SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Princess of Wales"/1) | (@(roleclean,performerclean) "The Princess of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 966 matches on Event Comments, 260 matches on Performance Comments, 163 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At the particular Desire of several Persons of Quality. [The Prince, Princess Royal, Princess Amelia and Princess Carolina present.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Perseus and Andromeda Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Event Comment: By Command of his Royal Highness. [The Prince, Princess Royal, Princess Amelia, and Princess Carolina present.

Performances

Mainpiece Title: The Distrest Mother

Event Comment: By His Majesty's Command. [The King, Queen, Prince, Princess Royal, Princess Amelia, and Princess Caroline present.

Performances

Mainpiece Title: King Henry The Ivth, Part Ii

Afterpiece Title: The What D'ye Call It

Event Comment: By Command of their Royal Highnesses the Princess Amelia and Princess Caroline. [King, Duke, and all the Princesses present.]

Performances

Mainpiece Title: Timon Le Misantrope

Afterpiece Title: Arlequin Hulla

Song:

Dance:

Event Comment: [G$Genest, IV, 288, reports this performance "in or before January 1749," finding the account in the London Magazine. In the Prologue George said of himself, "In England born, in England bred." Quin possibly superintended the royal rehearsals. See note, dl 2 Jan.

Performances

Mainpiece Title: Cato

Performance Comment: Portius-Prince George; Juba-Prince Edward; Cato-Master Nugent; Sempronius-Master Evelyn; Lucius-Master Montague; Decius-Viscount Milsintown; Syphax-Lord North's son; Marcus-Master Madden; Marcia-Princess Augusta; Lucia-Princess Elizabeth; King George III (then Prince George) spoke the Prologue-Prince George.

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne
Related Work: The Perfidious Brother Author(s): Lewis Theobald
Related Work: The Twins; or, Is It He, or his Brother? Author(s): Matthew Gregory Lewis

Afterpiece Title: Alexander the Little; or, The Rival Queans

Performance Comment: Alexander-Quick; Clytus-Wilson; Cassander-Munden; Polyperchon-Bernard; Philip-Reeve; Meleager-Williamson; Hibernian Fortune Teller-Rock; Hephestion and Lysimachus (a la Pugilistique)-Cubitt, Marshall; Second to Lysimachus-Follett; Second to Hephestion-Milburne; The Princess Statira-Mrs Webb; Sysigambis (Mother to the Princess)-Mrs Pitt; Roxana-Mrs Martyr.

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-

Event Comment: Benefit for Digges. Afterpiece: Not acted these 2 years

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.
Cast
Role: Prince of Wales Actor: Palmer
Role: Prince of Wales Actor: Palmer

Afterpiece Title: The Waterman; or, The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Related Works
Related Work: Epicœne; or, The Silent Woman Author(s): George Colman, the elder
Event Comment: The Duke's Company. Pepys, Diary: Here comes Harris, and first told us how Betterton is come again upon the stage: whereupon my wife and company to the [Duke's] house to see Henry the Fifth.... Thence I to the playhouse, and saw a piece of the play, and glad to see Betterton

Performances

Mainpiece Title: Henry The Fifth

Performance Comment: Owen Tudor?-Betterton; Henry V-Harris?; Princess Katherine-Mrs Betterton?. See also 13 Aug. 1664.
Cast
Role: Princess Katherine Actor: Mrs Betterton?. See also 13 Aug. 1664.
Event Comment: Sir Charles Lyttleton, 10 Nov. 1677: [The Princess of Orange] is gone to ye play to-night in these and all ye Duchesses jewells (Hatton Correspondence, Camden Society, 1878, XXII, 155). The Prince and Princess had been married on 4 Nov. 1677

Performances

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's date of acquistion of the separately-printed Prologue and Epilogue is 6 Feb. 1687@8 (see A. S. Borgman, The Life and Death of William Mountford [Cambridge, Mass., 1935], p. 26n). Very probably the play had its premiere early in February. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 256-58. A song, Lucinda close or veil those eyes, with music by J. B. Draghi, is in The Banquet of Musick, The Second Book, 1688. Charles Gildon, The Lives and Characters of the English Dramatick Poets (London, 1698 (?), p. 102: [It] did not succeed as the Author wish'd

Performances

Mainpiece Title: The Injured Lovers; Or, The Ambitious Father

Performance Comment: Edition of 1688. Prologue to the Injur'd Lovers-Mr Mountfort; King of Sicily-Williams; Rheusanes-Betterton; Ghinotto-Griffin; Dorenalus-Mountfort; Old Colonel-Sanford; Soldiers-Lee, Jevon, Underhill; Princess Oryala-Mrs Barry; Antelina-Mrs Bracegirdle; Epilogue-Mr Jevon.
Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3153, 27-30 Jan. 1695@6, suggests that it was first given in December 1695, certainly no later than early January 1696

Performances

Mainpiece Title: Agnes De Castro

Performance Comment: Edition of 1696: Prologue by Mr Wycherley at the Author's Request, Design'd to be spoke-; Prologue-Mr Powell; Epilogue-Mrs Verbruggen in Men's Cloaths; King-Sympson; Prince-Powell; Alvaro-Verbruggen; Lorenzo-Cibber; Diego-Hill; Pedro-Mills; Princess-Mrs Temple; Agnes de Castro-Mrs Rogers; Elvira-Mrs Knight; Bianca-Mrs Kent.
Cast
Role: Princess Actor: Mrs Temple
Related Works
Related Work: Agnes de Castro Author(s): Catherine Trotter
Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love

Event Comment: Not acted these five years

Performances

Mainpiece Title: Sir Mannerly; Or, The Country Wit

Performance Comment: with the last new Epilogue concerning the Life and Morals of the Observator, which was -Mr Powell on the first day of the Injur'd Princess, or the false Wager; Also a Dialogue between Heraclitus Ridens and the Observator by way of Prologue-.

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Performance Comment: Henry VIII-Estcourt; Princess Elizabeth-the Child [identified by Genest, II, 340, as Miss Younger]; a new Epilogue-the Child.

Song: Leveridge, Ramondon, Mrs Lindsey, the Boy

Dance: As17051227

Event Comment: Not acted these five Years

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Performance Comment: Anna Bullen-Mrs Oldfield; Henry VIII-Powell; Wolsey-Cibber; Northumberland-Keene; Piercy-Wilks; Rochford-Mills; Lady Diana-Mrs Rogers; Lady Elizabeth-Mrs Porter; Princess Elizabeth-Miss Smith.
Event Comment: By His Royal Highness's Command, and for the Entertainment of their Highnesses, the Princess Royal and the Princess Amelia

Performances

Mainpiece Title: Rinaldo

Event Comment: Benefit Evans. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Performance Comment: Harry the 8th-Evans; Wolsey-Cibber; Piercy-Wilks; Rochford-Mills; Anna Bullen-Mrs Oldfield; Lady Blunt-Mrs Porter; Princess Elizabeth-the Little Child.

Afterpiece Title: The What D'ye Call It

Event Comment: By Command. For the Entertainment of the Princesses. [The King, the Three Young Princesses, and a great Number of Nobility and Gentry also there.] Pit and Boxes 5s. Stage Boxes 7s. 6d. Gallery 2s

Performances

Mainpiece Title: Arlequin Esprit Follet

Afterpiece Title: Le Divorce

Entertainment: Dancing and Tumbling-; particularly Dancing-Mr Glover being the first Time of his Performance in publick since his return from the Court of Paris; Salle, Mlle Salle

Event Comment: For the Entertainment of The Princesses. [The Young Princesses present.

Performances

Mainpiece Title: Arlequin Laron, Grand Provost, Et Juge

Entertainment: Tumbling-; Leap over Man on large Coach Horse-; Italian Postures-

Event Comment: For The Entertainment of their Royal Highnesses the Young Princesses. [The Princesses present.] For comment on the current theatrical scene, see The Letters of the Late Thomas Rundle, pp. 18-22

Performances

Mainpiece Title: Harlequin A Sham Astrologer, A Parrot, A Child, A Statue, And A Chimney Sweeper

Dance: Danjeville

Event Comment: Admission as 19 Nov. Prince, Princess, and the young Princesses present

Performances

Mainpiece Title: Astartus

Event Comment: [By Aaron Hill.] On Shakespear's Foundation. With several Sets of Scenes entirely new and properWto the Play. [In an advance notice in Daily Journal, 6 Nov., the scenes are reported to be designed by Signior Angelo, an Italian.

Performances

Mainpiece Title: King Henry The Vth; Or, The Conquest Of France By The English

Performance Comment: Edition of 1723 lists: King Henry-Booth; Dauphin-Wilks; King of France-Thurmond; Princess Catherine-Mrs Oldfield; Harriet-Mrs Thurmond; Charlot-Mrs Campbell; Duke of Exeter-Mills; Duke of York-Cory; Lord Scroop-Williams; Duke of Bourbon-Bridgwater; Duke of Orleans-Watson; Earl of Cambridge-Mills Jr; Sir Thomas Grey-Oates; French Officer-Roberts; Prologue-Wilks; Epilogue-Mrs Oldfield.
Event Comment: Not Acted these Ten Years

Performances

Mainpiece Title: Virtue Betray'd; Or, Anna Bullen

Performance Comment: Henry VIII-Booth; Wolsey-Cibber; Northumberland-Thurmond; Piercy-Wilks; Rochford-Will. Mills; Anna Bullen-Mrs Oldfield; Diana-Mrs Johnson; Elizabeth-Mrs Horton; Young Princess Elizabeth-Miss Robinson Jr.

Performances

Mainpiece Title: Virtue Betray'd; Or, Anna Bullen

Performance Comment: Henry VIII-Booth; Piercy-Wilks; Wolsey-Cibber; Anna Bullen-Mrs Oldfield; Northumberland-Thurmond; Rochford-Wm. Mills; Lady Blunt-Mrs Horton; Lady Diana-Mrs Cibber; Princess Elizabeth-Miss Robinson Jr.

Afterpiece Title: The Stage Coach

Dance: TThe Fawns-; La Pieraite-Roger, Mrs Brett; Polonese-Young Rainton, Miss Robinson; Drunken Man-Harper