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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Crow Street Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal Crow Street Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5687 results for: Keyword - Theatre Royal, Crow Street, Dublin
We found 4551 matches on Event Comments, 828 matches on Performance Title, 705 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3601
07 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Public Advertiser, 2 Apr.: Tickets to be had of Bensley, No. 32, Gerrard-street, Soho. [In mainpiece the playbill retains Packer as Belmour, but on the Kemble playbill a MS annotation substitutes Hull.] Receipts: #296 5s. 6d. (165/3/0; 17/7/6; 0/10/0; tickets: 113/5/0) (charge: #106)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Bon Ton

3602
11 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. Public Advertiser, 2 Apr.: Tickets to be had of Baddeley, No. 2, Little Russel-street, Covent-garden. [In mainpiece the playbill assigns Ogle to King, but on the Kemble playbill a MS annotation substitutes Barrymore.] 2nd piece [1st time: INT I, probably by Robert Baddeley. MS: Larpent 692; not published]. Receipts: #226 3s. 6d. (105/18/0; 30/11/6; 0/16/0; tickets: 88/18/0) (charge: #111 17s. 7d.)

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

Afterpiece Title: The St

Afterpiece Title: Rosina

Monologue: 1785 04 11 End of Act I of mainpiece The History of John Gilpin, the Linen Draper by Baddeley

3603
12 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Brereton. Public Advertiser, 26 Mar.: Tickets to be had of Brereton, Charles-street, Covent Garden. Receipts: #262 7s. 6d. (129/3/0; 18/13/0; 0/10/6; tickets: 114/1/0) (charge: #106 7s. 10d.)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: High Life Below Stairs

3604
13 April 1785 @ Covent Garden

Event Comment: Benefit for Farren. Public Advertiser, 11 Apr.: Tickets to be had of Farren at his house in Great Queen-street, Lincoln's-inn-fields

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Barataria

Dance: As17841116

3605
18 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; M. INT I, compiler unknown]. 2nd piece: In 3 acts. 3rd piece [1st time; ENT I, author unknown. MS: Larpent 695, not published]. Public Advertiser, 2 Apr.: Tickets to be had of Bannister Jun., No. 29, Bow-street, Covent-garden. Receipts: #276 16s. (162/11; 12/18; 0/11; tickets: 100/16) (charge: #110 14s. iod.)

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Winter's Tale

Afterpiece Title: An Author on the Wheel; or, A Piece cut in the Green-Room

Afterpiece Title: ROSINA

Song: In 2nd piece the Sheep-sbearing Song by Miss Phillips. imitations. In 3rd piece, by Bannister Jun

3606
21 April 1785 @ King's Theatre

Event Comment: Benefit for Slingsby. Tickets, half a guinea each, to be had of Slingsby at his house, No. 34, Upper Seymour-street, Portman-square

Performances

Mainpiece Title: Artaserse

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese

3607
23 April 1785 @ Covent Garden

Event Comment: Benefit for Pope. Tickets delivered for March 15 and 31 will be taken. Public Advertiser, 14 Apr.: Tickets to be had of Pope at Mrs Sledge's, Henrietta-street, Covent Garden. "In the prominent display of Iago's jealousy, a material question of the play--slightly handled by the poet, and almost untouched by every preceding player--in this, Henderson's claim to praise is quite unrivalled" {Public Advertiser, 25 Apr.)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Poor Soldier

3608
25 April 1785 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. Public Advertiser, 20 Apr.: Tickets to be had of Mrs Martyr at Mr Robley's, Bow-street, Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

3609
28 April 1785 @ King's Theatre

Event Comment: Benefit for Tasca and Sga Rachele Dorta. Tickets, half a guinea each, to be had of Tasca, No. 5, Great Pulteney-street, Golden-square; of Sga Dorta, No. 234, Piccadilly

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I A la Plus Sage [performers not listed, but see17850303 End of Opera Il Convitato di Pietra [performers not listed, but see17850312

3610
30 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Public Advertiser, 18 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. "The mournful tone, the pathetic countenance, and the long-drawn expression pervaded the sprightly scenes of Rosalind as effectually as if the play had been Isabella" (Public Advertiser, 2 May). Receipts: #327 8s. 6d. (150/1/9; 9/11/6; 0/6/0; tickets: 167/10/0) (charge: #106/15/10)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Humourist

Dance: End of Act I of mainpiece, as17850307athi

3611
19 May 1785 @ King's Theatre

Event Comment: Benefit for Tenducci. Tickets, half a guinea each, to be had of Tenducci, No. 63, Dean-street, Soho

Performances

Mainpiece Title: Orfeo

Dance: As17850512

3612
09 June 1785 @ King's Theatre

Event Comment: Benefit for Sga Ferrarese. Sga Ferrarese, whose long and grievous Indispositions have been an Obstacle to the Success she ardently wished to obtain, cannot plead any Merit of her own, and only depends for Patronage on that well-known Liberality of a Public, equally disposed to allow for involuntary Deficiencies as to reward even an Attempt to captivate their Benevolence. Tickets, half a guinea each, to be had of Sga Ferrarese, No. 19, Oxendon Street, Hay-market

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Dance in Wooden Shoes [here entitled La Dance del Sabots], as17850303End of Opera Don Juan, as17850407

3613
26 July 1785 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. Public Advertiser, 22 July: Tickets to be had of Bannister Jun., No. 29, Bow Street, Covent Garden. 1st piece: In 3 acts, altered from Shakespeare [by Frederick Pilon. Prologue by the alterer (European Magazine, Aug. 1785, p. 150)]. 2nd piece: Acted but once [on 27 Aug. 1783]; with Alterations

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Green Room; or, Cut and Come Again

Afterpiece Title: Gretna Green

3614
02 August 1785 @ Haymarket Theatre

Event Comment: Benefit for Miss George. Public Advertiser, 30 July: Tickets to be had of Miss George, No. 23, King-street, St. Ann's, Soho

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Rosina

Afterpiece Title: Gretna Green

Song: End of 1st piece The Soldier tir'd of War's Alarms; End of Act I of 2nd piece Colin cur'd of roving, both by Miss George. duologue. End of 2nd piece A New Lecture on Heads by the two Miss Vernells (their 1st appearance on any stage)

3615
19 August 1785 @ Haymarket Theatre

Event Comment: Benefit for Mrs Bannister. Public Advertiser, 16 Aug.: Tickets to be had of Mrs Bannister, No. 29, Bow-street, Covent Garden. 3rd piece: An Original, Whimsical, Operatical, Pantomimical, Farcical, Electrical, Naval, Military, Temporary, Local Extravaganza

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Genius of Nonsense

Song: In 1st piece capital Catches and Glees, selected from the most eminent Masters, with the celebrated Anacreontic Song by Bannister. imitations. End of 2nd piece, as17850726

3616
25 February 1786 @ Covent Garden

Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Three Weeks after Marriage

3617
04 March 1786 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Part of the Pit [6 rows (Public Advertiser, 6 Mar.)] will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [In mainpiece the playbill assigns Orestes to Smith, but he "was indisposed . . . Throughout the whole [of his part] Kemble's skill was apparent. In the last scene he displayed as fine a picture of horror as was ever given from the stage" (Morning Chronicle, 6 Mar.).] Morning Herald, 24 Feb.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #293 11s. (122/17/0; 10/1/6; 1/2/6; tickets: 159/10/0) (charge: free)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Arthur and Emmeline

3618
14 March 1786 @ Covent Garden

Event Comment: Benefit for Miss Brunton. Mainpiece [1st time in London; T 5, by Frederick Reynolds, 1st acted at Bath, 3 Dec. 1785. In 1795 reduced to 3 acts. Prologue and Epilogue by William Meyler (Town and Country Magazine, Apr. 1786, p. 215]. Part of the Pit will be laid into the Boxes. Morning Chronicle, 17 Feb.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #350 17s. 6d. (210/11/0; 3/1/6; tickets: 137/5/0) (charge: #105)

Performances

Mainpiece Title: Werter

Afterpiece Title: Barataria

Song: In Act III of mainpiece an Epithalamium. The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister

3619
16 March 1786 @ King's Theatre

Event Comment: Benefit for Sga Sestini. A Comic Opera; the Music by Anfossi. Tickets, 10s. 6d. each, to be had of Sga Sestini, No. 38, Mount-street, Berkeleysquare

Performances

Mainpiece Title: I Viaggiatori Felici; Or, The Happy Travellers

Dance: End of Act I New Divertissement, as17860311but omitted: Mlle Mozon, Fabiani; End of Opera Divertissement Villageois, as17860218, but omitted: Mlle Mozon

Song: Sga Sestini will introduce some favourite songs

3620
04 April 1786 @ Drury Lane Theatre

Event Comment: Benefit for Bannister. 1st piece: Not acted these 2 years. Morning Herald, 11 Mar.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. Receipts: #316 4s. 6d. (123/16/0; 10/16/0; 1/7/6; tickets: 180/5/0) (charge: #111 15s. 9d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

3621
06 April 1786 @ Drury Lane Theatre

Event Comment: Benefit for Kemble. Mainpiece: Not acted these 2 years. "Mrs Siddons spoke the speech on mercy as it certainly should be spoken--but as in truth we never heard it spoken--as a reply to 'On what compulsion must I?' From every other Portia it has always appeared as a recitation, prepared for the occasion" (Morning Chronicle, 8 Apr.). Morning Chronicle, 20 Mar.: Tickets to be had of Kemble, No. 19, Charles-street, Covent-garden. Receipts: #284 2s. 6d. (160/19/0; 20/17/6; 1/1/0; tickets: 101/5/0) (charge: #107 0s. 5d.)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Catherine and Petruchio

Dance: End of Act III of mainpiece The Lucky Return, as17860105; End of Act IV Minuet de la Cour, as17860116

3622
06 April 1786 @ King's Theatre

Event Comment: Benefit for Mme Mara. Tickets to be had of Mme Mara, No. 24, Henrietta-street, Cavendish-square. Opera: With the last Scene new

Performances

Mainpiece Title: Didone Abbandonata

Dance: End of Act I New Divertissement, as17860311End of Opera L'Amour Jardinier, as17860401, but added: Miss Hervey, and L'Amour-Miss De Camp

Song: In the beginning of the 2nd act a Bravura Song by Mme Mara

3623
19 April 1786 @ Covent Garden

Event Comment: Benefit for Holman. Morning Herald, 29 Mar.: Tickets to be had of Holman, No. 24, Bedford-street, Covent Garden. Receipts: #282 2s. 6d. (153/2/0; 5/0/6; tickets: 124/0/0) (charge: #105)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Two Misers

Dance: As17851112

3624
21 April 1786 @ Covent Garden

Event Comment: Benefit for Mrs Kennedy. Morning Herald, 12 Apr.: Tickets to be had of Mrs Kennedy at her house, No. 36, Great Queen-street, Lincoln's Inn Fields. Receipts: #257 2s. (113/19; 4/6; tickets: 138/17) (charge: #105)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Midas

Song: End of Act I of mainpiece Diana's Chase (composed by Dr Arne); End of Act II How sweet the love that meets return, both by Mrs Kennedy

3625
22 April 1786 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Morning Chronicle, 30 Mar.: Tickets to be had of Bensley, Charlotte-street, Bloomsbury. Receipts: #267 19s. 6d. (133/16/0; 12/13/0; 1/0/6; tickets: 120/10/0) (charge: #112 3s. 10d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Humourist

Song: As17860302athi