SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sr Theoph Oglethorpe"/1) | (@(roleclean,performerclean) "Sr Theoph Oglethorpe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 453 matches on Performance Comments, 206 matches on Author, 61 matches on Event Comments, 58 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Maid's Tragedy

Performances

Mainpiece Title: Sir Courtly Nice

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: The Way Of The World

Performances

Mainpiece Title: The Way Of The World

Performances

Mainpiece Title: King Richard Iii

Performances

Mainpiece Title: Mackbeth

Music: As17161030

Dance: As17170202

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Pan and Syrinx

Dance: As17180121

Performances

Mainpiece Title: The Royal Merchant

Dance: Drunken Scene-Harper

Performances

Mainpiece Title: Julius Caesar

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: Amadis

Song: The Enthusiastick Song-

Dance: Hornpipe-Jones

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Dance: As17231028

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The School Boy

Dance: HHarlequin and Pirotte-Mlle Harvay

Performances

Mainpiece Title: Theodosius

Dance: MMyrtillo-

Performances

Mainpiece Title: Othello, Moor Of Venice

Dance: End II: Wooden Shoe Dance-Sandham's Children; III: Muzette-Young Rainton, Miss Robinson; IV: Turkish Dance-Thurmond, Boval, Lally, Haughton, Duplessis

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe Shepherd's Holiday (with Additions)-Tho. Burny, Sandham, Eaton, Mrs Haughton, Miss Sandham, Miss Mountfort

Performances

Mainpiece Title: Fryar Bacon, Fryar Bungy, And Miles Their Man

Entertainment: The Artificial View of the World-

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Mock Doctor

Dance: Denoyer, Mrs Booth; Essex, Miss Robinson

Song: New English Dialogue=- in the Ballad Style, between a town Gallant and a Country lass-Stoppelaer, Miss Raftor

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Performances

Mainpiece Title: The Beaux Stratagem

Dance: Hippisley's Humorous Medley, or Drunken Man