SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Rev Mr Smith"/1) | (@(roleclean,performerclean) "The Rev Mr Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4504 matches on Event Comments, 2929 matches on Performance Comments, 759 matches on Performance Title, 37 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: Being the most tragical tragedy that ever was tragedized by a company of tragedians. At the Particular Desire of Several Persons of Quality (General Advertiser). [The following unsigned statement of the financial condition of the theatre on 11 April is in the Harvard Collection of Documents dealing with affairs of Drury Lane, folio MS Thr. 12. This itemizes the outstanding liabilities to the amount of #8,808 14s. including #1,275 of arrears in actors' salaries]: I told Mr- the intended purchaser that the whole would not amount to #12,000. He said if it was more it should rest on me, for that was the utmost shilling he would give. But upon strict enquiry I find it will amount to #12,808 14s. This difference is not altogether owing to an error in calculation, but has been likewise heightened by a falling off of business, nor is it possible to ascertain the debt of a theatre for a day, it is of so fluctuating a nature. Q: whether this loss ought to light upon me, who have endeavored to get a purchaser & increased the value of the Estate to the utmost of my power? Errors excepted. [James Lacy or John Powel are the most likely authors of this statement. Whatever the authority, it is clear that settlement had not yet been made for transfer of ownership. For Powel, see G. W. Stone, Jr., The Authorship of Tit for Tat," Theatre Notebook, X (1955), 22-28.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Dance: Salomon, Sga Padouana

Event Comment: CCatherine Talbot to Elizabeth Carter, 18 April: These oratorios of Handel's are certainly (next to the hooting of owls) the most solemly striking music one can hear....In this last oratorio he has literally introduced guns, and they have a good effect.--Deutsch, Handel, p. 640, who identifies the guns as kettle-drums. But Winton Dean, Handel's Dramatic Oratorios, p. 471, identifies them as the outsize drums from the Tower of London. See Sheridan's The Critic on off-stage gun shots: This hint I took from Handel. Recced of Mr Handell for rent of his 10 Oratorio's #210.--Account Books, Egerton 2268. [Actually there were twelve nights of oratorios.

Performances

Mainpiece Title: Judas Macchabaeus

Event Comment: Benefit Cross (Prompter) and Mrs Cross. Mainpiece not acted for 40 years [see 22 Dec. 1710]. Written by the author of The Yeoman of Kent [Thomas Baker]. Tickets deliver'd by Mr Burton will be taken. Tickets to be had of Cross at his lodgings over against the Rose Tavern in Russell St., Covent Garden

Performances

Mainpiece Title: The Fine Ladys Airs Or An Equipage Of Lovers

Performance Comment: Sir Harry Sprightly-Giffard; Blenheim-Delane; Nicknack-Yates; Bramble-Macklin; Lady Tossup-Mrs Cross; Lady Rodomont-Mrs Woffington; with an Epilogue called the Universal Prompter-.

Afterpiece Title: The King and the Miller of Mansfield

Song: I: By particular Desire, Arrah my Judy-Barrington

Dance: Salomon, Sga Padouana, Salomon's Son

Event Comment: A Concert of Musick. 7 p.m. Afterpiece: A Farce taken from The Old Batchelor. Tickets at Mr Walker's, Bookseller, Fleet St. [The adaption from Congreve may have been used as the afterpiece until 11 May 47.

Performances

Mainpiece Title: The Diversions Of The Morning Or A Dish Of Chocolate

Performance Comment: The principal Parts-Foote, Shuter, Cushing, Castalio, Mrs Hallam, Lee, Burton, Hallam, Miss Moreau.

Afterpiece Title: The Credulous Husband

Related Works
Related Work: The Old Batchelor Author(s): William Congreve
Event Comment: Benefit Mr and Mrs Havard. Receipts: #70 2s., plus #79 18s., a total of #150 Without the Stage. Paid Linen draper #50. [There is no mention of charges nor of a free Benefit.] [Residence] at Hanover St., Longacre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Miss in Her Teens

Dance: As17461231

Event Comment: Benefit Neale. Main Piece by Dryden, not acted for 9 years. Tickets to be had at Mr Moore's in the Playhouse passage, and at Neale's (Silk Dyer) in David Street near Grosvenor Square

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Afterpiece Title: The Double Disappointment

Dance: Muilment, Mechel, Mlle Mechel

Event Comment: Benefit Vaughan and Evans [Box-Keepers]. Their profits from this night unspecified. Charges #70. Each was paid #10 in full for attendance on Boxes this season. Rec'd of Baron Schutz by Mr Lawrence for the King's Account #70

Performances

Mainpiece Title: The Ladys Last Stake Or The Wifes Resentment

Afterpiece Title: The Lying Valet

Event Comment: Being the last time of the company's performing this season (General Advertiser). Paid Mr Granier in full for his children's performances #10 10s. Paid Mrs Pritchard in full for her performances this season #21 13s. 4d., and #10 for her being overcharged for her benefit

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Miss in Her Teens

Event Comment: Yesterday died Mr Muilment, a Famous Dancer, who has given great entertainment to the town at both theatres; and was much esteem'd by all who knew him personally

Performances

Event Comment: AA Letter to Mr Garrick on his having purchased a Patent for Drury Lane Play-House published. [Written by one who subscribed himself the Plain Dealer, it pointed out the troubles in store for the young manager from grievances from subordinates, arrogance from other actors (all individualists, no unity) failure from joint managership, grievances from public, and extraordinary expense from costume. He suggests the reasons for Garrick's jumping from actor to manager are vanity and avarice. He indicates Garrick's challenge and sums up the late troubled years of management under Fleetwood and Highmore.

Performances

Event Comment: Mainpiece Never Acted there before. The Characters to be New Dress'd after the Manner of the Old English Comedy. And the Pieces of Music before the Play, and between the Acts, will be selected from the Old English Masters. Cross: The play went off with 'toll: success. [See contemporary comments in D@@ry L@@ne P@@yh@@se Broke Open. In a letter to Mr G@@@@(London, 1748) pp. 17-18.] Receipts: #150 (Cross); #152 19s. 6d. (Powel)

Performances

Mainpiece Title: Albumazar

Performance Comment: Principal parts-Sparks, Macklin, Neale, Yates, Havard, Berry, Mozeen, Blakes, Arthur, Barrington, Mrs Woffington, Mrs Elmy, Mrs Green, Mrs Bennet; The Prologue (written by Dryden at the last revival)-Garrick; the whole to conclude with a Dance-the characters of the Play; Epilogue-.
Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke

Event Comment: MMrs Cibber Play'd (Cross). The Letter sign'd E. L. written in the Name of several Persons of Distinction, is receiv'd; and the Play of King Lear will be acted there, as soon as Mr Garrick is able to perform so long a Character (note "From the Theatre Royal Drury Lane" inserted in the General Advertiser). Receipts: #160 (Cross); #156 17s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved Or A Plot Discoverd

Afterpiece Title: The Double Disappointment Cross

Performance Comment: As17471017 [The bill lists The Devil to Pay.]
Event Comment: PPrince &c. (Cross). Lost on Wednesday Night the 21st Instant at Drury Lane Playhouse. A Steel and Gold Sword, with a Silver Gripe, the maker's name Fleaureau. Whoever has taken it up, and will bring it to Mr Fleaureau, Swordcutler in the Haymarket, shall have a Guinea and a half reward, and no Questions asked. N. B.: No greater reward will be offered (General Advertiser). Receipts: #190 (Cross); #176 5s. (Powel)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmaskd

Dance: DDance-Cooke

Performances

Mainpiece Title: The Refusal

Cast
Role: the Original Cantata Actor: .

Afterpiece Title: Miss in Her Teens

Event Comment: Mainpiece: By Desire. At common prices. Places to be taken of Mr Page at the stage door of the theatre. To begin exactly 6 o'clock. [Notice about prices, places, and time of curtain continues throughout the season. It will not be repeated further.

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Mock Doctor

Event Comment: By Particular Desire. The 37th Day. Mr Foote begin to give Tea at Half an Hour after Six. Places to be had at the Theatre

Performances

Mainpiece Title: Tea

Event Comment: A Concert etc. at the Great Tiled Booth. Benefit for Mr and Mrs Yeates (Daily Advertiser)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Virgin Unmasked

Event Comment: Several Airs in the Opera now performing...will be chang'd for others; all compos'd by Mr Handel

Performances

Mainpiece Title: Lucius Verus

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Performance Comment: Prospero-Berry; Ferdinand-Lee; Caliban-I. Sparks; Trincalo-Macklin; Stephano-Arthur; Gonzalo-Burton; Antonio-Mozeen; Mustachio-Blakes; Ventoso-Ray; Hippolita-Mrs Woffington; Ariel (with Proper Songs)-Mrs Clive; Dorinda-Mrs Green; Miranda-Mrs Mozeen; Sycorax-Taswell; Alonzo-Winstone; Clerk-Vaughan; Dance of Aerial Spirits-Mlle Janeton Auretti; Dance of Winds-Cooke; Grand Dance of Fantastic Spirits in grotesque characters-Mathews; Concluded with the Masque of Neptune and Amphitrite-; the original Waterman's Dance-with proper Scenes, Machines,.

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Afterpiece Title: Miss in Her Teens

Event Comment: Tomorrow, At the Particular Desire of several Ladies of Quality, will be performed the Beggar's Opera, after which Mr Foote's Tea

Performances

Mainpiece Title: The Royal Merchant Or The Beggars Bush

Afterpiece Title: The Royal Chace

Event Comment: CCross: Mr Garrick first play'd Jaffier very fine-G: Applause. Genest, IV, 237: Barry's figure was pleasing and commanding in Pierre beyond description; but in a critical view he was not suited to the character. Receipts: #195 (Cross); #190 11s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Roxana

Event Comment: On Thursday next Hamlet, the part of Hamlet by Barry. And on Saturday the Foundling. N.B.: All Places taken by Ladies and Gentlemen for the Foundling this night [Tuesday] will be continued for Saturday, unless notice is given to the contrary (General Advertiser). This play was for the benefit of Mr Garrick, clear of all charges; and therefore I shall at the end of the account subtract this sum from the total amount, it being return'd him again. And the reason of entering it among the rest of the sums was, because the principle [sic] treasurer should know nothing of the matter; and therefore as it stands in their books in the same manner as above, I think it proper to set it down here (Powel). Receipts: #200 (Cross); #193 16s. (Powel)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Lying Valet