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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "The Duke of New Castle"/1) | (@(roleclean,performerclean) "The Duke of New Castle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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9272 results for: Keyword - The Duke of New-Castle
We found 4081 matches on Event Comments, 3338 matches on Performance Title, 2721 matches on Performance Comments, 403 matches on Author, and 0 matches on Roles/Actors.

326
22 January 1732 @ Lincoln's Inn Fields

Event Comment: At the Desire of several Persons of Quality. With all New Habits. Receipts: #41 17s. 6d

Performances

Mainpiece Title: The Beggars Opera

Dance: In: The Grand Agee and his Sultana new-Salle, Mrs Laguerre; The Baulk a new Comic Dance, composed to Country Dance Tunes-Salle, Mrs Laguerre

327
21 May 1733 @ Drury Lane Theatre

Event Comment: Benefit Seedo. At the Desire of several Persons of Quality. Afterpiece: a new Masque. The Musick compos'd by Mr Seedo

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Venus Cupid and Hymen

Music: Between the Acts: Trumpets, Kettle Drums, French Horns-; With a new Overture (to the Masque) for two Vox Humanes- , a new invented Instrument

Song: II: Mrs Seedo, who never appeared on the stage before; III: (At the particular Request of Seedo's Friends) Signora Margherita (who has not performed on any theatre these 14 years)

Dance: I: Drunken Peasant-LeBrun; IV: The Watteau-Miss Robinson; End Afterpiece: Les Bergeries-Essex, Haughton, Miss Robinson

328
05 March 1734 @ Haymarket Theatre

Event Comment: Mainpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Mother in law

Afterpiece Title: Chrononhotonthologos

Performance Comment: Cast not listed, but see17340222 Prologue and Epilogue, proper to the Tragedy .

Music: A new Overture, and an entire new Sett of Act Tunes, by Seedo. A new Overture for the Afterpiece

Performance Comment: A new Overture for the Afterpiece .

Dance: Irish Trot by a Youth but Nine Years old. Hussar by Nivelon and Miss Robinson. Revellers, as17340220

Song: Afterpiece: Songs (in the Italian Stile) by Charke

329
18 May 1736 @ Covent Garden

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: Flora

Dance: I: Comic Ballet, as17360417 III: A new Serious Dance by Scholar of Nivelon. IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars

Performance Comment: IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars .

Song: II: By Leveridge

330
19 November 1740 @ Drury Lane Theatre

Event Comment: Written by Dryden and Lee. [With new machinery.

Performances

Mainpiece Title: Oedipus King Of Thebes

Performance Comment: Oedipus-Milward; Creon-Quin; Adrastus-Mills; Haemon-Havard; Phorbas-Wright; Tiresias-Berry; Aegeon-Cashell; Diocles-Winstone; Pyracmon-Stevens; Alcander-Ridout; Dymas-Green; Citizens-Chapman, Turbutt, Shepard, Taswell, Marten, Ray, Hough; Jocasta-Mrs Roberts; Eurydice-Mrs Mills; Manto (with the Hymn to Apollo)-Mrs Clive.

Music: With new Musick The Songs, Choruses new by Mr Arne-Lowe, Savage, Mrs Clive

331
14 March 1749 @ King's Theatre

Event Comment: Other Decorations entirely new. A new Comic Opera [by Ciampi]. The New Comic Opera, entitled Le Tre Cicisbei Ridicoli, was perform'd last Tuesday at the King's Theatre in the Hay Market; though large Bills were stuck up in various Parts of the Town and Hand Bills dispers'd insinuating the Contrary (General Advertiser, 18 March)

Performances

Mainpiece Title: Le Tre Cicisbei Ridicoli

Dance: Between the Acts: New Dances-

332
04 July 1754 @ Haymarket Theatre

Event Comment: The Dances, Music, Dresses, Scenes and other Decorations entirely new. The House to be illuminated with Wax candles, and particular care taken to keep it cool. The Performance by Particular Desire. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 7:00 p.m. Places for Boxes will be taken at the Theatre. [Prices, places, and opening time repeated.

Performances

Mainpiece Title: The British Roratory Or Mrs Midnights New Carnival Concert

Music: Will be introduced a NewConcerto for the Tambour de Basque-; accompanied with the Original Jews@Harp-; the Hurdy Gurdy-

Dance: DDancing-Banbaregines, Rerriminonies (just arived from +Piemons); End Concert: a New British Dance, The Cassey-a company of Lilliputians; to which will be added a new Entertainment of Music and Dancing-a company of Lilliputians just arrived, being their first time of performing in +England

333
03 December 1756 @ Drury Lane Theatre

Event Comment: By Command. Afterpiece: Written by Mr Garrick. Acted by children. Prince of Wales & 4 more went off very well (Cross). New Scenes, Habits and Decorations. Full prices. Prologue-writ by Garrick, spoken by Woodward; Epilogue-Lady Flimnap. [The run of seventeen performances of the afterpieces seems to contradict the judgement of the author of the Theatrical Examiner (1757, p. 89): Lilliput is, I think, the most petit, trifling, indecent, immoral, stupid parcel of rubbish, I ever met with; and I can't help judging it a scandal to the public, to suffer such a thing to pass a second night, which at best was alone calculated to please boys and girls, and fools of fashion; it may gratify them; the manager to debauch the minds of infants, by putting sentiments and glances in their breasts and eyes, that should never be taught at any years, which are sufficiently bad when naturally imbibed. The question of Gulliver, in answer to the infant lady's gross adresses, is horrid, if we allow an audience a common share of delicacy, what should we do with her? and what the devil does it mean. Finally where is the instruction, or even tolerable language, to gild the dirt over. O tempora! O mores!"] Receipts: #210 (Cross)

Performances

Mainpiece Title: Merope

Cast
Role: Ismene Actor: Miss Minors. With a Procession and a Sacrifice, after the manner of the Ancients.

Afterpiece Title: a new farce calldLa new farce calldLilliput

Performance Comment: Into which will be introduc'd the Entry of Capt. Gulliver into Mildendo, the Metropolis of Lilliputv, upon his being creaded Nardoc of that Kingdom. Gulliver-Bransby; Lord Flimnap-Master Cautherly; Bolgolam-Master Simpson; Fripperel-Master Largeau; Lalcon-Miss Pope; Lady Flimnap-Miss Simpson; Toadel-Miss Matthews; Lilliputians-Mt Pope, Mt Hurst, Mt Martin. (Edition of 1756.)
Cast
Role: Lord Flimnap Actor: Master Cautherly
Role: Toadel Actor: Miss Matthews

334
21 February 1764 @ King's Theatre

Event Comment: A New Opera composed by Signor Perez and Signor Piccini, except a few new Airs. N.B. In this opera a new performer lately arrived from abroad will make her first appearance

Performances

Mainpiece Title: Senocrita

Dance: I: As17640214; II: New Dance-Bernardi, Marcucci; II: Le Marriage du Village-Duberval, Miss Auretti

335
08 November 1764 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. Tomorrow, King Henry IV, Part II, Friday being a Holiday, the New Opera of Almena is deferr'd till Saturday, when it will be perform'd for the Benefit of the Author and Composers

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Fortunatus

Cast
Role: Others Actor: Moody, Ackman, Johnston, Watkins, Clough, Mrs Hippisley, Miss Baker, Miss Tetley
Role: To conclude with a Comic Dance call'd The Flemi Actor: Sg Giorgi, Sga Giorgi.

Dance: I: The Irish Lilt, as17641011; III: A New Scaramouch Dance, as17641013; IV: New Tambourine, as17640929

336
13 April 1774 @ Covent Garden

Event Comment: Benefit for Mrs Hartley. Mainpiece: By Particular Desire, with New Music, Dresses and Decorations. Interlude taken from Prior's celebrated poem, The Nut Brown Maid. Books of the Interlude to be had at the Theatre. Adapted by Henry Bate. Charges: #72 9s. 6d. Profit to Mrs Hartley #54 15s., plus #61 18s. from tickets (Box 202; Pit 76). Paid Whitfield for making cloaths #33 17s. 4d.; Paid Mr Walker for trimmings &c. #13 4s. Receipts: #127 4s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17731106, but Dance of the Furies-_; Macbeth-Smith; Vocal Parts-Reinhold, +Owenson.
Cast
Role: A Dance of the Furies Actor: Fishar.

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17731208; After which: New Poetical Interlude, Henry and Emma: Parts-Smith, Hull, Miss Brown, Mrs Hartley; To conclude with: a New Air and Chorus by Dr Arne-

337
22 April 1775 @ Drury Lane Theatre

Event Comment: Benefit for Bannister. Mainpiece: By Desire. Rec'd stopages #12 7s. Paid salary list #566 6s.; J. French on acct #5 5s. (Treasurer's Book). Mrs Smith's Benefit for 2 May advertised as Cymbeline and a new Comic Opera (in 2 Acts) call'd the Wish. The Music entirely new, the principal characters by Vernon, Bannister, Davies, Mrs Wrighten and Mrs Smith. With a New Occasional Prologue spoken by King. [But this was changed on 27 April.] Receipts: #212 1s. Charges: #66 3s. Profits to Bannister #145 18s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: A New Dance, call'd The Pirates-Como, Sga Crespi. [See17730422.

Entertainment: End Opera: (By particular Desire) Imitations Vocal and Rhetorical-Bannister

338
21 November 1775 @ Covent Garden

Event Comment: Mainpiece: A New Comic Opera [by R. B. Sheridan] never perform'd. The Music partly New and partly selected from the most eminent composers. With a New Overture, Scenes, Dresses, and Other Decorations. Books of the songs in the Opera to be had at the Theatre. [This note repeated on subsequent bills.] Afterpiece: Not acted these 10 years. [See 19 May 1767.] [Reviewed in the Westminster Magazine for Nov. which commented on the witty dialogue and effectiveness of the music. It was "puffed" gently in the Public Advertiser 22 Nov.: "Receiv'd with every mark of approbation that could be given. It will be repeated tomorrow evening with the Farce of the Apprentice."

Performances

Mainpiece Title: The Duenna Or The Double Elopement

Performance Comment: The principal characters by: Mattocks, Quick, Wilson, DuBellamy, Mahon, Wewitzer, Fox, Baker, Leoni, Miss Brown, Mrs Green, Mrs Mattocks. Genest, V, 515: Ferdinand-Mattocks; Issac-Quick; Jerome-Wilson; Antonio-DuBellamy; Carlos-Leoni; Father Paul-Mahon; Lopez-Wewitzer; Duenna-Mrs Green; Louisa-Mrs Mattocks; Clara-Miss Brown; The Westminster Magazine adds Augustin-Baker; Francis-Fox; Porter-Besford.
Cast
Role: Father Paul Actor: Mahon
Role: The Westminster Magazine adds Augustin Actor: Baker

Afterpiece Title: The Lying Valet

Dance: II: A New Spanish Dance-Sg Zuchelli, Sga Zuchelli, Dagueville, Sga Vidini

339
25 April 1776 @ King's Theatre

Event Comment: Benefit Mr and Mrs Vallouy. The new Dances entirely composed by Vallouy

Performances

Mainpiece Title: Il Bacio

Dance: I: La Fete du Village, as17760224; II: New Serious Ballet, with Chaconne and Minuet de la Cour-Vallouy, Mme Vallouy; End Opera: New Grand Comic Ballet, Les Maissoneurs Distresse-Helm, Mlle Sophie, Sga Tinti, Vallouy, Mrs Vallouy

340
15 March 1777 @ King's Theatre

Event Comment: A new Serious Opera [1st time; SER 3]: With Grand Chorusses. The Poetry by the Abate Conte Zaccaria de Seriman. The Music entirely new by Tragetta [recte Traetta]

Performances

Mainpiece Title: Telemaco

Performance Comment: Principal Characters-Rauzzini, Trebbi, Savoi, Micheli, Sga Marianna Farnese, Sga Cecilia Davies Inglesina. [Morning Chronicle, 17 Mar., lists the parts: Telemaco, Mentore, Mopso, Calipso, Eurice; and gives synopsis of plot.]Morning Chronicle, 17 Mar., lists the parts: Telemaco, Mentore, Mopso, Calipso, Eurice; and gives synopsis of plot.]

Dance: End I: Serious Ballet, as17770225; End Act II: Les Chasseurs, as17771112, but Mme _Vallouy, Mme Simonet; End Opera: a new Ballet Demi-caractere, +La Clochette-Simonet, Mlle Baccelli, Vallouy, Mme Simonet, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

Cast
Role: a new Ballet Demi Actor: caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli.

341
11 January 1779 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. Benefit for Stewart and M'Donald. Mainpiece: With new Dresses and Decorations. Afterpiece: With several new additions and two new characters. [Authors of Prologues unknown.] The Doors to be opened at 5:00. To begin at 6:00. No Person whatever to be admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Books of the Farce to be had at the Theatre

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Performance Comment: Sir William-Bassingwhite; Patie-M'Donald; Roger-Stewart; Symon-Middlemist; Glaud-Riddle; Bauldy-Henderson; Madge-Mr Wilson; Mause-Mr Hamilton; Jenny-Miss Coutts; Peggy-A Young Lady [unidentified]; With a new Prologue-.
Cast
Role: With a new Prologue Actor: .
Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber

Afterpiece Title: The Students or The Humours of St

Performance Comment: Andrews. Byron (with songs)-Bush; Frederick-Sinclair; Freeport-Sparks; Graspall-Swords; Drover Henpeck (with songs)-M'Donald; Andrew-Munden; Macdowell, the Exciseman-Stewart; Emily-Miss Campell; Harriot-Miss Hamilton; Edition of 1779 (For the Author) assigns: Byron-Loach; and adds: Mrs Macdowell-Miss Coutts; The original Prologue-Stewart.
Cast
Role: the Exciseman Actor: Stewart
Role: The original Prologue Actor: Stewart.

Dance: End I afterpiece: Hornpipe-

Music: Between the Acts: proper Scotch Music-; a new Scotch overture-

342
23 February 1779 @ King's Theatre

Event Comment: A new Comic Opera; the Music by the celebrated Gretry

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet connected with the Opera, by Genii of the various Arts- (See17790302 Pedal Harp-Hochbrucher; End II: new Ballet by Fairies of the Court of Azore,-Banti, Sga Tinti, LeDet, Henry, young Miss Simonet, Mlle Baccelli (1st appearance this season); End Opera: new serious Ballet, Le Couronnement de Zemire-Mons and Mme Simonet, Banti, Sg and Sga Zuchelli, Sga Tinti, Slingsby

343
20 March 1779 @ Covent Garden

Event Comment: Prelude [1st time;PREL I, probably by Richard Cumberland. Larpent MS 472; not published]. Mainpiece [1st time; M 3, by Richard Cumberland, based on Calypso and Telemachus, by John Hughes]: The Overture and all the Music entirely new, and composed by Butler. With new Scenery painted by Richards and Carver, and new Dresses. Books of the Masque to be had at the Theatre. Public Advertiser, 27 Mar. 1779: This Day is published Calypso (1s. 6d.)

Performances

Mainpiece Title: A New Prelude And Prologue

Afterpiece Title: Calypso

Afterpiece Title: Cross Purposes

Dance: In: Incidental Dances-Dagueville, Miss Besford, Miss Valois

344
15 May 1779 @ King's Theatre

Event Comment: Opera [1st time; COM 3, by Carlo Francesco Badini, based on The Duenna, by Richard Brinsley Sheridan]: the Music entirely new by Bertoni

Performances

Mainpiece Title: La Governante

Dance: End I: new Ballet, Les Paysans Voles-Banti, Sga Tinti, Sg and Sga Zuchelli; End II: Ballet by Fairies, as17790302End Opera: new Ballet Espagnol, La Serenade Interrompuee-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, LeDet; with a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guittar-Noferi

345
14 December 1779 @ King's Theatre

Event Comment: Mainpiece: A new Comic Opera (in 2 acts); the music by Sacchini. Afterpiece: A serious Opera [1st time; SER I, author unknown; a pasticcio]. The music selected from several eminent Composers [BUC lists only Bertoni]

Performances

Mainpiece Title: La Contadina In Corte

Performance Comment: Principal Characters-Trebbi, Rovedino, Sga Prudom, Sga Bernasconi. [Libretto (E. Cox, 1782) lists the parts: Ruggiero, Berto, Dottor Stoppino, Clarice, Sandrina, Tancia.]Libretto (E. Cox, 1782) lists the parts: Ruggiero, Berto, Dottor Stoppino, Clarice, Sandrina, Tancia.]

Afterpiece Title: Il Soldano Generoso

Performance Comment: Principal Characters-Pacchierotti, Manzoletto, Sga Pozzi, Mme LeBrun. [Larpent MS 502 lists the parts: Osmano, Ferdinando, Omar, Isabella, Fatima.]Larpent MS 502 lists the parts: Osmano, Ferdinando, Omar, Isabella, Fatima.]

Dance: End I: new Pantomime Dance (composed by Zuchelli) Il Desertore-Sg and Sga Zuchelli, Henry, young Miss Andreas, Miss Simonet; End II: a grand Masquerade Dance-the other partsSg and Sga Zuchelli, Sga Tantini, Henry, Slingsby; in which a Chaconne(in character by the various Masks)-; and which will open with a Minuet-Favre Guiardele, Mme Simonet (1st appearance this season); End afterpiece: new Grand Balletconnected with the Opera-Favre Guiardele, Mme Simonet, Sga Tantini, Slingsby

346
16 March 1782 @ King's Theatre

Event Comment: A new Serious Opera in 3 acts (1st time [in London; 1st performed at Munich, 1771]); the Music entirely new, composed by Rauzzini

Performances

Mainpiece Title: Leroe Cinese

Dance: End of Act I Divertisement Dance, as17820205; End of Act II New Divertisement Dance, as17820216; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

Cast
Role: ; End of Opera a new Tragi Actor: Pantomime Ballet
Role: Chief of the Island Actor: Slingsby.

347
02 May 1782 @ King's Theatre

Event Comment: For the better convenience of the company, during the Performance the Pit will be open as usual, and the passage through the Boxes into the Galleries will be open. As soon as the Performance is over, the Supper Rooms will be opened, and, during the time of Supper, the Pit will be covered and the Galleries shut up. The Decorations are entirely new planned, and executed by Novosielski. The whole under the Direction of Crawford. Tickets 2 guineas each. The Doors to be opened at 9:00. The Performance to begin at 10:00. [Le Picq was from the Opera, Naples.]

Performances

Mainpiece Title: A Grand Masked Ball With A Supper

Performance Comment: Before the Ball commences will be performed the 1st Act of L'Eroe Cinese, as17820316 and the last Act of I Viaggiatori Felici, as17811211 .

Dance: End of Part I a new Dance (1st time; composed by Noverre), Apollon et let Muses by Le Picq (1st appearance in England), Nivelon, Mme Simonet, Mlle Theodore, Sga Crespi, Mlle Baccelli; End of Part 11 a New Dance, demicharacter (composed by Noverre) by Le Picq, Nivelon, Slingsby, Mlle Theodore, Sga Crespi, Mlle Baccelli

348
12 December 1782 @ King's Theatre

Event Comment: Books of the new Dance to be had at the Theatre. "Nothing could equal the manner in which the whole was conducted: the wrestling, the gladiators; the defeat of the Sabines; the besieging of Rome by the latter; their reconciliation with the Romans, &c." (Morning Herald, 13 Dec)

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Opera a new grand Ballet, composed by Lepicq, Il Ratto delle Sabine; or, The Rape of the Sabines, by Lepicq, Henry, Zuchelli, Degville Sen., Slingsby, Mlle Theodore, Sga Crespi, Mme Rossi. [Partial cast from Public Advertiser, 14 Dec: Romolo-Lepicq; Acronte-Zuchelli; Erfilia-Mme Rossi.]

Performance Comment: , Slingsby, Mlle Theodore, Sga Crespi, Mme Rossi. [Partial cast from Public Advertiser, 14 Dec: Romolo-Lepicq; Acronte-Zuchelli; Erfilia-Mme Rossi.] hathi. hathi.

349
11 January 1783 @ King's Theatre

Event Comment: Books of the new Dance to be had at the Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Act II an entirely new Ballet (1st time; composed by Lepicq), he Tuteur Trompl; or, The Guardian Outwitted, by Lepicq, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, with two Pas de Basque by Mlle Theodore

350
31 January 1789 @ King's Theatre

Event Comment: "The [new] Dance, if such it can be called, was like the movements of heavy Cavalry. It was hissed very abundantly. Gallini has the excuse of not having been able to get better dancers" (World, 2 Feb.)

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End I: New Divertissement, as17890110; End Opera: an entire new ballet (never performed), Les Fetes Provencales (composed by Noverre)-Didelot, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand