SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sr Tho Clarges"/1) | (@(roleclean,performerclean) "Sr Tho Clarges")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 495 matches on Performance Comments, 219 matches on Author, 211 matches on Event Comments, 68 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Hes Much To Blame

Cast
Role: Thompson Actor: Davenport
Role: Master of the Hotel Actor: Thompson
Related Works
Related Work: He's Much to Blame Author(s): Thomas Holcroft

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .
Cast
Role: Abbot Actor: Thompson

Music: As17980214

Event Comment: The United Company. The date of the premiere is not known, but as the play was licensed to be published, 21 May 1688, it was probably first acted early in April 1688, perhaps in late March. In 1688, also was separately printed New Songs Sung in The Fool's Preferment: In I, I sigh'd and pin'd and There's nothing so fatal as Woman, the music composed by Henry Purcell. In III, Fled is my love, the music composed by Henry Purcell, and sung by Mountfort. 'Tis death alone and I'le mount to yon blue coelum, the music composed by Henry Purcell. In IV, I'le sail upon the Dog-star, and A Dialogue by Jockey and Jenny, Jenny, gin you can love, the composer not stated. In V, If thou wilt give me back my love, composed by Henry Purcell and sung by Mountfort. See also Purcell's Works, The Purcell Society, XX (1916), iv-vi. When this play was revived at Drury Lane on 16 July 1703, the bill was headed: Not Acted these Fifteen Years

Performances

Mainpiece Title: A Fools Preferment Or The Three Dukes Of Dunstable

Related Works
Related Work: A Fool's Preferment; or, The Three Dukes of Dunstable Author(s): Thomas D'Urfey
Event Comment: The United Company. The date of the first performance is not certain, but the play was acted soon after Shadwell's death in November 1692. Gentleman's Journal, November 1692: We have lately lost Thomas Shadwell Esquire....The Comedy which, as I told you, he design'd for the Stage, was acted since his decease: 'Tis call'd the Volunteers; and though that Orphan wanted its Parent to support it, yet it came off with reasonable success. [When this play was revived at Drury Lane 27 July 1711, the bill bore the heading: Not acted these Twenty Years.

Performances

Mainpiece Title: The Volunteers Or The Stock jobbers

Related Works
Related Work: The Volunteers; or, The Stock-Jobbers Author(s): Thomas Shadwell
Event Comment: Rich's Company. The date of the first performance of this revision is uncertain. Although the play was not entered in the Term Catalogues until June 1696, the edition is date 1695. The production was certainly before May 1696, when Horden died, but the only fact which suggests a performance as early as December is the date on the title page. When the play was revived at Drury Lane on 13 Oct. 1711, the bill bore the heading: Not Acted these Fifteen Years

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

Event Comment: Rich's Company. The date of the first performance is not certain, but the Preface refers to the Long Vacation and a thin house, suggesting a late summer production. As the play was advertised in the Post Boy, 16-18 Nov. 1697, a first performance in October 1697 is probably the latest date for this play, and September seems more likely. Among the songs are several for whom the composer and singer are named: Happy we who free from love, and How calm Eliza are these groves, the music set by Morgan and both sung by Mrs Lindsey. She comes my goddess comes, set by Morgan and sung by Mrs Cibber. Sleep shepherd sleep, the music set by Morgan and sung by Mrs Cross. All four are in A Collection of New Songs, 1697. Preface, Edition of 1698: To serve the wants of a thin Playhouse, and Long Vacation...This hasty Brat...had the Honor of keeping the Stage for five Days Reign. Animadversions on Mr Congreve's late Answer to Mr Collier (1698), pp. 34-35: The mighty Man of Wit [Congreve]...at the Representation of this Play...was seen very gravely with his Hat over his Eyes among his chief Actors, and Actresses, together with the two She Things, call'd Poetesses, which Write for his House, as 'tis nobly call'd; thus seated in State among those and some other of his Ingenious critical Friends, they fell all together upon a full cry of Damnation, but when they found the malicious Hiss would not take, this very generous, obliging Mr Congreve was heard to say, We'll find out a New way for this Spark, take my word there is a way of clapping of a Play down

Performances

Mainpiece Title: Imposture Defeated Or A Trick To Cheat The Devil

Performance Comment: Edition of 1698: Prologue-Mr Powell; Epilogue-Mr Mills [ascending from under the Stage; Duke of Venice-Thomas; Hernando-Powell; Gusman Sr-Ben Johnson; Gusman Jr-Evans; Pedro-Penkethman; Artan-Mills; Alonza-Horden [error for Harland?]; Bonde-Cibber; Delay-Smeaton; Peter-Smith; Senator-Rogers; Marcella-Mrs Temple; Serena-Mrs Andrews; Lucy-Mrs Powel; [In V: Endimion The Man in a Moon- [A Masque.A Masque.
Cast
Role: Duke of Venice Actor: Thomas
Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and two in the Box at Constant Couple. See Hotson, Commonwealth and Restoration Stage, p. 378. There is no certainty that this is the first performance, but the fact that the play was advertised in the Post Man, 7-9 Dec. 1699, suggests that the first production may have occurred in mid-November. The Prologue also refers to the abandonment of Dorset Garden to "That strong Dog Sampson" (see 15 and 25 Nov. 1699). A song, Thus Damon knock'd at Celia's door, set by Daniel Purcell, was published separately about this time. Preface, Edition of 1700: All will join with me in Commendation of the Actors, and allow, without detracting from the Merit of others, that the Theatre Royal affords an excellent and compleat Set of Comedians. Mr Wilks's Performance has set him so far above Competition in the Part of Wildair, that none can pretend to envy the Praise due to his Merit. Preface to The Inconstant (1702): I remember, that about two Years ago, I had a Gentleman from France [The Constant Couple] that brought the Play-house some fifty Audiences in five months. A Comparison between the Two Stages (1702), p. 32: Critick: But above all, commend me to the ingenious Author of the Trip to the Jubilee. Ramble: Oh Lord, Sir! you won't quarrel with that Play; never any thing did such wonders. Critick: Oh 'twas admirable! admirable! I wonder the Town did not just then bespeak the Bays for him. Sullen: Nay, for ought you and I know, he may live to enjoy 'em; I assure you all the run of the Town is on his side. The Owl was never more esteem'd at Athens than the Trip to the Jubilee was here. Critick: Indeed I have known a Footman have a great stroak with his Lord at begging a Favour; if all the Footmen in Town that admire him were to club for his Preferment, I don't know what might be done. Ramble: The Footmen? Ay, and the middle Gallery too, I assure you are of his side, and that's a strong Party. Critick: Why, I believe it, 'tis about the pitch of their Understanding; but if ever it diverted one Man of tolerable Sense I'll be hang'd. Sullen: I don't know who are your People of tolerable Sense, Mr Critick, but at the play I have seen the Pit, Box and Stage so crowded--and if that is not a sign

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Event Comment: James Brydges, Diary: I went with [Mr Coke], Mr How, Sr Theoph. Oglethorpe, Sr G. Coply &c.: to Lockits, & about 8: went with ye last to ye Playhouse in Covent Garden; wee did but just look in (Huntington MS St 26)

Performances

Performances

Mainpiece Title: The Tender Husband Or The Accomplishd Fools

Performances

Mainpiece Title: The Tender Husband Or The Accomplishd Fools

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway
Related Work: The History of Caius Marius Author(s): Thomas Otway

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Performances

Mainpiece Title: The Tender Husband Or The Accomplishd Fools

Performances

Mainpiece Title: The Squire Of Alsatia

Related Works
Related Work: The Squire of Alsatia Author(s): Thomas Shadwell
Event Comment: For the Benefit of the Author'd Widow and Children

Performances

Mainpiece Title: The Constant Couple

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Performances

Mainpiece Title: The Squire Of Alsatia

Related Works
Related Work: The Squire of Alsatia Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Performance Comment: Sir Courtly-Cibber; Belguard-Mills; Surly-Estcourt; Farewell-Bullock Jr; Testimony-Johnson; Hothead-Bullock Sr; Sir Thomas-Pinkethman; Leonora-Mrs Oldfield; Violante-Mrs Bicknell; Aunt-Mrs Powell.
Cast
Role: Sir Thomas Actor: Pinkethman

Performances

Mainpiece Title: Epsom Wells

Related Works
Related Work: Epsom Wells Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Performances

Mainpiece Title: King Edward Iii With The Fall Of Mortimer Earl Of March

Performances

Mainpiece Title: Sir Courtly Nice

Performance Comment: Sir Courtly-Powell; Sir Thomas-Penkethman; Aunt-Mrs Powell; Belguard-Cory; Farewell-Bullock Jr; Surly-Thurmond Sr; Hothead-Leigh; Testimony-Norris; Leonora-Mrs Kent; Violante-Mrs Spiller; With a new Prologue-Powell.
Cast
Role: Sir Thomas Actor: Penkethman

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Rival Queens With The Humours of Alexander the Great

Song: Three select Entertainments in Italian-Mr Holcombe. Being the first time of his performance on that Stage

Performances

Mainpiece Title: Hamlet Prince Of Denmark