SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Grand Jury of London"/1) | (@(roleclean,performerclean) "The Grand Jury of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1949 matches on Performance Title, 1108 matches on Event Comments, 735 matches on Performance Comments, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: New Scene [1st time; by Edward Thompson, with music by Dr Arne. Larpent MS 438; synopsis ("Macheath, after trial, is sentenced to work on the Thames" in London Chronicle, 18 Oct.]. Paid Hull on Acct. of salary as Acting Manager #30. Account-Book, 23 Mar. 1778: Paid Capt. Thompson for writing the new Scene in The Beggar's Opera #25. Receipts: #240 9s. (240.2.6; 0.6.6)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath (with additional songs)-Mrs Farrell (1st appearance in that character); Peachum-Wilson; Lockit-Dunstall; Filch-Wewitzer; Mat o' the Mint-Baker; Lucy-Mrs Mattocks; Mrs Peachum-Mrs Pitt; Mrs Slammekin-Mrs Green; Polly-Miss Brown; To conclude with a New Scene-. [This was included in all subsequent performances, although notice of it is omitted from the playbills of 8 and 15 Dec., 2 and 14 May 1778.]This was included in all subsequent performances, although notice of it is omitted from the playbills of 8 and 15 Dec., 2 and 14 May 1778.]
Cast
Role: Mat o' the Mint Actor: Baker

Afterpiece Title: The Commissary

Cast
Role: The Commissary Actor: Quick

Dance: End: As17771008; III: a Hornpipe-Miss Besford

Event Comment: Mainpiece: Never acted there. With Alterations and Additions by the Author [Arthur Murphy. London Chronicle, 7 Nov., prints a detailed synopsis of the alterations.]. The Characters entirely new dressed; with New Scenery and Decorations. [Morning Chronicle, 7 Nov.: Mrs Barry entered into the character of Mandane with all that strength of conception which characterizes her acting in general. Many of the passages received additional force from the judicious breaks and sudden transitions in her manner of giving them.] Receipts: #200 3s. (199.6; 0.17)

Performances

Mainpiece Title: The Orphan Of China

Afterpiece Title: Cross Purposes

Dance: As17771104

Event Comment: [The playbill retains Mrs Baddeley as Polly, but she "being indisposed Miss Walpole played the part of Polly on Tuesday night' (London Chronicle, 12 Nov.).] Paid Chettell, timber merchant, #286 13s. Receipts: #135 15s. 6d. (118.10.0; 16.18.6; 0.7.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Elopement

Dance: End II: The Minuet de la Cour, as17771107, but Master _Holland, Henry

Event Comment: Afterpiece [1st time; P 2(?), by James Messink and Carlo Antonio Delpini. Not in Larpent MS; synopsis of action in London Chronicle, 26 Nov.]: The Scenery, Machinery, &c. painted new by Carver, Greenwood and Garvey. The Overture and the rest of the Music composed new by Fisher. Nothing under Full Price will be taken. Books of the Songs to be had at the Theatre. Account-Book, 3 Feb. 1778: Paid Fisher for composing songs, &c. in The Tempest [see 27 Dec. 1776], and other pieces, as per bill, #131 11s. Receipts: #190 16s. (182.18; 7.18)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: The Norwood Gypsies

Performance Comment: Principal Characters-Lee Lewes, Rayner, Delpini, Messink, Miss Matthews, Miss Cranfield, Sga Tinte; Pastoral-Reinhold, Miss Dayes; Rest of Vocal Parts-Battishill, Mahon, Baker. [Partial cast from Morning Chronicle, 26 Nov.: Harlequin-Lee Lewes; Clown-Delpini; Colombine-Sga Tinde. Airs (no pub., 1777) lists no cast, no act division; has songs sung by Justice, Constable, Colin, Lucy, Gypsies. For parts see17800506.] has songs sung by Justice, Constable, Colin, Lucy, Gypsies. For parts see17800506.]

Dance: Afterpiece: Dancing-Aldridge, Dagueville, Miss Besford, Miss Valois

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Performance Comment: Principal Characters by Henderson, Palmer, Brereton, Aickin, Farren, Hurst, Chambers, Norris, Chaplin, Philimore, Bensley, Miss Younge, Mrs Colles, Mrs Yates. [Cast from text (Edward and Charles Dilly, 1778): Edgar Atheling-Henderson; Earl Edwin-Palmer; Earl Waltheof-Brereton; Earl of Northumberland-Aickin; Siffric-Farren; Raymond-Hurst; Duncan-Chambers; Earl of Mercia-Norris; Reginald-Chaplin; Harold-Bensley; Matilda-Miss Younge; Sabina-Mrs Colles; Edwina-Mrs Yates; Philimore; Prologue-Henderson; Epilogue-Miss Younge. [These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]
Cast
Role: Edgar Atheling Actor: Henderson
Role: Earl Waltheof Actor: Brereton

Afterpiece Title: Daphne and Amintor

Event Comment: Mainpiece: Not acted these 2 years. [Henderson, under his stage name of Courtney, had 1st acted Benedick at Bath, 5 Nov. 1772.] Receipts: #243 8s. 6d. (220.10.0; 22.16.0; 0.2.6)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Henderson (1st appearance in that character [in London]); Don Pedro-Packer; Claudio-Brereton; Balthazar (with a song)-Vernon; Don John-Aickin; Antonio-Hurst; Borachio-Farren; Fryar-Wright; Messenger-Lamash; Dogberry-Parsons; Town@Clerk-Baddeley; Conrade-Griffiths; Sexton-Wrighten; Verges-Carpenter; Watchmen-Burton, Holcroft; Leonato-Bensley (1st appearance in that character); Hero-Miss Hopkins; Margaret-Mrs Bradshaw; Ursula-Mrs Colles; Beatrice-Miss Pope.

Afterpiece Title: Selima and Azor

Dance: II: a Masquerade, Dance, proper to the play-; To conclude with: [a Country Dance-. [These were included in all subsequent performances.

Performance Comment: [These were included in all subsequent performances.]

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Henderson (1st appearance in that character [in London]); Sir Sampson Legend-Moody; Scandal-Bensley; Foresight-Parsons; Ben-Yates; Jeremy-Baddeley; Trapland-Waldron; Tattle-King; Angelica-Miss Younge; Mrs Frail-Miss Pope; Mrs Foresight-Miss Sherry; Miss Prue-Mrs Abington.

Afterpiece Title: Queen Mab

Dance: As17771009

Event Comment: By Command of Their Majesties. Tickets and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at Half a Guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. Mrs Farrell's cantata is identified in London Chronicle, 9 Mar.]

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Song: Between: As there are very few songs in Acis and Galatea that can be adapted for Mrs Farrell's voice, she will sing a cantata The rosy morn with crimson dye=-Mrs Farrell

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-probably Linley Jun

Event Comment: Benefit for Mrs Mattocks. [As afterpiece Genest, VI, 25, lists The Romp, "1st time," with partial cast. In an advance notice of Mrs Mattocks' benefit in Public Advertiser, 20 Mar., the farce advertised for 28 Mar. is The Romp, "1st time," with full cast; this appears to have been Genest's source. But in the same newspaper for 25, 26, 27 Mar. the farce advertised is Three Weeks after Marriage. The Romp was 1st acted at the Capel Street Theatre, Dublin, 23 Jan. 1771, and in London at the hay, 12 Nov. 1781. See also dl, 21 Nov. 1785.] Public Advertiser, 17 Mar.: Tickets to be had of Mrs Mattocks at her house in Covent Garden. Receipts: #160 9s. (101.19; tickets: 58.10) (charge: #64 10s.)

Performances

Mainpiece Title: Percy

Afterpiece Title: Three Weeks after Marriage

Dance: After Epilogue: All in the Downs; or, Farewell to Deal, as17780309but _Besford, Mrs White

Performances

Mainpiece Title: Macbeth

Performance Comment: As17780105, but Macbeth-Henderson (1st appearance in that character [in London]); Macduff-Farren; Captain-_.

Afterpiece Title: The Quaker

Dance: As17780324

Song: In: the original Music, as17780105, but _Edwards, Philimore, Mrs +Gaudry, Mrs +Wrighten

Event Comment: Benefit for Quick. Afterpiece 1st time; F 2, by Ursula Agnes Booth, based on the same, by John Fletcher and Philip Massinger. The playbill lists Death in place of Lee Lewes, but he 'Was not to be found...Hull begged permission for Lee Lewes to read Death's part in his own undress, which [was] granted" (London Chronicle, 28 Apr.).]. Books of the Entertainment to be had at the Theatre. Public Advertiser, 30 Mar.: Tickets to be had of Quick, No. 15, Drury-lane. Receipts: #262 2s. (157.2; tickets: 105.0) (charge: #64 10s.)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Little French Lawyer

Dance: End monologue: The Poney Races, as17780421

Entertainment: Monologue. End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick

Performance Comment: End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick.

Performances

Mainpiece Title: The Female Chevalier

Related Works
Related Work: The Female Chevalier Author(s): George Colman, the elder

Afterpiece Title: Man and Wife

Performance Comment: Cross-Parsons; Kitchen-Massey; Colonel Frankly-Lamash; Buck-Davis; Snarl-Egan; Luke-R. Palmer; Passengers-Gardner, Kenny; Marcourt-Palmer; Charlotte-Mrs Jewell; Lettice-Mrs Hitchcock; Landlady-Mrs Love; Sally-Miss Hitchcock; Women Passengers-Miss Platt, Mrs Poussin; Mrs Cross-Mrs Webb (from the Theatre Royal, Edinburgh [1st appearance in London]).1st appearance in London]).

Dance: End II: The Merry Lasses, as17780529; End II afterpiece: Provencalle Dance, as17780518

Event Comment: By Command of Their Majesties. Afterpiece [1st time; INT 1, by Horace Walpole. Text 1st Published in Walpole's Works, vol. II (G. G. and J. Robinson and J. Edwards, 1798)]

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Performance Comment: Characters by Palmer, Baddeley, Mrs Hitchcock, Mrs Massey. Cast from London Chronicle, 11 June: Current-Palmer; Padlock-Baddeley; Finette-Mrs Hitchcock; Almadine-Mrs Massey.

Dance: As17780518

Event Comment: Mainpiece: 8th time [i.e. in continuation of the reckoning for the previous season. Prologue by George Colman elder. Epilogue by David Garrick (see 30 Aug. 1777)]. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Performance Comment: Principal Characters by Palmer, Parsons, Blissett, Jackson, R. Palmer, Egan, Stevens, Edwin, Miss Farren. [Cast from London Chronicle, 1 Sept. 1777: Count Almaviva-Palmer; Dr Bartholo-Parsons; Basil-Blissett; Argqs-Jackson; Tall@Boy-R. Palmer; Alcade-Egan; Notary-Stevens; Lazarillo-Edwin; Rosina-Miss Farren; Prologue-Parsons; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: The Waterman; or, The First of August

Dance: End I: The Merry Lasses, as17780518; End: Provencalle Dance, as17780518

Song: Mainpiece: some additional songs-

Music: Mainpiece: With a new Fandango Overture-

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: [Principal Characters by Palmer, Griffin (from the Theatre Royal, Bath), Gardner, Jackson, Massey, Painter, Webb (from the Theatre Royal, Edinburgh), Mrs Webb, Miss Farren, Mrs Poussin, A Young Gentlewoman (1st appearance on any stage Miss Powel]). [Cast from London Chronicle, 2 July, and adjusted from playbill of 9 June 1777: Young Marlow-Palmer; Hastings-Griffin; Sir Charles Marlow-Gardner; Tony Lumpkin-Jackson; Diggory-Massey; Landlord-Painter; Hardcastle-Webb; Mrs Hardcastle-Mrs Webb; Miss Hardcastle-Miss Farren; Betty-Mrs Poussin; Miss Neville-Miss Powel.

Afterpiece Title: Buxom Joan

Cast
Role: Mother Actor: Mrs Brett
Event Comment: Afterpiece [1st time in London; F 2, by John O'Keeffe, 1st acted at the Smock Alley Theatre, Dublin, 13 Apr. 1774. Prologue by George Colman elder (Prose on Several Occasions, III, 222)]. Public Advertiser, 16 Aug. 1780: This Day is published Tony Lumpkin in Town (1s.)

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Queen Catherine Actor: Mrs Massey.

Afterpiece Title: Tony Lumpkin in Town; or, The Dilettante

Dance: As17780623

Event Comment: [Mainpiece in place of The Recruiting Officer, announced on playbill of 12 Oct.] Afterpiece [1st time; P 2(?), by James Messink. Not in Larpent MS; synopsis of action in London Chronicle, 15 Oct.]: The Scenes partly new and partly compiled from Rich's Pantomimes [i.e. The Rape of Proserpine, Perseus and Andromeda, Apollo and Daphne, all three written by Lewis Theobald (Morning Chronicle, 15 Oct.)]. The new Music by Dibdin. The new Scenes painted by Carver

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Medley; or, Harlequin At-All

Performance Comment: Principal Characters-Garland, Rayner, Delpini, Messink, Cushing, Thompson, Stevens, Ledger, Brunsdon, Wewitzer, Jones, Mahon, Baker, Painter, R.? Smith, Miss Matthews, Miss Ross, Mrs White, Sga Tinte.
Related Works
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald

Dance: Afterpiece: The dances-Aldridge, Dagueville, Miss Valois. [These were danced, as here assigned, in all subsequent Performances.

Performance Comment: [These were danced, as here assigned, in all subsequent Performances.]
Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by Bertoni and other eminent Masters [Myslivecek, Monza, Sarti]. 'Pacchierotti, who on this night made his 1st appearance in London, was] conscious that the chief delight of singing, and his own supreme excellence, lay in touching expression, and exquisite pathos...As an actor, with many disadvantages of person, for he was tall and awkward in his figure, and his features were plain, he was nevertheless forcible and impressive: for he felt warmly, had excellent judgment, and was an enthusiast in his profession. His recitative was inimitably fine, so that even those who did not understand the language could not fail to comprehend, from his countenance, voice, and action, every sentiment he expressed" (Mount-Edgcumbe, pp.24-25)

Performances

Mainpiece Title: Demofoonte

Dance: End II: La Noche Hollandoise, as17781124; End Opera: a New Ballet, connected with the Opera,-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: Annette et Lubin. As17781124

Event Comment: Benefit for the City of London Lying-in Hospital. [Author of Prologue unknown.] Paid Heele for Insurance #125 4s. Public Advertiser, 5 Dec.: Tickets to be had at the Hospital, Old Street Road. Receipts: #281 16s. (91.10; 9.9; 0.1; tickets: 180.16) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Deserter

Event Comment: Mainpiece: Not acted these 2 years. With a Procession and Sacrificev. [These were included in both subsequent performances.] Afterpiece [1st time; F 2, by Thomas Sheridan. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 21 Dec.]: Taken from the comedy of that name by Sir John Vanburghi [sic]. Receipts: #151 2s. 6d. (115.4.0; 35.16.0; 0.2.6)

Performances

Mainpiece Title: Merope

Afterpiece Title: AEsop

Event Comment: Afterpiece [1st time; F 2, by William Kenrick, based on The Country Lasses, by Charles Johnson. Not published; synopsis of plot in London Chronicle, 23 Dec. Prologue by the author (ibid)]

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Spendthrift; or, A ChristmasGambol

Performance Comment: Principal Characters-Quick, Whitfield, Dunstall, Wewitzer, Brunsdon, Booth, Robson, Fearon, Jones, Cushing, Mrs Willems, Mrs White, Mrs Morton; Larpent MS 463 lists the parts: Sir Clement Courtly, Young Courtly, Save Charges, Plunder, Hazard, Bumper, Bondage, Bobbin, Trusty, Bottlerack, Marrowbone, Trip, Servants, Miss Worthy, Dorothy, Margery. New Prologue-Lee Lewes.
Related Works
Related Work: The Spendthrift Author(s): Matthew Draper
Event Comment: Mainpiece: Written by the Author of Braganza [1st time; T 5, by Robert Jephson. Prologue and Epilogue by the author (see text)]. With new Scenes and Dresses. Public Advertiser, 15 Feb. 1779: This Day is published The Law of Lombardy (1s. 6d.). Receipts: #221 (196.19.0; 23.13.6; 0.7.6)

Performances

Mainpiece Title: The Law Of Lombardy

Performance Comment: Principal Characters by Smith, Bensley, Farren, Packer, Hurst, Wright, Chambers, Wrighten, Fawcett, Philimore, Burghall, Henderson, Mrs Robinson, Miss Younge. [Cast from text (T. Evans, 1779, and London Magazine, Feb. 1779, 73): Paladore-Smith; King-Bensley; Lucio-Farren; Rinaldo-Packer; Ascanio-Hurst; Shepherd-Wright; Senator-Chambers; Foresters-Wrighten, Fawcett; Squire to Paladore-Philimore; Officer-Burghall; Bireno-Henderson; Alinda-Mrs Robinson; Princess-Miss Younge; Prologue-Farren; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: High Life below Stairs

Event Comment: Benefit for Henderson. Mainpiece: Not acted these 4 years [acted 8 June 1776]. Public Advertiser, 6 Mar.: Tickets to be had of Henderson, Buckingham-street, York Buildings. [Henderson's 1st appearance as King Lear was at Bath, 20 Feb. 1773.] Receipts: #259 9s. (162.9.0; 16.12.6; 0.13.6; tickets: 79.14.0) (charge: #105)

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Henderson (1st appearance in that character [in London]); Gloster-Aickin; Bastard-Palmer; Kent (1st time)-Hurst; Albany-Packer; Cornwall-Wrighten; Burgundy-Norris; Gentleman Usher-Burton; Physician-Wright; Old Peasant-Waldron; Servant to Cornwall-R. Palmer; Curan-Fawcett; Captain of the Guards-Chaplin; Edgar-Webster; Goneril-Miss Sherry; Regan-Mrs Colles; Arante-Miss Kirby; Cordelia-Miss Younge.

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Double Deception

Performance Comment: Principal Characters by Dodd, Parsons, Aickin, Baddeley, Waldron, Farren, Nash, Bidwell, Palmer, Miss Farren, Mrs Hopkins, Mrs Brereton, Miss Pope. Cast from London Chronicle, 30 Apr.: Flippant-Dodd; Welford-Parsons; Fairgrove-Aickin; Rudely-Baddeley; Robin-Waldron; Charles Fairgrove-Farren; Sir Harry Varnish-Palmer; Louisa Freemore-Miss Farren; Lady Varnish-Mrs Hopkins; Sophia Welford-Mrs Brereton; Kitty-Miss Pope; Nash, Bidwell are unassigned. For Prologue and Epilogue see17790506. Nash, Bidwell are unassigned. For Prologue and Epilogue see17790506.

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Performance Comment: Principal Parts-Palmer, Parsons, Blissett, Jackson, R. Palmer, Egan, Stevens, Edwin, Miss Farren; [Cast from London Chronicle, 1 Sept. 1777: Count Almaviva-Palmer; +Dr Bartholo-Parsons; +Basil-Blissett; +Argus-Jackson; +Tall-Boy-R. Palmer; +Alcade-Egan; +Notary-Stevens; +Lazarillo-Edwin; +Rosina-Miss Farren.] +Prologue (see17790619-. +Prologue
(see17790619-.
Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: Man and Wife

Dance: End: Tambourine Dance-Master and Miss Byrn; End II afterpiece: As17790531