SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The young Princesses"/1) | (@(roleclean,performerclean) "The young Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3188 matches on Performance Comments, 1291 matches on Event Comments, 839 matches on Performance Title, 750 matches on Author, and 17 matches on Roles/Actors.
Event Comment: Benefit for Yates. Set to music by Yates. Pit and Boxes 5s. Gallery 3s. The Serenata published this day at 6d. Books of the performance to be had at the Theatre

Performances

Mainpiece Title: The Choice Of Apollo

Performance Comment: Vocal parts-Gilson, Fawcett, Miss Polly Young, young gentlewoman (her first appearance in public).

Music: Concerto on German Flute-Florio; Concerto on Violincello-Siprutini; Concerto on Harpsichord-Yates; First Violin, Concerto-Barthelemon

Performances

Mainpiece Title: The Minor

Performance Comment: [As17730611but to avoid confusion full cast listed]: Smirk, Mrs Cole-Foote; the Minor-Aickin; Shift (with imitations)-Hutton; Sir William-Lloyd; Sir Richard-Howard; Loader-Davis; Transfer-Follett; Dick-Jacobs; Lucy-Miss Ambrose.
Cast
Role: the Minor Actor: Aickin

Afterpiece Title: A Trip to Portsmouth

Performance Comment: Parts by Weston, DuBellamy, Castle, Hutton, Bolton, LaMash, Follett, Hamilton, Fearon, Courtney, Bannister, Lings, Osborne, Francis, Ward, Lloyd, Mrs Fearon, Miss Platt, Mrs Palmer, Miss Atkinson, Mrs Weston, Miss Craven, a Young Gentlewoman. Prologue-Weston; To conclude with a Treble Hornpipe-Giorgi's scholars; Buck-Weston; Tom-Bannister; Sir Flimsey-Castle; Young Inkle-Lamash; Miss Flirt-Miss Craven; Lady Lochiel-Mrs Fearon; Simpson-DuBellamy; Sneer-Jacobs; Old Incle-Fearon; Hearty-Ward; Frenchman-Bolton; Laird-Hamilton; Landlord-Lloyd; Waiter-Hutton; 2nd Sailor-Follett; Groanly-Pearce; Katty-Miss Wilde; Landlady-Miss Platt; Dorothy-Mrs Weston; Nan-Mrs Palmer; Cicely-Miss Atkinson (Edition of 1773); Parts-Courtney, Lings, Osborne, Francis, a Young Gentlewoman.
Event Comment: Afterpiece: By Particular Desire. House (Hopkins Diary). Paid present to Messrs Younger & Kennedy [burnt out] #21 (Treasurer's Book). [See further payments to Kennedy 25 May. See also cg 12 May. An account of the fire given in Westminster Magazine, May 1774, p. 267: Mr and Mrs Kennedy who directed the company of performers at Richmond last summer were upon a visit to Mr Younger." Kennedy and Younger escaped, but Mrs Kennedy and a young friend, who had been reading in bed and who had fallen asleep without putting out the candle, were burned to death. Fire broke out at 2 o'clock in the morning.] Receipts: #261 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Deserter

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Performance Comment: Principal Characters by King, Dodd, Bensley, Parsons, Baddeley, Whitfield, Webster, Mrs Baddeley, Mrs Hopkins, Miss Younge. [Cast from text (T. Cadell, 1778): Sir George Boncour-King; Young Kennel-Dodd; Mr Boncour-Bensley; Old Valence-Parsons; Old Kennel-Baddeley; Young Valence-Whitfield; Young Boncour-Webster; Miss Valence-Mrs Baddeley; Mrs Boncour-Mrs Hopkins; Miss Boncour-Miss Younge; Prologue-King; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Young Kennel Actor: Dodd
Role: Young Valence Actor: Whitfield
Role: Young Boncour Actor: Webster
Role: Miss Boncour Actor: Miss Younge
Role: Epilogue Actor: Miss Younge.

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: [Marshall is identified in Morning Herald, 2 June.] Afterpiece: Not acted these 4 years

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Massey; Eustace-Lamash; Young Meadows-A Young Gentleman (1st appearance on any stage [Marshall]); Lucinda-Miss Hale; Margery-Mrs Wells (from the Theatre at Exeter; 1st appearance in London); Deborah Woodcock-Mrs Love; Rosetta-Miss Harper.

Afterpiece Title: The Author

Performance Comment: Cadwallader-Bannister; Young Cape-Staunton; Sprightly-R. Palmer; Vamp-Baddeley; Governor Cape-Usher; Robin-Webb; Devil-Stevens; Poet-Bannister Jun.; Arabella-Mrs Cuyler; Mrs Cadwallader-Mrs Wells.
Cast
Role: Young Cape Actor: Staunton

Dance: End II: Tambourine Dance-Master Byrn, Miss Byrn

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn and Young Meadows-Two young Gentlemen (1st appearance [Chapman and Barrymore respectively]); Justice Woodcock-Parsons; Sir William Meadows-Aickin; Eustace-Williames; Hodge-Moody; Margery-Mrs Wrighten; Deborah Woodcock-Mrs Love; Lucinda-Miss Collett; Rosetta-Miss Field .

Afterpiece Title: All the World's a Stage

Dance: In Act I of mainpiece a Country Dance incident to the Piece; End of Act II the Devonshire Minuet by the Miss Stageldoirs

Performances

Mainpiece Title: The City Madam

Performance Comment: Mr Plenty-King; Holdfast-Parsons; Young Lacy-Brereton; Lord Lacy-Aickin; Sir John Frugal-Baddeley; Young Goldwire-Bannister Jun.; Young Tradewel-Farren; Old Goldwire-Fawcett; Old Tradewel-Chaplin; Fortune-Waldron; Penury-Wrighten; Banks-Wright; Ranter-R. Palmer; Luke-Palmer; Lady Frugal-Mrs Hopkins; Millescent-Mrs Wrighten; Anne-Mrs Brereton; Mary-Miss Farren .
Cast
Role: Young Lacy Actor: Brereton
Role: Young Goldwire Actor: Bannister Jun.
Role: Young Tradewel Actor: Farren

Afterpiece Title: Bon Ton

Dance: As17821107

Event Comment: Benefit for Sidney. Pit 1s. Gallery 6d. To begin at 7:00 precisely. Tickets to be had at the Theatre

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Joseph Surface-Marriot; Sir Peter Teazle-Simpson; Sir Oliver Surface-Sidney; Sir Benj. Backbite-Russel; Crabtree-Young; Careless (with a song)-Wilson; Charles-Sterne; Mrs Candour-Mrs Marriot; Lady Sneerwell-Mrs Fowler; Maria-Mrs Simpson; Lady Teazle-Mrs Sterne.
Cast
Role: Crabtree Actor: Young

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Sidney; Young Wilding-Russel; Sir Jasper Wilding-Young; Beaufort-Wilson; Young Philpot-Sterne; Corinna-Mrs Marriot; Maria-Mrs Sterne.
Cast
Role: Young Wilding Actor: Russel
Role: Sir Jasper Wilding Actor: Young
Role: Young Philpot Actor: Sterne

Song: End: The Wedding Day-Wilson

Entertainment: Monologue. Afterpiece to conclude: with an Occasional Address of Thanks-Sidney

Event Comment: The Opera Dances [Les Delassemens Militaires and Cupid and Psyche, both advertised on playbill of 30 Oct.] are obliged to be deferred till Saturday, on account of Mme Hilligsberg not being sufficiently recovered from her late accident [see 28 Oct.] to perform. [Miss Wheatley, who had 1st appeared at dl, 16 Feb. 1795, is identified in European Magazine, Nov. 1797, p. 339.] Receipts: #119 4s. 6d. (113.7.6; 5.17.0)

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: Sir Simon Flourish-Quick; Harcourt-Incledon; Captain O'Neill-Johnstone; Old Testy-Munden; Young Flourish-Fawcett; Young Testy-Knight; Bluff-Townsend; Snare-Clarke; Keeper-Thompson; Tipstaff-Simmons; Bailiffs-Linton, Gray, Street; Kitty-Mrs Martyr; Lady Flourish-Mrs Knight; Miss Hartley-A Young Lady (1st appearance on any stage [Miss Wheatley]).Miss Wheatley]).
Cast
Role: Young Flourish Actor: Fawcett
Role: Young Testy Actor: Knight
Role: Miss Hartley Actor: A Young Lady

Afterpiece Title: The Irishman in London

Afterpiece Title: England's Glory

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Cast
Role: Young Talbot Actor: Bologna Jun.

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: Cheveril-Lewis; Mr Mordent-Pope; Donald-Munden; Clement-Claremont; Grime-Davenport; Item-Emery (1st appearance in that character); Lenox (1st time)-Murray; Joanna (the Deserted Daughter)-A Young Lady (1st appearance on any stage [unidentified]); Lady Ann Mordent-the Late Miss Betterton [i.e. now Mrs Glover] (1st appearance in that character); Mrs Enfield-Mrs Whitmore; Betty-Miss Leserve; Mrs Sarsnet-Mrs Mattocks; Oraginal Epilogue-[the Young Lady, the Late Miss Betterton, Mrs Mattocks.the Young Lady, the Late Miss Betterton, Mrs Mattocks.

Afterpiece Title: The Social Songsters

Performance Comment: As18000426, but added: The Tight Little Island-Townsend; When Arthur first at Court began-Incledon, Linton, Denman; Old Towler-Incledon; Naval History-_; My Dolly was the fairest Thing-_; The Red Cross Knight-_; This Life is like a Country Dance-_.

Afterpiece Title: Netley Abbey

Dance: End II 1st piece: the Duchess of York's New Minuet and Waltz= (The Music composed by Alde [recte Alday], Dance by D'Egville)-Master and Miss D'Egville; In 2nd piece: Dance-Master D'Egville, Miss Packwood, Miss D'Egville

Entertainment: Monologue. End I 1st piece: Appropriate Address written on the Occasion-Mrs Mattocks

Performance Comment: End I 1st piece: Appropriate Address written on the Occasion-Mrs Mattocks.
Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Performance Comment: . Edition of 1670: Prologue-; Maximin-Mohun; Porphyrius-Hart; Charinus-Harris; Placidius-Kynaston; Valerius-Lydall; Albinus-Littlewood; Nigrinus-Beeston; Amariel-Bell; Berenice-Mrs Rebecca? Marshall; Valeria-Mrs Ellen Guyn; St Catharine-Mrs Hughes; Felicia-Mrs Knepp; Erotion-Mrs Uphill; Cydnon-Mrs Eastland; Epilogue-Mrs Ellen [when she was to be carried off Dead by the Bearers; [Downes (Roscius Anglicanus, p. 10) omits some of these roles, adds Damilcar-Mrs James [and lists Mrs Boutel [who later played the role; see the edition of 1695] for St Catharine. The edition of 1686 adds: Apollonius-$Cartwright.
Event Comment: The King's Company. The date of the premiere is not known, but a licensing date of 28 March 1678 suggests a first performance not later than February 1678. One song, One night while all the village slept, with music by Louis Grabu and words by Sir Car Scroop, is in Choice Ayres and Songs, The Third Book, 1681. Downes (Roscius Anglicanus, p. 17): Major Mohun...[in] Mithridates, &c. An Eminent Poet seeing him Act this last, vented suddenly this Saying: Oh Mohun, Mohun! Thou little Man of Mettle, if I should write a 100 Plays, I'd Write a Part for thy Mouth; in short, in all his Parts, he was most Accurate and Correct. [Downes, p. 12, gives an identical cast except for omissions.] Princess Anne apparently played Ziphares and Frances Apsley played Semandra in a production of this drama, probably at St James's Palace or at Sir Allen Apsley's house in St James's Square, between January 1677@8 and August 1679. See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 61

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: Edition of 1678: Prologue-; Mithridates-Mohun; Ziphares-Hart; Pharnaces-Goodman; Archelaus-Griffin; Pelopidas-Wintershul; Andravar-Powell; Aquilius-Clark; Another Roman Officer-Wiltshire; Monima-Mrs Corbett; Semandra-Mrs Boutel; Epilogue by Mr Dryden-.
Event Comment: Apparently The Man of Mode had an amateur revival in Brussels in the autumn, possibly before the Duke and Duchess of York, when they were away from London. Princess Anne to Frances Apsley, 3 Oct. 1679: The play is practisde to night Miss Watts is to be Lady townly which part I beleeve wont much become her. [See Benjamin Bathurst, Letters of Two Queens (London, 1924), pp. 111-12]

Performances

Event Comment: The Duke's Company. This is another in the series of Court performances in L. C. 5@145, p. 120. See also Nicoll, Restoration Drama, p. 350, and 11 Feb. 1679@80. Mountstevens to Henry Stevens, 20 Feb. 1679@80: Upon Sunday the Court is to be in mourning for the death of the Princess Elizabeth, sister to Prince Rupert. (R. W. Blencowe, Diary of the Time of Charles the Second [London, 1843], I, 283)

Performances

Mainpiece Title: Epsom Wells

Event Comment: The Duke's Company. This is another in the series of Court performances in L. C. 5@145, p. 120. See also Nicoll, Restoration Drama, p. 350, and 11 Feb. 1679@80. It should be noted that not only is this date a Friday in Lent but it is also during the period of mourning for the Princess Elizabeth. Yet to place this performance in 1681 would make it fall on Sunday

Performances

Mainpiece Title: She Would If She Could

Event Comment: The United Company. BM Sloane MS 3929, newsletter: 19 May 1688: On Munday last the King prince and princess were to see a play called the Squire of Alsatia. [I owe this quotation to Professor John Harold Wilson.

Performances

Mainpiece Title: The Squire Of Alsatia

Performances

Mainpiece Title: London's Great Jubilee

Performance Comment: Restor'd and Perform'd On Tuesday, October the 29th 1689. For the Entertainment of the Right Honourable Sir ThomasPilkington Kt. Lord Mayor of the City of London. Containing a Description of the several Pageants and Speeches together with a Song for the Entertainment of Their Majesties, who with their Royal Highnesses the Prince and Princess of Denmark, the whole Court, and both Houses of Parliament, Honour His Lordship this Year with their Presence. All set forth at the Proper Cost and Charges of the Right Worshipful Company of Skinners. [By Matthew Taubman.]
Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Event Comment: London Gazette, No 2651, 6-9 April 1691: The Consort of Vocal and Instrumental Musick lately held in York-Buildings, will be performed again (at the same place and hours as formerly) on Monday next (being Easter-Monday) by the Command, and for the Entertainment, of her Royal Highness the Princess of Denmark

Performances

Mainpiece Title: Concert

Event Comment: The United Company. Newdigate newsletters, 11 June 1692: And on Monday [the Princess Anne] comes to see the new opera (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Fairy Queen

Event Comment: BM Add. Mss. 34096, folio 63r 64v, Whitehall, 15 July 1692: The Prince and Princesse of Danemarke...yesterday...tooke barge to Goe to ye Play House. [See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 225, for a letter by Princess Anne ordering boats to take her to the theatre.

Performances

Event Comment: London Gazette, No. 3264, 18-22 Feb. 1696@7: On Wednesday next, being the 24th instant, will be performed at York Buildings, a New Song Set by Signior Baptist, for the Birth Day of Her Royal Highness the Princess, and by Her Royal Highness's Command

Performances

Mainpiece Title: Concert

Event Comment: Rich's Company. The date of the first performance is not known, but it cannot be later than December 1698, for the play was advertised in the Post Man, 27-29 Dec. 1698. The play may have been produced earlier in the season, but it apparently followed the two operatic works (The Island Princess and Rinaldo and Armida), as the Epilogue alludes to the "late Singers." It also refers to Sigismondo Fideli, as being lately arrived, and he is known to have given a concert on 22 Dec. 1698

Performances

Mainpiece Title: Love And A Bottle

Performance Comment: Edition of 1699: Prologue By J. H. (Joseph Haines)-Mr Powell (a Servant attending with a Bottle of Wine); Epilogue by and-Jo. Haynes (in Mourning); Roebuck-Williams; Lovewell-Mills; Mockmode-Bullock; Lyrick-Johnson; Pamphlet-Haynes; Rigadoon-Haynes; Nimblewrist-Ashton; Club-Pinkethman; Brush-Fairbank; Lucinda-Mrs Rogers; Leanthe-Mrs Maria Alison; Trudge-Mrs Mills; Bulfinch-Mrs Powel; Pindress-Mrs Moor.
Cast
Role: Leanthe Actor: Mrs Maria Alison
Event Comment: James Brydges, Diary: I set Mr Bullock down at ye Playhouse, & came home (Huntington MS St 26). John Dryden wrote to Mrs Steward on 23 Feb. [1699@1700, but possibly 1698@99, as the letter concerns theatrical affairs of the autumn and winter of 1698-99]: The Poem of The Confederates [see The Island Princess, November 1698] some think to be Mr Walsh: the copies are both lik'd. And there are really two factions of ladyes, for the two play-houses. If you do not understand the names of some persons mention'd I can help you to the knowledge of them. You know, Sir Tho. Skipwith is master of the play-house in Drury-Lane; and my Lord Scarsdale is the patron of Betterton's house, being in love with somebody there [presumably Anne Bracegirdle] (The Letters of John Dryden, p. 133)

Performances

Event Comment: London Post, No. 30, 1-3 Jan. 1700: This day at the Theatre-Royal in Dorset-garden, the Famous Kentish-man Mr Joy, designs to show the same Tryals of Strength, he had the honour of showing before his Majesty, the Prince and Princess of Denmark, and several Persons of Quality, viz. The lifting a weight of 2240 l. Holding an extraordinary large Cart-Horse; and afterwards breaking a Rope that will bear 3500 weight. There will likewise be shewn the Sister, carrying 5 Bushels of Wheat, or any other grain; She being but 15 Years of Age. They will also show on Thursday, Friday, and Saturday, beginning at 3 of the Clock, and ending at 4 in the Afternoon. Boxes 3s. Pit 2s. 1st Gallery 1s. Upper gallery 6d

Performances

Mainpiece Title: Entertainments