SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Spranger Barry Esq"/1) | (@(roleclean,performerclean) "Spranger Barry Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 738 matches on Performance Comments, 525 matches on Event Comments, 5 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Performance Comment: Cast not listed. [Cast from text (C. Lowndes [1794]): Commodore Broadside-Palmer; Endless-Suctt; Old Cottager-Maddocks; Robin-Barrymore; William-C. Kemble; Tom Oakum-Bannister; Ben-Sedgwick; Splicem-Kelly; Boy-Master Welsh; Dick-Hollingsworth; Busy-Benson//Cottager's Wife-Mrs Booth; Mary-Miss De Camp; Susan-Miss Leak; Girl-Miss Menage; Cicely-Miss Chatterley; Margaretta-Sga Storace.] In which the Principal Performers will assist in the M usical Parts . In which the Principal Performers will assist in the M usical Parts .

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-Murray (1st appearance in that character); Harcourt-Barrymore (of dl); Belville-Toms; Countryman-Wilde; Sparkish-Knight; Alithea-Miss Chapman; Lucy-Mrs Fawcett; The Country Girl-Mrs Jordan (of dl).

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: This Week a Patent passed the Great Seal for the Establishment of a new Theatre, to Samuel Foote, Esq. only (Public Advertiser, London notes, p. 2, col. 3). Mr Barry and Mrs Dancer from Dublin are said to be engaged for this summer at the Theatre Royal in the Haymarket (Gazetteer and New Daily Advertiser, London notes, p. 2, col. 2, which corroborates the Foote patent)

Performances

Event Comment: Know all men by these presents, that Colley Cibber, Esq; of the Parish of St/James's in the County of Middlesex, for and in consideration of the sum of Eighty Pounds of lawful Mony of Great Britain to him in hand paid by John Watts of London, Stationer, he the said Colley Cibber, Esq; hath bargained, sold and assigned, and set over, and by these presents doth bargain, sell, assign and set over all that the full and sole right and title, of, in and to the copy of a Tragedy, intitled, Papal Tyranny in the Reign of King John, written by the said Colley Cibber, Esq; to have and to hold the said copy of the said tragedy unto the said John Watts, his heirs and assigns for ever, notwithstanding any act or law to the contrary: In witness whereof the said Colley Cibber, Esq; hath hereunto sett his hand and seal this twentieth day of February, 1744/5. [Signed] C. Cibber. [Witnesses] James Webster, John Mark Bimson. [Original Document in Folger Shakespeare Library, validated by three Sixpence stamps, and Cibber's seal. Case No. 993 among Cibber documents.

Performances

Mainpiece Title: Papal Tyranny

Performances

Mainpiece Title: Othello, By Gentlemen

Performance Comment: Othello-Sir Francis Delaval; Iago-John Delaval Esq; Cassio-E. Delaval Esq; Brabantio, Lodovico-Sim Pine Esq; Roderigo-Capt. Stevens; Desdemona-Mrs Quarme (Hogan) , Mrs Quan (Cross), Mrs Qualm (Winston); Emelia-Mrs Stevens (Hogan).
Cast
Role: Iago Actor: John Delaval Esq
Role: Cassio Actor: E. Delaval Esq
Role: Lodovico Actor: Sim Pine Esq

Performances

Mainpiece Title: Zenobia

Performance Comment: Parts-Barry, Holland, Jefferson, Aickin, Packer, Hurst, Mrs W. Barry, Mrs Hippisley, Mrs Smith, Mrs Barry. Rhadamistus-Barry; Teribazus-Holland; Megistus-Jefferson; Phrasmanes-Aickin; Zopiron-Packer; Tigranes-Hurst; Zelmira-Mrs W. Barry; Zenobia-Mrs Barry; Attendants-Mrs Hippisley, Mrs Smith (Winston MS 10).

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Fatal Discovery

Performance Comment: Parts by: Barry, Reddish, Aickin, Jefferson, Palmer, J. Aickin, Strange, Keen, Mrs Barry, Prologue-Barry; Epilogue-Mrs Abington; Ronan-Barry; Orellan-Reddish; Connan-Aickin; Durstan-Palmer; Kathul-Jefferson; Euran-J. Aickin; Rivine-Mrs Barry; Calmar-Strange; Messenger-Keen (Edition of 1769).

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: The Fashionable Lover

Performance Comment: Parts by: Barry, King, Reddish, Baddeley, Bransby, Waldron, J. Burton, Dodd, Moody, Griffith, Mrs Hopkins; Mrs Egerton, Mrs Love, Miss Platt, Mrs Barry. With Prologue and Epilogue. Aubrey-Barry; Mortimer-King; Tyrrel-Reddish; Lord Abberville-Dodd; Colin McLeod-Moody; Dr Druid-Baddeley; Bridgemore-Bransby; Napthali-Waldron; La Jeunesse-J. Burton; Jarvis-Griffith; Mrs Bridgemore-Mrs Hopkins; Lucinda-Mrs Egerton; Mrs Macintosh-Mrs Love; Maid-Miss Platt; Augusta Aubrey-Mrs Barry; Prologue-Weston; Epilogue-Mrs Barry (Winston MS 10).

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Zenobia

Performance Comment: Parts by: Barry, Holland, Havard, Aickin, Packer, Hurst, Mrs Barry, Mrs Hippisley, Mrs Smith, Mrs Dancer. Prologue-Holland; Epilogue-Mrs Abington; Rhadamistus-Barry; Teribazus-Holland; Pharasmanes-Aickin; Megistus-Havard; Zopiron-Packer; Zenobia-Mrs Dancer; Zelmira-Mrs W. Barry; Tigranes-Hurst; Attendants-Mrs Hippisley, Mrs Smith (Genest, V, 164).

Afterpiece Title: The Virgin Unmasked

Event Comment: Last time of performing both pieces this season. Zenobia deferr'd. Hopkins MS Memorandum Book: waited on Mrs Dancer & told her the Managers gave their compliments to Mr Barry and her & as their going to Ireland would be of such advantage to 'em, they would not hinder 'em, & they had their permission to go the 15th. The only reason they wish'd they would have stay'd a few days longer, was to have kept up the reputation of Zenobia, as the play had got a reputation. They were sorry it had not been played oftener. Mrs Dancer's answer was: Their compliments to the Managers, that it was now too late, & that Mr Barry has wrote word they should not go to Ireland as the Managers seem'd against it & that Mr Barry & She was ready to do anything the Managers desir'd, as long as the House was open. I ask'd, if they stay'd, if she thought Mr Barry would be able to play in Zenobia the Thursday following, & if it would be agreeable to her do play Mrs Sullen [Stratagem] the next week. Her answer was she would play that or anything else the Managers pleas'd & that she was going to Mr Barry the next morning & that she would send word if he thought he should be able to play in Zenobia on Thursday next. When I left her the Maid follow'd me into the street & told me Mrs Dancer meant by saying as long as the House was open was--as long as the usual time of keeping the House open

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Elopement

Event Comment: HHopkins MS Memorandum Book: Mrs Barry sent word she was so ill she could not come out for the Pageant [The Jubilee]. If she did she could not play in the Mourning Bride on Monday. I waited on her by the manager's orders & told her they would excuse her playing on Monday if she would come out & do her part in Pageant; & as it was a thing of great consequence to them, they desir'd and expected as she had begun it [as the Tragic Muse] that she would continue it as long as she was able. Her answer was, that as they seem'd to think it of such consequence she would come out & do it tonight & Monday night, but after that desir'd to be excus'd from do[ing] it. On Tuesday Morning Mr Barry sent a note that Mrs Barry was ill in her Bed & could not come out till she was better. Tancred & Sigismunda was call'd, and I did not receive the note till the rehearsal was begun. I also on Saturday deliver'd a message to Mrs Barry from Mr Garrick that he would never ask her to play in anything in which he was particularly interested. Her answer was that was in his Rage. But if his mind should alter, she was ready and willing to do anything he would desire her to do

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Duel

Performance Comment: Parts by Barry, King, Reddish, Weston, Moody, Brereton, Davies, Wright, W. Palmer, Griffith, Mrs Hopkins, Miss Jarratt, Mrs Bradshaw, Miss Younge, Mrs Barry. Prologue-; Epilogue-; Melville-Barry; Hargrave-King; Young Melville-Reddish; Servant to Sir Dermont-Weston; Sir Dermot O'Leinster-Moody; Barfort-Brereton; Servant to Young Melville-Wright; other servants (?)-Davies, W. Palmer, Griffith; Lady Margaret Sinclair-Miss Younge; Mrs Melville-Mrs Hopkins; Miss Melville-Miss Jarratt; Mrs Jones-Mrs Bradshaw; Maria-Mrs Barry (Genest, V, 342, MacMillan.)

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Performance Comment: Edition of 1680: Prologue-Mr Betterton; Caius Marius-Betterton; Sylla-Williams; Marius Junior-Smith; Granius-Percivale; Metellus-Gillow; Quintus Pompeius-Williams; Cinna-Jevon; Sulpitius-Underhill; Lavinia-Mrs Barry; Nurse-Noakes; Epilogue-Mrs Barry; Lavinia-Mrs Barry.

Performances

Mainpiece Title: The Lancashire Witches And Tegue O Divelly The Irish Priest

Performance Comment: Edition of 1682: Prologue-; Epilogue-Mrs Barry, Tegue. [Mrs Barry probably acted Isabella; Anthony Leigh, Teague.]Mrs Barry probably acted Isabella; Anthony Leigh, Teague.]
Cast
Role: Epilogue Actor: Mrs Barry, Tegue.

Performances

Mainpiece Title: Valentinian

Performance Comment: Edition of 1685: Prologue written by Mrs Behn-Mrs Cook (the first Day); Prologue to Valentinian-Mrs Cook (the second Day); Prologue intended for Valentinian-Mrs Barry; Epilogue by a Person of Quality-Mrs Barry; Downes (Roscius Anglicanus, p. 40): Valentinian-Goodman; Aecius-Betterton; Maximus-Kynaston; Pontius-Griffin; Lucina-Mrs Barry.

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Principal parts-Barry, Smith, Sparks, Bransby, Usher, Mrs Bland, Mrs Vincent, Mrs Cibber. [Essex-Barry; Southampton-Smith; Burleigh-Sparks; Raleigh-Usher; Lieutenant-Bransby; Queen Elizabeth-Mrs Bland; Rutland-Mrs Cibber; Nottingham-Mrs Vincent; Prologue-Barry; Epilogue-Mrs Cibber (Edition of 1753).]

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]

Performances

Mainpiece Title: Douglas

Performance Comment: Characters by: Barry, Ridout, Smith, Sparks, Bennet, White, Mrs Vincent, and Mrs Woffington. Douglas-Barry; Lord Randolph-Ridout; Glenalvon-Smith; Stranger-Sparks; Anna-Mrs Vincent; Matilda-Mrs Woffington; Prologue-Sparks; Epilogue-Barry (1757 Edition).
Event Comment: Benefit for Mrs Barry. House Charges #74 10s. [Profit to Mrs Barry #1 18s. 6d. Doubtless she had additional profit from tickets not listed in the Treasurer's Book.] The Indisposition of Mrs Yates obliges Mrs Barry to change her play. Tickets deliver'd for Jane Shore will be admitted. [Mainpiece advertised as for last time this season.] Paid salary list #435 19s. Chorus singers #2 10s. 6d.; Rec'd stopages #3 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Daphne and Amintor

Entertainment: End: The Cries of London, the Tombs of Westminster-Vernon

Dance: TThe Irish Lilt, as17670430

Performances

Mainpiece Title: Tamerlane

Performance Comment: Bajazet-Barry; Tamerlane-Aickin, 1st time; Moneses-Reddish; Axalla-Packer; Dervise-Bransby; Stratocles-Fawcett; Mirvan-Keen; Zama-Wright; Omar-Hurst; Heli-Strange; Prince of Tanais-Ackman; Selima-Mrs W. Barry; Arpaisa-Mrs Barry; Usual Prologue-Reddish; in Act IV the Original Song O Gentle Sleep-Miss Young.

Afterpiece Title: The Padlock

Dance: End II: Tyrolese Amusements, as17681102

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Lord Townly-Barry; Manly-Packer; Basset-Dodd; Sir Francis-Love; Moody-Burton; Squire Richard-W. Palmer; Poundage-Castle; Lady Grace-Mrs W. Barry; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Mrs Hippisley; Lady Wronghead-Mrs Hopkins; Miss Jenny-Miss Pope; Lady Townly-Mrs Barry.

Afterpiece Title: The Padlock

Dance: II: Turkish Dance-Dagueville, Sga Vidini

Performances

Mainpiece Title: King Lear

Performance Comment: Lear-Barry; Gloster-Burton; Edgar-Reddish; Bastard-Palmer; Kent-Bransby; Gent. Usher-Dodd; Albany-Packer; Cornwall-Hurst; Capt.-Ackman; 1st Officer-Keen; 2nd Officer-Fawcett; Old Man-Hartry; Regan-Mrs W. Barry; Goneril-Mrs Stephens; Cordelia-Mrs Barry.

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: Parts-King, Reddish, Palmer, Aickin, Wrighten, Watkins, Cautherly, Miss Younge, Miss Platt, Mrs Baddeley, Mrs Jeffries, Mrs Barry. Prologue-King; Epilogue-Mrs Barry; Capt. Dormer-Palmer; Sir George Hastings-King; Sir John Dormer-Reddish; Willoughby-Aickin; Villars-Cautherly; Miss Montague-Mrs Barry; Miss Dormer-Miss Younge; Miss Willoughby-Mrs Baddeley; Mrs Willoughby-Mrs Jeffries; Footmen-Wrighten, Watkins; Lucy-Miss Platt; Jenny-Mrs Smith (Genest, V, 232).

Afterpiece Title: Hob in the Well

Performances

Mainpiece Title: Theodosius

Performance Comment: Theodosius-Reddish; Varanes-Barry; Marcian-Aickin; Atticus-J. Aickin; Leontine-Hurst; Lucius-Keen; Aranthes-Palmer; Delia-Mrs Smith; Julia-Miss Platt; Athanais-Mrs Barry; Pulcheria-Mrs W. Barry; Vocal parts-Champnes, Kear, Fawcett, Mrs Scott, Mrs Dorman.

Afterpiece Title: The Ladies' Frolick

Dance: End: A Comic Dance-two children, scholars of Daigville