SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Street"/1) | (@(roleclean,performerclean) "Street")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2312 matches on Roles/Actors, 1420 matches on Event Comments, 181 matches on Performance Comments, 88 matches on Performance Title, and 0 matches on Author.
Event Comment: Benefit for Sga Storace. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MF 2, by Prince Hoare, based partly on LE TABLEAU PARLANT, by Louis Anseaume]: The Music by Storace. "The songs are written with taste, and set to very lively and agreeable tunes by Storace's brother...[They are] calculated to afford her a complete opportunity of displaying that mixture of laughable levity, friskiness and merriment which on the stage give her so much attraction" (Public Advertiser, 18 Dec.). Tickets to be had of Sga Storace, No. 36, Howland Street, and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: MY GRANDMOTHER

Event Comment: Benefit for Bannister Jun. 1st piece: By particular permission, for that night only. Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho, and of Rice at the Theatre

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: THE PRIZE

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: Principal Violoncello by C. Ashley. Double Drums by R. Ashley. Trumpets by Sariant, Cantelo, Purney. Among the other Principal Instrumental Performers are Foster, Mahon, Boyce, Flack, Lavenu, John Sharp, Simpson, Gwilliam, Monro, Mich. Sharp, Wood, Warren, Wm. Sharp, Cobham, Cornish, Jenkinson, F. Sharp, Shutze, Lord, Woodham, J. Sharp, Franks, &c. With a Complete Set of Chorus Singers. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Places to be had of Brandon at the Box Office in Hart-street. Books of the Performance, 6d. each, may be had at the Theatre. The Directors' Books have these words at the bottom of each title-page: "Printed by H. Madeish, Recorder-Office, Duke's-Court, Drury-lane."

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Event Comment: Benefit for Benson. Morning Herald, 14 Mar.: Tickets to be had of Benson, No. 7, Brydges-street, Covent Garden

Performances

Mainpiece Title: Rosina

Afterpiece Title: MY GRANDMOTHER

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: Benefit for Lewis. 1st piece: As altered by Garrick. Not acted these 10 years [acted I June 1791]. 2nd piece: In one Act. Morning Herald, 11 Apr.: Tickets to be had of Lewis, Bow-street. Receipts: #469 13s. (294/3/6; 26/2/6; tickets: 149/7/0)

Performances

Mainpiece Title: The Chances

Afterpiece Title: TRISTRAM SHANDY

Afterpiece Title: A DIVERTISEMENT

Dance: In 3rd piece a Ballet by Byrn, Mlle St. Amand, Mme Rossi

Song: In Act II of 1st piece a song by Mrs Mountain

Event Comment: Benefit for Mrs Twistleton. Mainpiece: Masquerade as 7 Oct. 1793. Morning Chronicle, 9 Apr.: Tickets to be had of Mrs Twistleton, No. 2, James-street, Adelphi. Receipts: #262 10s. 6d. (167/13/0; 4/7/0; tickets: 90/10/6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: PATRICK IN PRUSSIA [i

Dance: As17931022

Song: As17931007, but added: Townsend, Richardson//Miss Hopkins, Miss Kirton; omitted: Williamson, Gray, Mrs Watts, Mrs Davenett, Mrs Masters

Event Comment: Benefit for Incledon. 1st piece: As originally performed in 3 acts. Not acted these 7 years [acted 28 Oct. 1789]. 2nd piece [1st time; M. INT 1, attributed to John Cartwright Cross. MS: Larpent 1021; not published]. Morning Chronicle, 19 Apr.: Tickets to be had of lncledon, No. 15 , Charlotte-street, Bloomsbury. Receipts: #396 12s. 6d. (122/12/6; 6/0/6; tickets: 267/19/6)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: NAPLES BAY; or, The British Seamen at Anchor

Afterpiece Title: THE FOLLIES OF A DAY

Dance: In 2nd piece A Medley Hornpipe in Wooden Shoes by Byrn

Song: End of 1st piece Black-Eyed Susan by Incledon

Event Comment: Benefit for Mrs Mattocks. By Desire of his Excellency the Ambassador [Yussuf Adijah Effendi] from the Sublime Porte. Morning Chronicle, 19 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russel-street, Covent Garden. Receipts: #362 15s. (226/13; 13/1 3; tickets: 122/9)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: THE SOLDIER'S FESTIVAL; or, The Night before the Battle

Afterpiece Title: THE SPRIGS OF LAUREL

Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time; M. INT I; author unknown. MS: Larpent 1022; not published; synopsis of plot in Morning Herald, 10 May]: Books of the Songs may be had at the Theatre. [In 4th piece Brown is identified in Thespian Magazine, June 1794, p. 226.] Morning Chronicle, 5 May: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent Garden. Receipts: #272 19s. (81/14; 5/12; tickets: 185/13)

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Event Comment: Benefit for Pope. At the particular Desire of his Excellency the Ambassador [see 7 May] from the Sublime Porte:. 3rd piece: At End of Act I of the DIVERTISEMENT. Written by Edward Jerningham, Esq., with Alterations and Additions, interspersed with Music, after the manner of Rousseau's PYGMALION. Morning Chronicle, 19 Apr.: Tickets to be had of Pope, Half-Moon-street, Piccadilly. Receipts: #231 17s. (138/14; 3/3; tickets: 90/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: A DIVERTISEMENT

Afterpiece Title: MARGARET OF ANJOU

Song: In Act V of 1st piece, as17931216; End of 1st piece Black-Eyed Susan by Incledon

Event Comment: Benefit for Farren. Morning Herald, 6 May.: Tickets to be had of Farren, No. 85, Gower-street, Bedford-square. Receipts: #335 (77/2/0; 16/6/6; tickets: 241/11/6)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: FATAL EXTRAVAGANCE

Afterpiece Title: THE SPRIGS OF LAUREL

Song: End of 1st piece Old Towler by Incledon

Event Comment: Benefit for Fawcett. Morning Chronicle, 5 May: Tickets to be had of Fawcett, No. 9, Tottenham-Court-road, opposite Howland-street. Receipts: #332 16s. 6d. (71/4/0; 5/2/6; tickets: 256/10/0)

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: HE WOU'D BE A SOLDIER

Dance: After the Monologue Dermot and Kathlane, as17931022

Song: In the course of mainpiece a Tippetywitchet, the words by O'Keeffe, with new Music by Shield, by Fawcett, in the Character of Dr Grigsby

Monologue: 1794 05 16 End of main piece a Jeu d' Esprit; or, Jerr Sneak's intended Law Suit with the Major, with The Little Pig lays without any Straw, by Fawcett

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Thomas. Tickets to be had of Miss Thomas, No. 41, Great Portland-street; and of Rice at the Theatre, where places for the Boxes may be taken. To begin at 6:45. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Servants to keep places are requested to be at the Theatre at half past Five o'Clock

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: THREE WEEKS AFTER MARRIAGE

Music: End of mainpiece Master Julien Baux, a Child under Six Years of Age, will perform a Concerto on the Violin by Viotti

Monologue: 1794 05 22 End of afterpiece an Occasional Address by Miss Thomas

Event Comment: Benefit for Mrs Mountain. 1st piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Herald, 21 May: Tickets to be had of Mrs Mountain at Mr Greak's, No. 3 3 , Tavistock-street, Covent-Garden. Receipts: #274 3s. (109/7/6; 9/19/6; tickets: 154/16/0)

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: LOVERS' QUARRELS

Afterpiece Title: THE IRISHMAN IN LONDON

Dance: In Act I of 1st piece a Highland Reel by Byrn, Mlle St. Amand, Mme Rossi

Song: End of Act II of 2nd piece (for that night only) a Selection of the most Favorite Catches and Glees from Harrison and Knyvett's Vocal Concert. What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character

Event Comment: Benefit for Bernard. 1st piece [1st time; M. PREL 1]: With the Storming of the Fort, and a View of the Fleet and Harbour. In which will be introduced the Grand Ceremony of the Enemy's Surrendering the Colours, and Marching out before the British Troops. The whole (including Dances) got up entirely under the direction of Byrn. Morning Herald, 13 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton Garden. Receipts: #249 8s. 6d. (83/9/6; 7/19/6; tickets: 157/19/6)

Performances

Mainpiece Title: The Fall Of Martinico; Or, Britannia Triumphant

Afterpiece Title: THE BELLE'S STRATAGEM

Afterpiece Title: THE HIGHLAND REEL

Dance: In Act IV of 2nd piece a Masquerade, in which a Minuet by Mrs Pope and Byrn

Song: In Masquerade Old Towler by Incledon; End of 2nd piece A Catalogue of Plays and Farces; or, a Love Letter from Dick Ranter to Kitty Sprightly, to an old Tune, by Bernard; After which Sally in our Alley by Incledon

Event Comment: Benefit for Mrs Clendining. At the Special Desire of his Excellency the Turkish Ambassador [see 7 May]. 3rd piece: Engagement, etc. as 26 May, but Moving Figures not specified. Morning Herald, 26 May: Tickets to be had of Mrs Clendining, No. 5, Bow-street, Covent Garden. Receipts: #301 10s. (136/3; 6/12; tickets: 158/15)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: ROSINA

Afterpiece Title: THE SHIPWRECK

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: Benefit for Mrs Goodall. Mainpiece: Not acted these 3 years. [In mainpiece the playbill assigns Don Manuel to Parsons, but "At the end of the first act [in which Don Manuel does not appear] Barrymore requested permission of the audience for Waldron to play Don Manuel, Parsons being indisposed,, (Thespian Magazine, Sept. 1794, p. 341).] Morning Chronicle, 7 Aug.: Tickets to be had of Mrs Goodall, No. 13, Great Russel-street

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: THE DEAD ALIVE

Event Comment: Benefit for Fawcett. 3rd piece: By permission of Thomas Harris, Esq.; never acted at this theatre, and for that night only. [Address by Thomas Hurlstone (Morning Herald, 25 Aug.)]. Morning Herald, 19 Aug.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street

Performances

Mainpiece Title: The Prisoner At Large

Afterpiece Title: THE AGREEABLE SURPRISE

Afterpiece Title: THE FARMER

Song: In the course of the evening Dr Grigsby's Tippety Witchet by Fawcett [sec CG, 16 May]

Monologue: 1794 08 23 A new Occarimlal Address in the Character of Trudge [in INKLE AND YARICO] by Fawcett

Event Comment: Benefit for Bannister. Morning Herald, 21 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-Cross

Performances

Mainpiece Title: The Life And Death Of King Richard Iii

Afterpiece Title: COMUS

Event Comment: Benefit for Palmer. 1st piece: with Grand Naval Review, as 20 Aug. Morning Chronicle, 28 Aug.: Tickets to be had of Palmer, No. 59, Great Queen-street, Lincoln's Inn Fields

Performances

Mainpiece Title: Britain's Glory

Afterpiece Title: THE SURRENDER OF CALAIS

Afterpiece Title: THE CHILDREN IN THE WOOD

Monologue: 1794 08 30 End of Act I of 3rd piece Collins's Ode on the Passions by Palmer

Event Comment: Benefit for Bannister Jun. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MD 2, by John Cartwright Cross]: The Overture and the Musick entirely new, by Reeve. Books of the Songs to be had at the Theatre. Morning Chronicle, 9 Sept. 1794: This day is published THE APPARITION (1s.). Morning Chronicle, 30 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE APPARITION

Monologue: 1794 09 03 End of mainpiece, as 30 Aug

Event Comment: Benefit for Jewell, treasurer. Morning Cbro11icle, 2 Sept.: Tickets to be had of Jewell at his house, Suffolk-street

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: THE MOUNTAINEERS

Afterpiece Title: MY GRANDMOTHER

Event Comment: 1st piece [1st time; PREL I, by Thomas Holcroft, based on The Covent Garden Tragedy, by Henry Fielding. Larpent MS 1039; not published; synopsis of plot in Morning Herald, 16 Sept.]. "The two Queens are represented by Munden and Fawcett, who are dressed up fantastically, wearing as Crowns Models of the two Theatres" (Morning Chronicle, 16 Sept.). Covent-Garden was crowned with a triangular representation of the Piazza; Drury-Lane with her own Theatre, surmounted by Apollo" (Morning Herald, 16 Sept.). [This was Burton's 1st appearance in London; he was from the Norwich theatre. Miss Cornelys was from the Dublin theatre.] No Money to be returned. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #305 1s. 6d. (296.10.6; 8.11.0)

Performances

Mainpiece Title: The Rival Queens; Or, Drury-lane And Covent-garden

Afterpiece Title: The Suspicious Husband

Afterpiece Title: Sprigs of Laurel

Event Comment: Boxes 6s, Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Places for the Boxes to be taken of Fosbrook, at the Office in Russell-Street. Printed by C. Lowndes, next the Stage Door [and see 7 Oct.]. The Doors to be opened at 5:30. To begin at 6:30 [see 28 Oct.]. Powell, 15 Sept.: Jew rehearsed at 11; 16 Sept.: My Grandmother rehearsed at 10. Receipts: #387 16s. 6d. (307.1.0; 79.2.0; 1.13.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: My Grandmother