SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Little Boy"/1) | (@(roleclean,performerclean) "The Little Boy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 589 matches on Event Comments, 561 matches on Performance Title, 519 matches on Performance Comments, 3 matches on Roles/Actors, and 0 matches on Author.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162; on a similar list (L. C. 5@145, p. 120) the date is given as 25 May, but the second list may have been compiled from the first one and subject to error. See also Nicoll, Restoration Drama, p. 349. There is no indication that this is the first production, but the Epilogue refers to the shortly expected "long Vacation," a suggestion that the premiere came in May. The play was not licensed until 29 Aug. 1678

Performances

Mainpiece Title: The Counterfeits

Performance Comment: Edition of 1679: Prologue-; Don Gomez-Anthony Lee; Don Luis-Gilloe; Vitelli-Betterton; Antonio-Harris; Carles-Medburne; Peralta-Smith; Dormilon-Persivall; Fabio-Underhill; Crispin-Williams; Tonto-Richards; Boy-Young Mumford [Mountfort]; Elvira-Mrs Lee; Violante-Mrs Price; Clara-Mrs Barrer; Flora-Mrs Gibbs; Epilogue-Mrs Barry.
Cast
Role: Boy Actor: Young Mumford
Event Comment: The Duke's Company. The date of the first performance is not known; an entry in L. C. 5@145, p. 120, lists it for 1 March, but leaves the year in question. See also Nicoll, Restoration Drama, p. 349. Because the Prologue upbraids the audience for deserting Dorset Garden to see The Female Prelate at Drury Lane (beginning 31 May 1680) and because the Epilogue refers to railing at the Penny Post, a service inaugurated on 1 April 1680, a performance in mid-June 1680 seems the likely first production. If so, the L. C. entry for 1 March probably represents a revival for 1 March 1680@1. A song, Bonny lass gin thou wert mine, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681. For Leigh as Sir Jolly and Nokes as Sir Davy, see Cibber, Apology, ed. Lowe, I, 147-48. Downes (Roscius Anglicanus, p. 36): These two Comedies [The Soulder's Fortune and D'Urfey's The Fond Husband] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit

Performances

Mainpiece Title: The Souldiers Fortune

Performance Comment: Edition of 1681: Beaugard-Betterton; Courtine-Smith; Sir Davy Dunce-Nokes; Sir Jolly Jumble-Leigh; Fourbin-Jevon; Bloody Bones-Richards; Vermin-A Boy; Lady Dunce-Mrs Barry; Sylvia-Mrs Price; Prologue by the Lord Falkland-; Epilogue-.
Cast
Role: Vermin Actor: A Boy
Role: Prologue by the Lord Falkland Actor:
Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar; Or, The Moor's Revenge

Event Comment: Betterton's Company. The date of the first performance is not certain, but contemporary sources refer to the fact that William Smith, who died in the last week of December, fell ill on the fourth day of its run; hence, it probably was first presented in mid-December. One song, O take him gently from the pile, set by John Eccles and sung by Mrs Bracegirdle, is in Deliciae Musicae, The Fourth Book, 1696. Downes, Roscius Anglicanus, p. 44: The Grand Cyrus, wrote by Mr Banks; it was a good Play; but Mr Smith, having a long part in it, fell Sick upon the Fourth Day and Dy'd, upon that it lay by, and ne'er have bin Acted since. Gildon, English Dramatick Poets, p. 6: Tho' this Play had been formerly refus'd the Action, yet it held up its Head about Six Days together, and has been since Acted several Times. A Comparison Between the Two Stages: Sullen, p. 16: Banks's, which the Players damn'd and wou'd not Act of a great while, but at length it was acted, and damn'd then in manner and form

Performances

Mainpiece Title: Cyrus The Great; Or, The Tragedy Of Love

Performance Comment: Edition of 1696: Prologue to Her Royal Highness-; Cyrus the Great-Betterton; Cyaxares-Smith; Hystaspes-Kynaston; Craesus-Bowman; Abradatas-Hudson; Artabasus-Thurmond; Thoiyris-Mrs Bowtell; Panthea-Mrs Barry; Lausaria-Mrs Bracegirdle; Epilogue-the Boy, Girl by way of Dialogue.
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that it was advertised in the Post Boy, 27-29 Feb. 1695@6 and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than January 1695@6. It may have appeared around the turn of the year. One song, While Phillis does drink, set by John Eccles and sung by Coper; and another, So well Corinna likes the joy, the composer not named but sung by Young Laroch, a Boy of seven, are in Deliciae Musicae, The First Book of the Second Volume, 1696. Downes, Roscius Anglicanus, p. 45: A Comedy, wrote by Mr George Greenvil, when he was very Young; Extraordinary Witty, and well Acted; but offending the Ears of some Ladies who set up for Chastity, it made its Exit. A Comparison Between the Two Stages (1702), p. 20: And a good Comedy, tho it had the Misfortune to be ill receiv'd

Performances

Mainpiece Title: The She-gallants

Performance Comment: Edition of 1696: Prologue to the She@Gallant-Mr Betterton; Epilogue-Mrs Bracegirdle; Bellamour-Betterton; Philabel-Hodgson; Frederick-Thurman; Sir Toby Cusifle-Underhill; Sir John Aery-Bowen; Vaunter-Dogget; Courtall-Bailie; Lady Dorimen-Mrs Barry; Angelica-Mrs Bracegirdle; Constantia-Mrs Bootell; Lucinda-Mrs Bowman; Plackett-Mrs Lee.
Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 17-20 April 1697, suggests a premiere preceding Easter; in addition, the large number of minor actors suggests a Lenten performance, possibly in February, certainly no later than early March. One song, So fair young Caelia's Charms, the music by Daniel Purcell and sung by Mr Magnus's Boy, was printed separately in 1697. A Comparison Between the Two Stages (1702), p. 18: Triumphs of Vertue, tho' I think this no ill Play, yet 'twas Damn'd

Performances

Mainpiece Title: The Triumphs Of Virtue

Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Concert

Performance Comment: Every Wednesday for the ensuing Season... Vocal and Instrumental Musick-; consisting of about Thirty Instruments and Voices- ; after the method of the Musick meeting in York Buildings...Each person being to pay for coming in but one shilling, to begin at half after an hour after Two, and no person to be admitted after Three. The first performance was on Wednesday last (Post Boy, 11 May 1697). after the method of the Musick meeting in York Buildings...Each person being to pay for coming in but one shilling, to begin at half after an hour after Two, and no person to be admitted after Three. The first performance was on Wednesday last (Post Boy, 11 May 1697).
Event Comment: Rich's Company. Post Boy, 29 June-1 July 1697: The New Opera will be Acted this day for the benefit of the Undertaker....The new Opera...is acting with great applause. It is licensed by the Lord Chamberlain's Secretary, and the Master of the Revels; and may be had, with all the songs, at A. Roper's, at the Black-boy in Fleet-street, price 1s

Performances

Mainpiece Title: The World In The Moon

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 18-21 Dec. 1697, suggests that the premiere occurred not later than late November. This play was originally given to the company in Drury Lane, but withdrawn. See G. Thorn-Drury, An Unrecorded Play Title, Review of English Studies, VI (1930), 316-18. Edition of 1698: A Dialogue in the fourth Act, between Mr Bowman and Mrs Bracegirdle; The words by Mr Durfey and set by Mr Eccles: When will Stella kind and tendre. A Dialogue in the fifth Act, between a Boy and a Girl, and an Old Man, Written by Mr Motteux, set to the Musick by Mr J. Eccles. Preface: I look upon those that endeavour'd to discountenance this Play as Enemys to me

Performances

Mainpiece Title: The Deceiver Deceived

Event Comment: According to the Flying Post, 18-20 Oct. 1698: On Tuesday October 18, 1698, the Penny Lottery began at the Theatre Royal in Dorset Garden with the first draw. [On 28 Sept. 1698 James Brydges, Diary reported that he had gone into dg to see the "engine" for the lottery.] The Post Boy, 18-20 Oct. 1698: There is now Acting at the Theatre Royal in Dorset Garden a Tragy-Comedy called The Wheel of Fortune, or The Fools Expectation. And 'tis thought the Author will have a good Sixth Day. According to the Post Boy, 20-22 Oct. 1698: On Monday next will be publish'd, a Comical and Satirical Prologue and Epilogue, intended to be spoken at the Acting of the new Invented Farce, call'd, the Wheel of Fortune, or the Fools Expectation. [The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 305-10.] It seems probable that the lottery was dignified, for satiric purposes, by being given the title of a play, with a satirical Prologue and Epilogue. Post Man, 20-22 Oct. 1698: The Entertainment performed at the Theatre Royal in Dorset Garden, at drawing the Lottery, called the Wheel of Fortune; being the Speeches addrest to the Spectators, as Prologues and Epilogues. During a Symphony of Musick the Curtain rises slowly, and discovers two wheels upon the Stage; then two Figures, representing Fortunev and Astraea the Goddess of Justicev, descend over each Wheel, in two rich Chariots gilt with Gold

Performances

Mainpiece Title: Entertainments

Event Comment: Post Boy, 22-25 March: There is great Expectation from the Boy that this Day Dances at the King's Play-House, he being reputed to perform equal to Monsieur Ballon

Performances

Mainpiece Title: The Old Batchelor

Event Comment: At the Request of several Persons of Quality. At 5 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: An Extraordinary Consort of Vocal and Instrumental Musick-; Particularly, the Instrumental Musick, Composed by Mr John Eccles for the Coronation-; With several of Mr Weldon's Songs made for his Consort in York-Buildings. To be Perform'd-Mr Hughs, the Boy; Entertainment on the Violin-Mr Deane (not perform'd there before)

Performance Comment: To be Perform'd-Mr Hughs, the Boy; Entertainment on the Violin-Mr Deane (not perform'd there before).

Performances

Mainpiece Title: The Consultation

Afterpiece Title: The Loves of Ergasto

Performance Comment: Licoris-the new Italian Boy.
Cast
Role: Licoris Actor: the new Italian Boy.
Event Comment: At the Desire of several Ladies of Quality. Written by the famous Ben. Johnson

Performances

Mainpiece Title: The Alchymist

Performance Comment: Subtle-Cibber; Face-Powell; Sir Epicure-Estcourt; Surly-Mills; Drugger-Penkethman; Dapper-Norris; Ananias-Johnson; Tribulation-Pack; Lovewit-Bickerstaff; Angry Boy-Bullock.
Cast
Role: Angry Boy Actor: Bullock.
Event Comment: At the Desire of several Persons of Quality. Written by the famous Ben Johnson

Performances

Mainpiece Title: The Alchymist

Performance Comment: Subtle-Cibber; Face-Wilks; Sir Epicure-Estcourt; Dapper-Dogget; Drugger-Pinkethman; Ananias-Johnson; Angry Boy-Bullock.
Cast
Role: Angry Boy Actor: Bullock.
Event Comment: For the Benefit of your Humble Servant Francis Leigh. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Gamester

Performance Comment: With an Epilogue-Miss Santlow in Boys Cloaths.

Afterpiece Title: The Walking Statue

Dance: Between the Acts: With 6 several Entertainments of Dancing as are express'd at large in the great Bills-

Event Comment: Benefit Miss Santlow. At the Desire of several Ladies of Quality. Note, Tickets given out for The Country Wife will be taken

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Powell; Ophelia-Miss Santlow; A new Epilogue-Miss Santlow in boys' clothes.

Dance: Dutch Skipper-Miss Santlow

Performances

Mainpiece Title: The Generous Husband; Or, The Coffee House Politician

Performance Comment: Edition ca. 1711 lists: Carizales-Keene; Veramant-Booth; Secundine-Mills; Fortsil-Bullock; Postscript-Dogget; Dypthong-Johnson; Flyblow-Norris; Ficticia-Mrs Bradshaw; Viola-Mrs Bicknell; Florida-Mrs Porter; Lucia-Mrs Santlow; Prologue-Booth; Epilogue-Mrs Bradshaw in boy's clothes.

Performances

Mainpiece Title: The Alchymist

Performance Comment: Subtle-Cibber; Face-Powell; Surly-Mills; Sir Epicure-Estcourt; Ananias-Johnson; Tribulation-Pack; Abel-Pinkethman; Dapper-Norris; Boy-Bullock; Dol-Mrs Saunders; Widow-Mrs Cox.
Cast
Role: Boy Actor: Bullock
Event Comment: Written by the famous Ben. Johnson

Performances

Mainpiece Title: The Alchymist

Performance Comment: Subtle-Cibber; Face-Powell; Sir Epicure-Estcourt; Surly-Mills; Angry Boy-Bullock; Ananias-Johnson; Tribulation-Pack; Abel-Penkethman; Dapper-Norris; Dol-Mrs Saunders; Widow-Mrs Cox.
Cast
Role: Angry Boy Actor: Bullock

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Performance Comment: Edition of 1715 lists: Heartwell-Booth; Modely-Wilks; Freehold-Mills; Sir John English-Johnson; Lurcher-Bickerstaffe; Sneak-Miller; Longbottom-Bowman Jr; Carbuncle-Cross; Tim Shacklefigure-Norris; Doublejugg-Birkhead; Vulture-Quin; Flora-Mrs Mountfort; Aura-Mrs Santlow; Prologue-Miss Younger; Epilogue-Mrs Santlow in Boys Cloaths.
Event Comment: Benefit Pack. At the particular Desire of several Ladies of Quality. Afterpiece: A Masque of Musick, compos'd by the late Mr Hen. Purcel. Receipts: #158 11s. 6d

Performances

Mainpiece Title: Timon Of Athens; Or, The Man-hater

Afterpiece Title: Bacchus and Cupid

Performance Comment: Bacchus-Leveridge; Cupid-New Boy.
Cast
Role: Cupid Actor: New Boy.

Song: Dialogues-Leveridge, Cook, Pack

Dance: As17150305

Performances

Mainpiece Title: Bonduca

Related Works
Related Work: Bonduca Author(s): George Colman, the elder

Afterpiece Title: The Contrivances; or, More Ways Than One

Performance Comment: Edition of 1715 lists: Argus-Norris; Hearty-Shepard; Rovewell-Quin; Robin-Miller; Constable-Cross; First Mob-Weller; 2d Mob-Pendroy; 3d Mob-Cole; Woman Mob-Wright; Servant-Harris; Boy-Young Norris; Arethusa-Miss Willis; Betty-Mrs Baker.
Cast
Role: Boy Actor: Young Norris

Music: Mainpiece: by Henry Purcell

Event Comment: Not Acted these Five Years. Receipts: #25 10s

Performances

Mainpiece Title: Oedipus, King Of Thebes

Music: Vocal and Instrumental Music composed by Mr Hen. Purcell-Leveridge, Randal, Reading, the Boy

Performance Comment: Purcell=-Leveridge, Randal, Reading, the Boy.
Cast
Role: urcell Actor: Leveridge, Randal, Reading, the Boy.

Dance: A new dance-Moreau, Mrs Cross