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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Crow Street Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal Crow Street Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5687 results for: Keyword - Theatre Royal, Crow Street, Dublin
We found 4551 matches on Event Comments, 828 matches on Performance Title, 705 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3626
24 April 1786 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Crouch. Morning Chronicle, 6 Apr.: Tickets to be had of Mrs Crouch, No. 3, Adam-street, Adelphi. Afterpiece: Not acted these 9 years [acted 24 Jan. 1778]. Receipts: #314 9s. 6d. (117/11/0; 10/18/6; 1/7/0; tickets: 184/13/0) (charge: #108 0s. 10d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Daphne and Amintor

Dance: End of Singing The Sailors' Revels by Mills, &c; In afterpiece Dana incident to the piece by Hamoir, Menage, Mrs Sutton, Miss Stageldoir

Song: In Act III of mainpiece song, as17860920; End of Act II of mainpiece Still the Lark finds repose (composed by Linley [Sen.]); End of mainpiece The Soldier tir'd of War's Alarms, both by Mrs Crouch

3627
25 April 1786 @ Drury Lane Theatre

Event Comment: Benefit for Miss George. Morning Herald, 8 Apr.: Tickets to be had of Miss George, No. 23, King-street, St. Ann's, Soho. Receipts: #284 5s. 6d. (114/15/0; 26/0/0; 1/7/6; tickets: 142/3/0) (charge: #109 5s. 4d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Romp

Dance: End of mainpiece The Sailors' Revels, as17860424

Song: In the course of the evening Collin cur'd of roving; End of Dancing Mad Bess (in character), both by Miss George

3628
26 April 1786 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. [In mainpiece Genest, who remarks that "this play was very well acted," does not assign Freelove, but it is the only other male part in the play.] Morning Chronicle, 11 Apr.: Tickets to be had of Baddeley, No. 2, Little Russel-street, Covent Garden. Receipts: #248 16s. (99/13/0; 25/12/6; 2/15/6; tickets: 122/15/0) (charge: #105 17s.)

Performances

Mainpiece Title: The Widow Bewitch'd

Afterpiece Title: (End of Act I of mainpiece) Jewish Education

Afterpiece Title: The Virgin Unmask'd

Dance: In Act V of mainpiece a Masquerade and Dance [performers not listed]

Song: In Act IV of mainpiece a song in character by Mrs Crouch

Monologue: 1786 04 26 End of mainpiece John Gilpin's Ride by Baddeley

3629
02 May 1786 @ Covent Garden

Event Comment: Benefit for Mrs Billington. Morning Herald, 5 Apr.: Tickets to be had of Mrs Billington, No. 11, Great Newport-street, Long-acre. Receipts: #344 12s. (221/1/6; 2/12/6; tickets: 120/18/0) (charge: #105)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Rosina

Dance: End of mainpiece The Drunken Sailor Reclaimed, as17860304athi

Song: In Act I of mainpiece an obligato song for the oboe (composed by Shield and accompanied by W. Parke); In Act III a favourite song (composed by Sard), both by Mrs Billington

3630
03 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore and Mrs Wilson. Morning Herald, 19 Apr.: Tickets to be had of Barrymore, No. 8, Martlet-court; of Mrs Wilson, No. II, Crown-court, Bow-street. Receipts: #295 13s. (75/6; 15/15; 1/6; tickets: 203/6) (charge: #105 8s. 6d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Dance: End of mainpiece The Lucky Return, as17860420

Song: End of Act II of mainpiece Bright Phoebus (composed by Hook) by Dignum

3631
03 May 1786 @ Covent Garden

Event Comment: Benefit for Farren. Mainpiece: Not acted these 2 years. Public Advertiser, 14 Apr.: Tickets to be had of Farren at his house, Great Queen-street, Lincoln's Inn Fields. Receipts: #303 14s. 6d. (75/19/0; 7/1/6; tickets: 220/14/0) (charge: #105)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Nunnery

Dance: As17860502

3632
05 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Dignum. Morning Herald, 11 Apr.: Tickets to be had of Dignum, No. 13, Little Wild-street, Lincoln's Inn Fields. Receipts: #333 18s. (99/7; 6/12; 0/11; tickets: 227/8) (charge: #106 18s. 8d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Romp

Song: End of Act II of mainpiece Nancy of the Dale (composed by Linley [Sen.]); In Act III a song; End of Act IV The Bucks of the Field (composed by Danby), all three by Dignum

3633
05 May 1786 @ Covent Garden

Event Comment: Benefit for Pope. Mainpiece: Not acted these 3 years [acted 22 Jan. 1784. Epilogue by John Wolcot (European Magazine, May 1786, p. 369)]. Afterpiece: With Additional Songs, &c., as 28 Apr. Morning Herald, 18 Apr.: Tickets to be had of Pope at his house, Half-Moon Street, Piccadilly. "There is a mellow richness in [Pope's] voice superior to any other performer on the stage" (Candid Strictures, p. 47). Receipts: #255 16s. 6d. (156/13/0; 2/14/6; tickets: 96/9/0) (charge: #105)

Performances

Mainpiece Title: Zenobi A

Afterpiece Title: The April Fool

Dance: End of Epilogue, as17860504

3634
06 May 1786 @ Covent Garden

Event Comment: Benefit for Clarke. Mr Clarke begs leave to inform his Friends, from his violent Indisposition, and Incapacity to perform for his Benefit, Mr Yates offered his assistance to play the character of Scrub; but unfortunately Mr Yates is attacked by a violent fit of the Gout, and prevented from fulfilling his kind Intentions. Mr Quick has readily consented to play the part for Mr Clarke. Mr Clarke hopes his present severe Indisposition, which has prevented his playing for several Months past, will be considered by his Friends as a sufficient Apology for his not performing at his Benefit, and solicits their Patronage this Evening. Morning Chronicle, 22 Apr.: Tickets to be had of Clarke, No. 15, Great Russel-street, Covent Garden. Receipts: #101 16s. 6d. (98/4/6; 3/12/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Deserter

Song: End of Act II of mainpiece song by Mrs Kennedy; End of Act IV song by Mrs Martyr

Monologue: 1786 05 06 End of mainpiece A Description of the Tombs in Westminster Abbey by Edwin

3635
08 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Ward. Morning Herald, 24 Apr.: Tickets to be had of Mrs Ward, No. 12, Catherine-street, Strand. Receipts: #266 12s. 6d. (59/8/0; 30/19/0; 3/5/6; tickets: 173/0/0) (charge: #106 8s.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Humourist

Dance: End of Singing The Provencalle, as17850922

Song: End of mainpiece Stand to your Guns, my Hearts of Oak by Bannister

3636
09 May 1786 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. 1st piece: Never performed here. [Miss Thornton is identified by MS annotation on Kemble playbill. Address by Horatio Edgar Robson (European Magazine, May 1786, p. 369).] 2nd piece: Not acted these 7 years. 3rd piece: Written by Henry Fielding. Morning Herald, 19 Apr.: Tickets to be had of Mrs Martyr, No. 31, Tavistock-street, Covent Garden. Receipts: #280 6s. 6d. (138/15/6; 3/6/0; tickets: 138/5/0) (charge: #105)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Country Mad Cap; or, Miss Lucy in Town

Dance: End of 2nd piece The Drunken Sailor Reclaim'd, as17860424

Song: End of Act II of 1st piece a new song, Toung Henry, by Mrs Martyr

Monologue: 1786 05 09 Before 1st piece a new Occasional Address spoken by Holman

3637
10 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Staunton and Wright. Morning Chronicle, 3 May: Tickets to be had of Staunton, No. 54, Drury-Lane; or Wright, Bennet-street, Westminster. Receipts: #227 (49/3; 25/8; 0/0; tickets: 152/9) (charge: #105 15s. 2d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Virgin Unmask d

Song: End of Act IV of mainpiece Collin cur'd of roving by Miss George; End of mainpiece Bucks of the Field by Dignum

3638
11 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Mr and Mrs Brereton. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Chronicle, 21 Apr.: Tickets to be had of Mr and Mrs Brereton, No. io, Charles-street, Covent Garden. Receipts: #317 6s. 6d. (121/17/0; 7/11/6; 1/6/0; tickets: 186/12/0) (charge: #106 2s.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Who's the Dupe

Song: As17860223

3639
11 May 1786 @ Covent Garden

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by Shield. MS not in Larpent; not published. Prologue by George Colman, the younger (European Magazine, May 1786, p. 370)]. "An old and established rule among the youth of Westminster [School will] not permit any exhibition on the stage reflecting upon their body ... In the second act Mrs Wells made her appearance in the dress of a Westminster scholar, when a general uproar [instigated by the scholars] took place, and the [rest of the] piece was prevented from being heard" (Town and Country Magazine, May 1786, p. 235). Public Advertiser, 8 May: Tickets to be had of Mrs Wells, No. 188, Oxford-street. Receipts: #282 17s. (166/0/6; 21/19/6; tickets: 94/17/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage

Afterpiece Title: Small Talk; or, The Westminster Boy

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

3640
15 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Herald, 1 May: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "In the apparent assumption of madness [and] the express'd weakness and melancholy of the character Kemble is not equalled by any of his predecessors . . . Till [Mrs Siddons] there never was, in sensible discrimination, as there ought to be, the real madness of Ophelia from the feigned distraction of Hamlet. Till then the dignity, the love, even the pathos of the part [were] but poorly, if at all administered" (Public Advertiser, 17 May). Receipts: #326 14s. 6d. (137/3/0; 7/3/6; 0/4/0; tickets: 182/4/0)(charge: #109 16s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

3641
17 May 1786 @ Covent Garden

Event Comment: Benefit for Stevens and Miss Besford. Tickets delivered for The Brothers will be admitted. Morning Chronicle, 13 May: Tickets to be had of Stevens, No. 54, Drury-Lane; of Miss Besford, No. 5, Bow-street, Covent Garden. Receipts: #167 15s. (75/16; 6/17; tickets: 85/2) (charge: #105)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Country Mad Cap

Dance: End of 2nd piece The trapping Landlady, as17860426

3642
20 May 1786 @ Covent Garden

Event Comment: Benefit for Mrs Inchbald. Mainpiece: By Permission of Colman [proprietor of the HAY, owner of the copyright of the play, and author of Epilogue]. Morning Chronicle, 22 Apr.: Tickets to be had of Mrs Inchbald, No. 10, Great Russel-street, Covent Garden. Receipts: #107 8s. (71/17/6; 5/1/6; tickets: 30/9/0) (charge: #105)

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: Tom Thumb

Dance: As17851112

3643
22 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Burton and Harwood, prompter. Tickets delivered for a comedy will be admitted. Morning Herald, 11 May: Tickets to be had of Burton, No. 8, Clement's Inn; of Harwood, Little Russel-street, Covent Garden. Receipts: #216 5s. 6d. (34/19/0; 16/6/0; 2/12/6; tickets: 162/8/0) (charge: #106 2s.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Bon Ton

Dance: End of mainpiece The Lucky Return, as17860105, but Ferrere in place of Williamson

Song: End of Act II of mainpiece a favourite Hunting Song (composed by Hook) by Dignum

3644
24 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Nix, Mrs Hedges & Miss Barnes. [As mainpiece the playbill announces The School for Scandal, but "Smith having an inflammation in his eyes, and Aickin being suddenly laid up with the gout, the play was obliged to be changed [to] The Beggar's Opera" (Morning Herald, 25 May).] Morning Chronicle, 22 May: Tickets to be had of Nix, No. 21, Crown-court, Little Russel-street, Covent Garden; of Mrs Hedges, No. 168, opposite New Bondstreet, Piccadilly; of Miss Barnes, at Cateman's, No. 52, Drury Lane. Receipts: #300 0s. 6d. (60/10/0; 19/13/6; 2/0/0; tickets: 217/17/0) (charge: #108 8s. 1d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Romp

Dance: End of Act III of mainpiece, as17860502

Song: End of Act I of mainpiece Sweet, O sweet!; End of Act II Niddity Nod; End of Act IV a favourite Hunting Song, all three by Miss Barnes [the 3rd song omitted?, i.e. mainpiece has only 3 acts]

3645
25 May 1786 @ King's Theatre

Event Comment: Benefit for Babbini. A Serious Opera [1st time; ser 3, by Giovanni de Gamerra]; the Music entirely new by Michele Mortellari. Public Advertiser, 23 May: Tickets to be had of Babbini, No. 17, Great Pulteney-street, Goldensquare

Performances

Mainpiece Title: Armida

Dance: As17860523 throughout

3646
14 July 1786 @ Haymarket Theatre

Event Comment: Benefit for Miss Woollery. [As afterpiece the playbill announces A Beggar on Horseback, but "on account of Edwin's being unluckily hurt by a fall from his horse, the farce was changed to A Mogul Tale (General Advertiser, 15 July).] Morning Chronicle, 10 July: Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster

Performances

Mainpiece Title: Othello

Afterpiece Title: A Mogul Tale

Dance: As17860706

3647
21 July 1786 @ Haymarket Theatre

Event Comment: Benefit for Mrs Webb. Morning Chronicle, 17 July: Tickets to be had of Mrs Webb, No. 22, corner of Broad Court, Bow-street, Covent Garden. "Old Jack, instead of appearing with all that easy, flowing, negligent facetiousness which the poet has so inimitably pourtrayed, assumed the part of moral solemnity, and every joke was delivered with a sort of sententious dignity that destroyed its natural impression" (General Advertiser, 22 July)

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Afterpiece Title: Gretna Green

3648
25 July 1786 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. In consequence of Edwin's Indisposition, Bannister Jun. is obliged to undertake the character of Mrs Cole. Morning Chronicle, 19 July: Tickets to be had of Bannister Jun., No. 29, Bow-street, Covent Garden. 1st piece [1st time; F I, author unknown, altered from The Walking Statue; or, The Devil in the Wine Cellar, by Aaron Hill. MS: Larpent 741; not published].3rd piece: Not acted these 7 years [acted 8 Sept. 1780]

Performances

Mainpiece Title: The Devil In The Wine-cellar

Afterpiece Title: I'll Tell You What

Afterpiece Title: The Minor

Song: In 1st piece a favourite glee [singers not listed]. imitations. In the course of 3rd piece various Imitations [of Edwin, Quick, Macklin, Smith, Lewis, Wroughton, Wood, Davies, Robson, Waldron (Public Advertiser, 26 July)] by Bannister Jun

3649
03 August 1786 @ Haymarket Theatre

Event Comment: Benefit for Miss George. [Monologue by Charles Stuart {.European Magazine, Sept. 1786, p. 165).] Morning Chronicle, 31 July: Tickets to be had of Miss George, No. 23, King-street, St. Ann's, Soho. Afterpiece: Never performed here

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Romp

Monologue: 1786 08 03 End of mainpiece The News-Papers spoken by Bannister Jun

3650
10 August 1786 @ Haymarket Theatre

Event Comment: Benefit for Sga Sestini. Morning Herald, 9 Aug.: Tickets to be had of Sga Sestini, No. 36, Mount-street, Grosvenor Square

Performances

Mainpiece Title: Seeing Is Believing: A Dramatic Proverb

Afterpiece Title: The Spanish Barber

Afterpiece Title: Rosin a