SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "TThe Prince of Wales"/1) | (@(roleclean,performerclean) "TThe Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1002 matches on Event Comments, 940 matches on Performance Title, 725 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: 3rd piece [1st time; MD 2, by John Rose; music by Thomas Attwood]: Books of the Songs to be had at the Theatre. Salary List (Enthoven Collection): Paid Rose for Caernarvon Castle #18 6s. Morning Herald, 16 Sept. 1793: This Day is published Caernarvon Castle (1s.). [This piece had reference to the birthday of the Prince of Wales, which was 12 Aug.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit

Afterpiece Title: Caernarvon Castle; or, The Birth of the Prince of Wales

Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe, based on Le Rival Suppose, by Germain Francois Poulain de Saint-Foix. It was written in honor of the 21st birthday, 12 Aug., of the Prince of Wales. Prologue by George Colman, the elder (Colman, Prose, m, 248)]: The Overture by Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Oct. 1783: This Day is published The Birth Day (1s.)

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Birth Day; or, The Prince of Arragon

Performance Comment: Principal Characters by Palmer, Williamson, Wilson; Miss George, Mrs Bannister. [Cast from text (T. Cadell, 1783): Prince of Arragon-Palmer; Don Frederick-Williamson; Don Leopold-Wilson; Fiorina-Miss George; Seraphina-Mrs Bannister.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: : Prince of Arragon Actor: Palmer

Dance: Afterpiece to conclude with a Grand Chorus and Dance (performers not listed)

Song: As17830613

Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud; Or, The Prince Of Persia

Related Works
Related Work: Mahmoud; or, The Prince of Persia Author(s): Prince Hoare

Afterpiece Title: All the World's a Stage

Event Comment: By Command of his Royal Highness, the Prince of Wales (Public Advertiser). Prince of Wales & 6 ye Family (Cross). Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Dance: TThe Press Gang, as17561013

Event Comment: PPrince of Wales & 4 (Cross). By Command of Prince of Wales. This day is publish'd Belisarius: A Tragedy, written by Mr Philips, to which is prefixed some account of the life of Belasarius. Printed for J. Staples, opposite Stationer's Hall. Neatly printed. Price 1s. (Public Advertiser). Receipts: #200. (Cross)

Performances

Mainpiece Title: Zara

Ballet: TThe Prussian Camp. As17571223

Event Comment: Mainpiece, Dance, and Afterpiece: By Command of the Prince of Wales. [No receipts in Cross.

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Upholsterer

Dance: TThe Market, as17571126

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Prince Edward Actor: Simson

Dance: TThe Cow Keepers, as17600529

Event Comment: The Prince of Wales by Obrien (first time) very well (Hopkins). Receipts: #147 (MacMillan)

Performances

Mainpiece Title: King Henry Iv, Part I

Performance Comment: Falstaff-Love; King-Havard; Prince of Wales-Obrien, first time; Sir Richard Vernon-Jackson; Worcester-Bransby; Hostess-Mrs Bradshaw; Northumberland-Burton; Glendower-Lee; Douglas-Parsons; Blunt-J. Palmer; Poins-Packer; Carriers-Moody, Weston; Sheriff-Stevens; Bardolf-Clough; Westmorland-Ackman; Francis-Vaughan; Mortimer-Castle; Hotspur-Holland; Lady Percy-Mrs Palmer.

Afterpiece Title: The Deuce Is in Him

Related Works
Related Work: The Three and the Deuce! Author(s): Prince Hoare

Dance: End: The Provancalle, as17631014

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Performance Comment: Principal Characters by Pope, Incledon, Farren, Fawcett, Bowden, Macready, Miss Hopkins, Miss Wallis. Cast from text (T. N. Longman, 1795): Edward Prince of Wales-Pope; Sir Ralph Neville-Incledon; King Edward III-Farren; Leveret-Fawcett; Fitz@Alan-Bowden; Lord Edward Spyncer-Macready; Revel-Burton; Ferryman-Rees; Eustace-Linton; Lady Blanche-Miss Hopkins; Countess of Kent-Miss Wallis; Villagers-Mrs Clendining, Mrs Martyr.
Cast
Role: Edward Prince of Wales Actor: Pope

Afterpiece Title: Windsor Castle 2

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: By Command of His Royal Highness. [The Prince and Duke present.

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Beggar's Wedding

Dance: new Grand Ballad D'Amour by Monsieur Denoyer Dancing-Master to his Royal Highness the Prince of Wales-Denoyer, Mrs Booth, others, being the first Time of his Dancing since his Arrival in England

Event Comment: [T$The Prince of Wales present.] Daily Journal, 29 Jan.: The Tragedy of Timoleon has been received with very great Applause by the Town, notwithstanding the Endeavours of a certain Person (who can give a Preference to none but his own Performances) to depreciate it

Performances

Mainpiece Title: Timoleon

Event Comment: TThe Tempest oblig'd to be deferr'd on account of Woodward's indisposition. Receipts: #160 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Dance: TThe Italian Peasants, as17571004

Event Comment: TThe Stratagem deferr'd on account of Mrs Hamilton's illness

Performances

Mainpiece Title: King Henry Iv, Part I

Cast
Role: Prince of Wales Actor: Ross
Role: Prince John Actor: Miss Mullart

Afterpiece Title: The Contrivances

Ballet: TThe Feast of Bacchus. As17581116

Event Comment: TThe Earl of Essex deferr'd on account of Mrs Hamilton's Indisposition

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Knights

Ballet: TThe Feast of Bacchus. As17581116

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

Event Comment: Written by Shakespear. [Prince of Wales and the Princesses Amelia and Caroline expected to attend.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Event Comment: Mainpiece: By Particular Desire. Afterpiece: With an Additional Scene painted by Cipriani, Representing the taking of the Bohemian Standard at the Battle of Cressyv. In memory of which, the Princes of Wales have ever since borne three Ostrich Feathers (the Bohemian Standard) as their crest, with the original motto Ich Dien. This scene is pleasingly executed and has a very good effect, and is the work of that celebrated artist Cipriani (Theatrical Review, II, p. 36). Paid Whitefield a Bill for making cloaths #30 8s. 7d. (Account Book). Receipts: #184 8s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Fairy Prince

Dance: IV: Comic Dance, as17711031

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Prince Actor: Kenniston
Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Benefit Mrs Butler. [Tickets at Mrs Butler's House in Leicester Fields.

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Lottery

Dance: I: Moors Dance-Muilment; II: Punches Dance-Master Ferg, Miss Wright; III: Grand Ballet-Denoyer, Muilment, Mrs Thompson; V: Minuet-Denoyer, Mrs Walter

Song: TThe Noontide Air, as17390407

Event Comment: Benefit Wright. By Command of Their Royal Highnesses the Prince and Princess of Wales. Mainpiece: Written by Shakespear

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Virgin Unmask'd

Dance: II: Punches Dance-Master Ferg, Miss Wright; V: Russian Sailors-Denoyer

Song: TThe Noontide Air (from Comus)-Mrs Clive

Event Comment: Mainpiece: By Command of their Royal Hignesses the Prince and Princess of Wales

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Royal Chace

Dance: TThe Peasants, as17411221; Chacone-Dubuisson, Mlle Benneval; Tambourine-Picq, Mlle Auguste

Event Comment: Benefit Mrs Porter. By Command of their Royal Highnesses the Prince and Princess of Wales. Servants will be allowed to keep places on the Stage, which (for the better accommodation of the Ladies) will be enclosed, and formed into an amphitheatre. Ladies are desired to send their servants by 3 o'clock. Tickets to be had and places to be taken of Mr Page at the stage door; none to be admitted Without printed Tickets. Part of the Pit will be rail'd in and added to the Frodt Boxes

Performances

Mainpiece Title: The Unhappy Favourite; Or, Earl Of Essex

Dance: TThe Peasants, as17420210; Chacone, as17411230; La Provencale, as17420212

Event Comment: Benefit for Barry. Afterpiece: By MacNamara Morgan. Receipts: #133 14s. 6d. plus Tickets #163 3s. (boxes 479; pit 230; gallery 89). Charges #63. Total value of House: #296 17s. 6d. Profit to Barry #233 17s. 6d. Paid Samuel Wale for painting figures Boys & other decorations in a scene designed by Servandoni #5 5s. Paid Matthew Pearce, Bricklayer, #230, on account of the New Building. Paid Thomas Pervil for sundry cloaths as specified below, #112, 17s.: A Bloom Colored Brocade coat & Breeches with silver flowers & a Gold & Silver Brocaded Waistcoat & Coffs, #8; A Pompador Velvet Coat, Waistcoat & 2 pr. Breeches shot with silver, #11 11s.; A Blue cut and uncut Velvet Suit, Flower'd and Gold Ground, #10 10s.; A Dove colored Brocade Coat & Breeches, Gold & Flowers & a Gold & Silver Brocade waistcoat & Cuffs, #10 10s.; A Blue & Silver Brocade Coat & Breeches & Silver Brocade waistcoat & Cuffs, #10; a light color'd coat & Breeches & a blue silk waistcoat with gold lace, #14; A copper color'd velvet coat & breeches, and yellow waistcoat, embroider'd with gold, #20; A blue velvet suit, plain, #4 10s.; A crimson velvet Roab Surcoat, belt sword & Bonnet worn by a Peer in Parliament, & a Green velvet Roab, purple velvet surcoat & hood-a Knight of the Thistle's dress, #17 16s.; a plain crimson velvet suit, #6 (Account Book)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Prince Edward Actor: Miss Mullart

Afterpiece Title: The Sheep Shearing; or, Florizel and Perdita

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: By Command of His Royal Highness. Mainpiece: Written by Beaumont and Fletcher. [The Prince present.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Jovial Crew

Dance: TThe Masques-