SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Temple Paris"/1) | (@(roleclean,performerclean) "The Temple Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 513 matches on Performance Title, 290 matches on Performance Comments, 229 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Subscription. The music for The Judgment of Paris composed by Weldon. [Note that both duRuel and Mrs Mayers are advertised to appear at both theaters this day.

Performances

Mainpiece Title: Concert

Afterpiece Title: The Judgment of Paris

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Music: With several Songs in Italian and English-Mrs Tofts; With several other select pieces of Musick- compos'd by the late Mr Henry Purcell

Dance: l'Abbe, duRuell, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers

Event Comment: Benefit Mrs Bracegirdle. The music of The Judgment of Paris set by Eccles

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Judgment of Paris

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Dance: Comical dances-deBarques, Mrs Elford

Performances

Mainpiece Title: Pierot Maitre Valet Et L'opera De Campagne; Ou, La Critique De L'opera De Paris

Performance Comment: Pierrot-The Person who plays Pierrot at Paris is just arriv'd from thence, and will perform this Night.

Entertainment: Vaulting, Tumbling-

Event Comment: At Phillips' Booth. 10 a.m. [According to the Daily Advertiser, 17 Sept. the Fair was to continue through 22 Sept.

Performances

Mainpiece Title: Colombine Courtezan

Entertainment: A Grand Scene of Cupid and Psyche-; A Scaramouch Dance-Phillips; which he performed at the Opera House at Paris upwards of Forty successive Nights with universal Applause. A Dialogue between Punch and Colombine-; The Drunken Peasant-Phillips; The surprizing Performance of The Mountain Grecian-; A new French Dance-Mlle Richmond, lately arrived from Paris

Performance Comment: A Dialogue between Punch and Colombine-; The Drunken Peasant-Phillips; The surprizing Performance of The Mountain Grecian-; A new French Dance-Mlle Richmond, lately arrived from Paris.

Music: A Compleat Band of Musick-

Event Comment: Benefit for Arthur and Mrs Vincent. Charges #60. Deficit to the actors #6 12s. 6d. apiece, covered by income from tickets: Arthur #31 9s.; Mrs Vincent #43 4s. [Afterpiece a farce taken from Beaumont & Fletcher. Not Printed. In which was introduced the Judgment of Paris, a musical piece.] Mainpiece: Not acted these 7 years. Tickets to be had of Arthur in Duke's Court, and of Mrs Vincent at the Cock and Turk's Head in Bedford St., Covent Garden. Receipts: #46 15s

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: The Maid of the Mill; or, The Country Revels

Afterpiece Title: Judgment of Paris

Performance Comment: Vocal parts-Lowe, Miss Falkner, Miss Young, Mrs Vincent; The Dances-Cooke, Miss Hillyard.
Cast
Role: The Dances Actor: Cooke, Miss Hillyard.
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Event Comment: Benefit for Macklin. Afterpiece: A Comedy in 2 acts written by Foote, with Prologue and Epilogue by him. Miss Macklin did Calista and a part in the farce,-all went well (Cross). A Comedy in answer to the French Farce A Frenchman in London, with a Dialogue Prologue, spoken by Macklin & his wife. Epilogue spoken by Miss Macklin. All by Foote. Part of Pit laid into the boxes, with an amphitheatre on stage, all at 5s. Full Prices (Winston MS 8). The Englishman at Paris has been better recev'd that I expected. Garrick, &c., &c....say kinder things of it than modesty will permit me to repeat. Upon the whole it was damnably acted, Macklin miserably imperfect in the words and in the character (a stain to Comedy). You might have seen what I meant,--an English Buck, by the power of dulness instantaneously transformed into an Irish chairman. Miss Roach, accompany'd by some frippery French woman occupy'd, to the no small scandal of the whole house, the Prince's box, whilst the duchess of Bedford &c., &c. were oblig'd to take up with seats upon the stage. The piece will be printed the 25th instant, which I will enclose to you (Samuel Foote to Mr Delaval, MS in Folger Shakespeare Library, written either 24 March, or, perhaps more likely, 24 April, since Foote states later in the letter he is leaving for foreign parts the first of May)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris

Event Comment: Afterpiece: A New Farce Sequel to The Englishman in Paris, by the same Author [Foote]

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Englishman Return'd from Paris

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: [As afterpiece the playbill announces The Best Bidder, but in the Account-Book it is deleted, with the note, "Chang'd to Englishman in Paris."] Receipts: #275 5s.(262/13/0; 12/4/6; 0/7/6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Englishman in Paris

Dance: Probably as17821206

Event Comment: Mainpiece: The Music composed principally by Storace, with a few pieces selected from Anfossi, Bianchi, and Guglielmi. "But for the excellent acting of Falmer, [THE ENGLISHMAN IN PARIS] would now scarcely be tolerated" (Thespian Magazine, June 1794, p. 225). Powell: Pirates rehearsed at 11 (Sedgwick one scene; Bardeauleau, Boyce, Horsfall). Receipts: #337 3s. (277/3/6; 57/3/0; 2/16/6)

Performances

Mainpiece Title: The Pirates

Performance Comment: Don Altador-Kelly; Don Gaspero- Suett; Guillermo- Sedgwick; Captain-Benson; Genariello-Dignum; Captain of the Guard-Caulfield; Lieutenant-Phillimore; Blazio-Bannister Jun.; Sotillo-Parsons; Sailor-Welsh; Waiter-Bland; Lazzaroni-Banks, Trueman, Webb, Lyons, &c.; Pirates-Welsh, Maddocks, Cooke, Dorion, &c.; Vintagers-Bourk, Whitmell, Walker, Nicolini, Bidotti, Mrs Brooker, Mrs Brigg, Mrs Harris, Mrs Haskey, Mrs Barrett, Miss Bourk, &c.//Aurora-Mrs Crouch; Fabulina-Sga Storace; Fidelia-Mrs Bland; Marietta-Miss Leak. General Chorus by Danby, Reynoldson, Tett, Brown, Walker, Aylmer, Dorion Jun., Willoughby, Atkins, Dixon, Fisher, Pilbrow, Bardeauleau, Annereau, Cook//Miss Arne, Miss Redhead, Miss Stageldoir, Mrs Bramwell, Miss Chatterley, Miss Gawdry, Mrs Butler, Miss Wrighten, Miss C. Wrighten, Mrs Boimaison, &c .

Afterpiece Title: THE ENGLISHMAN IN PARIS

Dance: In mainpiece Dances (composed by D'Egville) by Hamoir, G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp

Performance Comment: D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp .
Event Comment: The Public are respectfully informed that the War-Whoop Chorus, which was so much honoured with their Approbation, is now removed to the End of the First Act (printed slip attached to Kemble playbill). Powell: Englishman in Paris rehearsed at 10; Cherokee at 11. Receipts: #276 3s. (203.6.0; 69.7.6; 3.9.6),

Performances

Afterpiece Title: The Englishman in Paris

Event Comment: Afterpiece: A Pantomime Entertainment not acted these eight years. [See 20 Oct. 1768.] New Scenes, Dresses and other Decorations. Doors open at 5 o'clock. To begin exactly at 6 o'clock. Theatrical intelligence, Covent Garden: Mrs Hunter, lately returned from Ireland was very well receiv'd in Mrs Oakly, and to do her justice she played the part throughout better than it has been performed for some time at either house. The labourings of Mr Wroughton's jealousy in Oakly reminded us of the progressive workings of a fatt of small beer, when inflated with powerful yeast....Orpheus and Eurydice was reviv'd after the play-the dullest of all dull Pantomimes (Harlequin's Jacket excepted). The two additional scenes we were summoned by the bills to behold, are two of the late memorable regatta:-The first is a perspective of Ranelagh Gardensv to the water, illuminated with party-coloured lamps, which terminates with the temporary obelisk erected on that occasion:-Behind this we just catch the streamers of the barges and etc., supposed to be rowing up to the stairs, and landing their company, to martial music and under the discharge of cannon, imitated by the unnatural slamming of one of the Green Room doors. This scene, however, had a tolerable appearance, but being on too confined a scale, its intended effect must have been lost. The other represented the inside of as much of the Temple of Neptunev as was possible to give the spectators in a theatre:-we cannot extol it by any means as a perfect representation:-and to prevent it coming too near the original, Harlequin, Perot, Pantaloon, and etc. were made to lounge in the orchestra instead of its being occupied by a good band of music:-in short the whole pantomime went off rather flat. It is recommended to the managers here never to suffer the scene shifters to appear again in such garb as they did; old greasy plush waistcoats, with red-stocking sleeves!-such a habit may be in keeping with a blacksmaith's forge, but not for a theatre royal in the metropolis of a polished country (Folger News Clipping)

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Wroughton; Major Oakly-Dunstall, first time for both acotrs; Charles-Clinch; Trinket-Lewis; Russet-Fearon; Sir Harry-Quick; Paris-Wewitzer; Tom-Jones; Harriet-Mrs Mattocks; Lady Freelove-Mrs Green; Mrs Oakly-Mrs Hunter, being her third appearance on this stage.
Cast
Role: Paris Actor: Wewitzer
Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

Performance Comment: Harlequin-Lee Lewes; Orpheus-DuBellamy; Pantaloon-Banks; Squire Gawky-Wewitzer; Clown-Cushing; Witch-Thompson; Fish Woman-Walters; Drawer-Jones; Eurydice-Miss Brown; Rhodope-Miss Dayes; Dwarf-Mas. Jones; Nymph-Mrs Masters; Maid-Mrs Lawr; Colombine-Miss Matthews; first time. The Dances-Sg and Sga Zuchelli, Daguville, Sga Vidini; the Whole to conclude with Two Additional Scenes-. See17751016 .
Event Comment: Benefit for Mrs Powell. 2nd piece [1st time; M. INT 1, author unknown. MS not in Larpent MS; not published]: Founded on a recent fortunate Event [the escape of Sir William Sidney Smith from The Temple, Paris, on 24 Apr. 1798 (European Magazine, June 1798, p. 395)]. With appropriate Scenery, and Machinery. [3rd piece in place of The Children in the Wood, advertised on playbill of 19 May.] Times, 15 May: Tickets to be had of Mrs Powell, No. 43, Craven-street, Strand. Receipts: #548 17s. (233.4.6; 61.4.6; 0.17.0; tickets: 253.11.0) (charge: #214 12s. 1d.)

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: As17980409, but added; Mrs Powell [the only time her name is in the playbill of this play (and see17971214)]; Wentworth_; Gibbon_; Original Epilogue-Mrs Jordan; (for that night only) a new Additional Dialogue[, written by M. G. Lewis, Esq., Author of the Play,-Mrs Jordan, Mrs Powell.
Cast
Role: Author of the Play, Actor: Mrs Jordan, Mrs Powell.
Role: Father Philip Actor: Palmer
Role: Edric Actor: Wathen
Related Works
Related Work: The Castle-Spectre Author(s): Matthew Gregory Lewis

Afterpiece Title: The Escape

Afterpiece Title: The Shipwreck

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, and there saw Romeo and Juliet, the first time it was ever acted; but it is a play of itself the worst that ever I heard in my life, and the worst acted that ever I saw these people do, and I am resolved to go no more to see the first time of acting, for they were all of them out more or less. Downes (p. 22): Note, There being a Fight and Scuffle in this Play, between the House of Capulet, and House of Paris; Mrs Holden Acting his Wife, enter'd in a Hurry, Crying, O my Dear Count! She Inadvertently left out, O, in the pronuntiation of the Word Count! giving it a Vehement Accent, put the House into such a Laughter, that London Bridge at low-water was silence to it. This Tragedy of Romeo and Juliet, was made some time after into a Tragi-comedy, by Mr James Howard, he preserving Romeo and Juliet alive; so that when the Tragedy was Reviv'd again, twas Play'd Alternately, Tragical one Day, and Tragicomical another; for several Days together. [No specific notices are known which would indicate when Howard's version appeared.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Downes (Roscius Anglicanus, p. 22): Romeo-Harris; Mercutio-Betterton; Paris-Price; Fryar-Richards; Sampson-Sandford; Gregory-Underhill; Juliet-Mrs Saunderson; Count Paris' Wife-Mrs Holden. Spencer (Shakespeare Improved, p. 73) thinks that James Nokes acted the Nurse.
Cast
Role: Paris Actor: Price
Role: Count Paris' Wife Actor: Mrs Holden. Spencer

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Temple of Dulness

Related Works
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Lewis Theobald
Event Comment: Both pieces: By Command of their Royal Highnesses the Prince and Princess of Wales

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Temple of Dulness

Related Works
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Lewis Theobald

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Temple of Dulness

Related Works
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Lewis Theobald

Dance: II: Muilment; IV: Sga Bettini

Performances

Mainpiece Title: The Committee

Afterpiece Title: Temple of Dulness

Related Works
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Lewis Theobald

Dance: II: Serious Dance-Sga Bettini; IV: Grand Dance, as17441217

Performances

Mainpiece Title: King Lear

Afterpiece Title: Temple of Dulness

Related Works
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Lewis Theobald

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Temple of Dulness

Related Works
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Lewis Theobald

Dance: II: New Shepherd's Dance-Muilment; IV: Grand Dance-Signora Bettini

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

Performance Comment: Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette.
Event Comment: Afterpiece [1st time; BALL. P 1, by James Byrne. MS of Songs only: Larpent MS 919; synopsis of action in Universal Magazine, Oct. 1791, p. 308]: Taken from Ossian. With new Music, Airs, Chorusses, new Scenery, Dresses, and Decorations. The Ballet composed by Byrne. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. The Scenery by Richards, Hodgins, Pugh, &c. &c. The Dresses by Dick. Books of the Songs, &c. to be had at the Theatre. [For Harp and Pipes see 24 Oct.] Account-Book, 22 Nov.: Paid Byrne for Oscar & Malvina #50; 8 Dec.: Paid Mad. St.Amand expenses from Paris to London #14 6s. 8d. Receipts: #182 16s. 6d. (177.13.6; 5.3.0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: Characters in the Ballet-Byrne, Mlle St.Amand (from the Opera House, Paris; 1st appearance on this stage), and the rest of the Performers. Musical Characters by Munden, Darley, Marshall, Cubitt, Gray, Williamson, Linton, Tett, Kenrick, Little, Street, Mrs Mountain, Miss Broadhurst, Mrs Harlowe, Miss Stuart, Miss Barnett, Mrs Arnold, Miss Leserve, Mrs Martyr. Cast from Songs (T. Cadell, 1791): Oscar-Byrne; Carrol-Follett; Morven-Farley; Draco-Cranfield; Fingal-Blurton; Dermoth-King; Malvina-Mlle St.Amand; Pedlar-Munden; Farmer-Cubitt; Bards, Peasantry-Darley, Marshall, Gray, Williamson, Mrs Mountain, Miss Broadhurst, Miss Stuart, Mrs Martyr; Linton, Tett, Kenrick, Little, Street, Mrs Harlowe, Miss Barnett, Mrs Arnold, Miss Leserve. Linton, Tett, Kenrick, Little, Street, Mrs Harlowe, Miss Barnett, Mrs Arnold, Miss Leserve.

Song: II: song-Incledon

Performances

Mainpiece Title: The S1ege Of Troy

Performance Comment: Paris-Hulett; King Menelaus-Roberts; Ulysses-Aston; Simon-Hind; Captain of Guard-Mackenzie; Butcher-Pearce; Taylor-Hicks; Cassandra-Spiller; Venus-Mrs Lacy; Helen-Mrs Purden; Bristle the Cobler-Morgan; Cobler's Wife-Mrs Morgan .
Cast
Role: Paris Actor: Hulett
Role: Bristle the Cobler Actor: Morgan

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: The Golden Pippin

Performance Comment: Paris-Sga Sestini; Mercury-Meadows; Jupiter-Mathews; Momus-Moss; Juno-Miss George; Pallas-Mrs Edwards; Iris-Mrs Forster; Venus-Mrs Bannister.
Cast
Role: Paris Actor: Sga Sestini
Role: Jupiter Actor: Mathews