SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Grand Jury of London"/1) | (@(roleclean,performerclean) "The Grand Jury of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1949 matches on Performance Title, 1108 matches on Event Comments, 735 matches on Performance Comments, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Parsons; Malvolio-Bensley; Viola-Mrs Bulkley; Maria-Mrs Brereton; Olivia (with songs)-Miss Phillips (1st appearance in that character) .

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .
Cast
Role: Captain of the Guards Actor: Alfred
Event Comment: Benefit for Whitfield. 2nd piece: Written by George Colman, Esq. Not acted these 10 years [acted 20 Dec. 1777]. After which, a Grand Procession of the principal Characters of Shakespeare, as exhibited at the Jubilee at Stratford upon Avon [in Sept. 1769]. Public Advertiser, 5 May: Tickets to be had of Whitfield at his house, Leicester Court, Castle Street, Leicester Fields. Receipts: #114 4s. (45/18; tickets: 68/6) (charge: #105)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Whitfield; Kitchen-Thompson; Frankly-Davies; Cross-Fearon; Charlotte-Mrs Whitfield; Sally-A Very Young Lady, the same that performed it in the Haymarket [on 18 June 1783] (1st appearance on this stage [Miss Logan]); Landlady-Mrs Davenett; Lettice-Mrs Morton; Mrs Cross-Mrs Webb .

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

Event Comment: Mainpiece: With a Grand Procession of the different Orders of the Knights of Chivalry. [This was included in all subsequent performances.] Receipts: #125 2s. 6d. (90/6/0; 34/11/0; 0/5/6)

Performances

Mainpiece Title: Cymon

Performance Comment: Cymon-The Gentleman who performed the character of Young Meadows [on 14 Oct.: Dignum]; Dorus-Parsons; Merlin-Bannister; Dorilas-Chaplin; Damon-Fawcett; Linco-Dodd; Urganda-Miss George (1st appearance in that character); Fatima-Mrs Wrighten; Cupid-Miss J. Stageldoir; Shepherdesses-Miss Barnes, Miss Burnett; Dorcas-Mrs Love; Sylvia-Miss Phillips (1st appearance in that character) .

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Cupids [performers not listed]; In Act IV a Dance of Daemons by Hamoir, &c. [These were danced, as here assigned, in all subsequent performances.]

Performance Comment: [These were danced, as here assigned, in all subsequent performances.] hathi.
Related Works
Related Work: The Test of Love Author(s): John Edwin, the younger
Event Comment: Afterpiece: Not acted these 3 years. To conclude with a Grand Representation of a Regatta. Receipts: #226 (183/7/0; 39/10/6; 3/2/6)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Waterman

Event Comment: Benefit for Mme Rossi. Tickets, half a guinea each, to be had of Mme Rossi, No. 33, Pall-mall. 2nd ballet: With Grand Chorusses; the original Music by Matthew Locke is entirely preserved; the rest partly new [by Barthelemon], partly compiled from the most favourite Scotch Airs. "We cannot think last night's effort among the most successful . . . Lepicq and Rossi were the Macbeth and Lady--and considering the narrow boundaries of their art, which is tongue-tied, they discoursed 'with most miraculous organs.' Still, however, the whole of the material questions of the scene were agitated with all the disadvantages of contrast with comparative inefficience" (Public Advertiser, 18 Mar.)

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

Performance Comment: The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel .
Event Comment: Benefit for Quick. Public Advertiser, 5 Mar.: Tickets to be had of Quick, No. 99, High Holbourn. Mainpiece: Not acted these 20 years [not acted since 15 Apr. 1763]. Afterpiece [1st time; F 2, by Frederick Pilon]: Altered from [The Comical History of Don Quixote, Part II, by Thomas] D'Urfey. In Act I A Grand Baratarian Procession of Sancho to his Government. The Characters all dressed in the Habits of the Times

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Barataria; or, Sancho Turn'd Governor

Performance Comment: Sancho Panca-Quick; Duke-Cubitt; Manuel-Bonnor; Pedro-Thompson; Recorder-Booth; Alonzo-Helme; Smuggler-Stevens; Custom House Officer-Bates; Gardener-Jones; Tailor-Kennedy; Cryer-Besford; Thin Man-Newton; Don Quixote-Davies; Lady Tereza Panca-Mrs Webb; Spanish Lady-Mrs Pitt; Duchess-Mrs Poussin; Mary the Buxom-Mrs Wilson. [Text (J. Almon, 1785) adds: Big Woman-Miss Brangin, and calls Spanish Lady, Rodriguez.] hathi. hathi.
Cast
Role: Mary the Buxom Actor: Mrs Wilson.

Dance: As17841201

Monologue: 1785 03 29 Preceding the mainpiece Mother Shipton's Review of the Audience (Written by the late D. Garrick, Esq.) [speaker not listed, but probably Quick]

Event Comment: Mainpiece: Not acted these 10 years [acted 10 Nov. 1779]. [Miss Brunton was from the Bath theatre. Prologue by Arthur Murphy (Works, 1786, VII, 60).] Receipts: #337 18s. (335/7/6; 2/10/6)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Biondello-Kennedy; Music Master-Stevens; Hortensio-Helme; Pedro-Swords; Tailor-Wewitzer; Haberdasher-Newton; Nathaniel-Ledger; Grumio-Quick; Bianca-Miss Brangin; Curtis-Mrs White; Catherine-Mrs Bates .
Cast
Role: Catherine Actor: Mrs Bates

Song: In Act v of mainpiece a Roman Ovation. The Music composed by Shield, with a Grand Chorus ["taken from Caractacus" (Public Advertiser, 21 Oct.)] by Dr Arne. Vocal Parts by Johnstone, Brett, Davies, Cubitt, Palmer, Darley, Meadows, Doyle; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Gray, Miss Orme, Miss Francis, Miss Browning, Mrs Bannister. [This was included, as here assigned, in all subsequent performances.]

Performance Comment: The Music composed by Shield, with a Grand Chorus ["taken from Caractacus" (Public Advertiser, 21 Oct.)] by Dr Arne. Vocal Parts by Johnstone, Brett, Davies, Cubitt, Palmer, Darley, Meadows, Doyle; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Gray, Miss Orme, Miss Francis, Miss Browning, Mrs Bannister. [This was included, as here assigned, in all subsequent performances.] hathi.
Event Comment: Afterpiece: To conclude with a Grand Representation of a Regatta. [This was included in both subsequent performances.] Receipts: #169 6s. 6d. (149/7/0; 17/13/0; 2/6/6)

Performances

Mainpiece Title: The Carmelite

Performance Comment: The Carmelite-Smith; Montgomeri-Kemble; Lord De Courci-Aickin; GyfFord-Packer; Raymond-Fawcett; Fitz-Allan-Phillimore; Lord Hildebrand-Palmer; Matilda-Mrs Siddons .
Cast
Role: The Carmelite Actor: Smith

Afterpiece Title: The Waterman

Event Comment: Mainpiece: With a Grand Procession of the different Orders of Knights of Chivalry. Receipts: #121 5s. 6d. (82/5/0; 36/4/6; 1/18/6; tickets not come in: 0/17/6)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Romp

Dance: In Act I of mainpiece a Dance of Cupids [performers not listed]; In Act IV a Dance of Daemons by Hamoir, &c

Related Works
Related Work: The Test of Love Author(s): John Edwin, the younger
Event Comment: A new Comic Opera [in 2 acts]; the Music entirely new by Paisiello, under the direction of [i.e. with additions by] Cherubini. Public Advertiser, 26 Jan.: "Il Marchese Tulipano was in its original state a petite piece [in 1 act] of Paisiello [entitled Le Finte Contesse; performed at this theatre on 26 Mar. 1778 as Il Marchese Villano], enlarged to the size in which it is now before us by Cherubini." By Their Majesties Command no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [same throughout season]. Subscriptions are received at Messrs. Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-house, are respectfully entreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. N.B. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are most respectfully entreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-Mall. The Doors in Market-Lane for Chairs only. All Persons claiming free Admission into this Theatre by Renters' Shares or otherwise are requested to bring their Titles to the Office every Day, from Eleven to Twelve o'clock in the Forenoon, in order that they may be registered previous to the opening of the House

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

Performance Comment: , Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c .
Event Comment: A revived Serious Opera, with Grand Chorusses, New Dresses and Decorations; the Music by Sacchini. "In the second act [Mme Mara, who sang Andromeda] was encored in a song of Bravura . .. The amazing extent of her voice never appeared in a more conspicuous light... As to the Chorusses, we understand that they were under the immediate direction of Mme Mara, which accounts for the uncommon precision with which they were executed" (General Advertiser, 22 Mar.)

Performances

Mainpiece Title: Perseo

Performance Comment: Principal Characters by Babbini, Tasca, Bartolini, Schinotti, Simonetti (1st appearance); Sga Catenacci, Mme Mara. [Libretto (T. Cadell, 1774) lists the parts: Perseo, Barsene, Cefeo, Anfrisio; Andromeda, Tomiri.] hathi.

Dance: End of Act I Divertissement Villageois, as17860218; End of Act II Dance incidental to the Opera by Henry, Duquesney Qun.], the two Mlles Simonet; End of Opera New Divertissement, as17860311athi

Performance Comment: ], the two Mlles Simonet; End of Opera New Divertissement, as17860311athi .
Cast
Role: Thetis Actor: Mlle Mozon.
Event Comment: Benefit for Booth. 1st piece: In Act II the Grand Triumphal Entry of Alexander into Babylon. 3rd piece: Never performed there. Morning Chronicle, 2 May: Tickets to be had of Booth, No. 18, Broad Court, Long Acre. Receipts: #105 12s. 6d. (99/8/6; 6/4/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Alexander-Pope(1st appearance in that character); Lysimachus-Farren; Hephestion-Davies; Cassander-Fearon; Polyperchon-Cubitt; Thessalus-Palmer; Aristander-Gardner; Perdiccas-Thompson; Clytus-Aickin; Roxana-Mrs Bates; Sysigambis-Miss Platt; Parisatis-Mrs Rivers; Statira-Mrs Wells (1st appearance in that character) .
Cast
Role: Thessalus Actor: Palmer

Afterpiece Title: Annette and Lubin

Afterpiece Title: Piety in Pattens

Dance: As17860426

Event Comment: Afterpiece: To conclude with the favourite scenes of the Bird Catcher, Mine, and Grand Saloon from Here and There and Every Where. [These were included in all subsequent performances.]

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Performance Comment: Harlequin Teague-R. Palmer; Teague Harlequin-Milbourn; Italian Merchant-Swords; Clown-Grimaldi; Sailor (with Fal de ral tit)-Edwin; Landlord of the Horns at Highgate-Booth; Giant of the Causeway-Master Simmons; Genius of Ireland-Brett; Bird Catcher-Meadows; Genius of the Mine-Miss Painter .
Related Works
Related Work: Harlequin Teague; or, The Giant's Causeway Author(s): George Colman, the elder

Dance: In afterpiece, by Byrn, the two Miss Simonets, Master Degville, Miss De Camp

Event Comment: Paid Danby [for] Chorus #9; Printer [of playbills] #14 6s. 6d. [Mrs McGeorge was from the Tunbridge Wells theatre.] Afterpiece: To conclude with a Grand Representation of a Regattav . "When [Mrs Siddons] begins a dialogue of scorn, at the top of her voice (as she did last night in the fifth act), the climax must inevitably be sacrificed" (Morning Chronicle, 7 Dec.). Receipts: #227 6s. (204.6.0; 22.4.6; 0.15.6)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Waterman

Event Comment: Benefit for Miss Wilkinson. Mainpiece: Not acted these 4 years [acted 21 Apr. 1784]. With a Grand Procession of the Knights of Chivalryv. Public Advertiser, 7 May: Tickets to be had of Miss Wilkinson, No. 15, Martlet-court, Bow-street, Covent Garden. Receipts: #126 18s. (121.14; 5.4; tickets: none listed)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Love and War

Dance: As17870425

Song: In afterpiece: Still the Lark finds Repose-Miss Wilkinson; End I: Tally@ho-Miss Wilkinson

Event Comment: Benefit for Wild. 2nd piece: In 3 Acts. 3rd piece [1st time; MF 2, by Leonard Macnally. Larpent MS 778; not published; composer of music unknown]. Morning Herald, 22 May: "[The Cantabs] was not heard out by the audience, nor can we differ from the verdict, as it possessed little to entertain, and less to interest." Receipts: #222 16s. 6d. (113.8.0; 7.6.6; tickets: 102.2.0)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Cantabs

Song: II 2nd piece: Come come my good Shepherds-Mrs Martyr; In course Evening: Four@and@Twenty Fidlers-Edwin

Monologue: Vaudeville End 2nd Piece: A Scene in a Masque Ball , with an Illumination. Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-

Performance Comment: Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-.
Event Comment: Mainpiece: With a Grand Procession of the Knights of Chivalryv. Receipts: #133 3s. (125.18.6; 7.4.6)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Devil upon Two Sticks

Performance Comment: The Devil-Fearon; Sir T. Maxwell-Thompson; Invoice-Davies; Julep-Booth; Apozem-Wewitzer; Calomel-Cubitt; Camphire-Stevens; Dr Last-Edwin; Mrs Margaret Maxwell-Mrs Webb; Harriet-Mrs Morton.
Cast
Role: The Devil Actor: Fearon

Performances

Mainpiece Title: Alexander's Feast 0; Redemption 0

Afterpiece Title: Alexander's Feast 3 [i

Performance Comment: e. the oratorio consists of only two parts]. Song-Mme Mara; Concerto Bassoon-Parkinson; A Song-Reinhold; Concerto Hautboy-Parke; Duetto-Mrs Crouch, Miss George; Grand Chorus, Fix'd in His Everlasting Seat-[Samson].Samson].

Performances

Mainpiece Title: Acis And Galatea 0; Redemption 0

Afterpiece Title: Acis and Galatea 3 [i

Performance Comment: e. the oratorio consists of only two parts]. Overture to Samson-; Song-Mme Mara; Concerto Violoncello-Mara; a Song-Reinhold; Quartetto, Where the Bee sucks-Mrs Crouch, Miss George, Dignum, Reinhold; A Song-Mme Mara; Grand Chorus [from Handel-.
Event Comment: Benefit for Dignum. 3rd piece: To conclude with a Grand Representation of a Regatta. [This was included in both subsequent performances.] Public Advertiser, 7 May: Tickets to be had of Dignum, Red Lion-Square, the corner of Leigh-Street. Receipts: #243 16s. 6d. (62.9.0; 17.18.0; 0.9.6; tickets: 163.0.0) (charge: #107 9s. 3d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Le Matin, Midi, et le Soir

Afterpiece Title: The Waterman

Song: End II 1st piece: The Race Horse (composed by Dibdin)-Dignum

Event Comment: Benefit for Mr and Mrs Brown. Mainpiece: With a Grand Processionv, as 21 Sept. 1787. [The Cottagers, a comic opera written by Mrs Brown's daughter, was published in 1788, and 1st acted at the Crow Street Theatre, Dublin, 19 May 1789.] Receipts: #167 7s. (58.2; 7.9; tickets: 101.16)

Performances

Mainpiece Title: Cymon

Performance Comment: As17870921, but Cymon (for that night)-Brown; 2nd Shepherd-Evatt; Sylvia-Miss Ross (Author of The Cottagers; 1st appearance). 1st appearance).

Afterpiece Title: The Royal Chace

Song: In afterpiece: a Hunting Song-Darley

Entertainment: Monologue. End afterpiece: an Occasional Epilogue[, in the character of Harlequin] (written by Miss Ross)-Brown

Performance Comment: End afterpiece: an Occasional Epilogue[, in the character of Harlequin] (written by Miss Ross)-Brown.
Event Comment: Benefit for Brandon, box-book and housekeeper. Mainpiece: Grand Triumphal Entryv, as 22 Oct. 1787, but omitted: Vocal Parts. Receipts: #374 19s. (82.9.6; 8.1.6; tickets: 284.8.0)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: As17871217, but Thessalus-Evatt; Aristander-_; Perdiccas-_.
Cast
Role: Thessalus Actor: Evatt

Afterpiece Title: The Poor Soldier

Cast
Role: Father Luke Actor: Booth

Entertainment: Monologues. End II: Bucks have at You All, as17880311End IV: A Description of the Curiosities in the Tower-Edwin; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard

Performance Comment: End II: Bucks have at You All, as17880311End IV: A Description of the Curiosities in the Tower-Edwin; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard.
Event Comment: Benefit for Palmer. Afterpiece: For that Night only [it had 1st been acted at the Royalty, 1 Jan. 1788]. The Airs and Chorusses composed by Reeve. End of Act I a Grand Representation of Mount Vesuvius at the time of an Eruptionv. [Mrs Gibbs was from the Royalty.] Receipts: #275 10s. (138.15; 26.19; 5.8; tickets: 104.8) (charge: #115 14s. 6d.)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Alithea Actor: Mrs Ward
Role: The Country Girl Actor: Mrs Jordan.

Afterpiece Title: The Deserter of Naples; or, Royal Clemency

Performance Comment: The Deserter-Palmer; The other Characters-Bannister Jun., Suett, Burton, Williames, Fawcett, Wilson, Phillimore, Chaplin, Benson, Alfred, Miss Collett, Mrs Love, Mrs Gibbs (1st appearance on that stage). [Other characters adjusted from playbill of 24 Mar. 1791. Skirmish-Bannister Jun.; +Simkin-Suett; +Flint-Burton; +Russet-Williames; +Jenny-Miss Collett; +Margaret-Mrs Love; +Louisa-Mrs Gibbs. Fawcett, Wilson, Phillimore, Chaplin, Benson, Alfred are unassigned.]

Dance: In afterpiece: Hamoir, Miss J. Stageldoir

Event Comment: Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5.30. To begin at 6:30 [see 3 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Afterpiece: To conclude with a Grand Representation of Regattav. Kemble Mem.: No Manager [i.e. King had resigned as acting manager; but see 23 Sept.]. Ivory Tickets introduced. [These tickets, also called "bones," were for the use of actors and other members of the company in gaining admission for themselves or their friends to the front of the house. They replaced paper orders (World, 18 Oct. 1788).] Receipts: #112 3s. 6d. (75.6.0; 35.10.0; 1.7.6)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Duke-Packer; Petruchio-Aickin; Antonio-Waldron; Peter-Burton; Antony-Phillimore; Francisco-Chaplin; Surgeon-Jones; Frederick-Barrymore; 1st Constantia-Mrs Ward; Mother-Mrs Hopkins; Landlady-Mrs Love; Nurse-Mrs Booth; 2nd Constantia-Miss Farren. [Edition of 1791 (John Bell) adds: Musician-$Spencer; Antonio's Boy-$Alfred; Kinswoman-$Miss Barnes.]
Cast
Role: Mother Actor: Mrs Hopkins

Afterpiece Title: The Waterman

Event Comment: Mainpiece: Not acted these 20 years [not acted since 2 Nov. 1761]. With new Scenes, Dresses, and Decorations. In Act I a Grand Banquetv. In Act II the Trial of Queen Katharinev. In V a Procession to the Christening of Princess Elizabethv. [These were included in all subsequent performances.] Mrs Siddons's Queen Katharine was "too laboured -particularly the Trial Scene, where the words came so slow and measured that they seemed to be distilled" (Public Advertiser, 29 Nov.). Receipts: #260 11s. (248.12; 11.6; 0.13)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Song: In IV: a song (composed by Linley? Sen)-Mrs Crouch