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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Temple"/1) | (@(roleclean,performerclean) "Temple")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 443 matches on Roles/Actors, 144 matches on Event Comments, 61 matches on Performance Comments, 35 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: The Fatal Discovery; Or, Love In Ruines

Performance Comment: Edition of 1698: Prologue-Mr Powell in answer to a scurrilous one, spoke against him, at Betterton's Booth in Little-Lincolns-Inn-Fields; Epilogue-; Cornaro-Powell; Segerdo-Evans; Conall-Thomas; Gabinius-Harland; Dandalo-Johnson; Beringaria-Mrs Knight; Arapsia-Mrs Powell; Margaretta-Mrs Verbruggen; Eromena-Mrs Cross; Cleonista-Mrs Temple.
Cast
Role: Cleonista Actor: Mrs Temple.

Performances

Mainpiece Title: Caligula

Performance Comment: Edition of 1698: Prologue-Mr Powell who Acted the Emperor; Epilogue-a Girl; Caligula-Powell; Valerius Asiaticus-Williams; Annius Minatianus-Simpson; Vitellius-Mills; Cassius Cheraea-Thomas; Lepidus-Evans; Philo-Disney; Cesonia-Mrs Knight; Julia-Mrs Temple; Salome-Mrs Cross.
Cast
Role: Julia Actor: Mrs Temple

Performances

Mainpiece Title: Phaeton; Or, The Fatal Divorce

Performance Comment: Edition of 1698: The Prologue-Mr Powel, Mrs Cross [including Miss Chock]; Merops-Mills; Phaeton-Powel; Epaphus-Williams; Clymene-Mrs Powel; Alithea-Mrs Knight; Cassiope-Mrs Temple; Merope-Mrs Kent; The Epilogue by a Friend-Mr Mills.
Cast
Role: Cassiope Actor: Mrs Temple

Performances

Mainpiece Title: The Grove; Or, Love's Paradice

Performance Comment: Edition of 1700: Arcadius-Mills; Eudosius-Powel; Adrastus-Tomms; Parmenio-Cibber; Nicias-Thomas; Aurelia-Mrs Rogers; Phylante-Mrs Temple; Sylvia-Mrs Oldfield; Prologue-; Epilogue by Mr Farquhar-.
Cast
Role: Phylante Actor: Mrs Temple

Performances

Mainpiece Title: The Reform'd Wife

Performance Comment: Edition of 1700: Sir Solomon Empty-Johnson; Freeman-Wilks; Careless-Toms; Clerimont-Mills; Doctor-Haines; Astrologer-Fairbank; Astra-Mrs Knight; Clarinda-Mrs Rogers; Sylvia-Mrs Temple; Lady Dainty-Mrs Verbruggen; Mrs Friendly-Mrs Powell; Fidelia-Mrs Moor; Cloe-Mrs Stephens; Pert-Mrs Baker; Prologue-; Epilogue-the Sickly Lady.
Cast
Role: Sylvia Actor: Mrs Temple

Performances

Mainpiece Title: Courtship A La Mode

Performance Comment: Edition of 1700: Prologue by Mr Farquhar-Mr Powell; Epilogue-Will. Pinkethman; Sir John Winmore-Powel; Capt. Bellair-Wilks; Sir Anthony Addle-Norris; Dick Addle-Pinkethman; Freelove-Mills; Alderman Chollerick-Johnson; Ned Chollerick-Toms; Willie-Bullock; Scowrer-Fairbank; Flora-Mrs Rogers; Melintha-Mrs Moor; Decoy-Mrs Powel; Timandra-Mrs Temple; Lucy-Mrs Kent; Betty-Mrs Baker.
Cast
Role: Timandra Actor: Mrs Temple

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Edition of 1701 lists: Antonio-Bullock; Charino-Cross; Don Lewis-Penkethman; Carlos-Wilks; Clodio-Cibber; Sancho-Norris; Governour-Simpson; Don Duart-Mills; Don Manuel-Toms; Angelina-Mrs Temple; Louisa-Mrs Verbruggen; Elvira-Mrs Knight; Honoria-Mrs Moor; Prologue-; Epilogue-.
Cast
Role: Angelina Actor: Mrs Temple

Performances

Mainpiece Title: Vice Reclaim'd; Or, The Passionate Mistress

Performance Comment: Edition of 1703 lists: Sir Feeble Goodwill-Johnson; Wilding-Wilks; Gainlove-Williams; Fondle-Bullock; Apish-Bickerstaff; Ralph-Norris; Widow Purelight-Mrs Kent; Lucia-Mrs Temple; Annabella-Mrs Rogers; Mrs Haughty-Mrs Knight; Malapert-Mrs Lucas; Betty-Mrs Cox; Mrs Rhenish-Mrs Powel; Prologue-Wilks; Epilogue-Norris.
Cast
Role: Lucia Actor: Mrs Temple

Performances

Mainpiece Title: The Quacks; Or, Love's The Physician

Performance Comment: edition of 1705 lists: Sir Patient Careful-Norris; Clitander-Mills; Doctor Medley-Bullock; Caudle-Cross; Tickle Pulse-Pinkeman; Novice-Bickerstaff; Refugee-Cibber; Rhubarb-Fairbank; Freckle-Keen; Harry-Estcourt; Lysette-Mrs Moor; Lucinda-Mrs Temple; Doris-Mrs Powel; Nurse-Carnaby; Prologue-; Epilogue-Mills.
Cast
Role: Lucinda Actor: Mrs Temple

Performances

Mainpiece Title: The Loyal Subject

Performance Comment: Edition of 1706 lists: Czar-Williams; Archas-Mills; Theodore-Wilks; Putsky-Griffin; Alinda-Mrs Rogers; Burris-Bickerstaff; Borosky-Keen; Ensign-Johnson; Olimpia-Mrs Finch; Honoria-Mrs Temple; Viola-Mrs Norris; Petesca-Mrs Cox; Lady-Mrs Tapsford [Mrs Sapsford?].Mrs Sapsford?].
Cast
Role: Honoria Actor: Mrs Temple

Song: Ramondon

Dance: As17050718

Performances

Mainpiece Title: The Fashionable Lover; Or, Wit In Necessity

Performance Comment: Edition of 1706 lists: Sir ThomasFreegood-C. Griffin; Meanwell-Keen; Peregrine-Toms; Farewell-Wilkes; Wisehead-Bullock; Villmore-Mills; Plotwell-Penkethman; Trustwell-Norris; Vintner-Fairbank; Surgeon-Fairbank; Jessinda-Mrs Temple; Viletta-Mrs Oldfield; Prologue-; Epilogue-.
Cast
Role: Jessinda Actor: Mrs Temple

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Cholerick-Pinkethman; Antonio-Leigh; Charino-Carnaby; Carlos-Waller; Clodio-Bickerstaff; Governor-Griffin; Duart-Smith; Manuel-Burkett; Sancho-Cole; Elvira-Mrs Knight; Angelina-Mrs Temple; Louisa-Mrs Moore; Honoria-Mrs Cox.
Cast
Role: Angelina Actor: Mrs Temple

Song:

Dance:

Performances

Mainpiece Title: The Dissembled Wanton; Or, My Son Get Money

Performance Comment: Principal Parts-Quin, Ryan, Walker, Hall, W. Bullock, Hippisley, Mrs Bullock, Mrs Younger, Mrs Laguerre, Mrs Egleton; but edition of 1727 lists: Lord Severne-Quin; Colonel Severne-Ryan; Beaufort-Walker; Sir Humphrey Staple-Hall; Toby-W. Bullock; Wormwood-Hippisley; Emilia-Mrs Bullock; Sir Harry Truelove-Mrs Younger; Jenny Staple-Mrs Legar; Lettice-Mrs Egleton; Prologue by a Gentleman of the Temple-Ryan; Epilogue by Molloy-Mrs Younger dressed as a Beau.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-a Young Gentleman of the Temple; Ballance-Machen; Worthy-Bowen; Brazen-Boothby; Kite-Jones; Scale-Matthews; Scruple-Rogers; Bullock-Topham; Appletree-Hulstone; Pearmain-Whittaker; Constable-Freeman; Sylvia-Mrs Talbot; Rose-Miss Jones Jr; Luey-Miss Jones Sr; Melinda-Miss Atherton .

Afterpiece Title: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great

Music: A Preamble on the Kettle-Drums, with Mr Hendel's Water-Musick on the Stage, by Mr J. Baker

Song:

Dance:

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Performance Comment: Young Mirabel-a Gentleman of the Temple; Old Mirabel-Topham; Duretete-Jones; Dugard-Blastock; Petit-Boothby; Bissare-Miss Jones; Oriana-Miss Jones Jr; Lamorce-Miss Atherton .

Afterpiece Title: The Honest Yorkshireman

Dance: Pierrot by Baudvin

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.

Performances

Mainpiece Title: The Recruiting Officer

Dance: I: Hornpipe-John Granier; II: Country Wake-Mr Miles, Mrs Miles; III: Dutch Dance-Jo. Granier, Miss Granier; IV: Farmer's Dance-Jo. Granier, Miss Granier; End: The Temple of Jupiter with the loves of Adonis and Venus-

Performance Comment: Granier, Miss Granier; IV: Farmer's Dance-Jo. Granier, Miss Granier; End: The Temple of Jupiter with the loves of Adonis and Venus-.

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Triumph of Peace

Performance Comment: Mars-Cooke; Mars' followers-Blakes, Vaughan, Marr, Adams, Shawford, Harvey, Yates, Harrison; War-Winstone; Power-Lee; Ambition-Palmer; Peace-Mrs Mills; Justice-Mrs LaFont; Liberty-Mrs Ansley; Shepherds-Havard, Beard, Reinhold, King, Master Maddox; Shepherdesses-Mrs Clive, Miss Cole, Miss Medina; Britannia-Anne Auretti; Hungarians-Cooke, Janeton Auretti; French-Mathews, Mrs Addison; Dutchman-Pelling; Spaniard-Shawford; concluded with a view of the Temple of Peace-.

Performances

Mainpiece Title: Variety

Performance Comment: Principal Characters by King, Palmer, Parsons, Brereton, Baddcley, Bannister Jun., R. Palmer, Burton, Smith; Miss Farren, Miss Pope, Mrs Brereton, Mrs Hopkins, Mrs Abington. [Cast from text (T. Becket, 1782), and European Magazine, Feb. 1782, p. 143: Commodore Broadside-King; Captain Seafort-Palmer; Sir Timothy Valerian-Parsons; Lord Frankly-Brereton; Major Seafort-Baddeley; Mr Steady-Bannister Jun.; Sir Frederick Fallal-R. Palmer; Davy-Burton; Mr Morley-Smith; Miss Harriet Temple-Miss Farren; Lady Fallal-Miss Pope; Lady Frankly-Mrs Brereton; Mrs Bustle-Mrs Hopkins; Lady Courtney-Mrs Abington.] Prologue spoken by King. Epilogue spoken by Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by King. Epilogue spoken by Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Quaker

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: NAPLES BAY; or, The British Seamen at Anchor

Performance Comment: Principal Characters by Johnstone, Bowden, Incledon, Munden, Townsend, Cubitt//Miss Poole. [Cast from Larpent MS: Michael-Johnstone; Captain Cable-Bowden; Ensign Platoon-Incledon; Quadrant-Munden; Rattling-Townsend; Legatto-Cubitt; Mr Temple-Thompson// Caroline-Miss Poole.] To open with Paisiello's Grand March. May our Navy Old England for ever protect (composed by Shield) by Incledon and Bowden. No good witbout an exception (composed by Dibdin) by Johnstone. Stamd to your Guns, my Hearts of Oak (composed by Carter) by Bowden. When on board our trim vessel (composed by Carter) by Munden. Beviamo tutti tre (composed by Giardini) by Johnstone, Incledon, Linton, &c. Italian Air, accompanied on the Harp, by Miss Poole. Water parted from the sea (composed by Dr Arne) by Incledon. God preserve his Majesty [singers not listed] . To open with Paisiello's Grand March. May our Navy Old England for ever protect (composed by Shield) by Incledon and Bowden. No good witbout an exception (composed by Dibdin) by Johnstone. Stamd to your Guns, my Hearts of Oak (composed by Carter) by Bowden. When on board our trim vessel (composed by Carter) by Munden. Beviamo tutti tre (composed by Giardini) by Johnstone, Incledon, Linton, &c. Italian Air, accompanied on the Harp, by Miss Poole. Water parted from the sea (composed by Dr Arne) by Incledon. God preserve his Majesty [singers not listed] .

Afterpiece Title: THE FOLLIES OF A DAY

Dance: In 2nd piece A Medley Hornpipe in Wooden Shoes by Byrn

Song: End of 1st piece Black-Eyed Susan by Incledon

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.
Cast
Role: the Temple of Jupiter Actor:

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Performances

Mainpiece Title: Bonduca, Queen Of The Britons

Afterpiece Title: He Wou'd be a Soldier

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Performance Comment: III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon.

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: Harlequin's Treasure

Performance Comment: As17961024, but Glees and Chorusses-_ omit entire synopsis except for the Telegraphev and the Temple of Virtuev.
Cast
Role: Glees and Chorusses Actor: _ omit entire synopsis except for the Telegraphev and the Temple of Virtuev.
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: Outside of a Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: The Statuary Yard invented by Messink Actor: Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: A Dark Wood Actor: Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.

Music: Afterpiece: Harp to be played-Weippert

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

Performance Comment: Jupiter-Munden; Mercury-Townsend; Momus-Simmons; Paris-Incledon; Juno-Mrs Addison; Pallas-Mrs Clendining; Erynnis-Mr Delpini (1st appearance these 7 years); Iris-Mrs Castelle; Venus-Mrs Mountain; A Description of Part of the Scenery, Machinery. ACT I. The Palace Garden, and Canal of Tyndarus. The introduction of Leda and the Swan. Leda-Mlle St.Amand. The Hesperean Dragon spouting Fire, pursuing Erynnis to recover the Golden Pippin. A Celestial Palace, with a Magnificent Temple, and the Peacock of Juno in Transparency. ACT II. A Plain in Phoenicia, in which Jupiter descends from the Heavens on an Eagle, and Momus on a Goose. A Procession to a Sacrifice. Jupiter in the form of a Bull, bearing Europa, attended by a train of Priests, Virgins, Nymphs, Shepherds. The Sea, with a distant View of the Isle of Crete. Jupiter bearing Europa across the Sea. A View of Mount Idav The Decree of Paris, and the Ascent and Descent of the Deities: Vulcan, Apollo, Mars, Hercules, Bacchus, Pan, Ceres, Diana, Cybele, Flora, Pomona, Proserpine, Hebe. Mercury descends on a Cloud, and Iris on a Rainbow. Pluto rises from the Infernal Regions in a Chariot drawn by Dragons; Neptune in a watery Car, borne by Sea Horses; and Jupiter descends in a Cloud, attended by Hebe and Ganymede. To conclude with the Re-ascent of Jupiter attended by Flying Cupids.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Temple of Dulness