SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Street"/1) | (@(roleclean,performerclean) "Street")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2312 matches on Roles/Actors, 1420 matches on Event Comments, 181 matches on Performance Comments, 88 matches on Performance Title, and 0 matches on Author.
Event Comment: By Permission of the Most Noble the Marquis of Salisbury [the Lord Chamberlain]. Benefit for Wilkinson. 1st piece: Compress'd into 4 acts. The Doors to be opened at 5:30. To begin at 6:30 precisely. Tickets to be had of Wilkinson, No. 16, Lisle Street, Leicester Square

Performances

Mainpiece Title: The Jew

Afterpiece Title: A Naval Interlude

Afterpiece Title: The Mayor of Garratt

Afterpiece Title: The Ghost

Song: 2nd piece: With Songs-

Event Comment: Benefit for Quick. [MS of Exordium: Larpent MS 1204.] Times, 6 Apr.: Tickets to be had of Quick, Little Queen-street, Lincoln's Inn Fields. Receipts: #297 5s. (120.5.0; 8.11.6; tickets: 168.8.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Entertainment: Monologue. End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.

Event Comment: Benefit for Mrs Siddons. [Epilogue by Richard Brinsley Sheridan.] Times, 9 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #508 8s. 6d. (296.10.0; 58.2.0; 3.12.0; tickets: 150.4.6) (charge: #212 3s. 6d.)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Devil to Pay

Entertainment: Monologue. End: the original Epilogue written for Semiramis-Mrs Siddons

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Widow of a Baronet [Sir Richard Perrott], and a large Infant Family. Tickets to be had of Lady Perrott, No. 28, Spring-street, Portman-square

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Irishman in London; or, The Happy African

Entertainment: Monologue An Occasional Address-a Young Lady (1st appearance on any stage [unidentifield])

Event Comment: Benefit for Fawcett. 3rd piece [1st time; F 1, by George Colman, ynger, based on L'Anglais; ou, Le Fou Raisonnable, by Joseph Patrat]. Times, 6 Apr.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho, and at Brook-Green, Hammersmith. Receipts: #501 18s. (226.13.0; 3.0.6; tickets: 272.4.6)

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Sailor's Prize

Afterpiece Title: Blue Devils

Song: In 2nd piece: New Sea Ballad-Incledon; Master Teddy Shemus O'Shaughnessey O'Finnigen Delany's History of Himself-Johnstone; Fat Dolly the Cook-Munden; Soldier's Song-Townsend; New Ballad-Mrs Martyr; To conclude with: Hearts of Oak, Rule Britannia-

Entertainment: Monologue and SingingEnd 1st piece: (for that night only) [an aquatic, historic, romantic, eccentric, sadly comic story, in character, Travels of Trudge, [including Trudge's Exordium on the Quay, [a new song, Under@Ground Lodging, [Trudge's Escape and Voyage; Wowski's Prattle on Shipboard; Mishaps at Barbadoes; a new song, The Marvellous [to Jemmy Linkum Feedle-Fawcett. [This was chiefly based on episodes from Inkle and Yarico.

Event Comment: Benefit for Palmer. Times, 23 Apr.: Tickets to be had of Palmer, No. 39, Great Pulteney-street, Golden-square. Receipts: #274 5s. 6d. (86.1.6; 64.18.6; 0.18.0; tickets: 122.7.6) (charge: #245 3s.)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Blue-Beard

Event Comment: Benefit for Johnston. [He had 1st acted Hamlet at Edinburgh, 9 July 1794: Egerton's 1st appearance at cg was on 5 June 1797.] 2nd piece [1st time at this theatre; M. PAST 1, author unknown. Larpent MS 1207; not published. 1st acted at Sadler's Wells, 28 May 1787, when the playbill gives the 2nd title as "The Highland Laddie", and adds "The Words of the Airs selected from Allan Ramsay"]. Times, 13 Apr.: Tickets to be had of Johnston, No. 31, King-street, Covent-garden. Receipts: #230 19s. 6d. (110.2.6; 1.14.0; tickets: 119.3.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Hooly and Fairly; or, The Highland Lad and Lowland Lass

Afterpiece Title: A Divertisement

Dance: 2nd piece to conclude with: Highland Reel-; In 3rd piece: Ballet, as17971013

Song: In V 1st piece: a Dirge, as17970925; In 2nd piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie- [recte Oggy]; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; The Little Farthing Rushlight-Graham

Event Comment: Benefit for Mrs Jordan. Times, 25 Apr.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #296 14s. 6d. (234.7.6; 59.6.6; 3.0.6; tickets: none listed) (charge: #20)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Wedding Day

Event Comment: Benefit for Mrs Mattocks. 1st piece [1st time; INT 1, by John Cartwright Cross. Larpent MS 1213; not published]. Genest, VII 365, states that the Epilogue Address "was in all probability the Epilogue to Alonzo [by David Garrick]." 3rd piece: conclude with a Rural Procession: Four Lads bearing Streamers-Plough decorated with Flowers-Four Countrymen bearing a May-day Garland-Four Lasses Bearing Implements of Husbandry-Country Girls leading a Lamb, decorated with Flowers-Four Lasses bearing a Garland-a Chorus and Finale. Tickets delivered for Every One has His Fault will be admitted. Times, 17 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-garden. Receipts: #259 16s. 6d. (124.7.0; 2.13.0; tickets: 132.16.6)

Performances

Mainpiece Title: They've Bit The Old One; Or, The Scheming Butler

Afterpiece Title: The Jealous Wife

Afterpiece Title: May-Day; or, The Little Gipsey

Entertainment: Monologue. End 2nd piece: an Epilogue Address portraying the Characteristic Jealousies of the Spaniard, the Italian, the Dutchman, the Frenchman, & the Englishman,-Mrs Mattocks

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Afterpiece Title: The Inconstant

Afterpiece Title: The Son-in-Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

Event Comment: Benefit for Kelly. Ballet: By permission of the Proprietor of the Opera House. Composed by Gallet. With appropriate Dresses, Scenery, and Decorations. Times, 30 Apr.: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-fields. Receipts: #681 4s. (370.8.0; 45.1.6; 3.12.0; tickets: 262.2.6) (charge: #237 3s. 2d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard

Ballet: End II: the Grand Anacreontic Ballet, Bacchus et Ariadne. Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg

Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 43, Gerrard-street, Soho. 2nd ballet: Music by J. Mazzinghi

Performances

Mainpiece Title: Elfrida

Dance: End I: Le Triomphe de Themis, as17971226; Pas Russe-Laborie, Mme Hilligsberg; End Opera: a new Pastoral Ballet in 4 acts, composed by S. Gallet, Elisa; ou, Le Triomphe de la Nature-Laborie, Mme Hilligsberg, Didelot, Mme Rose, Miss Hilligsberg, Mme Laborie, Gourlier, Master Laborie

Event Comment: Benefit for Miss Pope. [Mrs Jordan's 1st appearance as Lady Bell was at this theatre, 21 Apr. 1789.] 3rd piece: To conclude with a Prospect of the Infernal Regions, and a Rain of Fire. Times, 4 May: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #318 11s. 6d. (78.0.6; 84.18.0; 4.12.6; tickets: 151.0.6) (charge: #216 8s. 1d.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Dance: In 3rd piece: Pas Seul, incidental to the piece-Sga Bossi DelCaro

Event Comment: Benefit for King. [This was Smith's last appearance on the stage, from which he had officially retired on 9 June 1788.] Broadside in Kemble playbills announcing this benefit: Mr King most respectfully informs the Public that his Night is fixed for Friday the 18th of May, when will be presented The School for Scandal. Mr King has the pleasure to add that Mr Smith, who was so long and so worthily applauded by the Public, and was the original performer of Charles Surface in the above, distinguished Comedy, at the particular request of Mr King, backed by a strong assurance from many admirers and encouragers of the Drama that it will not only add to Mr King's emolument but highly gratify the Town, has kindly consented to return to the Theatre for one night, and resume his favourite Character. "We had been told that Smith pourtrayed the Manners of a finished gentleman with more delicacy and characteristic propriety than any actor of his day; but this did not appear to us to be his particular excellence; he stands too wide to be graceful, and his deportment gains no advantage from a perpetual application of his hand to the lower part of the waist. These habits are far from elegant. His Charles, however, is a favourable specimen of that sort of acting which commonly falls under the denomination of the old school: light, airy, and natural; which excites applause without any anxious endeavour to produce it; which suffers the points to tell of themselves, and does not place them as so many traps to ensnare the injudicious part of the audience" (Monthly Mirror, May 1798, p. 299). "He was received with the most heart-felt gratulations by an audience who did not expect any apology for such acting, though he saw fit to deliver one at the conclusion of the play" (Monthly Visitor, May 1798, p. 72). Times, 4 May: Tickets to be had of King at his house, New Store-street, Bedford-square. Receipts: #674 6s. (388.0.6; 55.17.6; 2.0.0); tickets: 228.8.0) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Son-in-Law

Song: In III 1st piece: song-Dignum

Event Comment: Benefit for Mrs Powell. 2nd piece [1st time; M. INT 1, author unknown. MS not in Larpent MS; not published]: Founded on a recent fortunate Event [the escape of Sir William Sidney Smith from The Temple, Paris, on 24 Apr. 1798 (European Magazine, June 1798, p. 395)]. With appropriate Scenery, and Machinery. [3rd piece in place of The Children in the Wood, advertised on playbill of 19 May.] Times, 15 May: Tickets to be had of Mrs Powell, No. 43, Craven-street, Strand. Receipts: #548 17s. (233.4.6; 61.4.6; 0.17.0; tickets: 253.11.0) (charge: #214 12s. 1d.)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Escape

Afterpiece Title: The Shipwreck

Event Comment: Benefit for Miss Leak. Afterpiece: With a Sea Fight. Times, 17 May: Tickets to be had of Miss Leak, Upper Mews Gate, Castle-street, Leicester-fields. Receipts: #500 6s. 6d. (104.10.0; 74.7.6; 3.4.6; tickets: 318.4.6) (charge: #220 14s. 7d.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Dance: In II: Masquerade-; with Dancing-Mlle Parisot, Sga Bossi DelCaro

Song: In Masquerade: Sigh no more Ladies (composed by Stevens)-Sedgwick, Dignum, Mrs Bland, Miss DeCamp; End IV: Little Taffline-Mrs Bland; In course of Evening: Ally Croaker, Little Bess the Ballad Singer (composed by Dr Arnold)-Miss Leak

Event Comment: Benefit for Mrs Clendining. 1st piece: Not acted these 2 years. 2nd piece: In one Act. Morning Herald, 22 May: Tickets to be had of Mrs Clendining, No. 22, Southampton-street, Covent-Garden. Receipts: #127 5s. (31.3.6; 6.2.6; tickets: 89.19.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Cross Purposes

Afterpiece Title: The Poor Sailor

Music: End 1st piece: the British March- his Royal Highnessthe Duke of York's Band

Event Comment: Benefit for Bannister. 3rd piece [1st time: INT 1. Larpent MS 1218; not published]: A Sequel [to Sylvester Daggerwood], written by John? O'Keeffe. Times, 24 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. Receipts: #318 17s. (86.6.0; 44.4.6; 2.0.6; tickets: 186.6.0, of which Bannister to pay for half over #100) (charge: none listed)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Eleventh of June; or, The Daggerwoods at Dunstable

Afterpiece Title: Blue-Beard

Song: 1st piece: Vocal Parts, as17980224, but Ms _Leak

Event Comment: Benefit for Wathen. [Longley is identified in Monthly Mirror, June 1798, p. 369. For his 1st appearance see 25 Nov. 1797.] Times, 30 May: Tickets to be had of Wathen, No. 2, Frith-street, Soho. Receipts: #294 7s. (55.13.6; 44.13.6; 0.9.0; tickets: 193.11.0, of which Wathen to pay for one half brought in over #100)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Eleventh of June

Afterpiece Title: Blue-Beard

Event Comment: Benefit for Dignum. Times, 5 June: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #635 16s. 6d. (46.14.0; 55.0.0; 1.14.0; tickets: 532.8.6) (charge: #220 9s. 4d.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Critic

Afterpiece Title: The Shipwreck

Song: End II 1st piece: I never lov'd any dear Mary but you-Dignum (composed by Hook); End 1st piece: The Fight off Camperdown-Dignum; End I 2nd piece: The Town and Country-Dignum (composed [i.e. words] by Capt. Morris); End 2nd piece: an Answer to the above, Country and Town-Dignum

Event Comment: Benefit for Bannister. Times, 7 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Children in the Wood

Song: End: Sweet Echo-Mrs Bland; accompanied on the hautboy-Forster

Event Comment: Benefit for Mrs Bland. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. Times, 18 Aug.: Tickets to be had of Mrs Bland, No. 25, King-street, Covent-garden

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Shipwreck

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Event Comment: Benefit for Fawcett. 2nd piece [1st time: M. INT 1]. Times, 4 Sept.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: An Olla Podrida

Afterpiece Title: Bannian Day

Event Comment: Benefit for Jewell, treasurer. Mainpiece: Not acted these 7 years [acted 2 Aug. 1792]. Times, 4 Sept.: Tickets to be had of Jewell, No. 26, Suffolk-street, Charing-cross

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Lock and Key

Event Comment: Benefit for Palmer's Orphan Family [see dl, 18 June 1798]. The Doors to be opened at 5:30. To begin at 6:30 [see 27 Nov.]. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Tickets may be had at Lloyd's Coffee House [for this night only]; and of Fosbrook, at the Box Office, Little Russel Street, where, only, Places for the Boxes can be taken. The Public are respectfully informed that Mr Aickin is appointed Manager. Printed by C. Lowndes next the Stage-Door. Receipts: #571 15s. (519.8.6; 45.17.6; 1.16.0; tickets: none listed; Sundry Sums left at Door: 4.13.0) (charge: free)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Citizen

Music: Vocal Parts-Mrs Bland, Miss Leak; their songs: To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Principal Dancer-Sga Bossi DelCaro