SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Grand Jury of London"/1) | (@(roleclean,performerclean) "The Grand Jury of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1949 matches on Performance Title, 1108 matches on Event Comments, 735 matches on Performance Comments, 1 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Stephens, a Citizen of London, who never appeared on any stage before; Iago-Ryan; Cassio-Walker; Brabantio-Roberts; Lodovico-Hale; Montano-Ridout; Roderigo-Chapman; Desdemona-Mrs Buchanan; Emilia-Mrs Mullart .

Afterpiece Title: The Necromancer

Event Comment: At the Desire of several Persons of Quality and Distinction. Mainpiece: Written by Sir John Vanbrugh and Mr Cibber. Afterpiece: Written by Mr Carey

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17350718 but Manly-a Citizen of London, the first Time of his Appearance on any Stage; Poundage-Gray; Mrs Motherly-Mrs Egerton; Mrs Trusty-Miss Jones; Myrtillo-Miss J. Jones .

Afterpiece Title: The Honest Yorkshireman

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

Event Comment: Towards the Raising a Fund for the Erecting a Monument to the Memory of Shakespear. Written by Shakespear. London Daily Post and General Advertiser, 11 April: On which Occasion 'twas expected there would have been a greater Audience than there appear'd to be. But the Lord Burlington was pleased, out of his Regard to the Memory of so great a Man, to give Ten Guineas for himself. [The Prologue, written by Theobald and spoken by Ryan, is in London Daily Post and General Advertiser, 12 April.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: As17381014, but With a New Prologue Address'd to the Town upon this Occasion-.
Event Comment: Benefit Haughton. [The London Daily Post and General Advertiser, 3 May, is missing; this bill is from London Daily Post and General Advertiser, 30 April.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Cobler's Opera

Dance: Glover, Lalauze, Villeneuve, Mlle Roland

Event Comment: Mainpiece: By Particular desire. Afterpiece: Never Acted Before. [The Farce by Fielding is a sequel to The Virgin Unmasked.] Forbidden soon by the Lord Chamberlain. It being supposed that a particular man of quality was pointed at in one of the characters. The prohibition short of duration (Genest, III, 652). See A Letter to a Noble Lord to whom it alone belongs, occasioned by a representation at Drury Lane of a Farce call'd Miss Lucy in Town (1742), [a 20 page pamphlet criticizing the Lord Chamberlain for allowing this farce. Author gives a scene by scene account emphasizing the bawdry and discounting the pious conclusion. He concludes with remarks on theatrical dancing]: As to Dances, I think your province of prohibition does not extend; so the Public cannot owe their gratitude to you for several. I appeal to those who have been on the coast of Malabar and the banks of the Ganges whether we have not had some that have exceeded on posture, or anything of that kind so common amongst the polite Indians of Indostan. Afterpiece: Mrs Clive mimics the Muscovita admirably, and Beard Amorevoli intolerably (H. Walpole to H. Mann, 26 May).-Horace Walpole Correspondence with Sir Horace Mann, I, 435. Receipts: #70

Performances

Mainpiece Title: Othello

Afterpiece Title: Miss Lucy in Town

Performance Comment: Lucy-Mrs Clive; Zorobabel-Macklin; Signor Cantileno-Beard; Ballad-Ray; Thomas-Neale; Lord Bawble-Cross; Goodwill-Taswell; Mrs Haycock-Mrs Macklin; Tawdry-Mrs Bennet[from edition of 1742, but listed in the order of the actors' names given in London Daily Post and General Advertiser].from edition of 1742, but listed in the order of the actors' names given in London Daily Post and General Advertiser].
Event Comment: Benefit a Citizen. [Prices are Boxes 5s. Pit 3s. Gallery 2s. for the rest of the season unless otherwise recorded.

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-a Citizen of London, first attempt on any stage; Gloucester-Cibber; Dumont-Giffard; Belmont-W. Giffard; Derby-Blakey; Ratcliff-Mozeen; Catesby-Dighton; Jane Shore-Mrs Giffard; Alicia-Mrs E. Giffard.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: III: Welsh Buffoon, as17430107; End: Comic Ballet, as17430107

Event Comment: 1 Benefit W. Giffard [but earlier advertisements said benefit the two Miss Scotts]

Performances

Mainpiece Title: 1 Henry Iv

Performance Comment: King Henry-Peterson; Prince-Giffard; Hotspur-W. Giffard; Falstaff-a Citizen of London.

Afterpiece Title: 1 The Lying Valet

Event Comment: We hear that the Lord Chamberlain has refus'd granting a License to the seceding players to act in the Theatre in the Haymarket. (Daily Advertiser) To the Author of the London Daily Post, Sir: As I have engag'd myself for this winter to perform in Dublin, by an Invitation of Several Persons of Distinction in Ireland, I think it my duty before I leave London, by your paper, to return my sincere and hearty thanks to the Town for the many favours I have receiv'd during the Time of my Performing in Publick, which I hope they will Candidly accept from their most of Oblig'd, humble Servants, Thomas Lowe

Performances

Mainpiece Title: The Unhappy Favorite; Or, The Earl Of Essex

Afterpiece Title: The School Boy

Cast
Role: Father Benedict Actor: Taswell

Performances

Mainpiece Title: Love The Cause And Cure Of Grief; Or, The Innocent Murderer

Performance Comment: Prologue-Delane; Epilogue-Mrs Giffard; Weldon-Delane; Briar-Giffard; Young Freeman-Havard; Freeman-Bridges; Judge-Winstone; Servant-Woodburn; Charlotte-Mrs Giffard; Mrs Freeman-Mrs Roberts; Mrs Briar-Mrs Bennet [1st edition, but listed in order of actors given in London Daily Post and General Advertiser].1st edition, but listed in order of actors given in London Daily Post and General Advertiser].

Afterpiece Title: The Lying Valet

Event Comment: Benefit Hallam Sen and Mrs Bainbridge. Positively the Last night of playing this season. [On Easter Monday this house will revert to tumbling and pantomime and rope dancing.] Boxes 3s. Pit 2s. First Gallery 1s. 6d. Upper Gallery 1s. Tickets delivered out by Bourn, Laws, and Toole will be taken this Night

Performances

Mainpiece Title: The Funeral

Performance Comment: Lady Brumpton-Mrs Este who never appeared on any London stage before.

Afterpiece Title: Chrononhotonthologos

Song: Miss Joneswho never appear'd on any stage before

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Si Tunbelly Clumsy-Watts from Bristol, 1st appearance in London; Foppington-Woodward; Loveless-Ryan; Amanda-Mrs Pritchard; Worthy-Ridout; Berinthia-Mrs Horton; Young Fashion-Anderson; Shoemaker-Arthur; Lory-Chapman; Nurse-Mrs James; Miss Hoyden-Miss Haughton; Bull-Stoppelaer; Syringe-James; Varole-Bencraft.

Afterpiece Title: The School Boy

Event Comment: [During this year was published the Tricks of the Town Laid Open; or, a Companion for a Country Gentleman. Consisting of seventeen letters from a Gentleman in London to his friend in the country, to dissuade him from coming to London. Letters VI and VII are on the humors, customs, and tricks of the playhouse. They give an amusing account of the ways in which whores, sharpers, bullies and bawds identify a newcomer to town in the playhouse and try to bilk him. No. VII gives also some general account of audience reactions to plays. Most go, it says, for the singing, dancing, scenes and fine costumes. His conclusion: go to the theatre only if you have three hours to waste.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: Merope

Performance Comment: Eumenes-Garrick; Poliphontes-Havard; Narbas-Berry; Euricles-Lee; Erox-Bridges; Priest-Winstone; Ismene-Mrs Green; Merope-Mrs Pritchard; From London edition of 1749 but listed in the order as given for the actors in General Advertiser. London edition gives Beard as a Priest, and Dublin edition of 1749 lists Priests-Winstone, Beard.
Event Comment: Play Never acted there before. The Characters new dress'd. [See comment in London Chronicle, March 8-10, 1757, which quotes the lengthy Admonition and Exhortation of the Scots Presbytery to be read from all pulpits, against stage plays. "This Exhortation," writes the London Chronicler, "was probably occasioned by the greatness of the crowds who flocked for many successive nights to see the tragedy of Douglas acted" It had been played in Edinburgh 14 Dec. 1756.

Performances

Mainpiece Title: Douglas

Event Comment: Benefit for Shuter. Mainpiece: By Desire. Not acted these five years. [See 4 April 1752.] Ladies send servants by half past three o'clock. [The MS of Shuter's skit is Larpent MS 155.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Double Disappointment

Entertainment: Between play and farce: Dish of All Sorts-Mr Shuter; will entertain the Audience. The Bill of Fare consisting of a Medley@Song-Shuter; A Dialogue upon Himself between an Old Man a North Briton and a Gentleman of Connaught-Mr Shuter; The History of Mr Shuter and the Sow-Shuter; To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020

Performance Comment: The Bill of Fare consisting of a Medley@Song-Shuter; A Dialogue upon Himself between an Old Man a North Briton and a Gentleman of Connaught-Mr Shuter; The History of Mr Shuter and the Sow-Shuter; To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020. To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020.

Dance: TThe Threshers, as17581016

Event Comment: Benefit for Shuter. Mainpiece: Not acted in 10 years. Receipts: #194 10s. in cash, plus #147 18s. from tickets (Boxes 378; Pit 356). Charges #64 5s. Advanced to Mrs Ward #30. [Shuter called for imaginative participation of his audience in his Medley Skit (see Larpent MS 171): @"Suppose my dress alter'd with each exhibition....@If I speak like a Dutchman, or Brogue it like Paddy,@Or mimic Monsieur, or lisp like a Lady"@ Parts for The English Sailors in America (by G. A. Steevens) are listed in Larpent MS 172: Indian King , English Captain , Irishman , Sailor Ned and Sailor Ben , a Black Messenger , Guards , White Savage Lady , Black Woman , Image .

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Dance: TThe Dutch Skipper-Poitier

Entertainment: E+Extravaganza. Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage

Performance Comment: Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage.
Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire of several Persons of Quality. Afterpiece: Taken from a Comedy of Mrs Behn's. [The False Count.

Performances

Mainpiece Title: He Jovial Crew

Afterpiece Title: The Merry Counterfeit; or, Viscount a-la-Mode

Performance Comment: Colly (Alias Don Gulielmo Roderigo de Chimney Sweeperio)-Shuter; Parts-Dunstall, Bennet, Perry, Wignell, Buck, Miss Helm, Miss Cokayne; The whole to conclude with the Cries of London-.

Dance: TThe French Country Gentleman, as17611210

Entertainment: Between play and Farce:(For this night only) A Dish of All Sorts-Shuter. As17590322

Event Comment: Benefit for Sparks. Tickets to be had of Mrs Sparks, at her house in Crown Court. Tickets deliver'd out for the Distress'd Mother will be taken. N.B. Mr Sparks having been very long indisposed and rendered incapable of attending the theatre, with the greatest deference persuades himself that Circumstance will readily plead his Apology, and induce his friends to dispense with his personal appearance, and favor him with their commands; and that they will excuse the changing of his play, to which he is oblig'd by the illness of a principal performer; of which and his former obligations, he shall always retain the most gratful sense. [Sparks had been ill since 14 Jan. when Hull took over his part of Buckingham in King Richard III.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Merry Counterfeit

Performance Comment: As17620329 but The Cries of London-_.

Song: Between Acts: some Favorite Songs from the English Opera Artaxerxes-; viz: I: In Infancy our hopes and fears-Tenducci; II: If e'er the Cruel Tyrant Love-Miss Brent; III: Water parted from the sea-Tenducci; IV: Let no rage thy bosom fire-Miss Brent

Dance: TThe Pleasures of Spring, as17620212

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Ross; Macduff-Dyer; Banquo-Gibson; Hecate-Wignell; Witches-Collins, Dunstall, Costollo; Lady MacDuff-Mrs Barrington; Lady Macbeth-Mrs Hamilton; With original Music. Vocal parts-Legg, Mrs Vernon, Mattocks, Baker, Mrs Lampe, Mrs Abeg, Miss Young; The Dances-Leppi, Miles, Dumai, Hussey, Rochford.

Afterpiece Title: The Merry Counterfeit

Performance Comment: As17620403 but concluding with Cries of London-Shuter.

Song: IV: By Desire, the Song With Horns and Hounds, in the character of Diana -Mrs Abeg (From Apollo and Daphne)

Entertainment: H$Hippisley's Drunken Man-Shuter (for the last time this Season)

Dance: TThe Pleasures of Spring, as17620212

Event Comment: Benefit for Havard. [See Theatrical Review; or, Annals of the Drama, 1 May 1763 for a critique on the afterpiece (pp. 196-99).

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Elopement

Performance Comment: Principals by: Havard, Packer, Lee, Mrs Davies, Miss Haughton, Mrs Hopkins, Miss Pope. Thoughtless-Havard; Sensible-Packer; Lord Loveall-Lee; Lady Candid-Mrs Hopkins; Mrs Thoughtless-Mrs Davies; Pompone-Miss Pope; Miss Thoughtless-Miss Haughton; farce attributed to Havard, not printed (London Magazine, April 1763). farce attributed to Havard, not printed (London Magazine, April 1763).
Event Comment: This Week a Patent passed the Great Seal for the Establishment of a new Theatre, to Samuel Foote, Esq. only (Public Advertiser, London notes, p. 2, col. 3). Mr Barry and Mrs Dancer from Dublin are said to be engaged for this summer at the Theatre Royal in the Haymarket (Gazetteer and New Daily Advertiser, London notes, p. 2, col. 2, which corroborates the Foote patent)

Performances

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a-la-Mode

Performance Comment: As17670406 but Mordecai-Quick; The Whole to conclude with the Cries of London-.
Event Comment: [The Young Gentleman identified as Owenson by Hopkins MS Notes. Confirmed by Sir Nicholas Nipclose, in The Theatres (2nd. ed. London, 1722, p. 51) speaking of Inchbald's introduction to the London stage with advertisement of "first appearance" though he had been many years an itinerant actor, "this is a trick to gain, from curiosity, what may pay by one night the whole season's pitiful salary of such actors; several mushrooms have vegetated thus; but none more worthless or short lived, than Mr Owenson; brought forward modestly in Tamerlane, some weeks since; without even the requistes of a grown-up school-boy."] Receipts: #180 6s. (Account Book)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-a Young Gentleman, 1st appearance [Owenson]; Bajazet-Smith; Axalla-Hull; Dervise-Gardner; Moneses-Wroughton; Omar-Morris; Stratocles-Fox; Hali-Thompson; Prince of Tanais-R. Smith; Selima-Mrs Mattocks; Arpasia-Miss Miller; [The Original song To Thee, O gentle Sleep-DuBellamy; [The Usual Prologue-Wroughton.

Afterpiece Title: The Author

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

Event Comment: Mainpiece: By Particular Desire. Afterpiece; We suppose it was reviv'd for the purpose of introducing a new scene, viz. a representation of the wonderful and surprizing feats lately performed at Stockwell in Surrey, by an invisible agent, who, we apprehend is very nearly related to the celebrated Cock-Lane Ghost of famous Memory. [See 28 Jan. 1762.] We cannot help considering it a lucky hit and we hope it will meet with encouragement, as the turning the transactions of the Stockwell Conjurer into ridicule may prevent that mysterious affair making improper impressions on the minds of the ignorant and superstitious. When considered in this light, the additional scene must be acknowledged to have merit, and, we confess, it is extremely well conducted to produce risibility (Theatrical Review, II, p. 85). [See notice of the additional scene 1 Feb. and see An Authentic...Narrative of the Astonishing Transactions at Stockwell...on the 6th and 7th days of January, 1772, containing a series of the most surprising...events that ever happened (London, 1772), with the cryptic comment upon it in the Gentleman's Magazine, Feb., p. 84, A new edition of the Cock-Lane Ghost, altered from the original of Miss Fanny, with additions but no amendments." The Gentleman's Magazine (Historical Chronicle for 6 Jan.) mentions the explosion of two powder-mills on Hounslow Heath: About the time explosion was felt at London, some families at Stockwell were terrified with the ratting and braking of their china, which they attributed to a preternatural cause. A Lady of fortune was so firmly Persuaded that some invisible agent was concerned, that she discharged her maid, whom she suspected of having an intercrouse with the wicked spirit; and when she was gone, as no mischief ensued, consoled herself that she had rid of so dangerous an intimate." See also bill for 8 Feb.] Rec'd from Condell on account of Fruit rent #20. Paid Dall on account of his salary #50 (Account Book). Receipts: #202 8s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton