SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sr John Katchpole"/1) | (@(roleclean,performerclean) "Sr John Katchpole")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9984 matches on Author, 2124 matches on Performance Comments, 1185 matches on Event Comments, 381 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids Honor at Don Sebastian King of Portugal. See also Nicoll, Restoration Drama, p. 352. There is no certainly that this is the first performance. The play was entered in the Stationers' Register, 15 Dec. 1689. See also Charles E. Ward, The Life of John Dryden (Chapel Hill, N. C., 1961), pp. 242-46. Preface, Edition of 1690: I am...to acknowledge, with all manner of gratitude, their civility; who were pleas'd to endure it with so much patience....Above twelve hundred lines have been cut off from this tragedy since it was first deliver'd to the actors. They were indeed so judiciously lopt by Mr Betterton, to whose care and excellent action I am equall y oblig'd, that the connexion of the story was not lost. Does a cryptic remark by Huygens, 3 Dec. 1689 OS, refer to this play: Dat dat geklap met de handen in comedie, onlanxgebeurt, als er gesproken wierd van een Coning, die wederom quam in sign rijck, van seer quade consequentie was. Dat voorseker de Con. too mercifull was, en dat er mosten exempelen gestatueert werden (Journal van Constantijn Huygens, Dutch Historical Society Transactions, New Series, XXIII [Utrecht, 18-212)

Performances

Mainpiece Title: Don Sebastian

Related Works
Related Work: Don Sebastian Author(s): John Dryden
Related Work: Don Sebastian, King of Portual Author(s): John Dryden
Related Work: The Captive Author(s): John Dryden
Event Comment: The United Company. The date of the first performance is not known, but it very probably occurred not later than May 1691, as the play was advertised in the London Gazette, 4-8 June 1691. For discussions of it, see E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44-45, and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter III. Downes, Roscius Anglicanus, p. 42: King Arthur an Opera, wrote by Mr Dryden: it was Excellently Adorn'd with Scenes and Machines: The Musical Part set by Famous Mr Henry Purcel; and Dances made by Mr Jo. Priest: The Play and Musick pleas'd the Court and City, and being well perform'd, twas very Gainful to the Company. Roger North: I remember in Purcell's excellent opera of King Arthur, when Mrs Butler, in the person of Cupid, was to call up Genius, she had the liberty to turne her face to the scean, and ner back to the theater. She was in no concerne for her face, but sang a recitativo of calling towards the place where Genius was to rise, and performed it admirably, even beyond any thing I ever heard upon the English stage....And I could ascribe it to nothing so much as the liberty she had of concealing her face, which she could not endure should be so contorted as is necessary to sound well, before her gallants, or at least her envious sex. There was so much of admirable musick in that opera, that it's no wonder it's lost; for the English have no care of what's good, and therefore deserve it not (Roger North on Music, ed. John Wilson [London, 1959], p. 217-18)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: Bonduca; or, The British Worthy Author(s): John Fletcher
Related Work: King Arthur Author(s): John Dryden
Related Work: Arthur and Emmeline Author(s): John Philip Kemble
Event Comment: The United Company. The date of the first performance is not precisely known, but it seems likely to have been in mid-January. See the discussion under 10 Jan. 1693@4 and Evelyn's remarks on 11 Jan. 1693@4. Part of the music for the play was composed by John Eccles: Young I am and yet unskill'd, sung by a girl, in Gentleman's Journal, January@February 1693@4, and Thesaurus Musicus, 1694: What state of life can be so blest, -Mrs Hudson, in Thesaurus Musicus, 1694. One song was set by Henry Purcell, How happy's the husband, the words by Congreve and sung by Mrs Ayliff, in Thesaurus Musicus, 1694: see also Purcell's Works, Purcell Society, XX (1916), xiii-xiv

Performances

Mainpiece Title: Love Triumphant; Or, Nature Will Prevail

Related Works
Related Work: Love Triumphant; or, Nature will Prevail Author(s): John Dryden
Event Comment: Betterton's Company. The date of the first performance is not certain, but contemporary sources refer to the fact that William Smith, who died in the last week of December, fell ill on the fourth day of its run; hence, it probably was first presented in mid-December. One song, O take him gently from the pile, set by John Eccles and sung by Mrs Bracegirdle, is in Deliciae Musicae, The Fourth Book, 1696. Downes, Roscius Anglicanus, p. 44: The Grand Cyrus, wrote by Mr Banks; it was a good Play; but Mr Smith, having a long part in it, fell Sick upon the Fourth Day and Dy'd, upon that it lay by, and ne'er have bin Acted since. Gildon, English Dramatick Poets, p. 6: Tho' this Play had been formerly refus'd the Action, yet it held up its Head about Six Days together, and has been since Acted several Times. A Comparison Between the Two Stages: Sullen, p. 16: Banks's, which the Players damn'd and wou'd not Act of a great while, but at length it was acted, and damn'd then in manner and form

Performances

Mainpiece Title: Cyrus The Great; Or, The Tragedy Of Love

Related Works
Related Work: Cyrus the Great; or, The Tragedy of Love Author(s): John Banks
Event Comment: Betterton's Company. The fee of #20 was paid to John Miles, an officer of Betterton's Company. See Calendar of the Inner Temple Records, III, 342

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden
Event Comment: Betterton's Company. The date of the premiere is not known, but Dryden, on 14 Dec. 1699, indicated that the run of the play had been completed by that day. A copy in the Folger Shakespeare Library has a notice of its publication. Downes, Roscius Anglicanus, p. 45: Iphigenia a Tragedy, wrote by Mr Dennis, a good Tragedy and well Acted; but answer'd not the Expences they were at in Cloathing it. [In The Life of Mr John Dennis (London, 1734) the author states that Colonel Codrington prevailed on all his friends to take tickets for the dramatist's third night.] Preface, Edition of 1700: And from the first representations I expected all the success that I could reasonably desire. I never in my life at any Play took notice of a more strict attention, or, a more profound silence. And there was something like what happen'd at the Representation of Pacuvius his Tragedy. For upon Orestes discovering his passion to Iphigenia in the fourth Act, there was a general murmur through the Pit, which is what I had never seen before. But after three or four representations, several people, who during that time had wholly abandon'd themselves to the Impression which Nature had made on them, began to study how to be discontented by Art; and repented heartily at having been pleas'd with what Athens and Rome and Paris had been pleas'd before. A Comparison between the Two Stages (1702), p. 23: Critick: I must needs Complement him [Dennis] with the Success of his laborious Iphigenia: Ay, here's a Tragedy with a witness--show a more tragick Poet if you can--'twas a smart Epilogue. But I marvel a Man of Mr Dennis's Penetration wou'd suffer, nay beg his Friend to Burlesque him at that unreasonable rate: But the Author was conscious the Audience might mistake it for a Comedy, and so he gets Colonel C-(he was sure his Word wou'd be taken) to tell 'em it was not a Comedy but a Tragedy: The hint was good and necessary, for o' my word very few knew what to make of it before, tho' there were many Tremendous things in't. [The dialogue continues to examine Dennis' Preface, and Dennis's assertions there concerning his play.

Performances

Mainpiece Title: Iphigenia

Related Works
Related Work: Iphigenia Author(s): John Dennis
Related Work: The Victim Author(s): Charles Johnson
Event Comment: [By John Oldmixon. Date of premiere unknown. Published 13 Jan.

Performances

Mainpiece Title: The Governour Of Cyprus

Related Works
Related Work: The Governour of Cyprus Author(s): John Oldmixon
Event Comment: [By John Dennis. Premiere.] Preface: [The last scene was omitted] on the account of Length....The Play indeed receiv'd all the Grace and Ornament of Action in most of the principal Parts, and in all the Womens. But that of Sakia by Mrs Barry was acted so admirably and inimitably, as that no Stage in Europe can boast of any thing that comes near to her Performance

Performances

Mainpiece Title: Liberty Asserted

Related Works
Related Work: Liberty Asserted Author(s): John Dennis
Event Comment: Written by Mr John Dryden

Performances

Mainpiece Title: Amphitryon

Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): John Dryden

Song: Between the Acts: Singing-

Dance: Between the Acts: Dancing-

Event Comment: Never Acted before. [By John Vanbrugh.] Downes, p. 48: and all Parts very well Acted: but the Nice Criticks Censure was, it wanted just Decorum, made it flag at last

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh
Event Comment: Never Acted before. [By John Vanbrugh.

Performances

Mainpiece Title: The Mistake

Related Works
Related Work: The Mistake Author(s): John Vanbrugh
Related Work: Like Master Like Man Author(s): John Vanbrugh
Related Work: The Wrangling Lovers Author(s): John Vanbrugh
Related Work: Lovers' Quarrels Author(s): John Vanbrugh
Event Comment: Afterpiece: [By John Vanbrugh.] Never Acted before. Mainpiece: With all the Original Scenes, Machines, and Decorations. To which will be added several new ones, particularly the intire front prospect of Blenheim Castlev. And another Piece alluding to the late glorious Successes of her Majesty's Arms, &c

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): John Eccles

Afterpiece Title: The Cuckold in Conceit

Related Works
Related Work: The Cuckold in Conceit Author(s): John Vanbrugh
Event Comment: Benefit Champelon. Written by Mr John Dryden

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): John Dryden
Event Comment: [By John Dennis.] Never Acted before

Performances

Mainpiece Title: Appius And Virginia

Related Works
Related Work: Appius and Virginia Author(s): John Dennis
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): John Webster
Related Work: Appius and Virginia Author(s): John Webster
Event Comment: Written by the late famous Poet Laureat John Dryden, Esq. Note, The Subscribers' Tickets Pass every Night there is Acting at Greenwich, tho' it be on a Benefit Night

Performances

Mainpiece Title: Aurengzebe

Related Works
Related Work: Aureng Zebe; or, The Great Mogul Author(s): John Dryden

Song:

Dance:

Event Comment: [Dedication by John James Heidegger.] By Subscription. Stage Boxes 15s. Gallery 5s. Colman's Opera Register: By subscription for six times at ye usuall rate of 10 Guin for 3 Tickets

Performances

Mainpiece Title: Arminius

Related Works
Related Work: Arminius Author(s): John James Heidegger

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Essex-a Gentleman for his Diversion [John Rich, according to Rich's Register]; Southampton-Thurmond; Burleigh-Keene; Sir Walter-Watson; Queen-Mrs Knight; Rutland-Mrs Rogers Jr; Nottingham-Mrs Kent.
Related Works
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks

Song: Randal, the Boy; Trumpet Song-Mrs Fletcher,accompanied Mr Granno

Related Works
Related Work: The Charity Boy Author(s): John Cartwright Cross

Dance: Spanish Entry, Dutch Skipper-delaGarde, Mrs Bullock; Punchanello-Shaw

Event Comment: Afterpiece: [By John Hughes.] A New Musical Masque, perform'd all in English. At the Desire of several Ladies of Quality. Mainpiece: Written by Sir Richard Steele

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): John Rich
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): John Thurmond
Related Work: Apollo and Daphne Author(s): John Hughes
Related Work: Apollo and Daphne; or, Harlequin's Metamorphosis Author(s): John Thurmond

Dance: As17151122

Event Comment: Benefit John Leigh. At the particular Desire of several Ladies of Quality. Receipts: money #45 9s. and tickets #53 11s

Performances

Mainpiece Title: The Island Princess

Related Works
Related Work: The Island Princess; or, The Generous Portuguese Author(s): John Fletcher
Related Work: The Island Princess Author(s): John Fletcher

Music: As17151006, but Mrs Cross

Dance: As17151104; Yellow Stockings-Schoolding; A new Spanish Entry-a Person who never yet perform'd on the Stage

Event Comment: [By John Ozell.] Never Acted before. Receipts: #23 17s

Performances

Mainpiece Title: Cato Of Utica

Related Works
Related Work: Cato Author(s): John Ozell
Event Comment: [By John Gay and others.] Never Acted before

Performances

Mainpiece Title: Three Hours After Marriage

Performance Comment: Edition of 1717 lists: Fossile-Johnson; Possum-Norris; Nautilus-Lee; Ptisan-Miller; Plotwell-Cibber; Underplot-Penkethman; Sir Tremendous-Bowman; First Player-Walker; 2d Player-Quin; Sailor-Bickerstaff; Mrs Townly-Mrs Oldfield; Mrs Phoebe Clinket-Mrs Bicknell; Sarsnet-Mrs Hunt; Prue-Mrs Willis; Prologue-; Epilogue-Mrs Oldfield.
Cast
Role: Fossile Actor: Johnson
Related Works
Related Work: Three Hours after Marriage Author(s): John GayJohn Arbuthnot

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: The Cheats; or, The Tavern Bilkers

Performance Comment: Punch-Shaw; Scaramouch-Thurmond Jr; Harlequin-Lun [John Rich].John Rich].
Related Works
Related Work: The Cheats; or, The Tavern Bilkers Author(s): John Rich
Related Work: The Cheats Author(s): John Wilson

Dance: As17170321

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespear, and since revis'd with several Alterations. Admission: 5s., 3s., 2s. Benefit John and Christopher Rich. Receipts. #61 8s

Performances

Mainpiece Title: Cimbeline

Afterpiece Title: The Jealous Doctor; or, The Intriguing Dame

Related Works
Related Work: The Jealous Doctor, or, The Intriguing Dame Author(s): John Rich

Dance: duPre, Mlle Gautier, from the Opera at Paris, being the first time of her appearing upon the English Stage

Event Comment: Benefit John and Ch. Rich. At the Desire of several Persons of Quality. Mainpiece: Written by Mr Estcourt. Receipts: #36 8s. 6d

Performances

Mainpiece Title: The Fair Example

Afterpiece Title: The Jealous Doctor

Related Works
Related Work: The Jealous Doctor, or, The Intriguing Dame Author(s): John Rich

Dance: Dupre, Mlle Gautier; particularly a Chacone-; Harlequin-

Event Comment: Benefit John and Ch. Rich. At the Desire of several Persons of Quality. Receipts: #60 10s. 6d

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher

Music: As17171031

Dance: In the Opera: Dupre, Thurmond Jr, Boval, Cook, Newhouse, Pelham, Cook Jr, Mrs Bullock, Mlle Gautier, Mrs Schoolding, Miss Smith