SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "TThe Queen"/1) | (@(roleclean,performerclean) "TThe Queen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1185 matches on Performance Title, 1127 matches on Performance Comments, 517 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Edwin. Afterpiece: With the Triumphal Entryv of King Chrononhotonthologos into Queerumania attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagellets, Lutes, Bagpipes, Tabours and Pipes, Marrow-Bones and Cleavers, Post-Horns, French Horns, Cows Horns, Salt-Boxes, Broom-stickado's. The different Instruments will be played after the Manner of the Queen's Band at Queerum. The most comical Tragedy that ever was Tragedized by any comical Company of Tragedians. Public Advertiser, 23 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Chrononhotonthologos

Performance Comment: Chrononhotonthologos (King of Queerumania)-Edwin; Bombardinian (his General)-Bannister Jun.; Aldiborontiphoscophornio-Moss; Ridgum@Funidos-Wewitzer; Herald-Gardner; Captain of the Guards-Phillimore; Cook-Barrett; Doctor-Ledger; King of the Fiddlers-Johnson; King of the Antipodes-Smith; Fadladinida (Queen of Queerumania)-Mrs Edwin; Tatlanthe (Favourite to the Queen)-Miss Collett; Maids of Honour-Miss Francis, Miss Palmer; Venus-Mr Mathews; Cupid-Mr Painter.

Song: End III: Four@and@twenty Perriwigs all on a Row-Edwin

Entertainment: Monologue. End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Event Comment: [Mrs Siddons's 1st appearance as Queen Elizabeth was at Liverpool, 10 Sept. 1777.] Receipts: #317 9s. 6d. (334.2.6; 36.2.0; 1.2.0; ticket not come in: 0.3.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17911114, but Palmer's name listed in playbill as Richmond; Queen Elizabeth-Mrs Siddons (1st appearance in that character [in London]); Lady Anne-Miss Collins; Duchess of York-Mrs Ward.
Cast
Role: Queen Elizabeth Actor: Mrs Siddons

Afterpiece Title: The Waterman

Event Comment: Benefit for Mrs Siddons. To prevent Confusion, Ladies and Gentlemen are desired to send their Servants by Half past Four o'Clock. Mainpiece: In I The Cardinal's Banquet. In II the Court for the Trial of Queen Katharine. In V a Grand Procession to the Christening of Princess Elizabeth. Morning Herald, 7 Mar.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #493 16s. (258.15.6; 25.13.0; 1.16.0; tickets: 207.11.6) (charge: #159 8s. 10d.)

Performances

Mainpiece Title: King Henry The Viii

Performance Comment: King Henry-Palmer; Cardinal Wolsey-Bensley; Campeius-Packer; Capucius-Phillimore; D. of Buckingham-Wroughton; E. of Surrey-Barrymore; Lord Chamberlain-R. Palmer; Gardiner-Suett; Lord Sands-Baddeley; Sir ThomasLovel-Fawcett; Cromwell-Kemble; Doctor Butts-Waldron; Surveyor-Benson; Brandon-Banks; Serjeant-Lyons; Doorkeeper-Jones; Cryer-Alfred; Cranmer-Aickin; Duke of Norfolk-Whitfield; Queen Katharine-Mrs Siddons; Anne Bullen-Mrs Powell; Gentlewoman-Mrs Booth; Patience (with a song)-Mrs Bland; Agatha-Miss Collins.
Cast
Role: Queen Katharine Actor: Mrs Siddons

Afterpiece Title: Selima and Azor

Entertainment: Monologue. End: Collins's Ode on the Passions (for this night only)-Mrs Siddons

Event Comment: Mainpiece: In Act I The Cardinal's Banquetv. In Act II The Court for the Trial of Queen Katharinev. In Act V a Grand Processionv to the Christening of Princess Elizabeth. Afterpiece: Representation of the Engagementv, as 14 Oct. [In mainpiece the playbill omits Lord Sands, but "Sands Hollingsworth, Baddeley ill" (Powell).] Powell, 17 Oct.: Chaplet rehearsed at 10 [see under 16 Oct.]; Drummer at 11; Roman Actor at 12 (order to be dismissed by Mr Kemble); 18 Oct.: Haunted Tower rehearsed at 10; Wedding Day at 12. Receipts: #307 6s. (227.18; 77.6; 2.2)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Palmer; Cardinal Wolsey-Bensley; Cranmer-Aickin; D. of Norfolk-Whitfield; D. of Buckingham-Wroughton; Earl of Surry-Barrymore; Gardiner-Suett; Lord Sands-Hollingsworth; Cromwell-C. Kemble; Queen Katharine-Mrs Siddons; Anne Bullen-Miss DeCamp; Patience (with a song)-Mrs Bland.
Cast
Role: Queen Katharine Actor: Mrs Siddons

Afterpiece Title: The Glorious First of June

Event Comment: Mainpece: In Act I the Cardinal's Banquet. In Act II the Court for the Trial of Queen Katharine. In Act V a Grand Procession to the Christening of Princess Elizabeth. Receipts: #211 1s. 6d. (150.5.0; 58.4.6; 2.12.0)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Palmer; Cardinal Wolsey-Bensley; Campeius-Packer; Capucius-Phillimore; Cranmer-Aickin; Duke of Norfolk-Whitfield; D. of Buckingham-Wroughton; D. of Suffolk-Caulfield; Earl of Surry-Barrymore; Lord Chancellor-Maddocks; Lord Chamberlain-Trueman; Gardiner-Suett; Lord Sands-Hollingsworth; Sir Henry Guildford-Russell; Sir ThomasLovell-Dignum; Cromwell-C. Kemble; Dr Butts-Burton; Surveyor-Benson; Brandon-Banks; Serjeant-Cooke; Cryer-Evans; Door@keeper-Jones; Queen Katharine-Mrs Siddons; Anne Bullen-Mrs Powel; Gentlewoman-Mrs Booth; Patience (with a song)-Mrs Bland; Agatha-Miss Heard.
Cast
Role: Queen Katharine Actor: Mrs Siddons

Afterpiece Title: Peeping Tom

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. In I a Grand Banquet Scene. A Procession from the Abbey at the Coronation of Queen Anne Bullen. The Piece to conclude with the ceremony at the Royal Christening. [Holman's 1st appearance as King Henry was at this theatre, 24 May 1793.] Morning Chronicle, 27 Apr.: Tickets to be had of Mrs Pope, Half Moon-street, Piccadilly. Receipts: #391 0s. 6d. (299.15.6; 2.9.0; tickets: 88.16.0)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.
Cast
Role: Queen Catherine Actor: Mrs Pope.

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Event Comment: The United Company. This performance is on the L. C. list, 5@149. p. 368. See also Nicoll, Restoration Drama, p. 352. The Prologue, separately printed, bears a licensing date of 16 Nov. 1689, and is reprinted in Wiley, Rare Prologues and Epilogues, pp. 276-77. Huygens, 15 Nov. 1689 OS (translation): The King, who had been at the comedy, at the birthday of the Queen-mother, which had been played at Whitehall, did not come home until twelve o'clock (Journal van Constantijn Huygens, Publications of the Dutch Historical Society, New Series, XXIII [Utrecht, 1876], 205)

Performances

Mainpiece Title: A Jovial Crew

Performance Comment: The Prologue to King William & Queen Mary At a Play Acted before Their Majesties at Whitehall, on Friday the 15th of November 1689. Written by N. Tate-.

Performances

Mainpiece Title: Queen Elizabeth; Or, The Earl Of Essex The Unhappy Favorite

Performances

Mainpiece Title: Queen Tragedy Restored

Event Comment: Benefit for Mrs Hoper. The Second Night. Mrs Hoper's Prologue to the Town, By a Friend: @Tonight a Female author heads the stage@Warm'd by the grand productions of the age;@To shine among the modern Bards aspires,@As the Moon glisters midst the lesser fires:@Pants to be rank'd with Sapho, Phillips, Behn@And prove that women write as well as Men.@Bold in the drama's cause, attacks the fashion@Where Novelty appears the reigning passion,@With drooping spirits draws the Tragic Queen@Like your fine ladies troubled with the spleen:@Nor trusts her meaning to the strolling Elf@But represents the character herself.@ [Suggests her friends reproved her for turning player, but she thought it more honorable than going into debt.] @The Stage is innocent and brings no shame@Unless the players are themselves to blame@'Twas meant as Virtue's School;--Tis no disgrace@To act a virtuous part, in any Place.@ [Closes with appeal to audience to be charitable to "this firstling of her quill, to support her generously with applause. See Daily Advertiser.

Performances

Mainpiece Title: Queen Tragedy Restored

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Queen Mab

Dance: CComic Dance-Harvey, Mad Camargo

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Queen Mab

Dance: HHornpipe-the Little Swiss; Comic Dance, as17501231

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-the Little Swiss

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Queen Mab

Dance: I: Hornpipe-the Little Swiss

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Queen Mab

Dance: IV: Comic Dance, as17501231

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Twelfth Night; Or, What You Will

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Fop's Fortune

Afterpiece Title: [Queen Mab

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-the Little Swiss