SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Stockwell"/1) | (@(roleclean,performerclean) "Stockwell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 201 matches on Roles/Actors, 57 matches on Performance Comments, 14 matches on Event Comments, 1 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Mother Shipton with Stockwell Scenes

Performances

Mainpiece Title: The Female Chevalier

Cast
Role: Mr Stockwell Actor: Parsons

Afterpiece Title: The Tailors; A Tragedy for Warm Weather

Dance: As17780518

Performances

Mainpiece Title: The Female Chevalier

Cast
Role: Mr Stockwell Actor: Parsons

Afterpiece Title: The Tailors

Dance: As17780518

Performances

Mainpiece Title: The Female Chevalier

Cast
Role: Mr Stockwell Actor: Parsons

Afterpiece Title: Man and Wife

Dance: End II: The Merry Lasses, as17780529; End II afterpiece: Provencalle Dance, as17780518

Performances

Mainpiece Title: The Female Chevalier

Cast
Role: Mr Stockwell Actor: Parsons

Afterpiece Title: Man and Wife

Dance: End I: The Merry Lasses, as17780529; End II: Provencalle Dance, as17780518

Performances

Mainpiece Title: The Female Chevalier

Cast
Role: Mr Stockwell Actor: Parsons

Afterpiece Title: Man and Wife

Dance: End I: The Gardeners-Master and Miss Byrn; End II afterpiece: As17780529

Performances

Mainpiece Title: The Female Chevalier

Cast
Role: Mr Stockwell Actor: Parsons

Afterpiece Title: Man and Wife

Dance: End I: As17780624 End II: Provencalle Dance, as17780518

Event Comment: Mainpiece: By Particular Desire. Afterpiece; We suppose it was reviv'd for the purpose of introducing a new scene, viz. a representation of the wonderful and surprizing feats lately performed at Stockwell in Surrey, by an invisible agent, who, we apprehend is very nearly related to the celebrated Cock-Lane Ghost of famous Memory. [See 28 Jan. 1762.] We cannot help considering it a lucky hit and we hope it will meet with encouragement, as the turning the transactions of the Stockwell Conjurer into ridicule may prevent that mysterious affair making improper impressions on the minds of the ignorant and superstitious. When considered in this light, the additional scene must be acknowledged to have merit, and, we confess, it is extremely well conducted to produce risibility (Theatrical Review, II, p. 85). [See notice of the additional scene 1 Feb. and see An Authentic...Narrative of the Astonishing Transactions at Stockwell...on the 6th and 7th days of January, 1772, containing a series of the most surprising...events that ever happened (London, 1772), with the cryptic comment upon it in the Gentleman's Magazine, Feb., p. 84, A new edition of the Cock-Lane Ghost, altered from the original of Miss Fanny, with additions but no amendments." The Gentleman's Magazine (Historical Chronicle for 6 Jan.) mentions the explosion of two powder-mills on Hounslow Heath: About the time explosion was felt at London, some families at Stockwell were terrified with the ratting and braking of their china, which they attributed to a preternatural cause. A Lady of fortune was so firmly Persuaded that some invisible agent was concerned, that she discharged her maid, whom she suspected of having an intercrouse with the wicked spirit; and when she was gone, as no mischief ensued, consoled herself that she had rid of so dangerous an intimate." See also bill for 8 Feb.] Rec'd from Condell on account of Fruit rent #20. Paid Dall on account of his salary #50 (Account Book). Receipts: #202 8s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Event Comment: Mainpiece: By Desire. Play not acted: theatres closed for death of Augusta Princess Dowager of Wales. [For comment Theatrical Review, II, p. 93 attaches to the evening of 7 Feb.]: Another additional scene was introduc'd this evening, for the first time in which Mr Dunstall, in the character of a Female Ballad Singer, entertained the audience with the following new song, relative to the tricks of the Stockwell Conjuror, which it exposes with some degree fo humour, and which has a good effect, from the manner in which it is introduc'd; but from such poetry, Heaven delvier us!@The Stockwell Wonder@Ye beaux, belles and flirts, who the Pantheon stock well,@Come and see the renown'd Pandemonium at Stockwell.@Where the house and the furniture's all in bon ton@And the pewter and crockery dance cottillon. Derry Down, down, down Derry Down.@A pickling-pan first, which exceeds all belief,@Jumps and skips to the tune of old English Roast Beef;@While a barrel so lively, it cannot be said,@That the beer that is in it can ever be dead, Derry Down &c.@ @The tables, chairs, jars, frisk about too, and soon@The pestle and warming-pan move to some tune;@The clock too chimes in, and we very well know@That a clock that don't stand must undoubtedly go, Derry down, &c.@But let not amazement your fancies perplex@The enchantment arose from th'enchanting fair sex;@A sweet girl was the cause, and girls wonders are rich in@For we all know sweet girls-are extremely bewitching.@Derry down, &c.

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Skeleton

Event Comment: Afterpiece: With the Stockwell Scenes, for the LAST TIME this season. [But see Stockwell Scenes attached to Royal Chace 30 Nov. ff.] Paid half year's water rent, #2. (Account Book).Receipts: #163 18s

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Mother Shipton

Event Comment: Afterpiece: With the Stockwell Scenes. [For Stockwell Scenes, see 2 Nov.] Paid Frederick for Sattin #9 11s. 11d., Mrs Gisbitysky for a Lady's white and gold suit of cloaths #9 9s., and Mrs Barbaroux for gilt lea[the]r as per bill #2 9s. (Account Book). Receipts: #185 19s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Event Comment: Benefit for Lee Lewes. Afterpiece: In [it] will be introduced the Stockwell Scenes, with a Prologue [by Richard Brinsley Sheridan (Boaden, Mrs Siddons, I, 107)], in the Character of Harlequin, spoken by Lee Lewes; to conclude with the Escape through the Tub, as in Mother Shipton. [The Stockwell Scenes were included in all subsequent performances. The Prologue and Escape were included in the first 3 performances only (see 3 May).] Public Advertiser, 8 Apr.: Tickets to be had of Lee Lewes, No. 40, Charlotte-street, Rathbone Place. Receipts: #282 18s. (119.15; tickets: 163.3) (charge: #69 17s. 6d.)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Event Comment: Sir John Perceval to Elizabeth Stockwell, 20 Sept.: We should have languished for want of diversion but for Othello, which drew all the stragglers in town together, and our number was greater than I imagined....Meanwhile I declare that they who cannot be moved at Othello's story so artfully worked up by Shakespeare, and justly played by Betterton, are capable of marrying again before their husbands are cold, of trampling on a lover when dying at their feet, and are fit converse with tigers only (Egmont MS, II, 240)

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: [The scenes are of the Stockwell Witchcraftv, according to Theatrical Review, II, 103. See 31 Jan. and 8 Feb.] Paid Patrick (tinman) #33 4s.; Paid Tinsdale (haberdasher) #3 5s. (Account Book). Receipts: #236 15s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Mother Shipton with Alterations

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Tobacconist

Entertainment: Interlude. All up at Stockwell; or, The Ghost no Conjuror, a New Interlude-Characters-Weston, Bannister

Performance Comment: All up at Stockwell; or, The Ghost no Conjuror, a New Interlude-Characters-Weston, Bannister.

Dance: After Interlude: The Sailors Revels, as17711008

Event Comment: Neither piece acted this season. Mainpiece: By Particular Desire. Afterpiece: With the Stockwell Scenes. Receipts: #127 12s

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Mother Shipton

Dance: IV: The Dutch Milkmaid, as17720925

Event Comment: Afterpiece: Not acted these 2 years. [See 1 June 1772.] With alterations and the Stockwell Scenesv. Receipts: #122 6s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequin Dr Faustus

Dance: III: Dance-Aldridge, Miss Capon. [See17731014]

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece: With the Stockwell Scenes. [These were included in all subsequent performances.] Receipts: #173 11s. 6d. (172:4.6; 1.7.0)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Dance: End: The Humours of New@Market with the Poney Races-Dagueville, Harris, Master Holland, Master Dagueville, Miss Ross, Sga Tinte

Event Comment: Benefit for Brandon, box-book and house-keeper. Tickets sold at the Doors will no be admitted. 3rd piece: With the Stockwell Scenes. Receipts: #289 6s. (80.12; tickets: 208.14) (charge: #105)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Phusimimesis

Afterpiece Title: Harlequin Skeleton [i

Event Comment: ["The Play to-night was to have been The Confederacy, by Desire of the Duchess of Leinster, with The Spoiled Child (both advertised on playbill of 7 May), for Mrs Jordan's benefit...but she suspecting the House would be thin, pretended to be ill, would not act" (Kemble Mem.). "Love for Love (announced in playbill of this present night) and The Spoiled Child were deferred on account of the indisposition of Mrs Jordan, and The West Indian and The Island of St. Marguerite substituted...Aickin and Packer...could not be met with, and no other means of presenting The West Indian remained than Messrs Williames and Maddocks being permitted to read the parts of Stockwell and Capt. Dudley. This the audience refused to comply with, and insisted on having their money returned, which was at last done. The pit was cleared, not even one person remaining; but during the second act, four people came in...About thirty stayed in the boxes, and not a sufficient number to fill the front rows in the galleries...The West Indian, with two parts in it read, and a house thus uncomfortably thin, dragged dismally through the three first acts. The half-price produced considerable amendment in the appearance of the house" (London Chronicle, 10 May).] Receipts: #45 0s. 6d. (11.13.0; 32.5.0; 1.2.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Island of St