, he shot him above the Shoulder; however the Centry knockt him down, and securing him, 2 or 3 more loaded Pistols were found in his Pockets....The sudden Discharge of Mr Freeman's Pistol put the Ladies and others withinside the Playhouse into some Consternation at first....The Gentlemen about the Prince, and almost throughout the House, drew their Swords upon the Occasion of this Disorder, which was soon over

Performances

Mainpiece Title: Tamerlane

Event Comment: DDaily Advertiser, 14 June: The Managers of...Drury-Lane, have Orders to get Things in Readiness for the Royal Theatre at Hampton-Court, where Plays are to be acted for the Diversion of the Royal Family

Performances

Event Comment: By Command of Her Royal Highness, the Princess Royal. Benefit Mills. Daily Post, 5 March: Colley Cibber...is so ill of a Cold he is not able to Act. Daily Advertiser, 7 March: On Monday Night last a great Disorder happen'd amongst the Footmen at [dl], occasion'd by one of the Orange Women, who meeting with some Affront, as she was passing from the Theatre to the Coffeehouse, drew out her Penknife, and stabb'd a Chairman and two Gentlemen's Servants therewith, before it could be wrench'd from her, and then took Sanctuary in the Coffee-house; but the same was immediately beset, and the People refusing either to produce the Woman, or acquaint the Footmen who she was, they forc'd themselves into the Room, broke all the Glasses and China

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Dance: Denoyer, Mrs Booth, Essex, Miss Robinson, Haughton, Mrs Walter

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Daily Advertiser: This evening their Royal Highnesses...will go to the theatre...to see the Comedy of the Committee, or the Faithful Irishman, and Dancing by Signior Brunoro, &c, being the first time of his appearing at that theatre

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Dance: II: a New Comic Dance La Mascarada-Brunoro, Borromeo, Mlle Bonneval, Sga Costanza; V: New Comic Dance Les Matelotes-Brunoro, Borromeo, Mlle Bonneval, Sga Constanza

Song: III: Song-Beard

Music: IV: Concerto-Veracini

Event Comment: 2nd piece [1st time; M. INT 1, by John Rose. Larpent MS 1167; not published]: A Mask, in honour of the approaching Royal Nuptials [the Marriage of Charlotte Augusta, Princess Royal of Great@Britain to Frederick William, Prince of Wurttemberg, on 18 May]. The Musick entirely new by Attwood. The Scenes, Dresses, and Decorations entirely new. Books of the Interlude to be had in the Theatre. Receipts: #254 15s. (166.15.0; 84.6.6; 3.13.6)

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: The Fairy Festival

Afterpiece Title: Lodoiska

Dance: In 2nd piece: Dances incidental to the Piece, composed by Gentili. Principal Dancers-Gentili, Master Menage, Sga Bossi DelCaro, Mrs Wild

Event Comment: 2nd piece [1st time; M. INT 1, by Andrew Franklin. It refers to the King's departure from Greenwich on the Royal Charlotte yacht, 30 Oct. 1797, to visit Lord Duncan's fleet at the Nore. The visit was subsequently cancelled because of inclement weather]: With new Scenery, and Machinery. The Music partly new [by William Linley] and partly compiled; with an introductory Full Piece. In the course of the Piece a View of Greenwich Hospital, and an exact Representation of the Departure of the Royal Yatch [sic]. To conclude with a View of the British Fleet, and the Dutch Prizes [taken at Camperdown. 11 Oct.]. [These were included in all subsequent performances.] Books of the Songs to be had in the Theatre. Morning Herald, 16 Nov. 1797: This day is published A Trip to the Nore (1s.). Receipts: #317 5s. 6d. (234.8.6; 76.10.6; 6.6.6)

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Afterpiece Title: A Trip to the Nore

Afterpiece Title: The Virgin Unmask'd

Dance: In 2nd piece: Dance of Sailors-; Hornpipe-Sga Bossi DelCaro

Event Comment: The Duke's Company. The Loyal Protestant, 20 May 1682: May 18. Yesterday his Excellency the Morocco Embassador was entertain'd at His Royal Highness's Theatre with a Play, called, Sir Timothy Treat all. [See also True Protestant Mercury, 17-20 May 1682; Luttrell, A Brief Relation, I, 187; Wilson, More Theatre Notes from the Newdigate Newsletters," p. 59.

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall