SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "T R"/1) | (@(roleclean,performerclean) "T R")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Fairy Prince

Event Comment: Mainpiece: Acted but once these 20 years. Rec'd of Condell on Acct of Fruit Rent #20; Paid Richards (painter) as per bill #115 15s.; Paid Partridge & Franks (hosiers) #60 5s.; Paid Lowe & Lewis (woolen drapers) #35 15s. (Account Book). Receipts: #207 10s. (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Fox

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Man and Wife

Dance: After II of Comedy: The Dutch Milkmaid, as17710923

Performances

Mainpiece Title: Zobeide

Afterpiece Title: Man and Wife

Performances

Mainpiece Title: Zobeide

Afterpiece Title: Man and Wife

Dance: End Comedy: A Comic Dance, as17711031

Performances

Mainpiece Title: Zobeide

Afterpiece Title: Man and Wife

Monologue: True Blue. As 14 Dec. 1771, but Principal Parts-Mrs Mattocks, Miss _Potts

Dance: End II of Comedy: A Comic Dance, as17711031

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Fairy Prince

Dance: IV: Comic Dance, as17711031

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: Man and Wife

Dance: End II of Comedy: A Comic Dance, as17711031

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Apprentice

Event Comment: Mainpiece: By Particular Desire. Afterpiece; We suppose it was reviv'd for the purpose of introducing a new scene, viz. a representation of the wonderful and surprizing feats lately performed at Stockwell in Surrey, by an invisible agent, who, we apprehend is very nearly related to the celebrated Cock-Lane Ghost of famous Memory. [See 28 Jan. 1762.] We cannot help considering it a lucky hit and we hope it will meet with encouragement, as the turning the transactions of the Stockwell Conjurer into ridicule may prevent that mysterious affair making improper impressions on the minds of the ignorant and superstitious. When considered in this light, the additional scene must be acknowledged to have merit, and, we confess, it is extremely well conducted to produce risibility (Theatrical Review, II, p. 85). [See notice of the additional scene 1 Feb. and see An Authentic...Narrative of the Astonishing Transactions at Stockwell...on the 6th and 7th days of January, 1772, containing a series of the most surprising...events that ever happened (London, 1772), with the cryptic comment upon it in the Gentleman's Magazine, Feb., p. 84, A new edition of the Cock-Lane Ghost, altered from the original of Miss Fanny, with additions but no amendments." The Gentleman's Magazine (Historical Chronicle for 6 Jan.) mentions the explosion of two powder-mills on Hounslow Heath: About the time explosion was felt at London, some families at Stockwell were terrified with the ratting and braking of their china, which they attributed to a preternatural cause. A Lady of fortune was so firmly Persuaded that some invisible agent was concerned, that she discharged her maid, whom she suspected of having an intercrouse with the wicked spirit; and when she was gone, as no mischief ensued, consoled herself that she had rid of so dangerous an intimate." See also bill for 8 Feb.] Rec'd from Condell on account of Fruit rent #20. Paid Dall on account of his salary #50 (Account Book). Receipts: #202 8s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin Skeleton

Performance Comment: As17720201, but Chasseur Royal-DuBellamy (playbill) but Reinhold in Public Advertiser.