SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir William DAvenant"/1) | (@(roleclean,performerclean) "Sir William DAvenant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11799 matches on Author, 6982 matches on Performance Comments, 1330 matches on Event Comments, 512 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Henry The Fourth With The Humours Of sir John Falstaff

Related Works
Related Work: Henry the Fourth, Part I Author(s): William Shakespeare
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare

Performances

Mainpiece Title: King Henry The Fourth With The Humours Of Sir John Falstaff

Related Works
Related Work: Henry the Fourth, Part I Author(s): William Shakespeare
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare

Performances

Mainpiece Title: King Henry The Fourth With The Humours Of Sir John Falstaff

Related Works
Related Work: Henry the Fourth, Part I Author(s): William Shakespeare
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare

Afterpiece Title: Apollo and Daphne or The Burgo Master Trickd

Performances

Mainpiece Title: King Henry The Fourth With The Humours Of Sir John Falstaff

Related Works
Related Work: Henry the Fourth, Part I Author(s): William Shakespeare
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare

Afterpiece Title: High Life Below Stairs

Cast
Role: Sir Harry's Servant Actor: King
Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Performance Comment: Edition of 1668: No actors' names. Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 28): Sir Martin Marall-Nokes; Sir John Swallow-Smith; Lord Dartmouth-Young; Old Moody-Underhill; Warner-Harris; Lady Dupe-Mrs Norris; Mrs Millisent-Mrs Davies.
Cast
Role: Sir Martin Marall Actor: Nokes
Role: Sir John Swallow Actor: Smith
Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow Or Sir Noisy Parrat

Performance Comment: Edition of 1693: The Prologue by Sir Charles Sydly-; Epilogue-Mrs Lassells.
Cast
Role: Sir Charles Sydly Actor:

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege
Event Comment: At the Desire of several Persons of Quality. Afterpiece: several Musical Entertainments composed by Henry Purcell. [Monday 10--Saturday 15: PASSION WEEK]

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Aeneas and Dido

Dance: New Scotch dances-

Event Comment: At the Desire of several Persons of Quality. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: Mlle delaVal, Mrs Elford

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: As17051106

Event Comment: At the Desire of several Ladies of Quality. And the principal Characters new Dress'd

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: As17161027

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Perseus and Andromeda

Event Comment: [By John Williams] At Mr Penkethman's Theatre. Benefit Author. At 6:30 p.m

Performances

Mainpiece Title: Richmond Wells Or Good Luck At Last

Performance Comment: Actors only listed, but edition of 1723 lists: Randome-Shephard; Loveworth-Char. Williams; Gaylove-Wilks Jr; Cheatly-Oates; Tony Souscrown-Miller; Robin-Harper; Belinda-Mrs Morgan; Mrs Fainal-Mrs Wetherilt; Prologue-W. Wilks; Epilogue-Penkethman.
Cast
Role: Loveworth Actor: Char. Williams
Related Works
Related Work: Richmond Wells; or, Good Luck at Last Author(s): John Williams

Song: Drunken Man-Harper

Dance: Drunken Man-Harper

Event Comment: It is possible that Katherine Phillips' Pompey, which was given in Dublin in February 1662@3, may have been presented in London in the late spring of 1663. Sir William Davenant's The Playhouse To Be Let, which apparently appeared in London in the late summer of 1663, has in Act V some elements of travesty upon Pompey. It is unlikely that its appearances in Dublin would make satire upon it have much point to London audiences without a performance in London; the spring of 1663 would be the most likely time for a presentation in London

Performances

Event Comment: Pepys, Diary: Calling at Wotton's...he tells me...that Harris is come to the Duke's house again; and of a rare play to be acted this week of Sir William Davenant's; the story of Henry the Eighth with all his wives

Performances

Performances

Mainpiece Title: Hamlet

Performance Comment: [Adapted, probably by Sir William Davenant.] Hamlet?-Betterton. See also 28 May 1663.
Related Works
Related Work: Hamlet Author(s): William Shakespeare
Event Comment: Mainpiece: Written by Sir William Davenant; but Originally by the famous French Dramatick Poet Monsieur Moliere. [Genest, II, 352, surmises that the company probably acted Acts I, II, and V of The Playhouse to be Let.] Afterpiece: A Burlesque Farce

Performances

Mainpiece Title: The Playhouse To Be Let With Sganarella The Blacksmith Of Paris

Afterpiece Title: Mock Pompey

Song:

Dance:

Event Comment: Betterton's Company. James Brydges, Diary: About 2. I came home to dinner, where I found Lady Hussy, & Cozzen Betty, & Mrs Howard, about 5. After dinner I went to Lord Pembroke's who being abroad, I went to Lord Arundell of Treryce, who not being at home, I went to Ld. Allinton's, but he not being within, I went to Mr Pitts, who being abroad, I went to ye Dean of Peterborough's but he being at church I went to ye playhouse in Lincolns inn fields, where I met Dr Davenant & Ld. Rumny (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

Related Works
Related Work: The Mourning Bride Author(s): William Congreve

Performances

Mainpiece Title: King Edward The Third With The Fall Of Mortimer Earl Of March

Performance Comment: [The author is not certain, but possibly the play was written by John Bancroft and William Mountfort.] Edition of 1691: Prologue-Mr Powell; Epilogue-Mrs Bracegirdle; King Edward the Third-Powell; Mortimer Earl of March-Williams; Lord Mountacute-Mountfort; Sir Tho. Delamore-Kynaston; Sir Robert Holland-Hodgson; Tarleton, Bishop of Hereford-Lee; Serjeant Eitherside-Nokes; Turrington-Bridges; Nevill-Freeman; Sly-Bright; Secret-Trafuse; Earl of Leicester-Bowman; Earl of Exeter-Sandford; Isabella-Mrs Barry; Maria-Mrs Bracegirdle.
Related Works
Related Work: King Edward the Third: With the Fall of Mortimer, Earl of March Author(s): William Mountfort
Event Comment: A New Comedy of three Acts [by Foote]. By Authority. Open'd by Mr Foote. Most of the performers entirely new. Boxes 5s. Pit 3s. Gallery 2s. Doors to be opened at five. Curtain drawn up at seven. [Notice repeated in subsequent bills. Genest, IV, 599, lists Smith as Sir George.

Performances

Mainpiece Title: The Minor

Performance Comment: Induction by Foote-Foote; Smart-Smith; Canker-Misdale; Pearse-Pearse; Play: Sir William-Baddeley; R. Wealthy-Hyde; Sir George-Shaw; Shift-Foote; Loader-Davis; Dick-Weston; Transfer-Blakey; Mrs Cole-Foote; Lucy-Miss Burden (Edition of 1760).
Cast
Role: Sir William Actor: Baddeley
Role: Sir George Actor: Shaw

Dance:

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Giffard; Sir Sampson-W. Williams; Scandal-W. Giffard; Tattle-R. Williams; Foresight-Hallam; Ben-Burney Sr; Jeremy-Collet; Angelica-Mrs Purden; Mrs Foresight-Mrs Clark; Mrs Frail-Mrs Haughton; Prue-Mrs Mountfort; Nurse-Mrs Palmer.
Cast
Role: Sir Sampson Actor: W. Williams
Role: Tattle Actor: R. Williams
Related Works
Related Work: Love for Love Author(s): William Congreve

Dance:

Performances

Mainpiece Title: King Henry The Fourth Part I

Performance Comment: As17280910, but Glendower-Cibber; Douglass-Williams; Sir Walter-Wm. Mills; Sir Richard-Bridgwater; Poins-Watson.
Cast
Role: Douglass Actor: Williams
Role: Sir Walter Actor: Wm. Mills
Role: Sir Richard Actor: Bridgwater
Related Works
Related Work: Henry the Fourth, Part I Author(s): William Shakespeare
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare

Afterpiece Title: Harlequin Happy