SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Temple Paris"/1) | (@(roleclean,performerclean) "The Temple Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 513 matches on Performance Title, 290 matches on Performance Comments, 229 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Topham, Gardiner, Miss Jones. Afterpiece: Which was originally acted at the Haymarket. With Alterations, Additions, and Amendments. Written by Mr Carey

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Performance Comment: Young Mirabel-a Gentleman of the Temple; Old Mirabel-Topham; Duretete-Jones; Dugard-Blastock; Petit-Boothby; Bissare-Miss Jones; Oriana-Miss Jones Jr; Lamorce-Miss Atherton .

Afterpiece Title: The Honest Yorkshireman

Dance: Pierrot by Baudvin

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.
Event Comment: At the Temple Punch House, by Inner Temple Gate Tony Aston exhibits a dialogue between Abigail and Vellum, Dorinda and Scrub, Hob and Mary...Prologue, Epilogue, and Pasquin.--Theatrical Clippings, Folger Library

Performances

Event Comment: Will be presented a Comedy [no concert formula used.] To begin at 7 p.m. Boxes 3s. Pit and Gallery 2s. There will be no more Plays Acted there but this One, that being upon a particular Occasion

Performances

Mainpiece Title: The Recruiting Officer

Dance: I: Hornpipe-John Granier; II: Country Wake-Mr Miles, Mrs Miles; III: Dutch Dance-Jo. Granier, Miss Granier; IV: Farmer's Dance-Jo. Granier, Miss Granier; End: The Temple of Jupiter with the loves of Adonis and Venus-

Performance Comment: Granier, Miss Granier; IV: Farmer's Dance-Jo. Granier, Miss Granier; End: The Temple of Jupiter with the loves of Adonis and Venus-.

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Triumph of Peace

Performance Comment: Mars-Cooke; Mars' followers-Blakes, Vaughan, Marr, Adams, Shawford, Harvey, Yates, Harrison; War-Winstone; Power-Lee; Ambition-Palmer; Peace-Mrs Mills; Justice-Mrs LaFont; Liberty-Mrs Ansley; Shepherds-Havard, Beard, Reinhold, King, Master Maddox; Shepherdesses-Mrs Clive, Miss Cole, Miss Medina; Britannia-Anne Auretti; Hungarians-Cooke, Janeton Auretti; French-Mathews, Mrs Addison; Dutchman-Pelling; Spaniard-Shawford; concluded with a view of the Temple of Peace-.
Event Comment: Benefit for Will Hill. Mainpiece: By Particular Desire of his friends. N.B. The Gentlemen are desired to meet Mr Hill after the Play at the Rose Tavern, Temple Bar. [He had advertised since 15 April that "Gentlemen and Ladies who intend to honour him with their presence," should take tickets at: the Thatched House, St. James's St; Jack Bridell's, the One Tun in the Strand; Half moon in Holborn; Rose, Temple Bar; King's Head, in the Poultry; Castle, Lombard St; Bell, East cheap; King's Head, Tower Hill, Rummer, Bishopsgate St; West India and Jerusalem Coffee Houses near the Royal Exchange; Chapman's, Swordcutler, in Exchange Alley; and at Will Hill's Lodgings, Mr Geves's in Abchurch Lane.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Damon and Phillida

Dance: Master J. Granier, Master J. Granier's Sister

Event Comment: Both pieces By Command of his Majesty. [The Assembly at the Temple of Taste in the Five Bell's tavern (see 20 Feb.) received a puff this day: 'On Thursday Night there was a brilliant appearance of Ladies and Gentlemen, at the opening of the Temple of Taste, who express'd much Satisfaction at the entertainment they met with, which was not only instructive, but extremely polite and pleasing; if any Complaint was made, it was that (nothwithstanding is lasted full three hours) instead of being tir'd with the Performance, as at many Publick exhibitions, they seem'd to think they had too little of it; As we are always glad to embrace any Opportunity of shewing our zeal for the Service of the Publick, we can but applaud an Undertaking than which nothing appears more rational and better calculated for the general good" (General Advertiser).

Performances

Mainpiece Title: The Country Lasses

Performance Comment: As17511214, but the Original Sheep Shearing Song-_.

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for a Widow & Children (Cross), who are fallen into great distress (Winston MS 8). Tickets to be had at Mr Gladman's, a Trunk-maker, Charing Cross; at the Amsterdam Coffee House, behind the Exchange; at the Rainbow and Janeways in Cornhill; at Anderton's and the Temple-Exchange, in Fleet St.; at George's, Temple Bar; Somerset Coffee House, Strand and at Stage Door of the Theatre. Receipts: #97 (Cross)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Ross; Lady Townly-Mrs Pritchard; Lady Grace-Mrs Mills; Manly-Davies; Mrs Trusty-Miss Hippisley; Sir Francis-Yates; Basset-Blakes; Moody-Winstone; Squire Richard-Shuter; Mrs Motherly-Mrs Cross; Myrtilla-Mrs Bennet; Lady Wronghead-Mrs James; Miss Jenny-Miss Minors.
Cast
Role: Mrs Motherly Actor: Mrs Cross

Afterpiece Title: Lethe

Dance: Devisse, Mad Auguste

Event Comment: Benefit for the Widow Vince (Cross). Tickets at Temple-Exchange Coffee House; Fleet St.; Mr Hanson's, Poulterer, Corner Fleet Market; the Cock at Temple Bar, and at Stage Door (playbill). This night Mr Foote open'd an Oratory against Macklin at ye little Haymarket House--great crowd-great Applause (Cross). Receipts: #190 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: II: A Hornpipe-Mathews; IV: A New Dance-Sga Sabatini, as17541115

Performances

Mainpiece Title: Variety

Performance Comment: Principal Characters by King, Palmer, Parsons, Brereton, Baddcley, Bannister Jun., R. Palmer, Burton, Smith; Miss Farren, Miss Pope, Mrs Brereton, Mrs Hopkins, Mrs Abington. [Cast from text (T. Becket, 1782), and European Magazine, Feb. 1782, p. 143: Commodore Broadside-King; Captain Seafort-Palmer; Sir Timothy Valerian-Parsons; Lord Frankly-Brereton; Major Seafort-Baddeley; Mr Steady-Bannister Jun.; Sir Frederick Fallal-R. Palmer; Davy-Burton; Mr Morley-Smith; Miss Harriet Temple-Miss Farren; Lady Fallal-Miss Pope; Lady Frankly-Mrs Brereton; Mrs Bustle-Mrs Hopkins; Lady Courtney-Mrs Abington.] Prologue spoken by King. Epilogue spoken by Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by King. Epilogue spoken by Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Quaker

Event Comment: Benefit for Baddeley. Mainpiece: Not acted these 30 years [not acted since 22 July 1718]. Afterpiece [1st time; C 2, ascribed to Jesse Foot. MS: Larpent 650; not published; synopsis of plot in Gazetteer, 20 Apr. Author of Prologue unknown]. Public Advertiser, 16 Apr.: Tickets to be had of Baddeley, No. 2, Little-Russel-street, Covent Garden. Receipts: #216 18s. (73/10; 35/11; 3/10; tickets: 104/7) (charge: #106 8s. 4d.)

Performances

Mainpiece Title: Love In A Veil

Afterpiece Title: Jewish Education

Performance Comment: End of Act II Baddeley in the Character of Moses [in The School for Scandal] will present the Audience with a Specimen of Jewish Education .

Afterpiece Title: The Quacks; or, The Credulous Man

Performance Comment: Principal Characters by Parsons, Farren, Bannister Jun., Waldron, R. Palmer, Burton, Phillimore, Baddeley; Mrs Booth, Mrs Love, Mrs Brereton. [Cast from Gazetteer, 20 Apr.: Sir Toby Meagrim-Parsons; Temple-Farren; Sharper-Bannister Jun.; John-Waldron; Christopher Camp-R. Palmer; Dr Humberg-Burton; Martel-Phillimore; Dr Seraglio-Baddeley; Lady Meagrim-Mrs Booth [Gazetteer: Mrs Hopkins]; Betty-Mrs Love; Miss Kitty-Mrs Brereton.] Prologue in the Character of an Undertaker spoken by Bannister Jun . Prologue in the Character of an Undertaker spoken by Bannister Jun .
Cast
Role: Temple Actor: Farren

Dance: End of mainpiece, as17840311athi

Event Comment: Benefit for Wrighten, prompter. 3rd piece [1st time; M I, author unknown. Music selected from Dr Arne. MS: Larpent 833 (which notes, "The words partly new and partly compiled. In Commemoration of the Restoration of His Majesty's Health"); not published]. Public Advertiser, 18 May: Tickets to be had of Wrighten, No. 6, Little Russel Street. Tickets delivered for the 20th will be admitted. Receipts: #278 17s. 6d. (48.2.0; 13.17.0; 0.17.6; tickets: 216.1.0) (charge: #106 13s. 7d.)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17881020, but Manly-Whitfield; Lady Grace (1st time)-Mrs Farmer; Miss Jenny [without songs] (1st time)-Miss Raymond; Trusty-_; Mrs Motherly-_.
Cast
Role: Mrs Motherly Actor: Mrs Love

Afterpiece Title: The Toy Shop

Performance Comment: As17890511, but Master of the Toy Shop-Palmer; The other Characters-_Chaplin, _Alfred.

Afterpiece Title: Laoeudaimonos; or, A People Made Happy

Performance Comment: Principal Characters-Kelly, Dignum, Sedgwick, Miss Romanzini, Mrs Edwards, Mrs Crouch. [Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: Marian

Cast
Role: Metheglin Actor: Edwin

Afterpiece Title: Werter

Afterpiece Title: Poluscenicon

Performance Comment: Harlequin-Boyce; Pierrot-Cranfield; Pantaloon-Thompson; Lover-Farley; Colombine-Mrs Watts; A Pantomimical Selection, consisting (among several others) of the following Scenes and Songs: The Birth of Harlequin--from the Magic Egg; View of Guildhallv--which changes to a Warehouse; Bedlam Wall--changing to a Ballad Stall; Teague's Ramble to London-Ryder; Ball Room--The Long Minuet-; taken from Bunbury's Print; Landscape-Horses, Dogs and Stag; Hunting Song-Bannister; View of a Poundv--changes to a Butcher's shop; A Prospect at Sea; Poor Jack! ; or, the Cherub (music by Dibdin)-Darley ; A Garden--changes to a Melon Ground; The Temple of Marsv. A Garden--changes to a Melon Ground; The Temple of Marsv.
Cast
Role: The Long Minuet Actor:
Role: the Cherub Actor: Darley

Dance: In 3rd piece: Byrne, Ratchford, Cranfield, Jackson, Mrs Ratchford, Miss Rowson, Miss Francis, Mrs Goodwin

Song: End 1st piece: Four and Twenty Fidlers-Edwin; In III 2nd piece: Epithalamium-; Vocal Parts-Cubitt, Darley, Mrs Mountain, Mrs Martyr

Performances

Mainpiece Title: The Governor

Afterpiece Title: Hartford Bridge

Afterpiece Title: The Relief of Williamstadt

Performance Comment: As17930323but Scene II. A View of the Maese. Vocal Parts-_; omitted: The Temple of Mars, Dances. omitted: The Temple of Mars, Dances.

Afterpiece Title: Harlequin's Museum

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt

Performance Comment: As17930401, but Oh what a charming thing's a battle-Darley in Scene IV in place of Incledon; retained: The Temple of Mars. retained: The Temple of Mars.

Afterpiece Title: The Midnight Wanderers

Entertainment: Monologue. End: a new Occasional Address, as17930323

Event Comment: Benefit for Incledon. 1st piece: As originally performed in 3 acts. Not acted these 7 years [acted 28 Oct. 1789]. 2nd piece [1st time; M. INT 1, attributed to John Cartwright Cross. MS: Larpent 1021; not published]. Morning Chronicle, 19 Apr.: Tickets to be had of lncledon, No. 15 , Charlotte-street, Bloomsbury. Receipts: #396 12s. 6d. (122/12/6; 6/0/6; tickets: 267/19/6)

Performances

Mainpiece Title: Robin Hood

Performance Comment: Robin Hood (for that night only)-Bowden (1st appearance on this stage these 7 years); Little John-Quick; Allen o'Dale (1st time)-Townsend; Ruttekin-Bernard; Fitzherbert (1st time)-Richardson; Scarlet-Davies; Bowman-Cubitt; Edwin (for that night only)-Incledon//Clorinda- Mrs Martyr; Stella (1st time)-Mrs Mountain; Annette (1st time)-Miss Barnett; Angelina-Miss Poole (1st appearance in that character) .

Afterpiece Title: NAPLES BAY; or, The British Seamen at Anchor

Performance Comment: Principal Characters by Johnstone, Bowden, Incledon, Munden, Townsend, Cubitt//Miss Poole. [Cast from Larpent MS: Michael-Johnstone; Captain Cable-Bowden; Ensign Platoon-Incledon; Quadrant-Munden; Rattling-Townsend; Legatto-Cubitt; Mr Temple-Thompson// Caroline-Miss Poole.] To open with Paisiello's Grand March. May our Navy Old England for ever protect (composed by Shield) by Incledon and Bowden. No good witbout an exception (composed by Dibdin) by Johnstone. Stamd to your Guns, my Hearts of Oak (composed by Carter) by Bowden. When on board our trim vessel (composed by Carter) by Munden. Beviamo tutti tre (composed by Giardini) by Johnstone, Incledon, Linton, &c. Italian Air, accompanied on the Harp, by Miss Poole. Water parted from the sea (composed by Dr Arne) by Incledon. God preserve his Majesty [singers not listed] . To open with Paisiello's Grand March. May our Navy Old England for ever protect (composed by Shield) by Incledon and Bowden. No good witbout an exception (composed by Dibdin) by Johnstone. Stamd to your Guns, my Hearts of Oak (composed by Carter) by Bowden. When on board our trim vessel (composed by Carter) by Munden. Beviamo tutti tre (composed by Giardini) by Johnstone, Incledon, Linton, &c. Italian Air, accompanied on the Harp, by Miss Poole. Water parted from the sea (composed by Dr Arne) by Incledon. God preserve his Majesty [singers not listed] .

Afterpiece Title: THE FOLLIES OF A DAY

Dance: In 2nd piece A Medley Hornpipe in Wooden Shoes by Byrn

Song: End of 1st piece Black-Eyed Susan by Incledon

Event Comment: Afterpiece: 54th time [i.e. in continuation of the reckoning for the previous season, when it had been acted 52 times]. Account-Book; Paid Music #8 17s. 4d.; Properties 5s.; Chorus Singers #1 10s. [apiece]; Wardrobe #6 1s. 9d.; Supernumeraries #5 1s.; Sloper for Scenemen #28 11s. 6d.; Hodgins and apprentice #6 5s.; Walmsley #5 5s.; Phillips #2 12s. 6d.; Dick for making Clothes to 19th Inst. #7 1s. Receipts: #312 7s. (304.14; 7.13)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Performance Comment: I. A Representation of Tartarusv exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas (design'd and executed by Richards; music by Shield) Lucifer-Holland; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Belial-Linton; Ades-Street; II. The Study of Dr Faustusv (painted by Hodgins). Dr Faustus-Farley; Zany-Simmons; III. A Landscape and Water Millv (painted by Walmsley). Harlequin-Bayzand; Pierrot-Follett; Miller-Hawtin; Miller's Wife-Miss Leserve; Colombine-Mme Rossi; Philidel-Miss Hopkins; IV. A View of a Country Inn: The Bull and Dogv (The Machinery by Hodgins). Dancing@Master (with a song in character)-Fawcett; V. A Representation of the Scaffoldingv prepared for erecting the New Theatre-Royal Drury Lane, as it appeared in July (1793). Irishman (with a song in character)-Rock; Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne)-Bernard, Davies, Linton, Street, Spofforth; VI. A View of Smithfield on a Market@Dayv (painted by Hodgins and Phillips). Ballad Singer (with a song in character)-Fawcett; VII. The Garden of Faustusv (painted by Pugh). Zephyrus-Holland; Flora-Mlle St.Amand; VIII. A Streetv in which is introduced two Trick Sedan Chairs (designed by Hodgins). IX. A Farm Yardv, which changes to a Chinese Bridgev, in which will be introduced the celebrated piece of machinery, The Peacockv. X. A Tobacco Warehousev which changes to an Equestrian Figure by Roubiliac. XI. The Infernal Regionsv and a Shower of Fire. XII. The Temple of Gloryv (designed and executed by Hodgins). VIII. A Streetv in which is introduced two Trick Sedan Chairs (designed by Hodgins). IX. A Farm Yardv, which changes to a Chinese Bridgev, in which will be introduced the celebrated piece of machinery, The Peacockv. X. A Tobacco Warehousev which changes to an Equestrian Figure by Roubiliac. XI. The Infernal Regionsv and a Shower of Fire. XII. The Temple of Gloryv (designed and executed by Hodgins).

Song: Mainpiece: Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Rock, Linton, Blurton, Abbot, Street, Miss Poole, Mrs Mountain, Mrs Clendining, Miss Hopkins, Mrs Henley, Miss Stuart, Mrs Arnold, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand, Mrs Blurton, Mrs Masters, Mrs Martyr

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.
Cast
Role: representing the Marriage of Peleus and Thetis Actor:
Role: Thetis Actor: Mme Prevost
Role: The Masque commences with the View of A Grove Actor:
Role: the Genii of the Morn Actor:
Role: the Graces Actor:
Role: he is her intended Husband Actor: Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: which she respectfully accepts Actor: the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: the Temple of Jupiter Actor:
Role: the Destinies Actor:
Role: arise from the Sea in their Watry Car Pluto Actor:
Role: together with Rhadamanthus Actor:
Role: enraged at not being invited to the sacred Festiva Actor: She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: For the Fairest" Actor: Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: who adjudge it to Thetis Actor: Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: Festoons of Flowers descend Actor: Cupids ascend supporting a Medallion and the Letters G. C.
Role: ] Actor: the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a
Role: accompanied on the Harp Actor: Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Event Comment: Benefit for Holman. Mainpiece: Never [previously] acted here. In Act V the Funeral Procession of a Roman Commanderv. Morning Chronicle, 11 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #263 3s. (130.16; 22.17; tickets: 109.10)

Performances

Mainpiece Title: Bonduca, Queen Of The Britons

Related Works
Related Work: Bonduca Author(s): George Colman, the elder

Afterpiece Title: He Wou'd be a Soldier

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Performance Comment: III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon.

Performances

Mainpiece Title: The Lad Of The Hills

Afterpiece Title: Harlequin's Treasure 0

Performance Comment: As17960319but Gambler-_; Glees and Chorusses-_ ; omitted: entire synopsis of action except for The Telegraphev and The Temple of Virtuev. omitted: entire synopsis of action except for The Telegraphev and The Temple of Virtuev.
Cast
Role: The Banditti Actor:
Role: The Hotel Actor:
Role: The Hazard Club Actor:
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: Actor: The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Jew Actor: the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Quaker Actor: the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Sailor Actor: the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Inside of the Bagnio Actor: the Change to the Prison-the Punishment of Vice-
Role: the Change to the Prison Actor: the Punishment of Vice-
Role: the Punishment of Vice Actor:
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet
Role: The arrival of an Express from the Admiralty by th Actor: the Sailing of the Fleet
Role: The Kitchen Scene Actor: by Messink.
Role: The Wash@House Scene Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich.
Role: The Statuary Yard Actor: invented by Messink-the formation of the Stone Figure invented by Delpini.
Role: Messink Actor: the formation of the Stone Figure invented by Delpini.
Role: and the Piece concludes with a Finale Actor:

Afterpiece Title: Harlequin's Treasure 1

Cast
Role: The Banditti Actor:
Role: The Hotel Actor:
Role: The Hazard Club Actor:
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: Actor: The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Jew Actor: the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Quaker Actor: the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Sailor Actor: the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Inside of the Bagnio Actor: the Change to the Prison-the Punishment of Vice-
Role: the Change to the Prison Actor: the Punishment of Vice-
Role: the Punishment of Vice Actor:
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet
Role: The arrival of an Express from the Admiralty by th Actor: the Sailing of the Fleet
Role: The Kitchen Scene Actor: by Messink.
Role: The Wash@House Scene Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich.
Role: The Statuary Yard Actor: invented by Messink-the formation of the Stone Figure invented by Delpini.
Role: Messink Actor: the formation of the Stone Figure invented by Delpini.
Role: and the Piece concludes with a Finale Actor:

Afterpiece Title: Harlequin's Treasure 2

Cast
Role: The Banditti Actor:
Role: The Hotel Actor:
Role: The Hazard Club Actor:
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: Actor: The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Jew Actor: the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Quaker Actor: the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Sailor Actor: the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Inside of the Bagnio Actor: the Change to the Prison-the Punishment of Vice-
Role: the Change to the Prison Actor: the Punishment of Vice-
Role: the Punishment of Vice Actor:
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet
Role: The arrival of an Express from the Admiralty by th Actor: the Sailing of the Fleet
Role: The Kitchen Scene Actor: by Messink.
Role: The Wash@House Scene Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich.
Role: The Statuary Yard Actor: invented by Messink-the formation of the Stone Figure invented by Delpini.
Role: Messink Actor: the formation of the Stone Figure invented by Delpini.
Role: and the Piece concludes with a Finale Actor:

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: Harlequin's Treasure

Performance Comment: As17961024, but Glees and Chorusses-_ omit entire synopsis except for the Telegraphev and the Temple of Virtuev.
Cast
Role: Glees and Chorusses Actor: _ omit entire synopsis except for the Telegraphev and the Temple of Virtuev.
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: the Mandarine Actor: the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: the Inside Actor: the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: the Magic Candles Actor: Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from an Admiralty by the Telegraphe-the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus
Role: The arrival of an Express from an Admiralty by the Actor: the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus
Role: which changes to the Wash Actor: House Scenev
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: Outside of a Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: The Statuary Yard invented by Messink Actor: Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: A Dark Wood Actor: Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.

Music: Afterpiece: Harp to be played-Weippert

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Harlot's Progress

Performance Comment: As17330331(in edition and Daily Post), but Paris-Lally; Companions of Paris (formerly Shepherds)-Haughton, Lally Jr, Tench, Davenport; Attendants on Helen (formerly Shepherdesses) [, as17330331-Mrs D'Lorme, Mrs Grace, Miss Mann, Miss Price; Shepherdesses-_; Shepherds-_.
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Event Comment: MMr Fleetwood in ye fight with Paris in ye last Act, having a Sword by his Side instead of a Foil, run Mr Austin (Paris) into the belly, he lay some time but at last call'd to be taken off--a Surgeon was sent for--No harm, a Small Wound, & he is recover'd (Cross). Receipts: #140 (Cross); #153 6d. (Winston MS 8)

Performances

Mainpiece Title: Romeo And Juliet

Dance: TThe Millers, as17581012

Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Gentleman Dancing Master

Performance Comment: Edition of 1672: Prologue to the City-; Newly after the Removal of the Duke's Company from Lincoln Inn Fields to their new Theatre, near Salisbury-Court. Epilogue-Flirt; allusions in the play imply: Don Diego-Angel?; Monsieur de Paris-James Nokes?.
Cast
Role: Prologue to the City Actor:
Role: Monsieur de Paris Actor: James Nokes?.