SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir William Sidney Smith"/1) | (@(roleclean,performerclean) "Sir William Sidney Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11806 matches on Author, 8378 matches on Performance Comments, 1642 matches on Event Comments, 741 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Play never acted before. [This new tragedy by MacNamara Morgan is mercilessly scourged by Paul Hiffernan in Tuner No 1, (21 Jan.), pp. 41-61]: To Tune it in Lilliputian Score : @Such sighing@Such Billing@Such Flashing@Such Heeling@And Dying@And Killing@And Dashing@And Kneeling@Such Rizing@Surprizing!@Such Falling@And Bawling@Such Attitudes@And Flattitudes@Were ne'er exhibited before.@ In the representation Mr Barry spared no pains; Miss Nossiter and Mr Smith strained hard-Mrs Bland, as far as her part exposed itself, did it with alacrity, but vanished abruptly in a storm of Lust. Mrs Vincent put as good a face on wanton barbarity as possible-and Mr Sparks who can do justice to a more spirited character, supported his Arcadian Kingship with becoming equanimity...It is a Romance crush'd together without choice, unconnected and full of Exidents not Incidents. Musidorus and Pamela , are duplicates to Pyrocles and Philoclea , which lengthen by so much the play, with repetition of the same dull nauseous tale of love, stirr'd up now and then by a bounce and a cracker-many persons come on we know not why, and disappear we know not wherefore....This new piece is an outlaw from all rules of Criticism; the Unities of Time, Place, and Action are unobserv'd; Plot, Moral, Verisimilitude, or even Probability unknown: many scenes bid defiance to possibility....Mr Rich stopp'd at no expence as to the Dresses and Decorations, and reprieving the play's duration to the utmost extent of Managerian clemency

Performances

Mainpiece Title: Philoclea

Performance Comment: Parts-Barry, Sparks, Smith, Ridout, Usher, Mrs Bland, Mrs Vincent, Miss Kennedy, Mrs Griffith, Miss Nossiter. [ Basilius-Sparks; Pyrocles-Barry; Musidorus-Smith; Amphialus-Usher; Philanax-Ridout; Euristus-Anderson; Dametas-Redman; Thyrsis-Holtam; Gynecia-Mrs Bland; Pamela-Miss Kennedy; Philoclea-Miss Nossiter; Cecropia-Mrs Vincent; Eugenia-Mrs Griffith; Phebe-Miss Mullart; Prologue-Sparks; Epilogue-Mrs Bland [[Edition of 1754).][Edition of 1754).]
Event Comment: Benefit for Smith. No building on stage. Tickets sold at the doors will not be admitted. Ladies send servants by Three. Tickets to be had and places to be taken of Smith in Duke St., York Buildings, and of Crudge at the Stage Door

Performances

Mainpiece Title: Hamlet

Performance Comment: As17570216, but Hamlet-Smith, 1st time.
Cast
Role: Hamlet Actor: Smith, 1st time.
Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: A Duke and no Duke

Dance: As17561217

Event Comment: Benefit for Smith. Mainpiece: By Particular Desire. Part of Pit will be laid into the Boxes. No building on Stage. Tickets sold at the Doors will not be admitted. Afterpiece: A Ballad Farce Reviv'd. Receipts: #82 5s. 6d. in cash, plus #187 1s. from tickets (Boxes 399; Pit 492; GGalllery 135). Total #269 6s. 6d. Charges #63. [Mr Smith found his own candles.

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Smith; King-Sparks; Horatio-Ridout; Lucianus-Dunstall; Rosencraus-Bennet; Guildenstern-Wignell; Marcellus-Anderson; Bernardo-Weller; Laertes-Dyer; Ostrick-Cresswick; Francisco-Holtom; Player King-Redman; Player Queen-Mrs Ferguson; Polonius-Collins; Gravediggers-Shuter, Stoppelaer; Ghost-Ryan; Ophelia-Mrs Vincent; Queen-Mrs Elmy.
Cast
Role: Hamlet Actor: Smith
Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: The Country Wake or Hob in the Well

Dance: II: A Comic Dance-Granier, Miss Hilliard; End: The Lamp Lighters-Poitier Jr, Mlle Capdeville

Event Comment: Benefit for Marten, Anderson, R. Smith. Receipts: #27 2s. plus income from tickets: Marten #83 7s. (Box 59; Pit 326; Gallery 197); Anderson #64 3s. (Box 14; Pit 343; Gallery 92); Richard Smith #50 3s. (Box 13; Pit 206; Gallery 160) (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Performance Comment: As17610107, but Woolfort-Anderson; Bertha-Mrs Lee; Hemskirk-Gibson; Merchants-Wignel, Holtom, R. Smith.
Cast
Role: Merchants Actor: Wignel, Holtom, R. Smith.

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Loverule Actor: Mattocks

Dance: The Last New Comic Dance-Maranesi, Mlle Capdeville

Event Comment: Benefit for Marten, Anderson, R. Smith. Mainp1ece: Not acted this Season

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pilgrim-Smith; Roderigo-Clarke; Curio-White; Seberto-Davis; Old Pilgrim-Tindal; Porter-Barrington; Jaques-Lewis; Lopez-Wignel; Mad Priest-Bennet; Mad Taylor-Holtom; Master of Madhouse-Marten; Mad Welchman-Hayes; Mad Scholar-Dyer; Mad Englishman-Dunstall; Governor-Anderson; Drunken Servant-R. Smith; Alonzo-Young; Judge-Redman; Peasant-Weller; Outlaw-Perry; Alphonso-Shuter; Stuttering Cook (this night only)-Woodward; Alinda-Mrs Vincent; Julietta-Mrs Green; In Act IV, the Song Mad Bess set by Purcell-Miss Poitier in character.
Cast
Role: Pilgrim Actor: Smith
Role: Drunken Servant Actor: R. Smith

Afterpiece Title: The Intriguing Chambermaid

Dance: IV: The Jealous Woodcutter, as17621023

Event Comment: Benefit for T. Smith, Parsons, Arnauld, Miss Madden, Miss Cockayne, and others. Tickets deliver'd by Wild, Mrs Hitchcock, Francis, Widow Trott, Mrs Paddick, and for the fourteenth will be taken. [The Mourning Bride and Orpheus had been planned for the 14th. See foot of playbill 13 May.] @Tickets Pit Box Gallery Value 1!2 Value@T. Smith 67 61 #16 3s. #8 1s. 6d.@ Maddan 10 30 49 #11 18s. #5 19s.@19 183 58 38 19@Cockayne 7 23 48 #10 5@Wilde 2 27 33 #7 17s. #3 18s. 6d.@Francis 4 25 31 #7 17s. #3 18s. 6d.@Arnd Fishar 14 8 #2 18s. #1 9s.@Hitchcock 31 41 14 #15 6s. #7 3s.@ Trott 16 8 4 #5 12s. #2 16s.@Paddick 16 7 #3 2s. #1 11s.@Total #118 13s. #59 6s. 6d. (Account Book).@ [No charges were listed. The house took, instead one-half value of the tickets, leaving the other half as profit to the ten beneficiaries. House also took the cash receipts.] Receipts: #27 19s. (Account Book)

Performances

Mainpiece Title: The Inconstant

Performance Comment: Young Mirabel-Smith; Old Mirabel-Shuter; Duretete-Woodward; Dugard-Gardner; Petit-Cushing; Page-Mas. Besford; Maid-Miss Allen; Bravos-Wignel, Quick, Stoppelaer, Bates; Oriana-Mrs Lessingham, 1st time; Lamorce-Mrs Stephens; Bizarre-Mrs Vincent.
Cast
Role: Young Mirabel Actor: Smith

Afterpiece Title: The Royal Chace

Song: II: A Song-Parsons

Dance: III: A Minuet-Hussey, Miss Madden; IV: Comic Dance-Arnauld, Miss Capon, as17680416

Event Comment: Mainpiece: Not acted these 3 years. [See 27 Nov. 1765. Hogan noted the following additions from the 1770 edn.: Mortimer-Lewes; Glendower-Morris; Prince John-Miss Cockayne; Northumberland-Redman; Gadshill-P. Smith; Peto-Wild.] Receipts: #149 17s. 6d

Performances

Mainpiece Title: King Henry Iv Part I With The Humours Of Falstaff

Performance Comment: Hotspur-Smith; King-Gibson; Worcester-Hull; Prince of Wales-Wroughton; Vernon-Davis; Douglas-Gardner; Falstaff-Shuter; Poins-Perry; Westmorland-Cushing; Blunt-R. Smith; Bardolph-Wignell; Francis-Hamilton; Carriers-Dunstall, Quick; Hostess-Mrs Pitt; Lady Percy-Mrs Bulkley.
Cast
Role: Hotspur Actor: Smith
Role: Blunt Actor: R. Smith

Afterpiece Title: The Rape of Proserpine

Dance: II: The Merry Sailors, as17691018

Event Comment: Benefit for Mrs Smith. Paid one year's Watch Rate, St Martin's to 14 Feb. last #10 13s.; Chorus 2 nights (this incl.) #5 1s. (Treasurer's Book). Receipts: #217 19s.6d. Charges: #70 9s. Profits to Mrs Smith: #147 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Padlock

Performance Comment: As17720926, but Leonora-Mrs Smith, for that night only.
Event Comment: Benefit for Lewis, Dancer & J. Smith. Tickets to be had of Lewis at the Europa; of Smith at the Ship, Seven Houses

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Captain Plume-Comerford; Worthy-Johnson; Captain Brazen-Russell; Justice Ballance-Lewis; Bullock-Newton; ThomasAppletree-Kenny; Costar Pearmain-Dancer; Serjeant Kite-Smith; Sylvia-Miss Reynolds; Melinda-Mrs West; Lucy-Miss Taylor; Rose-A Young Lady of Rotherhithe (1st appearance on any stage [unidentified]).unidentified]).
Cast
Role: Serjeant Kite Actor: Smith

Afterpiece Title: The Life and Death of Tom Thumb the Great

Cast
Role: Glumdalca Actor: Mr Smith

Dance: End: The Wapping Landlady; or, Jack in Distress-; [with a Hornpipe [in character,-a Lady from London [unidentified]

Song: As17760925

Entertainment: Imitations. As17760930 Monologue. Teague's Ramble to London. Captain O'Blunder-Broderick

Event Comment: Tickets delivered by Smith, Bowles, Ledger, Mrs Morris, Miss Bassan and Miss Matthews for Love in a Village will be admitted this Evening. Receipts: #165 16s. 6d. (124.9.6; 0.12.0; tickets: 40.15.0)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17780226, but Sir H. Sycamore-Wilson; Giles-Reinhold; Mervin-Mahon; Ralph-Quick; Theodosia-Mrs Morton [i.e. formerly Miss Dayes].i.e. formerly Miss Dayes].
Related Works
Related Work: The Maid in the Mill Author(s): William Rowley

Afterpiece Title: Mother Shipton

Dance: As17770926

Event Comment: The United Company. The date of this revival is not precisely known but that it occurred in mid-March is indicated by Luttrell's date of 21 March 1683@4 on his copy of the separately-printed Prologue and Epilogue (Bindley Collection, William Andrews Clark@Jr@Library). It should be noted, however, that Friday 21 March is a Friday in Lent, a day on which the companies sometimes did not act. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 202-6. When this play was advertised to be acted on 8 Nov. 1704, the bill bore the heading: "Not Acted these 20 Years." Langbaine (English Dramatic Poets, p. 37): This Play was reviv'd by the Players, since the Union of the Two Houses, and reprinted in quarto Lond. 1684 with a new Prologue and Epilogue, the former written by Jo. Haynes the Comedian

Performances

Mainpiece Title: The Northern Lass

Performance Comment: Edition of 1684: Sir Phillip Luckless-Kynaston; Tridewell-Wilshire; Sir Paul Squelch-Lee; Bullfinch-Haines; Widgine-Gevon; Anvile-Griffen; Nonsense-Monfort; Pate-Lisle [Carlisle]; Beavis-Saunders; Howdee-Bright; Clark-Lowe; Mrs Fitchow-Mrs Barrey; Constance-Mrs Butler; Mrs Trainwell-Mrs Cory; Constance Holdup-Mrs Percivall; Prologue to the Northern Lass [by J. H. (Joseph Haines)]-; Epilogue-Mrs Butler.
Cast
Role: Sir Phillip Luckless Actor: Kynaston
Role: Sir Paul Squelch Actor: Lee
Event Comment: The United Company. The date of the first performance is not known, but it had been acted by the time the January 1692@3 issue of the Gentleman's Journal appeared in March (on page 1 of that issue, the editor states that We are now in March): Mr Southerne's New Comedy, call'd, The Maid's last Prayer, or Any rather than fail, was acted the 3d time this evening, and is to be acted again to morrow. It discovers much knowledge of the Town in its Author; and its Wit and purity of Diction are particularly commended (p. 28). The first song in the play, Tho you make no return to my passion, composed by Henry Purcell, was sung, according to the printed play, by Mrs Hodgson; by Mrs Dyer, according to Thesaurus Musicus, First Book, 1693. The second song, composed by Samuel? Akeroyd, was sung by Mrs Ayliff (Thesaurus Musicus, The First Book, 1693). Another song, No, no, no, no, resistance is but vain, written by Anthony Henley, composed by Henry Purcell, and sung by Mrs Ayliff and Mrs Hodgson, Act IV, is in Purcell's Works, Purcell Society, XX (1916), xiv-xv. A song, Tell me no more I am deceiv'd, written by William Congreve, set by Henry Purcell, and sung by Mrs Ayliff, is in Works, XX (1916), xv-xvi. According to the London Gazette, No. 2852, 9-13 March 1692@3, the play was published "this day" (13 March 1692@3)

Performances

Mainpiece Title: The Maids Last Prayer Or Any Rather Than Fail

Performance Comment: Edition of 1693: Prologue-Mrs Barry; Granger-Powell; Gayman-Boman; Garnish-Alexander [Verbruggen]; Lord Malepert-Doggett; Sir Ruff Rancounter-Bright; Sir Symphony-Bowen; Capt. Drydrubb-Underhill; Jano-Betty Allinson; Lady Malepert-Mrs Barry; Lady Trickitt-Mrs Bracegirdle; Lady Susan Malepert-Mrs Montford; Maria-Mrs Rogers; Wishwell-Mrs Betterton; Siam-Mrs Leigh; Florence-Mrs Kent; Judy-Mrs Rachel Lee; Christian-Perin; Footman, Porter-Pinkyman.
Cast
Role: Sir Ruff Rancounter Actor: Bright
Role: Sir Symphony Actor: Bowen
Event Comment: Benefit Brothers and Sisters of Charles Williams, deceas'd. At the particular Desire of several Persons of Quality. 7 p.m

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17301116, but Sir George-W. Mills; Sir Francis-Harper; Charles-Marshall; Isabinda-Mrs Cibber; Miranda-Mrs Butler; Scentwell-Mrs Walter.
Cast
Role: Sir George Actor: W. Mills
Role: Sir Francis Actor: Harper
Role: Sir Jealous Actor: Shepard

Afterpiece Title: Patie and Peggy

Cast
Role: Sir William Actor: Corey

Music: Select Pieces-

Dance:

Event Comment: A new Comedy. [By William Popple.] All the Characters new drest. Preface to edition of 1734: A Report having been maliciously raised, and industriously spread all over the Town, that the Play was a Party Play, and supported by the Court, and therefore to be opposed, Numbers of Persons came into the House with an Intent ... to damn it at all Events. . . . However, the Play having had a fair Hearing, went off with infinitely more Applause than Blame

Performances

Mainpiece Title: The Ladys Revenge Or The Rover Reclaimd

Performance Comment: Parts by Ryan, Walker, Chapman, Sal way, Mrs Hallam, Mrs Younger, Mrs Bullock, Mrs Buchanan; but edition of 1734 lists: Sir Harry Lovejoy-Ryan; Heartly-Walker; Sir Lively Brainless-Chapman; Tom-Salway; Lady Traffick-Mrs Hallam; Angelina-Mrs Buchanan; Laetitia Lovejoy-Mrs Bullock; Betty-Mrs Younger; Jenny-Miss Norsa. Prologue and Epilogue written by Aaron Hill .

Dance: By Malter and Mlle Salle

Event Comment: [P$Potter reprinted his letter of 18 Jan., and added the footnote: "The person who took the House was a man of genteel appearance, said his name was William Nicholls, and directed letters to be left for him at the Bedford Coffee House, Covent Garden."] [The Prologue and Epilogue spoken by the children of the Prince of Wales on their performing Cato at Leicester House, printed in the General Advertiser.] [This day published] A Letter to Mr G-k, relative to his treble Capacity of Manager, Actor, and Author; with some remarks upon Lethe. All Three! All three! Gay. Sold by W. Reeve in Fleet St.; and A. Dodd, at the Peacock opposite St. Clements Church in the Strand (General Advertiser). [This day published] Lethe, A Dramatick Satire, by David Garrick as it is perform'd at Drury Lane. Printed for P. Vaillant, facing Southampton Street in the Strand. Receipts: #140 (Cross); #144 17s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Performance Comment: Young Belmont-Garrick; Sir Charles-Barry; Faddle-Woodward; Col. Raymond-Havard; Sir Roger-Yates; Villiard-Winstone; Rosetta-Mrs Pritchard; Fidelia-Mrs Cibber.
Cast
Role: Sir Charles Actor: Barry
Role: Sir Roger Actor: Yates

Afterpiece Title: The Virgin Unmaskd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. True Briton, 19 Jan.: Morton was paid #400, and #150 "for the Copy-right, which Harris has purchased." Ibid., 27 Mar.: This Day was published A Cure for the Heart Ache (2s.). Receipts: #237 15s. (236.0; 1.15)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: Principal Characters by Lewis, Quick, Pope, Munden, Fawcett, Murray, Hull, Farley, Waddy, Thompson, Simmons, Wilde, Street, Blurton, Abbot, Miss Wallis, Mrs Mattocks, Mrs Pope. [Cast from text (T. N. Longman, 1797): Young Rapid-Lewis; Vortex-Quick; Charles Stanley-Pope; Old Rapid-Munden; Frank Oatland-Fawcett; Sir Hubert Stanley-Murray; Heartley-Hull; Bronze-Farley; Farmer Oatland-Waddy; Landlord-Thompson; Waiters-Simmons, Street; Hair@dresser-Wilde; Sir Hubert's Servant-Blurton; Vortex's Servant-Abbot; Jessy Oatland-Miss Wallis; Miss Vortex-Mrs Mattocks; Ellen-Mrs Pope; Prologue-Macready; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 14 performances only (see17970202 see17970225).]These were spoken, as here assigned, at the 1st 14 performances only (see17970202 see17970225).]

Afterpiece Title: Comus

Event Comment: Benefit for Johnstone. 3rd piece [1st time; F 2, by Thomas Knight; incidental music by William Reeve]: Partly taken from The Committee [by Sir Robert Howard]. Morning Herald, 21 June 1797: This Day is published [by G. Cawthorn] The Honest Thieves (1s.). True Briton, 25 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #434 7s. 6d. (210.4.0; 11.18.0; tickets: 212.5.6)

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry-Quick; Campley (with additional songs, and for that night only)-Incledon; Medium-Powel; Mate (with an additional song)-Townsend; Trudge-Fawcett; Wowski-Mrs Martyr; Narcissa-Mrs Mountain; Patty-Mrs Fawcett; Yarico (for that Night only, with additional Songs, Hope told a flattering tale, accompanied on the Harp by Weippert)-Mrs Ferguson.
Cast
Role: Sir Christopher Curry Actor: Quick

Afterpiece Title: British Fortitude or An Escape from France

Related Works
Related Work: British Fortitude and Hibernian Friendship; or, An Escape from France Author(s): William Reeve

Afterpiece Title: The Honest Thieves or The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard

Song: In course 2nd piece: I was call'd knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The Storm-Incledon; The turban'd Turk who scorns the World-; Hospitality; or, The Land of Potatoes-Johnstone; End 2nd piece: Old Towler-Incledon

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton; with incidental music by John Moorehead. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With New Scenes [by Richards (Universal Magazine, Feb. 1800, p. 157)] and new Dresses. Morning Chronicle, 8 July 1800: This day is published Speed the Plough (2s.). Receipts: #256 7s. (253.4.6; 3.2.6)

Performances

Mainpiece Title: Speed The Plough

Performance Comment: Principal Characters by Pope, Munden, Fawcett, Knight, H. Johnston, Murray, Davenport, Waddy, Atkins, Street, Abbot, Curties, Klanert, Miss Murray, Mrs Davenport, Mrs Dibdin, Mrs H. Johnston. [Cast from text (T. N. Longman and O. Rees, 1800): Sir Philip Blandford-Pope; Sir Abel Handy-Munden; Bob Handy-Fawcett; Farmer Ashfield-Knight; Henry-H. Johnston; Morrington-Murray; Evergreen-Davenport; Gerald-Waddy; Peter-Atkins; Postillion-Abbot; Young Handy's Servant-Klanert; Susan Ashfield-Miss Murray; Dame Ashfield-Mrs Davenport; Lady Handy-Mrs Dibdin; Miss Blandford-Mrs H. Johnston; unassigned-Street, Curties; Prologue-Betterton; [This was spoken, as here assigned, at the 1st 9 performances only (see18000219).] Epilogue-Fawcett. [This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .
Cast
Role: Sir Philip Blandford Actor: Pope
Role: Sir Abel Handy Actor: Munden

Afterpiece Title: Rosina

Cast
Role: William Actor: Townsend
Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's playhouse; but there Betterton not being yet well, we would not stay, though since I hear that Smith do act his part in The Villaine, which was then acted, as well or better than he, which I do not believe

Performances

Mainpiece Title: The Villain

Performance Comment: Monsieur Brisac-Smith. See also 18 Oct. 1662.
Event Comment: The Duke's Company. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), states that he saw a revival of this play in 1668. Pepys, Diary: Sent my wife and Deb. to see Mustapha acted...and so to the Duke of York's playhouse, and there saw the last act for nothing. Where I never saw such good acting of any creature as Smith's part of Zanger; and I do also, though it was excellently acted by [...], do yet want Betterton mightily

Performances

Mainpiece Title: Mustapha

Performance Comment: Zanger-Smith. See also 4 Sept. 1667.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no indication that this is the premiere. A song, From friends all inspired, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Downes, Roscius Anglicanus, pp. 33-34: Loves Jealousy, and The Morning Ramble. Written by Mr Nevil Pain: Both were very well Acted, but after their first run, were laid aside, to make Room for others; the Company having then plenty of new Poets

Performances

Mainpiece Title: The Mourning Ramble Or The Town humours

Performance Comment: Edition of 1673: Prologue-; Townlove-Betterton; Merry-Harris; Ruffle-Smith; Muchland-Medbourn; Rash-Crosby; Fullam-Underhill; Breef-Norris; Honour Muchland-Mrs Johnson; Betty Rash-Mrs Long; Rose-Mrs Shadwell; Lady Turnup-Mrs Osborn; Epilogue-.
Cast
Role: Ruffle Actor: Smith
Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Performance Comment: Prologue To the King and $Queen At the Opening of Their Theatre by Mr Dryden-Mr Batterton; Epilogue by the same Authour-Mr Smith.
Event Comment: Benefit for Smith. Part of Pit laid into Boxes

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: As17521209; but Abudah-Smith.
Cast
Role: Abudah Actor: Smith.

Afterpiece Title: The Devil to Pay

Dance: GGrand Scots Ballet, as17521216

Event Comment: Benefit for Smith. It is the last time of performing (Daily Advertiser)

Performances

Mainpiece Title: The Carnival Concert

Performance Comment: Prologue-Smith.
Cast
Role: Prologue Actor: Smith.

Afterpiece Title: La Pantomime du Charpentier

Event Comment: A Tragedy [by Edmond Smith] revived. Never acted there before

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: Theseus-Sheridan; Hippolitus-Smith; Lycon-Ridout; Ismene-Mrs Baker; Phaedra-Mrs Woffington.
Cast
Role: Hippolitus Actor: Smith