Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 9-12 May 1696, suggests that it was first acted not later than April 1696. It may, however, have been first performed sometime earlier, for two songs for it were set by Henry Purcell, who had died in November 1695. See Purcell's Works, Purcell Society, XXI (1917), vi-vii. A Comparison Between the Two Stages (1702), p. 18: Pausanias, or Lover of his Country, Damn'd, tho writ by a person of Quality, and protected by Southern. One song, My dearest, my fairest, is a dialogue between Mr Cooke and Mrs Hodgson

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 27-30 June 1696, suggests that it was first acted not later than early June 1696 and probably not later than late May 1696. A dialogue, Fly, fly from my sight, between a Eunuch Boyr and a Virgin, set by Daniel Purcell and sung by Bowen and Mrs Cross, is in Deliciae Musicae, The Second Book of the Second Volume, 1696. This was also printed separately, without a date, by Thomas Cross, with the statement that the dialogue was written by Thomas D'Urfey. Gildon, English Dramatick Poets, ca. 1698, p. 111: For the Distress of Morena never fail'd to bring Tears into the Eyes of the Audience

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-27 Aug. 1696, suggests that it was first acted not later than July 1696 and possibly in June 1696. In the edition of 1696 are two dialogues, set by Clarke, the words by Haynes, and sung by Bowen and Mrs Cross. A Comparison Between the Two Stages (1702), p. 18: Cornish Comedy: No matter whose, 'twas Damn'd

Event Comment: Rich's Company. The date of the first performance is not known, but the Prologue suggests that it was given shortly before Bartholomew and Southwark Fairs (Drolls shortly will amuse ye at the Fair), even though the play was not advertised until mid-October (Post Boy, 15-17 Oct. 1696). One song, Alas! when charming Sylvia's gone, is in the Edition and was also published separately,with the indication that Daniel Purcell set it. In the Edition, a song, Fairest nymph that ever bless'd our Shore, is sung in Act II Betwixt Mr Leveridge a Spaniard, and Mrs Cross an English Lady. Tne composer is not named. A Comparison Between the Two Stages (1702), p. 18: and 'tis a most damnable Farce

Event Comment: Post Man, 5-8 Sept. 1696: At Mr Barns's Booth in Southwark Fair, near St Georges Church, will be seen the only English, Dutch, Spanish, High German and Indian Companies of Rope-Dancers, who are all five joined together, and will perform such variety of Dancing, Walking, Vaulting and Tumbling; the like was never seen in England before. 1st, You will see the famous Indian Woman and her Company. 2. You will see the High German Company. 3. You will see the Spanish Company dance excellently well on the Low Rope. 4. You will see the two famous Dutch Children, who are the wonder and admiration of all the Rope Dancers in the World of their Sex and Age. 5. You will see the two famous Englishmen, Mr Edward Barns of Rederiff, and Mr Appleby, who are the only two Master Ropedancers and Tumblers in the old world; also you may see Mr Edward Barnes dance with a Child standing on his shoulders, and with 2 children at his Feet, in Jack-boots and Spurs, and cuts Capers a yard and a half high, and dances a Jig on the Rope with that variety of steps, that few, or no Dancing Masters can do the like on the ground: He likewise walks on a slack Rope no bigger than a penny Cord, and swings himself 6 or 7 yards distance. Afterwards you will see the famous Indian Woman Vault the High Rope with great dexterity. Likewise you will see the famous Mr Appleby, who is the only Tumbler in all Europe, fling himself over 16 mens heads, through 12 Hoops, over 14 Halbards, over a Man on Horseback, and a Boy standing upright on his Shoulders. You will likewise the entertained with good Musick. The merry Conceits of Harlequin and his Son Punch. You will see the English and Dutch Flag on the top of the Booth. Vivat Rex. We shall play in this place 12 days

Event Comment: Rich's Company. The evidence for this date as the premiere of The Relapse is Jennens' report on 19 Nov. 1696 that Drury Lane expected to produce a new play on this date, coupled with the fact that Lady Morley saw this play on 25 Nov. 1696. The play was advertised in the Post Boy, 26-29 Dec. 1696. Preface, Edition of 1697: One word more about the Bawdy, and I have done. I own the first Night this thing was acted, some indecencies had like to have happen'd, but 'twas not my Fault. The fine Gentleman of the Play, drinking his Mistress's Health in Nants Brandy, from six in the Morning, to the time he wadled upon the Stage in the Evening, had toasted himself up, to such a pitch of Vigor, I confess I once gave Amanda for gone, and am since (with all due Respect to Mrs Rogers) very sorry she scap'd; for I am confident a certain Lady (let no one take it to herself that is handsome) who highly blames the Play, for the barenness of the conclusion, wou'd then have allowed it, a very natural Close. Gildon, English Dramatick Poets, p. 145: This Play was received with mighty applause. Cibber, Apology, I, 216: This Play (the Relapse) from its new and easy Turn of Wit, had great Success, and gave me, as a Comedian, a second Flight of Reputation along with it

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 21-23 Jan. 1696@7, suggests that it was first acted not later than early January 1697. The Preface to the edition of 1697 implies that it met with a cold reception and had no more than three performances

Event Comment: London Gazette, No. 3251, 4-7 Jan. 1696@7: At the two Golden Balls, the upper End of Bow-street, near Covent Garden, this day, being the 7th instant, will be performed a New Consort of Musick, with Trumpets, Flutes, Haught boys. Beginning exactly at 8 a Clock in the Evening; and to continue every Thursday following

Event Comment: It is not certain what company produced this play, if it was acted; and it may not have been staged. A manuscript note on Bodleian Malone 116 attributes it to Southby. As the play was advertised in the Post Boy, 2-4 March 1696@7, and as a copy in the Library of Congress bears the manuscript date of 10 March 1696@7, the play, if produced, was probably first acted not later than February 1696@7

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 11-13 May 1697, suggests that it was first acted about mid-April, a month before publication. For an account of the history of the play before its production, see Cibber, Apology, I, 217-18

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Box att Sham Lawyer 8s. [There is no certainty that this performance was the premiere, but the fact that the play was advertised in the Post Boy, 26-28 June 1697 (Luttrell's copy, Huntington Library, bears his acquisition date of 24 June 1697) suggests that its premiere occured in late May.] Title Page, Edition of 1697: As it was Damnably Acted at the Theatre-Royal in Drury Lane

Event Comment: Rich's Company. The date of the first performance is not precisely known, but the opera was in preparation on 15 June 1697. In addition, it was advertised in the Post Boy, 22-24 June 1697, that it would be published on 25 June 1697. As it was occasionally the custom of the theatres to have copies of operatic pieces available at the theatre for a performance, it is possible that the premiere occurred at the end of the week of 21-26 June 1697. Furthermore, a certain performance on 1 July 1697, a benefit for the "Undertaker" of it, probably the third performance, similarly suggests a premiere a few days earlier

Event Comment: Betterton's Company. The date of the first performance is not known, but the Prologue refers to The World in the Moon, suggesting a premiere during (or shortly after) the run of that opera. Since The Innocent Mistress was advertised in the Post Boy, 29-31 July 1697, this fact points also to a late June premiere. A song, When I languished and wished, set by John Eccles and sung by Mrs Hodgson, is in Wit and Mirth, Second Edition, 1707. Gildon, English Dramatick Poets, p. iii: This is a diverting Play, and met with good Success, tho' acted in the hot Season of the Year. A Comparison Between the Two Stages (1702), p. 20: Tho' the Title calls this Innocent, yet it deserves to be Damn'd for its Obscenity

Event Comment: Post Boy, 12-15 June 1697: Great Preparations are making for a new Opera [The World in the Moon] in the Play-house in Dorset-Garden, of which there is great Expectation, the Scenes being several new Sets and of a moddel different from all that have been used in any Theatre whatever, being twice as high as any of their former Scenes. And the whole Decoration of the Stage not only infinitely beyond all the Opera's ever yet performed in England, but also by the acknowledgment of several Gentlemen that have travell'd abroad, much exceeding all that has been seen on any of the Foreign Stages

Event Comment: Luttrell, A Brief Relation, IV, 268, 24 Aug. 1697: The lord mayor has published an order forbidding all unlawfull gameing, excesse in drinking, swearing, cursing in Bartholomew fair. The only notice of a performance is an advance one, Post Boy, 12-14 Aug. 1697: At Mr Barns's Booth, between the Crown Tavern, and the Hospital-Gate, over against the Cross-Daggers in West-Smithfield Rounds, during the time of Bartholomew Fair, is to be seen the famous Rope-Dancers of Europe, being four Companies join'd in one, viz. the English, High-German, French and Morocco Companies of Rope-Dancers, by whom will be presented a Variety of Agility of Body, as Danceing, Tumbling, Walking, and Vaulting, the like was never seen before

Event Comment: Rich's Company. The date of the first performance is not certain, but the Preface refers to the Long Vacation and a thin house, suggesting a late summer production. As the play was advertised in the Post Boy, 16-18 Nov. 1697, a first performance in October 1697 is probably the latest date for this play, and September seems more likely. Among the songs are several for whom the composer and singer are named: Happy we who free from love, and How calm Eliza are these groves, the music set by Morgan and both sung by Mrs Lindsey. She comes my goddess comes, set by Morgan and sung by Mrs Cibber. Sleep shepherd sleep, the music set by Morgan and sung by Mrs Cross. All four are in A Collection of New Songs, 1697. Preface, Edition of 1698: To serve the wants of a thin Playhouse, and Long Vacation...This hasty Brat...had the Honor of keeping the Stage for five Days Reign. Animadversions on Mr Congreve's late Answer to Mr Collier (1698), pp. 34-35: The mighty Man of Wit [Congreve]...at the Representation of this Play...was seen very gravely with his Hat over his Eyes among his chief Actors, and Actresses, together with the two She Things, call'd Poetesses, which Write for his House, as 'tis nobly call'd; thus seated in State among those and some other of his Ingenious critical Friends, they fell all together upon a full cry of Damnation, but when they found the malicious Hiss would not take, this very generous, obliging Mr Congreve was heard to say, We'll find out a New way for this Spark, take my word there is a way of clapping of a Play down

Event Comment: Betterton's Company. The date of the first performance is not known. As the play was advertised in the Post Boy, 20-23 Nov. 1697, it was probably first acted not later than October 1697; and, in view of its apparently unsuccessful appearance, may have been a late summer or early fall production. When this play was entered in the Term Catalogues, it had the title, Love's Reward; or, The Unnatural Mother

Event Comment: Betterton's Company. This performance is recorded in A Calendar of the Inner Temple Records, ed. Inderwick, III, 227. Post Boy, 30 Oct.-2 Nov. 1697: There was Yesterday a very great Feast in the Temple, there being present the High Honourable the Lord Chancellor, with Divers of the Judges; after Dinner there was a Play Acted. John Oldmixon, Reflections on the Stage (London, 1699), p. 69: The Bar-Gown has often been play'd with, and shewn in a more despicable Figure, yet the Lawyers don't think it worth their while to cry out against Comedy, as aiming at the ruin of the Courts in Westminster-hall, and the Judges themselves have desir'd Love for Love, with all the faults Mr Collier has laid to its charge, to be presented 'em, and were extreamly well pleas'd with their entertainment, tho' the Lawyer there makes a trivial appearance

Event Comment: In L. C. 5@152, pp. 202, 220--see Boswell, Restoration Court Stage, p. 105--is a reference to a performance given jointly by both companies. As this was the customary date of the celebration of King William's birthday, this musical work was probably given on this day. The BM copy has a MS date of 29 Nov. 1697; and a dialogue from this work was noticed in the Post Boy, 30 Nov.-2 Dec. 1697. The music was composed by John Eccles

Event Comment: Post Boy, 25 Nov. 1697: [A concert every Monday.] The first Performance will be a new Pastoral on the happy Conclusion of the Peace

Event Comment: Rich's Company. Post Boy, 16-18 Dec. 1697: We hear that the Marquiss of Carmarthen who lately Entertain'd the Great Officer from the Czar of Muscovy, at the Opera call'd the Prophetess, has this day Bespoke the Entertainment of the Indian Queen at the Theatre Royal