SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "The Rev Mr Smith"/1) | (@(roleclean,performerclean) "The Rev Mr Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4509 matches on Event Comments, 2929 matches on Performance Comments, 759 matches on Performance Title, 37 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this performance is the premiere, but it may well be. Two songs, Ah false Amyntas, and Amyntas led me to a grove, both set by Robert Smith, are in Choice Songs and Ayres, 1673. Preface to the edition of 1673: Good, Sweet, Honey, Sugar-candied Reader, ...Indeed that day 'twas Acted first, there comes into the Pit a long, lither, plegmatick, white, ill-favour'd, wretched Fop, an Officer in Masquerade newly transported with a Scarfe & Feather out of France, a sorry Animal that has nought else to shield it from the uttermost contempt of all mankind, but that respect which we afford to Rats and Toads, which though we do not well allow to live, yet when considered as a part of God's Creation, we make honourable mention of them. A thing, Reader--but no more of such a Smelt: This thing, I tell ye, opening that which serves it for a mouth, out issued such a noise as this to those that state about it, that they were to expect a woful Play, God damn him, for it was a womans.... Reader, I have a complaint or two to make to you, and I have done; Know then that this Play was hugely injur'd in the Acting, for 'twas done so imperfectly as never any was before, which did more harm to this than it could have done to any of another sort; the Plot being busie (though I think not intricate) and so requiring a continual attention, which being interrupted by the intolerable negligence of some that acted in it, must needs much spoil the beauty on't. My Dutch Lover spoke but little of what I intended for him, but supplied it with a great deal of idle stuff, which I was wholly unacquainted with until I heard it first from him. According to the Preface, the Prologue was lost

Performances

Mainpiece Title: The Dutch Lover

Performance Comment: Edition of 1673: Epilogue-; The Preface implies: Haunce-Angel?.
Event Comment: The Duke's Company. This date of the premiere is not known, but the presence of Cademan (who was injured in August 1673) in the cast suggests a late spring or early summer production. In addition, two songs, in the play, Beauty no more shall suffer eclipse, and Full round the health good natured and free, both set by Robert Smith, are in Choice Ayres and Songs, 1673 (which was entered in the Stationers' Register, June 1673). It is possible, then, that the play was first given early as May 1673. Downes, Roscius Anglicanus, p. 33: A Comedy call'd The Reformation, Written by a Master of Arts in Cambridge; the Reformation in the Play, being the Reverse to the Laws of Morality and Virtue; it quickly made its Exit, to make way for a Moral one

Performances

Mainpiece Title: The Reformation

Related Works
Related Work: The Reformation Author(s): Joseph Arrowsmith
Event Comment: The Duke's Company. It is not certain that this play was revived at this time, but Tom Essence, which was probably acted toward the end of August or in early September (it was licensed 4 Nov. 1676) contains a scene in "Malfey's Chamber," suggesting that a revival of The Duchess of Malfi had occurred not long before the production of Tom Essence. On the other hand, it should be noted that the cast in the edition of 1678 contains names which point to a much earlier production; for example, Cademan probably acted little after his injury in the summer of 1673 and Downes (Roscius Anglicanus, p. 35) states that Cogan and Price died ca. 1673-74

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: [An edition of 1678 has a cast partially pertaining to this time (see also 31 Jan. 1672): Ferdinand-$Harris; Cardinal-$Young; Antonio-$Smith; Delio-$Midburn; Bosola-$Betterton; Castruchio-$Richards; Sylvio-$Cademan probably not acting now]; Pescara-$Norris; Malateste-$Price (not living in 1676); Roderigo-$Cogun (not living in 1676); Grisolan-$Percival; Dutchess of Malfey-$Mrs Betterton; Cariola-$Mrs Norris; Old Lady-$Mrs Osborn; Julia-$Mrs Shadwell.
Cast
Role: Antonio Actor: Smith
Event Comment: Langhans, New Restoration Theatre Accounts, pp. 123-24, believes that acting resumed on 9 Oct. 1682 and continued to 14 July 1683, followed by 14 acting days between 16 July and 6 Oct. 1683.. Betterton and Smith managed the company for the proprietor

Performances

Event Comment: Evelyn, Diary: I carried my Lord Clarendon through the Citty amidst all the Squibbs & barbarous bacchanalia of the Lord-Majors shew

Performances

Mainpiece Title: Londons Royal Triumph For The Citys Loyal Magistrate In An Exact Description Of Several Scenes And Pageants Adorned With Many Magnificent Representations

Performance Comment: Performed on Wednesday, October XXIX. 1684. At the instalment and Inauguration of the Right Honourable Sir James Smith, Knight, Lord Mayor of the City of London. Illustrated with divers Delightful Objects of Gallantry and Jollity, Speeches and Songs, Single and in Parts. Set forth at the Proper Costs and Charges of the Worshipful Company of Drapers. Devised and Composed by Tho. Jordan, Gent.
Event Comment: Christopher Rich's Company. The date of this revival is not certain. Apparently the revival was in preparation before the division of the company, but the publication of the Songs in 1695 confines the production to the period between mid-April and the late autumn. For the opera, see The Works of John Dryden, Vol. VIII: The Plays, edited by John Harrington Smith and Dougald MacMillan (Berkeley and Los Angeles, 1692), pp. 325-30; Moore, Henry Purcell and the Restoration Theatre, Chapter VI;and Purcell's Works, Purcell Society, Vol. XIX. The Songs (1695), the music by Henry Purcell, lists the following pieces and singers: I, Wake, wake, Quivera, sung by Freeman. I, Why shou'd men quarrel, sung by The Boy, with Flutes. Their looks are such that mercy flows, sung by Freeman. II, I come to sing, sung by Freeman. Scorn'd Envy here's nothing, sung by Freeman. Begone, curst Feinds of Hell, sung by Freeman. III, Ah, how happy we are, sung by Freeman and Church. I attempt from Love's sickness to fly, sung by Mrs Cross. IV, They tell us that you mighty powers above, sung by Mrs Cross. In addition, other parts of the opera appeared elsewhere: Act V, a Masque, set by Daniel Purcell, O Bless the Genial Bed with chast delights, in Deliciae Musicae, First Book of the Second Volume, 1696. [The others, since they do not name the performers, are omitted here.

Performances

Mainpiece Title: The Indian Queen

Performance Comment: BM Add. Mss. 31,449, contains a cast (possibly a proposed cast): The Ynca of Peru-Mills; Montezuma-Powell; Acacis-Harland; Garrucca-Disney; God of Dreams-Bowen; Ismeron-Leveridge; Zempoalla-Mrs Knight?; Orazia-Mrs Rogers; Prologue-Indian Boy and Girl; Epilogue-.
Cast
Role: The Ynca of Peru Actor: Mills
Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308-the regular company at Drury Lane resumed acting (after the summer vacation) on 11 Oct. 1696 and acted 200 times to 7 July 1697, after which the young actors played 58 days to 7 Oct. 1697

Performances

Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308--Rich's Company acted 161 days from 6 Oct. 1697 to 19 May 1698, 41 days from that date to 10 July 1698, and the young actors played 24 days from 10 July 1698 to 10 Oct. 1698

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's Company acted 209 times from 9 Oct. 1698 to 9 July 1699, after which the young actors performed 27 times from 9 July 1699 to 10 Oct. 1699

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's company acted 218 times between 6 Oct. 1699 and 26 July 1700, and the young actors played 15 times from 26 July 1700 to 12 Oct. 1700

Performances

Event Comment: Benefit I. Smith

Performances

Mainpiece Title: Circe

Afterpiece Title: Acis and Galatea

Music: Bacchanalian Music from The Mad Lover-; A new piece of instrumental music-; with a solo-Dean

Dance: Between the Acts: Comical dances-

Event Comment: Benefit Smith and Isaac. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters

Event Comment: [By Edmund Smith.] Never Acted before

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: Edition of 1709 lists: Theseus-Betterton; Hippolitus-Booth; Lycon-Keen; Cratander-Corey; Phaedra-Mrs Barry; Ismena-Mrs Oldfield; Prologue-Wilks; Epilogue-Mrs Oldfield.
Cast
Role: Theseus Actor: Betterton
Event Comment: Benefit Smith. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Fatal Marriage

Related Works
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne
Event Comment: Benefit Smith. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Unhappy Favourite

Song:

Dance:

Event Comment: Benefit Mrs Smith. At the Desire of several Ladies of Quality. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: The first Masters of the Opera

Event Comment: Benefit Smith. At the Desire of several Ladies of Quality. Receipts: #103 12s

Performances

Mainpiece Title: The Comical History Of Don Quixote Part Ii

Song: Leveridge, Rawlins, Cook, New Boy

Dance: As17150425 Also Dutch Skipper-delaGarde, Miss Russell; Harlequin and Two Punches-duPre, Moreau, Bovil

Event Comment: As 4 Feb.; Dutch Skipper-Thurmond Jr, Miss Smith

Performances

Mainpiece Title: The London Cuckolds

Event Comment: Benefit Smith. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: Benefit Smith and Miss Willis

Performances

Mainpiece Title: The Provokd Wife

Song: Leveridge, Mrs Willis; Ballad of Sally-Mrs Willis

Dance: As17190113

Event Comment: Benefit Cory and Miss Smith

Performances

Mainpiece Title: Sir Courtly Nice

Cast
Role: Hothead Actor: Miller

Dance:

Event Comment: Benefit Smith, Morgan, Giles. Being the last Time of the Company's Acting this Season. Receipts: money #20 3s. 6d.; tickets #92 10s

Performances

Mainpiece Title: The Fair Quaker Of Deal

Dance: Lally, Mrs Rogier; Hornpipe-Jones

Event Comment: Benefit Smith. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: Benefit Mrs Peppet and Mrs Bryars, Boxkeepers to the Opera, and Betty Smith

Performances

Mainpiece Title: The Anatomist Or Sham Doctor

Afterpiece Title: The School Boy

Dance: James, Mrs Ratcliff

Event Comment: Benefit Smith and Morgan. Receipts: money #12 12s. 6d.; tickets #50 13s

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: The Cobler of Preston

Dance: As17230219