SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Princess of Wales"/1) | (@(roleclean,performerclean) "The Princess of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 966 matches on Event Comments, 260 matches on Performance Comments, 163 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Desire of His Royal Highness the Prince of Wales. Benefit for Gardel. Tickets, half a guinea each, to be had of Gardel, No. 26, Margaret-street, Cavendish-square. 1st ballet: With entirely new Music, and a new Overture by Carter (Morning Herald, 25 May)

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

Performance Comment: ), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411.
Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe, based on Le Rival Suppose, by Germain Francois Poulain de Saint-Foix. It was written in honor of the 21st birthday, 12 Aug., of the Prince of Wales. Prologue by George Colman, the elder (Colman, Prose, m, 248)]: The Overture by Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Oct. 1783: This Day is published The Birth Day (1s.)

Performances

Mainpiece Title: The Separate Maintenance

Related Works
Related Work: The Separate Maintenance Author(s): George Colman, the elder

Afterpiece Title: The Birth Day; or, The Prince of Arragon

Dance: Afterpiece to conclude with a Grand Chorus and Dance (performers not listed)

Song: As17830613

Performances

Mainpiece Title: I Rivali Delusi

Performance Comment: As17840106, but added: An entirely new Suartetto by Franchi, Tasca, Schinotti, Sga Dorta; the music by Sarti .

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Performance Comment: ], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi .
Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. [Macready was from the Smock Alley Theatre, Dublin. In mainpiece the playbill assigns Miss Ogle to Mrs T. Kennedy, but on the Kemble playbill her name is deleted, and a MS annotation substitutes Mrs Lewis's.] "The dress worn by Lewis, with small buttons innumerable, that gave it the air of a Hussar's jacket lengthened, was lately a coat won by the Prince of Wales" (Morning Chronicle, 20 Sept.). Receipts: #242 5s. 6d. (239.19.6; 2.6.0)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Performances

Mainpiece Title: Redemption 0; Messiah

Music: End Part II: As17900219; End I: a new concerto on the Piano Forte-Attwood Jun., Musician to his Royal Highness the Prince of Wales

Performance Comment: , Musician to his Royal Highness the Prince of Wales.
Event Comment: By Permission of the Lord Chamberlain, and also under the Patronage of their Royal Highnesses the Prince of Wales, the Duke of York, and the Duke of Clarence. Benefit for Lee Lewes. The Doors to be opened at 5:15. To begin at 6:15. Tickets and Places for the Boxes to be had of Lee Lewes, at Mr Brough's, No. 18, Portland-street, Soho. Afterpiece [1st time; F 2, by James Fennell. Larpent MS 924; not published. Synopsis of plot in Morning Post, 8 Mar.]

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lee Lewes; Sir Francis Gripe-Wewitzer; Sir Jealous Traffic-Frost; Whisper-Gull; Charles-Everard; Sir George Airy-Fennell; Patch-Mrs Lee Lewes; Isabinda-Mrs Day; Miranda-Miss Atherton (1st appearance on any stage).
Cast
Role: Miranda Actor: Miss Atherton

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Performance Comment: Principal Characters-Lee Lewes, Wewitzer, Fennell, Mrs Lee Lewes, Mrs Day, Mrs Everard, Miss Brown; Larpent MS lists the parts: Alderman Goslin, Young Goslin, Harry, Thomas, Peruque, Mrs O'Trigger-Mrs Lee Lewes (Oracle, 8 Mar.) Mrs Courtney, Kitty, Mrs Snip, Betty.

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Performance Comment: Merlin-Bannister; Cymon (1st time)-Kelly; Dorus-Parsons; Linco (1st time)-Bannister Jun.; Damon-Dignum; Dorilas-Cooke; Cupid-Master Gregson; Daemon of Revenge-Sedgwick; Urganda (1st time)-Mrs Crouch; Sylvia (1st time)-Miss Hagley; Fatima (1st time)-Mrs Jordan; Phebe-Miss DeCamp; Daphne-Mrs Bland; Dorcas (1st time)-Mr Suett; Spirits-Master D'Egville, Miss D'Egville, Miss Gawdry, Miss Edwin; In Tournament: Knights-Duranci (1st appearance), Fairbrother, Bourk, Giani; Queen of the Amazons-Miss Blanchet.

Afterpiece Title: All the World's a Stage

Cast
Role: The Seraskier Actor: Kelly
Role: Katherine Actor: Mrs Crouch
Event Comment: Benefit for Mrs Jordan. Afterpiece [1st time; F 2, by Simon, based partly on La Bonne Mere, by Jean Pierre Claris deFlorian; incidental music by Johann Gottlieb Nicolai. Larpent MS 940; not published]: To conclude with a Rural Breakfast [a representation of that given by the Countess of Buckinghamshire for the Prince of Wales at her villa near London (Genest, VII, 53)], and a Dance by the Characters. Morning Herald, 31 Mar.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #548 9s. 6d. (216.8.6; 30.2.0; 5.9.0; tickets: 296.10.0) (charge: #153 5s. 10d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Village Coquette

Event Comment: Benefit for Bannister. Under the Patronage of His Royal Highness The Prince of Wales. [In mainpiece the playbill retains Mrs Bland as Ariel , but "Ariel was, on account of the sudden indisposition of Mrs Bland, read by Miss Heard" (Diary, 8 May). Miss Heard may also have substituted for Mrs Bland in the afterpiece.] Afterpiece [1st time; F 2, by James Cobb, for whose authorship see Kemble Mem. Larpent MS 982; not published]. Public Advertiser, 2 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing Cross. Receipts: #227 8s. (95.17; 7.5; tickets: 124.6) (charge: #90 2s. 6d.)

Performances

Mainpiece Title: At Hay The Tempest

Afterpiece Title: Fortune's Wheel

Performance Comment: Characters-Bannister Jun., Caulfield, Suett, Dignum, Bland, Wewitzer, Waldron, Fawcett, Phillimore, Hollingsworth, Maddocks, Alfred, Webb, Lyons, Mrs Hopkins, Mrs Bland, Miss Heard. [Larpent MS lists the parts: Sir Harry Harebrain , Lord George , Mr Curl , Hawser , Papillot , Ishmael , Pillage , Balance , John , Clinker , Scoredouble , Clod , Mrs Curl , Sophia Curl , Miss Broadhem .]Larpent MS lists the parts: Sir Harry Harebrain , Lord George , Mr Curl , Hawser , Papillot , Ishmael , Pillage , Balance , John , Clinker , Scoredouble , Clod , Mrs Curl , Sophia Curl , Miss Broadhem .]

Song: In: Vocal Parts, as17921213, Sedgwick, _Kelly, Mrs +Crouch; Masque of Neptune and Amphitrite, as17930102 In course of Evening: +The Little Farthing Rushlight-Bannister Jun

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger
Related Work: Feudal Times; or, The Banquet Gallery Author(s): George Colman, the younger
Event Comment: The original Music [of the TE DEUM] is in two Scores, MS., one of them in the possession of the King of Naples, and the other in that of his Royal Highness the Prince of Wales, by whose gracious condescension the use of this Score will be allowed for that night. The new Organ, built by Green (organ-builder to his Majesty) for the new Subscription Room, will be played upon this occasion by Greatorex. Boxes to be taken of Rice. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Doors to be opened at 7:00. To begin at 8:00

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Performance Comment: Occasional Overture (Handel). Song by Rovedino (Handel). Chorus (Handel). Song by Harrison (Handel). Canario violoncello by Lindley. Song by Roselli (Handel). Concerto violin by Giornovichi. Song by Sga Banti (Cimarosa). Coronation Anthem (Handel) .

Afterpiece Title: THE GRAND TE DEUM, composed by Paisiello, upon the return of his Majesty the King of the Two Sicilies, from Vienna to Naples, in the summer of 1791

Performance Comment: Vocal Performers-Harrison, Rovedino, Roselli// Sga Banti. With full Double Chorus. Leader of the Band-Cramer. Extra Performers-Lindley, Giornovichi. The Opera Band, with a considerable addition of the best Performers .
Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-King; Harcourt-Palmer; Sparkish-Dodd; Belville-C. Kemble//Alithea-Mrs Kemble; Miss Peggy-Mrs Jordan; Lucy-Miss Heard. Occasional Prologue spoken by Kemble. Original Epilogue to THE RIVALS spoken by Mrs Jordan .

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Performance Comment: Cast not listed. [Cast from text (C. Lowndes [1794]): Commodore Broadside-Palmer; Endless-Suctt; Old Cottager-Maddocks; Robin-Barrymore; William-C. Kemble; Tom Oakum-Bannister; Ben-Sedgwick; Splicem-Kelly; Boy-Master Welsh; Dick-Hollingsworth; Busy-Benson//Cottager's Wife-Mrs Booth; Mary-Miss De Camp; Susan-Miss Leak; Girl-Miss Menage; Cicely-Miss Chatterley; Margaretta-Sga Storace.] In which the Principal Performers will assist in the M usical Parts . In which the Principal Performers will assist in the M usical Parts .

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: Afterpiece [1st time; P 2 (?), by William Linley. Also attributed to Cordal Powel, librarian to the Prince of Wales (London Chronicle, 19 Jan. 1796). Larpent MS 1106; not published, except for Airs (C. Lowndes, 1796). Synopsis of action in Pocket Magazine, Jan. 1796, p. 59]. The Musick composed by W. Linley. The Scenes [for a description of which see Theatre Notebook, 1965, XIX, p. 58] entirely new, and painted by Greenwood. The Machinery and Decorations by Cabanel, Johnston and Jacobs. The Dresses by Johnston and Miss Rein. Nothing under Full Prince will be taken. Account-Book, 22 Jan.: Paid Wm. Linley for music of new pantomime #25. Receipts: #619 3s. (608.9; 10.14)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Harlequin Captive; or, The Magick Fire

Performance Comment: Characters by Caulfield, Banks, Boimaison, Master Welsh, Dubois, Fairbrother, Wathen, Russell, Benson, Hollingsworth, Burton, Phillimore, Maddocks, Jones, Webb, Fisher, Wentworth, Evans, Roffey, Keys, Whitmell, Wells, Butler, W. Banks, Nicolini, Garman, Master Gregson, Master DeCamp; Miss DeCamp, Miss Mellon, Mrs Boimaison, Miss Heard, Mrs Cuyler, Mrs Booth, Miss Tidswell, Mrs Maddocks, Mrs Hedges, Mrs Heard, Mrs Butler, Mrs Brooker, Miss Chatterley, Mrs Jones, Mrs Mills, Mrs Brigg, Mrs Haskey, Mrs Barrett. Chorus of Knights and Ladies (Vocal Parts)-Sedgwick, Dignum, Trueman, Danby, Cooke, Welsh, Mrs Bland, Miss Leak, Miss Arne, Mrs Bramwell, Miss Granger, Miss Jackson, Miss Menage, Miss Stuart, Miss Wentworth; Cast adjusted from playbill of 9 Nov. 1796: Ormandine-Caulfield; Harlequin-Banks; Ormandine's Servant-Boimaison; Ariel-Master Welsh; Clown-Dubois; Sailor-Fairbrother; Sir Epicure-Hollingsworth; Crop-Burton; Landlord-Phillimore; Countrymen-Maddocks, Jones; Constable-Webb; Prigg-Fisher; Gipsies-Evans, Garman, Mrs Butler, Mrs Jones, Mrs Mills, Mrs Brigg; Furies-Roffey, Wells, Master Gregson; Gardener-Whitmell; Waiter-Butler; Cheesemonger-Nicolini; Postboy-Master DeCamp; Colombine-Miss DeCamp; Minerva-Miss Mellon; Spirit-Miss Heard; Landlady-Mrs Booth; Lady-Miss Tidswell; Countrywomen-Mrs Maddocks, Mrs Heard; Cook-Mrs Brooker; Chambermaid-Miss Chatterley; unassigned-Wathen, Russell, Benson, Wentworth, Keys, W. Banks, Mrs Boimaison, Mrs Cuyler, Mrs Hedges, Mrs Haskey, Mrs Barrett.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. Mainpiece [T 3, by John Penn, 1st acted at Richmond, Feb. 1796. Prologue by the author (see text)]: A New Historical Play in 3 Acts (with songs [by John Wall Callcott]). Morning Herald, 11 Apr.: This Day is published The Battle of Eddington, as acted at the Haymarket and at Richmond (1s. 6d.). Tickets to be had of Wilkinson, No. 14, Mary-le-bone-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Performance Comment: Partial cast from Morning Herald, 30 Mar.: Alfred-Clifford; Ceoluph-Wilkinson; Queen-Mrs Sidney; [Text (Elmsley [et al], 1796) lists the parts: Alfred King of England; Mervin, his dependent, Prince of South Wales; Ethelred, General of the English; Ceoluph, English Nobleman; Danish Captain of Auxiliaries; Ceoluph's Vassal; Edmund, Son and Heir of Alfred then very young; Elsitha, Queen of England; Editha, an Old Woman inhabiting the Cottage. Prologue-Wilkinson.

Afterpiece Title: Who's the Dupe

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

Performance Comment: End: Collins's Ode on the Passions-Wilkinson.
Event Comment: By Authority of the Lord Chamberlain. Mainpiece: 2nd Time [see 28 Mar. 1796. Prologue by the author (see text)]. The Music composed by Callcott. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Tickets to be had of Wilkinson, No. 16, Lisle-street, Leicester-square. Books of the Tragedy to be had at the Theatre

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Performance Comment: Principal Characters-Egerton, Meredith, Morton, Master Sincock, Holmes, Evans, Brent, Wilkinson, Mrs Sincock, Mrs Sidney; [Partial cast adjusted from Morning Herald, 30 Mar. 1796: Alfred-Egerton; Ceoluph-Wilkinson; Elsitha-Mrs Sidney. Text (Emsley [et al], 1796) lists other parts: Mervin (Alfred's dependent, Prince of South Wales), Ethelred (General of the English), Danish Captain of Auxiliaries, Ceoluph's vassal, Edmund (Son and Heir of Alfred, then very young), Editha (An Old Woman inhabiting the Cottage).] Prologue-Wilkinson.

Afterpiece Title: Ways and Means

Related Works
Related Work: Ways and Means; or, A Trip to Dover Author(s): George Colman, the younger

Song: Mainpiece: Vocal Parts-Denman, Walker, Willoughby, Master Willoughby, Master Woodham, Mrs Laver, A Young Lady [probably Miss Jones (see17970510)]

Entertainment: Monologue.End: The Picture of a Playhouse ; or, Bucks have at ye all-Meredith

Performance Comment: End: The Picture of a Playhouse ; or, Bucks have at ye all-Meredith.
Event Comment: By Authority of the Lord Chamberlain. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. Benefit for the Unfortunate Sufferers in the Glorious Action between Sir John Jervis, and the Spanish Fleet, off Cape St. Vincent [on 14 Feb. 1797]

Performances

Mainpiece Title: The Battle Of Eddington

Afterpiece Title: The Romance of an Hour

Song: Mainpiece: Vocal Parts, as17970123, but Master _Willoughby, Master Paul, A Young _Lady, Miss +Jones; End: +Ye Gentleman of England-; and the Companion, To all you Ladies now at Land-; A Sea Song, The Muffin Man-Master Sincock

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-Murray (1st appearance in that character); Harcourt-Barrymore (of dl); Belville-Toms; Countryman-Wilde; Sparkish-Knight; Alithea-Miss Chapman; Lucy-Mrs Fawcett; The Country Girl-Mrs Jordan (of dl).
Cast
Role: Alithea Actor: Miss Chapman
Role: The Country Girl Actor: Mrs Jordan

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Performance Comment: Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years).recte 7] years).
Event Comment: Under the Patronage of H. R. H. the Prince of Wales, H. R. H. the Duke of York, and H. R. H. the Duke of Clarence. Benefit for a Fund for the Relief of the Wounded Seamen, and also for the Widows and Orphans of the Brave Men who fell in the late Glorious Action, under Admiral Lord Viscount Duncan [see 16 Oct.]. The Tickets for the Boxes are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangement of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Guildford, The Earl of Thanet, The Right Honorable the Lord Mayor [Brook Watson], Mr Alderman Combe, M. P., Mr Alderman Skinner, John Julius Angerstein, Esq. Tickets and Places for the Boxes not disposed of by the Committee to be had of Fosbrook at the Box Office, Little Russell-Street, and at the Bar of Lloyds Coffee House. Ladies and Gentlemen having Privilege of the Theatre are requested by the Stewards to waive the use of it for this Evening. [Address by Richard Cumberland (European Magazine, Nov. 1797, p. 339). True Briton. 23 Nov. 1797, prints a letter from the Chairman of Committee of Subscribers to the performers of the theatre, thanking them for not "accepting the usual emolument on the night of performance."] Receipts: #631 8s. (357.17.6; 57.4.6; 1.11.0; money extra left at the doors: 2.14.6; tickets: 212.0.6) (charge: #161 0s. 6d.)

Performances

Mainpiece Title: The Will

Performance Comment: As17970921, but Veritas-Wathen.
Cast
Role: Veritas Actor: Wathen.

Afterpiece Title: The Prize

Entertainment: Monologue.As17971016; An Occasional Address-Wroughton

Event Comment: Under the Patronage of their Royal Highnesses the Prince of Wales, Duke of York, Duke of Clarence, Duke of Cumberland, and Her Royal Highness the Duchess of York [and] the Duchess of Devonshire and the Duchess of Gordon. Benefit for O'Keeffe, the Unfortunate Author of the following successful Dramatic Pieces: The Son in Law, Agreeable Surprise, Peeping Tom, Dead Alive, Young Quaker, Life's Vagaries, Castle of Andalusia, Czar, Tony Lumpkin in Town, Poor Soldier, Modern Antiques, Basket Maker, Wild Oats, Wicklow Mountains, French Grenadier [never acted], Positive Man, Love in a Camp, Tantara Rara Rogues all, Beggar on Horseback, Toy, London Hermit, Highland Reel, Blacksmith of Antwerp, Man Milliner, Irish Mimic, Little Hunchback, World in a Village, Fontainbleau, Magic Banner, Farmer, Doldrum, Sprigs of Laurel, Birth Day, Prisoner at Large, &c. &c. Tickets delivered for The Belle's Stratagem will be admitted. [O'Keeffe is referred to as being unfortunate because he was totally blind. In delivering his Poetical Composition, which is printed in Dramatic Censor, II, 265-67, the Monthly Mirror, June 1800, p. 367, reports that he was led on and off the stage by Lewis. It also notes that "Mrs Jordan...came from Drury-Lane, where she had performed the Child of Nature, to officiate at Covent-Garden as the handmaid of charity."] The Last Night of the Company's performing this season. Receipts: none listed

Performances

Mainpiece Title: The Lie Of The Day

Performance Comment: Aircourt-Lewis; Alibi-Quick (1st appearance on this stage these 3 years); Metheglin-Fawcett; Larry Kavanagh-Knight; Sir Carrol O'Donnovan-Waddy; Young O'Donnovan-Claremont; Lady Arable-Miss Chapman; Katty Kavanagh-Mrs Davenport; Fib-Mrs Watts; Sophia-A Young Lady (2nd appearance [see18000517]).see18000517]).
Cast
Role: Metheglin Actor: Fawcett

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees