SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Spranger Barry Esq"/1) | (@(roleclean,performerclean) "Spranger Barry Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 738 matches on Performance Comments, 525 matches on Event Comments, 5 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Play never acted before. [This new tragedy by MacNamara Morgan is mercilessly scourged by Paul Hiffernan in Tuner No 1, (21 Jan.), pp. 41-61]: To Tune it in Lilliputian Score : @Such sighing@Such Billing@Such Flashing@Such Heeling@And Dying@And Killing@And Dashing@And Kneeling@Such Rizing@Surprizing!@Such Falling@And Bawling@Such Attitudes@And Flattitudes@Were ne'er exhibited before.@ In the representation Mr Barry spared no pains; Miss Nossiter and Mr Smith strained hard-Mrs Bland, as far as her part exposed itself, did it with alacrity, but vanished abruptly in a storm of Lust. Mrs Vincent put as good a face on wanton barbarity as possible-and Mr Sparks who can do justice to a more spirited character, supported his Arcadian Kingship with becoming equanimity...It is a Romance crush'd together without choice, unconnected and full of Exidents not Incidents. Musidorus and Pamela , are duplicates to Pyrocles and Philoclea , which lengthen by so much the play, with repetition of the same dull nauseous tale of love, stirr'd up now and then by a bounce and a cracker-many persons come on we know not why, and disappear we know not wherefore....This new piece is an outlaw from all rules of Criticism; the Unities of Time, Place, and Action are unobserv'd; Plot, Moral, Verisimilitude, or even Probability unknown: many scenes bid defiance to possibility....Mr Rich stopp'd at no expence as to the Dresses and Decorations, and reprieving the play's duration to the utmost extent of Managerian clemency

Performances

Mainpiece Title: Philoclea

Performance Comment: Parts-Barry, Sparks, Smith, Ridout, Usher, Mrs Bland, Mrs Vincent, Miss Kennedy, Mrs Griffith, Miss Nossiter. [ Basilius-Sparks; Pyrocles-Barry; Musidorus-Smith; Amphialus-Usher; Philanax-Ridout; Euristus-Anderson; Dametas-Redman; Thyrsis-Holtam; Gynecia-Mrs Bland; Pamela-Miss Kennedy; Philoclea-Miss Nossiter; Cecropia-Mrs Vincent; Eugenia-Mrs Griffith; Phebe-Miss Mullart; Prologue-Sparks; Epilogue-Mrs Bland [[Edition of 1754).][Edition of 1754).]
Event Comment: Benefit for Barry. [Afterpiece a Comedy in two Acts by MacNamara Morgan from Shakespeare.] Shuter did fine in the farce (Cross). Music composed by Arne. Part of Pit will be laid into the boxes, where and upon stage servants will be allowed to keep Places

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Sheep Shearing; or, Florizel and Perdita

Performance Comment: Florizel-Barry; Polixenes-Ridout; Alcon-Sparks; Camillo-Redman; Clown-Stevens; Autolicus (with original songs in Character)-Shuter; Dorcas-Miss Young; Mopsa-Mrs Lampe; Perdita-Miss Nossiter; Singing Shepherds, Shepherdesses-Lowe, Mrs Chambers; Dancing Shepherds, Shepherdesses-Maranesi, Sga Bugiani; Prologue-Barry; Epilogue-Shuter.

Dance: II: Les Jardiniers, as17540307 IV: Les Taileurs, as17531210

Event Comment: Benefit for Barry. Afterpiece: By MacNamara Morgan. Receipts: #133 14s. 6d. plus Tickets #163 3s. (boxes 479; pit 230; gallery 89). Charges #63. Total value of House: #296 17s. 6d. Profit to Barry #233 17s. 6d. Paid Samuel Wale for painting figures Boys & other decorations in a scene designed by Servandoni #5 5s. Paid Matthew Pearce, Bricklayer, #230, on account of the New Building. Paid Thomas Pervil for sundry cloaths as specified below, #112, 17s.: A Bloom Colored Brocade coat & Breeches with silver flowers & a Gold & Silver Brocaded Waistcoat & Coffs, #8; A Pompador Velvet Coat, Waistcoat & 2 pr. Breeches shot with silver, #11 11s.; A Blue cut and uncut Velvet Suit, Flower'd and Gold Ground, #10 10s.; A Dove colored Brocade Coat & Breeches, Gold & Flowers & a Gold & Silver Brocade waistcoat & Cuffs, #10 10s.; A Blue & Silver Brocade Coat & Breeches & Silver Brocade waistcoat & Cuffs, #10; a light color'd coat & Breeches & a blue silk waistcoat with gold lace, #14; A copper color'd velvet coat & breeches, and yellow waistcoat, embroider'd with gold, #20; A blue velvet suit, plain, #4 10s.; A crimson velvet Roab Surcoat, belt sword & Bonnet worn by a Peer in Parliament, & a Green velvet Roab, purple velvet surcoat & hood-a Knight of the Thistle's dress, #17 16s.; a plain crimson velvet suit, #6 (Account Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17571111, but Richard-Barry; Queen-Mrs Bellamy.

Afterpiece Title: The Sheep Shearing; or, Florizel and Perdita

Performance Comment: Florizel-Barry; Polixenes-Ridout; Alcon-Sparks; Camillo-Redman; Clown-Costollo; Autolicus (The Ballad-Singing Pedlar)-Shuter; Dorcas-Miss Mullart; Mopsa-Miss Helm; Perdita-Mrs Bellamy; Singing Shepherds, Shepherdesses-Baker, Mrs Chambers, Mrs Lampe, Miss Young; With a New Dabce , adapted to the Comedy,-Gallini; Music by Arne-; Epilogue in Character-Shuter.

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: At 5 went into the Pit to see Barry do Lear, being his first appearance on that stage these 10 years (Neville MS Diary)

Performances

Mainpiece Title: King Lear

Performance Comment: Lear-Barry, 1st appearance there in 10 years; Gloster-Burton; Kent- Bransby; Bastard-J. Palmer; Edgar-Reddish, 1st time; Regan-Mrs Hopkins; Gentleman Usher-Dodd; Albany-Packer; Cornwall-Hurst; Burgandy-Fox; Arante-Mrs Hippisley; Cordelia-Mrs Dancer; Goneril-Mrs W. Barry.

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Hay@makers, as17670919

Event Comment: Benefit for Mrs Barry. Mrs Barry hopes that those Ladies and Gentlemen who have taken places will be so good as to excuse the Alteration of the Play; as she has given the earliest notice in her power. N.B. Tickets deliver'd for the Countess of Salisbury will be taken

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Absent Man

Performance Comment: As17680404 but Mrs Frolick-Mrs Jeffries; Prologue-Mrs Barry.

Dance: I: The Wake, as17680220

Event Comment: MMr Barry's 1st appearance this season.--A quarrel in the Green Room between Mrs Barry and Mr Aickin (Hopkins Diary)

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Barry; Raymond-Packer; Grey-Aickin; Morton-Palmer; Sir Ardolf-Hurst; Laroches-Strange; Lord William-Miss Collett; Peasant-Ackman; Knights-Keen, Fawcett, Fox; Eleanor-Mrs Reddish; Countess of Salisbury-Mrs Barry.

Afterpiece Title: The Elopement

Event Comment: JJane Shore for the 1st time by Miss Younge--so, so--spoke much too low.--Mrs Barry was very well in Alicia (Hopkins Diary)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Shore-Reddish; Hastings-Barry; Gloster-Love; Belmour-Packer; Darby-Hurst; Ratcliff-Ackman; Catesby-Strange; Jane Shore-Miss Younge, 1st time; Alicia-Mrs Barry, 1st time.
Cast
Role: Alicia Actor: Mrs Barry, 1st time.

Afterpiece Title: Queen Mab

Event Comment: Benefit for Mrs Barry. Mainpiece: By Particular Desire. Afterpiece: By Desire. Last time of performing till the Holidays. Tickets for Isabella will be taken. Part of pit laid into boxes

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Horatio-Barry; Lothario-Holland; Sciolto-Aickin; Altamont-Packer; Rossano-Ackman; Lucilla-Mrs Johnston; Lavinia-Mrs Stephens; Calista-Mrs Barry.

Afterpiece Title: A Peep behind the Curtain

Dance: V: New Comic Dance, as17681210

Event Comment: Benefit for Barry. Mainpiece: By Elijah Fenton (Genest, V, 269). By Samuel Pordage (MacMillan)

Performances

Mainpiece Title: Herod And Mariamne

Performance Comment: Herod-Barry; Flaminius-Palmer; Sohemus-Aickin; Pheroras-Packer; Narbal-Burton; High Priest-Hurst; Sameas-Wright; Mariamne-Mrs Barry; Salome-Mrs Hopkins; Arsinoe-Miss Radley.

Afterpiece Title: The Padlock

Dance: IV: Comic Dance, as17690926

Event Comment: Mrs Barry--Imogen (first time) not so well as was expected (Hopkins Diary). Mrs Barry, Imogen (Cross Diary)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17700922, but Belarius-J. Aickin; Imogen-Mrs Barry, first time; dancing-Sga Daigville, Sga _Giorgi.
Cast
Role: Imogen Actor: Mrs Barry, first time

Afterpiece Title: The Elopement

Dance: III: Comic Dance, as17701025

Event Comment: Benefit for Mrs W. Barry, Mrs Jeffries

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17701027, but Horatio-Barry; Lucilla-Mrs Johnston; Calista-Mrs Barry.

Afterpiece Title: A Peep behind the Curtain

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Barry; Apemantus-Bannister; Alcibiades-Crofts, 1st appearance on the stage; Flavius-Packer; Lucius-Palmer; Lucullus-Hurst; Senators-J. Aickin, Inchbald, Keen; Poet-Jefferson; Painter-Davies; Jeweler-Wright; Merchant-Fawcett; Flaminius-Brereton; Caphis-Ackman; Soldier-Baddeley; Servilius-Wrighten; Lucilius-Wheeler; Hortensius-Griffith; Titus-J. Burton; Varro-Master Cape; Philotus-Jacobs; Messenger-Follett; Evanthe-Mrs Barry; In Act I: will be introduced a Grand Dance-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi, Miss Rogers.

Afterpiece Title: The Musical Lady

Event Comment: Mr Barry being Ill Mr Palmer pay'd Bajazet-So-So (+Hopkins Diary). Barry suddenly taken ill, Palmer hopes for the indulgence of the public as he has undertaken Bajazet at short warning (Winston MS 10). Paid Mr Evans one year wardrobe acct, #10 10s.; Chorus 2 nights (this incl.) #4 16s. (Treasurer's Book). Receipts: #175 19s. (Treasurer's Book)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Aickin; Bajazet-Palmer, first time; Moneses-Reddish; Axalla-Packer; Dervise-Bransby; Omar-Hurst; Prince of Tanais-Ackman; Stratocles-J. Aickin; Haly-Wheeler; Arpasia-Mrs Barry; Selima-Miss Mansell; Usual Prologue-Reddish; In Act IV, the Original song of To Thee O Gentle Sleep!-Mrs Scott.

Afterpiece Title: The Witches

Event Comment: Mr Aickin, Evander well receiv'd (Hopkins Diary). Benefit for Mrs Barry. Pit and Boxes laid together. Send servants by 4 o'clock. Othello and Irish Widow deferr'd, for Barry's Illness. Paid salary list (4 days) #348 5s.; Mr Lutherberg on Acct, #80; Mr J. French's Draft on the managers, #50 (Treasurer's Book). Receipts: #281 18s. 6d. Charges: #65 19s. Profits to Mrs Barry: #215 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: As17721126, but Evander-Aickin, first time; Melanthon-Packer; Herold-Wright; With a New Occasional Epilogue-Mrs Barry.

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17720922

Event Comment: Benefit for Barry. Tickets deliver'd for 22 March will be taken. Part of Pit laid into boxes. House charges #65 9s. Profit to Barry #187 15s. 6d. Paid 2 extra Hautboys in Rehearsal 10s. Receipts: #253 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Performance Comment: As17721031, but Cassio-Cautherly, first time; Iago-Palmer; first time; Desdemona-Mrs Barry.

Afterpiece Title: The Irish Widow

Dance: V: A Comic Dance, as17730325 End I Afterpiece: The Irish Fair, as17721023

Event Comment: Mainpiece: Not acted in 7 years. [See 20 Feb. 1767.] Mr Barry being ill Mr Palmer play'd the Bastard--with applause $Mrs Barry not so well in Constance as was expected (Hopkins Diary). Paid properties #2 8d. Receipts: #162 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King John

Performance Comment: King John-Reddish; Hubert-Aickin; Pembroke-Brereton; Essex-J. Bannister; Prince Henry-Everard; Faulconbridge-W. Palmer; Bastard-Palmer; King Philip-J. Aickin; Dauphin-Diamond; Prince Arthur-Master Blanchard; Chatillon-Davies; Duke of Austria-Keen; Citizen-Hurst; Heralds-Ackman, Wright; Queen Eleanor-Miss Sherry; Blanch of Spain-Miss Jarratt; Lady Faulconbridge-Mrs Johnston; Constance-Mrs Barry; Pandulph-Bransby; Salisbury-Packer.

Afterpiece Title: The Male Coquette

Event Comment: Afterpiece: By Desire. [The presence of Arante as a character in the mainpiece seems to indicate that Barry returned to the Tate version or brought with him the Garrick modification from dl. She does not appear in the Colman version.

Performances

Mainpiece Title: King Lear

Performance Comment: Lear-Barry; Edgar-Lewis, first time; Gloster-Hull; Bastard-Bensley; Kent-Clarke; Albany-Whitefield; Cornwall-Davies; Gentleman Usher-Quick; Burgundy-Thompson; Goneril-Miss Pearce; Regan-Mrs Whitefield; Arante-Miss Dayes; Cordelia-Mrs Barry.

Afterpiece Title: The Golden Pippin

Event Comment: Mrs Barry, not being yet sufficiently recover'd of her Indisposition to undertake a Character of so much Exertion as Alicia, The Play of Jane Shore is oblig'd to be deferr'd till Saturday

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Barry; Iago-Bensley; Roderigo-Woodward; Cassio-Lewis, first time; Brabantio-Hull; Lodovico-Whitefield; Montano-Davis; Duke-L'Estrange; Gratiano-Fearon; Emilia-Mrs Mattocks, first time; Desdemona-Mrs Barry.

Afterpiece Title: The Golden Pippin

Event Comment: Benefit for Mrs Barry. By Particular Desire. Mainpiece: A Tragedy by the author of Douglas [John Home], never acted there. Part of Pit laid into boxes. Ladies send servants by 4 o'clock, and come as early as possible to avoid Confusion and Trouble

Performances

Mainpiece Title: The Fatal Discovery

Performance Comment: Orellan-Barry (first time); Durstan-Aickin; Kathul-Hull; Connan-Wroughton; Euran-L'Estrange; Calmar-Young; First Pict-Thompson; Officer-Booth; Ronan-Webster; Rivine-Mrs Barry.

Afterpiece Title: Comus

Event Comment: Benefit for Mrs Barry. Mainpiece: Not acted these 6 years. Part of the Pit will be laid into the Boxes. Servants are desired to be sent by Four o'clock, and those Ladies and Gentlemen who have Places in the Pit, are respectfully intreated to come early, to avoid inconveniency in getting to their Seats. Public Advertiser, 25 Feb.: Tickets to be had of Mrs Barry at No. 10, on the Terrace, New Palace-Yard, Westminster. Receipts: #271 15s. 6d. (143.15.6; tickets: 128.0.0) (charge: #67)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Duke-Lewis; Sebastian-Wroughton; Sir Toby Belch-Dunstall; Fabian-Whitefield; Sea Captain-Booth; Malvolio-Wilson; Clown-Lee Lewes; Sir Andrew Ague Cheek-Quick; Olivia-Mrs Hartley; Maria-Mrs Wilson; Viola-Mrs Barry (Their 1st appearance in those characters).

Afterpiece Title: The Two Misers

Dance: As17770125

Song: I: song-Mrs Farrell

Event Comment: Benefit for Mrs Barry. Mainpiece [1st time; T 5, as altered by Thomas Hull]. Translated from [Iphigenie en aulide, by] Racine by Boyer. Part of the Pit will be laid into the Boxes. Ladies are desired to send their Servants by Four o'Clock. Public Advertiser, 18 Mar.: Tickets to be had of Mrs Barry, No. 26, Henrietta-street, Covent Garden. Receipts: #273 19s. 6d. (157.18.6; tickets: 116.1.0) (charge: #70 17s. 6d.)

Performances

Mainpiece Title: Iphigenia; Or, The Victim

Performance Comment: Achilles-Lewis; Ulysses-Fearon; Calchas-L'Estrange; Arcas-Robson; Eurybates-Thompson; Agamemnon-Hull; Eriphile-Mrs Mattocks; Clytemnestra-Mrs Jackson; Doris-Miss Leeson; Aegina-Mrs Whitfield; Iphigenia-Mrs Barry.

Afterpiece Title: Poor Vulcan

Dance: As17771222

Song: V: will be introduced a Sacrifice-;, with new Music by Fisher-; the vocal parts and chorus-Miss Brown, others

Event Comment: By Permission [of the Lord Chamberlain]. 3rd piece: Written by A. Murphy, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at the Shakespeare, Covent-garden; the Chapter Coffee-house, Paternoster-row; the Horn Tavern, Doctors Commons; the Theatre, where Places for the Boxes may be taken; and at Abbott's Academy, Bridges-street, Westminster

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Afterpiece Title: The Citizen

Entertainment: Monologue. End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett

Performance Comment: End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett.
Event Comment: Benefit for Bannister Jun. 1st piece: 1st Time at this Theatre. 2nd piece: By permission of G. Colman, Esq. [as owner of the copyright]. Morning Chronicle, 26 Mar.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #681 2s. (392.3.6; 57.18.0; 7.17.6; tickets: 223.3.0) (charge: #211 14s. 5d.)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Duke Murcia-King; Marquis Almanza-Wroughton; Count Valentia-Bannister Jun.; Seville-Maddocks; Granada-Trueman; Peasant-Aickin; Marchioness Merida-Mrs Goodall; Amanthis-Mrs Jordan; An Occasional Address by Henry Bunbury, Esq.-Mrs Jordan. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: The Children in the Wood

Performance Comment: Sir Rowland-Barrymore; Lord Alford-Dignum; Walter-Bannister Jun.; Apathy-Suett; Gabriel-Benson; Oliver-Caulfield; Boy-Master Menage; Lady Helen-Miss DeCamp; Josephine-Miss Leak; Winifred-Mrs Booth; Girl-Miss Menage.

Song: In course 2nd piece: The Little Farthing Rushlight-Bannister Jun

Event Comment: The Duke's Company. This performance is known by the separately printed Prologue and Epilogue: Prologue. By Mr Otway to his Play call'd Venice preserv'd or the Plot discover'd. Acted at His Royal Highness the Duke of Yorks Theatre, the 9th of February, 1681. [These have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 61-66.] Luttrell dated his copy of the Prologue and Epilogue 11 Feb. 1681@2 (Huntington Library). It is not certain that 9 Feb. 1681@2 represents the first performance, but it may well be. For a comment by Downes, Roscius Anglicanus, on Mrs Barry, see The Orphan, February 1679@80

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Performance Comment: Edition of 1682: Prologue-Mr Smith; Epilogue-Mr Betterton; Duke of Venice-D. Williams; Priuli-Boman; Antonio-Leigh; Jaffeir-Betterton; Pierre-Smith; Renault-Wilshire; Bedamar-Gillo; Spinosa-Percival; Belvidera-Mrs Barry; Aquilina-Mrs Currer.
Event Comment: The United Company. The date of the first performance is not known, but Lord Granville, writing on 5 May 1688, refers to the King's presence on the third day, and since The Squire of Alsatia may have begun its run about 2 May 1688, Crowne's play must have been produced by the end of April. Lord Granville to Sir William Leveson, 5 May 1688: The town is as empty of news as the Court; we have had a new play called The Fall of Darius (written by Crown), by which the poet, though he could get no fame, yet had a most extraordinary third day by reason the King's presence at it; the first day of its acting Mrs Bower [Barry] was taken so violently ill in the midst of her part that she was forced to be carried off, and instead of dying in jest was in danger of doing it in earnest. Mrs Cook is dead and Mrs Boute...is again come upon the stage, where she appears with great applause. We are promised this week another new play of Shadwell's called the Alsatia Bully, which is very much commended by those who have had the private perusal of it (HMC, 5th Report, Part II, pP. 197-98). Dedication, Edition of 1688: A misfortune fell upon this Play, that might very well dizzy the Judgments of the Audience. Just before the Play began, Mrs Barry was struck with a very violent Fever, that took all Spirit from her, by consequence from the Play; the Scenes She acted fell dead from her; and in the 4th Act her distemper grew so much upon her, She cou'd go on no further, but all her part in that Act was wholly cut out and neither Spoke nor Read; that the People went away without Knowning the contexture of the Play, yet thought they knew all....[My] Thanks to His Majesty for the Honor of his Presence, on the Day which was to be for my Advantage; which He was pleased to Grant me. [See L. C. 5@148, p. 195--in Nicoll, Restoration Drama, p. 356--for a grant of #20 as a gift from the King to Crowne for this play.

Performances

Mainpiece Title: Darius, King Of Persia

Performance Comment: [Edition of 1688: No actors' names. Prologue. The Epilogue, spoke by her that acts Barzana Mrs Barry].