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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Crow Street Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal Crow Street Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5687 results for: Keyword - Theatre Royal, Crow Street, Dublin
We found 4551 matches on Event Comments, 828 matches on Performance Title, 705 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3826
26 May 1791 @ King's Theatre

Event Comment: Benefit for Mlle Mozon. Tickets, 10s. 6d. each and Boxes, to be had of Mlle Mozon, No. 32, St. Martin-street, Leicester-fields

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End III: an entire new Ballet (composed by Vestris Jun.) Les Folies d'Espagne- see17910610; (for that night only) Pas de Trois-Vestris Jun., Mlle Hilligsberg, Mlle Mozon; Pas Seul-Juber (principal dancer from France); a Pas de Deux-Juber, Mlle Mozon; conclude with Minuet de la Cour-as17910505Vestris Sen

Ballet: End I: L'Amadriade. As17910517

3827
28 May 1791 @ Covent Garden

Event Comment: Benefit for Miss Chapman. [Thespian Magazine, May 1816, p. 390, in an obituary of Eyre, states that his 1st appearance on the stage wa at Windsor in 1789.] Oracle, 11 May: Tickets to be had of Miss Chapman, No. 16, Henrietta-street, Covent-Garden. Receipts: #172 9s. (88.11; 11.1; tickets: 72.17)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Dreamer Awake

Dance: As17910428

Song: As17910517, but To be jovial and gay-_; Beviamo-; A Sea Song-Incledon

3828
31 May 1791 @ Covent Garden

Event Comment: Benefit for Hull. Paid Macleish for Printing [playbills] to 28th Inst. #92 2s. 6d. Oracle, 14 May: Tickets to be had of Hull, No. 31, Bow-street, Covent-Garden. Receipts: #186 2s. 6d. (89.3.6; 4.10.0; tickets: 92.9.0)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: The Comedy of Errors

Dance: As17910507

Song: End: Black Eyed Susan-Incledon

Monologue: After Dancing: a Selection of Poetry and Music descriptive of a day. Part I: Morning. Tantivy the welkin resounds (composed by Hook)-Mrs Martyr; PART II: Noon. Thou soft flowing Avon (from Garrick's Ode to Shakespeare)-Incledon; PART III: Evening. Pastoral Duet-Williamson, Mrs Mountain; PART IV: Night. The Soldier's Festival, as 16 May How sleep the brave (composed by Dr Cooke)-Incledon, Williamson, Davies, a Young Gentleman; introductory Chorus-Hull; How stands the Glass around-Incledon; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees

3829
01 June 1791 @ Covent Garden

Event Comment: Benefit for Harley. Mainpiece: As altered from Beaumont and Fletcher by the Duke of Buckingham and D. Garrick, Esq. Not acted these 7 years. Morning Chronicle, 20 May: Tickets to be had of Harley, No. 22, Great Queen-street, Lincoln's-inn-fields. Receipts: #242 1s. 6d. (84.10.6; 7.5.0; tickets: 150.6.0)

Performances

Mainpiece Title: The Chances

Afterpiece Title: Love in a Camp

Dance: As17901204

Song: End I: The Group of Lovers-Munden; End II: a favourite Sea Song-Incledon

3830
02 June 1791 @ Pantheon, Oxford Street

Event Comment: Benefit for Pacchierotti. Tickets to be had of Pacchierotti, No. 17, Duke-street, Manchester-square. A new Grand Serious Opera (1st time [i.e. in 2 acts; originally performed in 3 acts at Milan, 1778, and at king's, 22 Jan. 1780]); the music by Bertoni. [World announces the ballets for this night as La Fille Mal Gardee and Le Siege de Cythere.

Performances

Mainpiece Title: Quinto Fabio

Dance: End I: Divertisement, as17910217 End Opera: Le Triomphe de la Folie, as17910503

3831
26 July 1791 @ Haymarket Theatre

Event Comment: Benefit for Mrs Bannister. Public Advertiser, 21 July: Tickets to be had of Mrs Bannister, Frith-street, Soho. Receipts: #250 (Gazetteer, 5 Sept.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Son-in-Law

Dance: As17910701

3832
05 August 1791 @ Haymarket Theatre

Event Comment: Benefit for Mrs Webb. "The Jerry Sneak of the younger Bannister [whose 1st appearance in that part was at dl, 5 Apr. 1791] is comic perfection--the purity of his Cockney dialect, the inanity of his laugh, and the diverting nonsense of his Duckies, convulsed the audience with their odd effect" (Oracle, 18 Aug.). Oracle, 3 Aug.: Tickets to be had of Mrs Webb, No. 19, Catherine-street, Strand

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Mayor of Garratt

Dance: As17910701

3833
19 August 1791 @ Haymarket Theatre

Event Comment: Benefit for Johnstone. Morning Chronicle, 15 Aug.: Tickets to be had of Johnstone, No. 10, Russell-street, Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Village Lawyer

3834
24 August 1791 @ Haymarket Theatre

Event Comment: Benefit for Bannister. [Address by George Colman, ynger (European Magazine, Sept. 1791, p. 227).] Oracle, 19 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. Receipts: #236 (Gazetteer, 5 Sept.)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mayor of Garratt

Song: End: The Wolf-Bannister

Entertainment: Monologue. Before: Occasional Address-Palmer

3835
31 August 1791 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. [Afterpiece: Prologue by George Colman, elder.] Public Advertiser, 29 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #240 (Gazetteer, 5 Sept.)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: Bon Ton; or, High Life above Stairs

3836
05 September 1791 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. Public Advertiser, 29 Aug.: Tickets to be had of Jewell, No, 26, Suffolk-street, Charing-cross

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Village Lawyer

3837
20 February 1792 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. [For Miss Thompson see DNB, under Mary Anne Clarke.] Tickets to be had of Wilkinson, No. 33, Warwick-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Busy Body

Song: End: a favourite song-Tanner

Entertainment: Monologue. End III: a Comic Sketch of the Times-Ryder

3838
26 March 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Mrs Siddons. To prevent Confusion, Ladies and Gentlemen are desired to send their Servants by Half past Four o'Clock. Mainpiece: In I The Cardinal's Banquet. In II the Court for the Trial of Queen Katharine. In V a Grand Procession to the Christening of Princess Elizabeth. Morning Herald, 7 Mar.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #493 16s. (258.15.6; 25.13.0; 1.16.0; tickets: 207.11.6) (charge: #159 8s. 10d.)

Performances

Mainpiece Title: King Henry The Viii

Afterpiece Title: Selima and Azor

Entertainment: Monologue. End: Collins's Ode on the Passions (for this night only)-Mrs Siddons

3839
29 March 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Bannister Jun. Mainpiece: By Permission of George Colman Jun., Esq. [Prologue by George Colman Jun. (Kemble Mem.), printed in Henry Angelo,@Reminiscences, 1828, I, 331-32.] Morning Herald, 29 Mar.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #538 18s. 6d. (251.19.6; 32.18.0; 3.0.0; tickets: 251.1.0) (charge: #163 9s. 2d.)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Minor

Entertainment: Monologue. Occasional Prologue-Bannister Jun

3840
31 March 1792 @ Covent Garden

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts [i.e. abridged from the original 5]. Morning Herald, 19 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #347 5s. 6d. (234.1.0; 4.14.6; tickets: 108.10.0) (charge: #105). Pencilled in the Account-Book. 234.1.0-money [taken at the doors] 4.14.6-after money [taken at the doors] 238.15.6 105-charge 133.15.6-owing Lewis [on 18 Apr. he was paid 133.14.0] [The amount of his tickets, 108.10.0, he retained; hence his profit on this night was #242 4s.

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Afterpiece Title: Robin Hood

3841
10 April 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Miss Pope. 1st piece: Not acted these 8 years [acted 8 Nov. 1788]. 3rd piece: To conclude as 3 Oct. 1791. Morning Herald, 24 Mar.: Tickets to be had of Miss Pope, No.62, Great Queen-street, Lincoln's Inn-fields. Receipts: #336 19s. (95.15.6; 35.7.0; 2.15.0; tickets: 203.1.6) (charge: #168 4s.)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Court of Apollo [i

Afterpiece Title: The Critic

3842
11 April 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Bensley. Morning Herald, 23 Mar.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #410 11s. (178.12; 41.14; 4.13; tickets: 185.12) (charge: #167 1s. 8d.)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Spoil'd Child

3843
12 April 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Baddeley. Kemble Mem.: I believe this is a Farce of Mr Baddeley's writing [which it was]. Morning Herald, 21 Mar.: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #356 12s. (113.3.6; 33.5.0; 3.1.0; tickets: 207.2.6) (charge: #153 18s.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Swindlers

Song: Vocal Parts, as17911214; Masque of Neptune and Amphitrite, as17911109

3844
12 April 1792 @ Covent Garden

Event Comment: Benefit for Holman. Mainpiece: Not acted these 3 years. In IV a Grand Banquet. Morning Herald, 28 Mar.: Tickets to be had of Holman at his chambers, No. 14 John-street, Adelphi. "There is a deficiency in the length of [Holman's] upper lip that continually exposes his teeth to the audience...He has a method of hurrying over the latter part of a sentence, as if to give it more effect, but in reality destroys the intention and solemnity of the scene" (Candid Strictures,45-46). Receipts: #280 11s. 6d. (188.10.6; 3.16.0; tickets: 88.5.0) (charge: #105)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Modern Antiques

Song: II: Grand Triumphal Entry of Alexander into Babylon-; Vocal Parts-Johnston, Incledon, Darley, Cubitt, Marshall, Gray, Rock, Rowson, Letteney, Mrs Mountain, Mrs Harlowe, Miss Broadhurst, Miss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Mrs Powell, Miss Leserve, Mrs Watts, Mrs Gray, Miss Francis, Mrs Masters, Miss Taylor, Mrs Lloyd, Mrs Martyr; End: Wine cannot cure the Pain I endure-Johnstone, Incledon; with new Accompaniments by Shield-

3845
14 April 1792 @ Covent Garden

Event Comment: Benefit for Mrs Esten. Morning Herald, 26 Mar.: Tickets to be had of Mrs Esten, No. 5, Nassau-street, Soho. Receipts: #311 3s. (155.14.6; 5.5.6; tickets: 150.3.0) (charge: #105)

Performances

Mainpiece Title: A Day In Turkey

Afterpiece Title: The Highland Reel

Entertainment: Monologue. End: (for that night only) Collins's Ode on the Passions-Mrs Esten

3846
16 April 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Mrs Jordan. Afterpiece [1st time; F 2, by Simon, based partly on La Bonne Mere, by Jean Pierre Claris deFlorian; incidental music by Johann Gottlieb Nicolai. Larpent MS 940; not published]: To conclude with a Rural Breakfast [a representation of that given by the Countess of Buckinghamshire for the Prince of Wales at her villa near London (Genest, VII, 53)], and a Dance by the Characters. Morning Herald, 31 Mar.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #548 9s. 6d. (216.8.6; 30.2.0; 5.9.0; tickets: 296.10.0) (charge: #153 5s. 10d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Village Coquette

3847
18 April 1792 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. [1st piece: Epilogue by Miles Peter Andrews.] 3rd piece [1st time; F 2, by Eliza Parsons, based on Monsieur de Pourceaugnac, by Moliere]. Morning Herald, 27 Mar.: Tickets to be had of Mrs Mattocks, No. 8, Great Russel-street, Covent Garden. Receipts: #269 11s. 6d. (174.14.0; 4.16.6; tickets: 90.1.0) (charge: #105)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Afterpiece Title: The Intrigues of a Morning; or, An Hour in Paris

Afterpiece Title: The Wives Revenged

3848
19 April 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Bannister. Morning Herald, 2 Apr.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. Receipts: #340 0s. 6d. (114.14.0; 40.4.0; 2.4.0; tickets: 182.18.6) (charge: #164 16s. 6d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Festive Board [i

Afterpiece Title: Richard Coeur de Lion

3849
25 April 1792 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. Morning Chronicle, 10 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-Garden. Receipts: #334 4s. 6d. (163.4.0; 4.19.6; tickets: 166.1.0) (charge: #105)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Follies of a Day

Dance: End II: Negro Dance, as17911102; End: A Divertisement, as17920410

Song: End I: Charmante Petite Fille-Incledon; II: Sweet Bird, as17920228

3850
26 April 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Mrs Goodall. [In mainpiece the playbill retains King as Trappanti, but "King being indisposed, Trappanti...was represented by Benson" (unidentified clipping on playbill of 27 Apr., BM: Harris, Vol. III).] Morning Herald, 9 Apr.: Tickets to be had of Mrs Goodall, No. 13, Great Russell-street, Covent-garden. Receipts: #364 8s. 6d. (125.13.6; 36.15.0; 4.7.0; tickets: 197.13.0) (charge: #157 11s. 2d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Follies of a Day

Dance: End: a Dance-