SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Queen"/1) | (@(roleclean,performerclean) "The Queen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3495 matches on Roles/Actors, 1118 matches on Performance Comments, 759 matches on Performance Title, 429 matches on Event Comments, and 0 matches on Author.
Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

Performance Comment: Edition of 1683: Prologue by Mr Dryden-Mr Smith; King-Kynaston; Guise-Betterton; Mayenne-Jevon; Crillon-Smith; Cardinal-Wiltshire; Archbishop-Perrin; Corso-Montfort; Polin-Bowman; Aumale-Carlile; Bussy-Saunders; Curate-Underhill; Malicorne-Percival; Melanax-Gillo; Sheriffs-Bright, Samford; Queen Mother-Lady Slingsby; Marmoutier-Mrs Barry; Epilogue by Mr Dryden-Mrs Cook; Another Epilogue Intended to have been Spoken to the Play before it was forbidden last Summer-.
Event Comment: The United Company. As 9 Nov. 1692 is known to be the second day, it is assumed that 8 Nov. 1692 represents the first performance. (See entry for 9 Nov. 1692.) The authorship is uncertain; William Mountfort signed tne Dedication, but its authorship is linked with that of Edward III (November 1690), which may have been by Bancroft. Gentleman's Journal, October 1692 (not issued until November): Henry the Second, King of England, A new Play, by the Author of that call'd Edward the Third, which gave such universal satisfaction, hath been acted several times with applause. It is a Tragedy with a mixture of Comedy....Had you seen it acted, you would own that an Evening is pass'd very agreeably, when at a Representation of that pleasing Piece. [Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 312-18, argues that this play is the Elizabethan Henry II once in the possession of Moseley. A song, In vain 'gainst Love I strove, composed by Henry Purcell and sung by Mrs Dyer, not in the printed play, is in Comes Amoris, 1693, and Joyful Cuckoldom 1695. See Purcell's Works, Purcell Society, XX (1916), vii

Performances

Mainpiece Title: Henry The Second, King Of England; With The Death Of Rosamond

Performance Comment: Edition of 1693: Prologue-; Epilogue by Mr Dryden-Mrs Bracegirdle; King Henry the Second-Betterton; Prince Henry-Mich. Lee; Sir Tho. Vaughan-Ant. Leigh; Abbot-Sandford; Verulam-Kynaston; Sussex-Hodgson; Aumerle-Bridges; Bertrard-Dogget; Queen Eleanor-Mrs Barry; Rosamond-Mrs Bracegirdle; Rosamond's Woman-Mrs Kent.
Event Comment: Rich's Company. There is no certainty as to the date of the first performance, and the play has been sometimes assigned to mid-summer 1697 because the Preface refers to a summer production and the play was printed in 1697. Nevertheless, the presence of Verbruggen in the cast suggests that the summer of 1696 is more likely, as Verbruggen left Drury Lane on 1 Jan. 1696@7 and thereafter appeared at Lincoln's Inn Fields. Preface, Edition of 1697: Amongst a number of New Plays that of late have crowded the Stage.... As it is, it may bear up in the Winter, notwithstanding the little Encouragement it met with at its first Appearance from a thin Town, and the Scarcity of Money. A Comparison Between the Two Stages (1702): Sullen: Unhappy Kindness, the same Author's [as of Mock Marriage], but very word stole. Ramble: The success? Sullen: Damn'd

Performances

Mainpiece Title: The Unhappy Kindness; Or, A Fruitless Revenge

Performance Comment: Edition of 1697: Prologue-Mr Verbruggen; The Epilogue written and-Mr Haynes in the Habit of a Horse Officer, mounted on an Ass; Alphonso, King of Naples-Verbruggen; Frederick-Harland; Valerio-Williams; Sorano-Disney; Pisano-Mills; Petruchio-Hill; Pedro-Newth; Evanthe-Mrs Rogers; Queen Mother-Mrs Powel.
Event Comment: Betterton's Company. The date of the premiere is not known, but Dryden, on 14 Dec. 1699, indicated that the run of the play had been completed by that day. A copy in the Folger Shakespeare Library has a notice of its publication. Downes, Roscius Anglicanus, p. 45: Iphigenia a Tragedy, wrote by Mr Dennis, a good Tragedy and well Acted; but answer'd not the Expences they were at in Cloathing it. [In The Life of Mr John Dennis (London, 1734) the author states that Colonel Codrington prevailed on all his friends to take tickets for the dramatist's third night.] Preface, Edition of 1700: And from the first representations I expected all the success that I could reasonably desire. I never in my life at any Play took notice of a more strict attention, or, a more profound silence. And there was something like what happen'd at the Representation of Pacuvius his Tragedy. For upon Orestes discovering his passion to Iphigenia in the fourth Act, there was a general murmur through the Pit, which is what I had never seen before. But after three or four representations, several people, who during that time had wholly abandon'd themselves to the Impression which Nature had made on them, began to study how to be discontented by Art; and repented heartily at having been pleas'd with what Athens and Rome and Paris had been pleas'd before. A Comparison between the Two Stages (1702), p. 23: Critick: I must needs Complement him [Dennis] with the Success of his laborious Iphigenia: Ay, here's a Tragedy with a witness--show a more tragick Poet if you can--'twas a smart Epilogue. But I marvel a Man of Mr Dennis's Penetration wou'd suffer, nay beg his Friend to Burlesque him at that unreasonable rate: But the Author was conscious the Audience might mistake it for a Comedy, and so he gets Colonel C-(he was sure his Word wou'd be taken) to tell 'em it was not a Comedy but a Tragedy: The hint was good and necessary, for o' my word very few knew what to make of it before, tho' there were many Tremendous things in't. [The dialogue continues to examine Dennis' Preface, and Dennis's assertions there concerning his play.

Performances

Mainpiece Title: Iphigenia

Performance Comment: Edition of 1700: Prologue-Mr Verbruggen as the Genius of England; Epilogue by Coll. Codrington-; Orestes-Betterton; Pilades-Williams; Queen-Mrs Barry; Iphigenia-Mrs Bracegirdle; Euphrosine-Mrs Martin.
Event Comment: The fifth time of acting it

Performances

Mainpiece Title: Zelmane

Performance Comment: See17041113, but Queen-Mrs Barry.
Cast
Role: Queen Actor: Mrs Barry.
Event Comment: [Text by Joseph Addison. Music by Thomas Clayton.] A new Opera never yet perform'd. By Subscription. None to be admitted into the Boxes or Pit but by the Subscribers' Tickets. [Both A Critical Discourse upon Operas (1709) and Jacobs (I, 3) refer to the unsatisfactory nature of the music; as a result, according to Jacobs, "It had not the Success due to its Merit."

Performances

Mainpiece Title: Rosamond

Performance Comment: Edition of 1707 lists: King Henry-Hughes; Sir Trusty-Leveridge; Page-Holcomb; Messenger-Lawrence; Queen Elinor-Mrs Tofts; Rosamond-Mrs Gallia; Grideline-Mrs Lindsey.
Cast
Role: Queen Elinor Actor: Mrs Tofts
Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Essex-Wilks; Southampton-Mills; Burleigh-Keene; Sir Walter-Husband; Queen Elizabeth-Mrs Barry; Rutland-Mrs Rogers; Nottingham-Mrs Bradshaw.
Cast
Role: Queen Elizabeth Actor: Mrs Barry

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: As17080109, but Bertran-Mills; Lorenzo-Wilks; Raymond-Keene; Gomez-Norris; Queen-Mrs Barry; Elvira-Mrs Oldfield.
Cast
Role: Queen Actor: Mrs Barry

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Performance Comment: King-Keene; Don Carlos-Booth; Don John-Corey; Rui Gomez-Smith; Posa-Young Bullock; Queen-Mrs Porter; Eboli-Mrs Finch; Henrietta-Mrs Norris.
Cast
Role: Queen Actor: Mrs Porter
Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Thurmond, being the first time of his performing it in England; King-Keene; Laertes-Powell; Horatio-Husband; Polonius-Cross; Gravedigger-Johnson; Fop-Thurmond Jr; Queen-Mrs Powell; Ophelia-Mrs Bradshaw.

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Essex-Powell; Southampton-Thurmond; Burleigh-Husbands; Queen-Mrs Knight; Rutland-Mrs Rogers; Nottingham-Mrs Bradshaw.
Cast
Role: Queen Actor: Mrs Knight

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: As17080909, but Hamlet-Wilks; Horatio-Mills; Ghost-Booth; Gravemaker-Estcourt; Queen-Mrs Knight; Laertes-_; Fop-_.
Cast
Role: Queen Actor: Mrs Knight

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: See17090920, but Hamlet-Wilks; King-Husband; Polonius-Cross; Laertes-Thurnmond; Horatio-Mills; Fop-Bowen; Gravedigger-Johnson; Queen-Mrs Porter; Ophelia-Mrs Cross.
Cast
Role: Queen Actor: Mrs Porter

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performance Comment: Torrismond-Powell; Bertran-Corey; Lorenzo-Bickerstaff; Alphonso-Fairbank; Pedro-Pack; Gomez-Norris; Queen-Mrs Knight; Elvira-Mrs Moor.
Cast
Role: Queen Actor: Mrs Knight
Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: Essex-Booth; Southampton-Powell; Burleigh-Keene; Raleigh-Corey; Queen-Mrs Knight; Rutland-Mrs Bradshaw; Nottingham-Mrs Kent.
Cast
Role: Queen Actor: Mrs Knight
Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: As17100209, but Torrismond-Powell; Bertran-Cory; Raymond-Keen; Queen-Mrs Knight; Elvira-Mrs Moor.
Cast
Role: Queen Actor: Mrs Knight
Event Comment: Benefit Mrs Porter. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard III-Cibber; King Henry-Wilks; Queen-Mrs Porter; Lady Anne-Mrs Rogers [in Daily Courant, 20 March, not later].in Daily Courant, 20 March, not later].
Cast
Role: Queen Actor: Mrs Porter

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: See17091021, but Queen-Mrs Barry; Fryar-Evans.
Cast
Role: Queen Actor: Mrs Barry

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Powell; King-Husband; Horatio-Bullock Jr; Laertes-Thurmond Sr; Polonius-Spiller; Fop-Norris; Ghost-Elrington; Player King-Cory; Gravedigger-Leigh; Marcellus-Shepard; Rosencrantz-Ryan; Guildenstern-Thurmond Jr; Queen-Mrs Powell; Ophelia-Mrs Spiller.
Cast
Role: Queen Actor: Mrs Powell

Performances

Mainpiece Title: The Sea Voyage

Performance Comment: Captain-Elrington; Lieutenant-Powell; Master-Leigh; Surgeon-Fairbank; Boatswain-Van Brockin; Queen of Amazons-Mrs Kent; Eldest Daughter-Mrs Baker; Youngest Daughter-Mrs Spillar; Sebastian-Cory; French Pirate-De Boyce.
Cast
Role: Queen of Amazons Actor: Mrs Kent

Music: A Consort of Musick from London-

Dance: Ladder Dance-; French Peasant and Wife-; Miller's Dance-Leigh

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performance Comment: Torrismond-Booth; Bertran-Mills; Lorenzo-Wilks; Pedro-Bickerstaff; Gomez-Norris; Fryar-Estcourt; Queen-Mrs Porter; Elvira-Mrs Bradshaw.
Cast
Role: Queen Actor: Mrs Porter

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Wilks; King-Keene; Laertes-Booth; Horatio-Mills; Fop-Bowen; Gravedigger-Johnson; Queen-Mrs Porter; Ophelia-Miss Santlow.
Cast
Role: Queen Actor: Mrs Porter

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Essex-Wilks; Southampton-Mills; Burleigh-Keene; Queen-Mrs Knight; Rutland-Mrs Rogers; Nottingham-Mrs Porter.
Cast
Role: Queen Actor: Mrs Knight

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performance Comment: Fryar-Estcourt; Lorenzo-Wilks; Gomez-Norris; Elvira-Mrs Oldfield; Torrismond-Powell; Bertran-Mills; Raymond-Bowman; Pedro-Pack; Queen-Mrs Knight.
Cast
Role: Queen Actor: Mrs Knight.
Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Wilks; King-Keene; Horatio-Mills; Laertes-Powell; Ghost-Booth; Fop-Bowen; Gravedigger-Johnson; Queen-Mrs Knight; Ophelia-Miss Santlow.
Cast
Role: Queen Actor: Mrs Knight