SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir W Pen"/1) | (@(roleclean,performerclean) "Sir W Pen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6924 matches on Performance Comments, 1605 matches on Author, 1164 matches on Event Comments, 494 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: High Life below Stairs

Cast
Role: Sir Harry's Servant Actor: Dodd

Dance: III: The Shepherds Frolic, as17710406 End: The Sailors Revels-Atkins

Event Comment: Paid Black? Lyon bill #2 7s. 4d. (Treasurer's Book). [This is a recurring item weekly throughout the season varying in amounts from about #1 to #3. Tavern. Run by Yearley Waterer. Not noted further. Total payments this season about #75.] Public Advertiser, Theatrical Intelligence: Any Young Lady inclined to the Stage, is offered an advantageous Opportunity to experience her Theatrical Abilities in a very desirable Situation. As this Advertisement appears not from an itinerant Manager, nor results from a Dearth of People, but a Wish to promote Merit, which often (for want of the proper Mode of Application, or Fear in the Parties of their Intentions being made public, in case their Services should not be received) lies hid and unnoticed, it is hoped none but such as are possessed of a good Figure, as that will be greatly regarded, and whose Capabilities are blended with a real Inclination will apply. Enquire for W. at No. 114, in Long-Acre between the hours of Eleven and One on Wednesday or Thursday Morning in person, as no Attention will be paid to any Substitute. The Stage: A Gentlewoman, who has played capital Characters with unblemished Reputation in the three Kingdoms, takes this Method of acquainting such Ladies who have Talents and Inclination for the stage, that she undertakes to instruct them for the Profession many having been unsuccessful, more from Want of previous Instructions than Want of Genius. Her Attention to the great Articles of Reading and Speaking, with Elegance and Propriety, as well as Expression, Grace, and Ease, will be found of infinite Service to those who are assisted by the least Understanding. Those Ladies who do not intend to display their Talents in Public may be instructed for their Amusement. Enquire for E. H. No. 2 Queen Street, near Windmill Street, Haymarket. N.B. Any Lady will be waited on by a Line directed as above. [These advertisements ran for a number of days.] Receipts: #183 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: A Gazette Extraordinary

Afterpiece Title: The Norwood Gypsies

Dance: 3rd piece: Dancing-Dagueville, Langrish, Miss Besford, Miss Matthews

Entertainment: [Vaudeville.]3rd piece: a Leap through a Cask on Fire-

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Touchstone

Dance: End of mainpiece, as17820401, but omitted: Holloway

Song: End of Act IV of mainpiece Tally ho, as17820427

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Barnaby Brittle

Cast
Role: Sir Peter Pride Actor: Booth

Dance: As17811219

Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris Taken in the Year 1790

Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris Taken in the Year 1790

Event Comment: The King's Company. Pepys, Diary: We [Pepys and his wife] went to the Theatre, but coming late, and sitting in an ill place, I never had so little pleasure in a play in my life, yet it was the first time that ever I saw it, Victoria Corombona. Methinks a very poor play. Pepys, Diary, 3 Oct.. I...calling at Sir W. Batten's, where his son and his wife were, who had yesterday been at the play where we were, and it was good sport to hear how she talked of it with admiration like a fool

Performances

Mainpiece Title: Vittoria Corombona

Event Comment: Pepys, Diary: And called at Wotton's.... He tells me that by the Duke of York's persuasion Harris is come again to Sir W. Davenant upon his terms that he demanded, which will make him very high and proud

Performances

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen...did carry me to a play and pay for me at the King's house, which is The Rivall Ladys, a very innocent and most pretty witty play. I was much pleased with it, and it being given me, I look upon it as no breach to my oathe

Performances

Mainpiece Title: The Rival Ladies

Event Comment: The King's Company. For an edition of this play from the MS prompt copy, see The Change of Crownes, ed. F. S. Boas (Oxford University Press, 1949). For the consequences of Lacy's ad libbing, see 16, 20, and 22 April, and 1 May. Pepys, Diary: I to the King's house by chance, where a new play: so full as I never saw it; I forced to stand all the while close to the very till I took cold, and many people went away for want of room. The King and Queene, and Duke of York and Duchesse of York there, and all the Court, and Sir W. Coventry. The play called The Change of Crownes; a play of Ned Howard's the best that ever I saw at that house, being a great play and serious; only Lacy did act the country-gentleman come up to Court, who do abuse the Court with all the imaginable wit and plainness about selling of places, and doing every thing for money. The play took very much.... Gervase Jaquis to the Earl of Huntington, 16 April: Here is another play house erected in Hatton buildings called the Duke of Cambridgs play-house, and yester-day his Matie the Duke & many more were at the King's Playe house to see some new thing Acted (Hastings MSS, HA 7654, Huntington Library)

Performances

Mainpiece Title: The Change Of Crowns

Event Comment: The King's Company. The date of the first performance is not known; Pepys does not suggest that this day was the premiere. Pepys, Diary: Sir W. Pen...and I by coach to the King's playhouse, and there saw The Mad Couple, which I do not remember that I have seen; it is a pretty pleasant play. Thence home, and my wife and I to walk in the garden, she having been at the same play with Jane, in the 18d. seat, to shew Jane the play

Performances

Mainpiece Title: All Mistaken Or The Mad Couple

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The English Monsieur; sitting for privacy sake in an upper box: the play hath much mirth in it as to that particular humour. After the play done, I down to Knipp, and did stay her undressing herself; and there saw the several players, men and women go by; and pretty to see how strange they are all, one to another, after the play is done. Here I saw a wonderful pretty maid of her own, that come to undress her, and one so pretty that she says she intends not to keep her, for fear of her being undone in her service, by coming to the playhouse. Here I hear Sir W. Davenant is just now dead; and so who will succeed him in the mastership of the house is not yet known. The eldest Davenport is, it seems, gone from this house to be kept by somebody; which I am glad of, she being a very bad actor.... [Mrs Knepp] tells me mighty news, that my Lady Castlemayne is mightily in love with Hart of their house; and he is much with her in private, and she goes to him, and do give him many Presents; and that the thing is most certain, and Becke Marshall only privy to it, and the means of bringing them together, which is a very odd thing; and by this means she is even with the King's love to Mrs Davis

Performances

Mainpiece Title: The English Monsieur

Performances

Mainpiece Title: Hamlet

Performance Comment: [Adapted, probably by Sir William Davenant.] Hamlet?-Betterton. See also 28 May 1663.
Related Works
Related Work: Hamlet Author(s): Sir William Davenant
Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: Cattalines Conspiracie King here. See also Nicoll, Restoration Drama, p. 344. Although the L. C. list and Pepys disagree as to the play performed, Pepys' uncertainty suggests that he may have put down the wrong title and that the L. C. list is correct. Pepys, Diary: To the King's playhouse, and there saw, I think, The Maiden Queene. Pepys, Diary, 15 Jan.: [Sir W. Coventry] told me of the great factions at court at this day, even to the sober engaging of great persons, and differences, and making the King cheap and ridiculous. It is about my Lady Harvy's being offended at Doll Common's acting of Sempronia [see 18 Dec. 1668], to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her, and to order her to act it again, worse than ever, the other day, where the King himself was: and since it was acted again, and my Lady Harvy provided people to hiss her and fling oranges at her: but it seems the heat is come to a great height, and real troubles at court about it

Performances

Mainpiece Title: Catiline

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant

Afterpiece Title: Harlequin Restord

Dance: In II: Dance of Winds-Muilment, Thurmond; In IV: Comic Dance of Fantastical Spirits (in Grostesque Characters)-Thurmond, Villeneuve, Levier, Pelling; In V: Waterman's Dance-Harper; with a Grand ballet of Sailors-Mlle Roland

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant

Afterpiece Title: Harlequin Restord

Dance: As17370411

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden. Afterpiece: Written by the Author of the Toy Shop

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant

Afterpiece Title: The King and the Miller of Mansfield

Dance: As17370411

Performances

Mainpiece Title: Love In A Village

Performance Comment: Woodcock-Shuter; Hawthorn-Reinhold; Young Meadows-Mattocks; Sir W. Meadows-Gibson; Eustace-Dyer; Hodge-Dunstall; Margery-Mrs Baker; Deborah-Mrs Pitt; Lucinda-Mrs Mattocks; Rosetta-Miss Catley, first appearance on the English Stage in 9 years.

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Dunstall; Sir Jasper-Saunders; Charlotte-Miss Helme; Dorcas-Mrs Green.
Cast
Role: Sir Jasper Actor: Saunders

Dance: II: The Dutch Milkmaid, as17700924

Event Comment: Mainpiece: By Particular Desire

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17710115, but [to avoid confusion the full cast listed] Woodcock-Shuter; Hawthorne-Reinhold; Young Meadows-DuBellamy; Sir W. Meadows-Gibson; Eustace-Dyer; Hodge-Dunstall; Margery-Mrs Baker; Deborah-Mrs Pitt; Lucinda-Mrs Mattocks; Rosetta-Miss Catley; Incidental Dance-.

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: The Good natured Man

Performance Comment: Croaker-Shuter; Honeywood-Bensley, first time; Sir W. Honeywood-Clarke; Lofty-Kniveton, first time; Leontine-Wroughton; Jarvis-Dunstall; Butler-Cushing; Dubardieu-Holtom; Postboy-Quick; Officer-R. Smith; Mrs Croaker-Mrs Pitt; Olivia-Mrs Baker; Garnet-Mrs Green; Miss Richland-Mrs Bulkley.

Afterpiece Title: Mother Shipton

Event Comment: Benefit for Mr and Mrs DuBellamy. Mainpiece: By Particular Desire. Afterpiece [comedy by Samuel Foote]: never perform'd there

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17710208, but Young Meadows-DuBellamy; Margery-Miss Valois; Lucinda-Mrs Baker; Sir W. Meadows-Wignell; Rosetta-Mrs Mattocks.

Afterpiece Title: The Commissary

Music: II: A Favourite Concerto on the Harpsichord-Hook

Ballet: End Opera: The Wapping Landlady and Double Hornpipe. As17710422

Performances

Mainpiece Title: Love In A Village

Performance Comment: Woodcock-Shuter; Hawthorn-Reinhold; Young Meadows-Mattocks; Sir W. Meadows-Saunders; Eustace-Dyer; Hodge-Dunstall; Margery-Miss Valois; Deborah-Mrs Pitt; Lucinda-Mrs Baker; Rosetta-Mrs Mattocks; With a Dance-incidental to the Opera.

Afterpiece Title: The Commissary

Dance: II: The Old ground Young, as17711030

Performances

Mainpiece Title: The English Merchant

Performance Comment: Freeport-Yates; Spatter-Woodward; Owen-Morris; LaFrance-Quick; Lord Falbridge-Bensley; Sir W. Douglas-Hull; Mrs Goodman-Mrs Barrington; Molly-Mrs Mattocks; Lady Alton-Miss Macklin; Amelia-Mrs Bulkley.

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: Love In A Village

Performance Comment: Woodcock-Shuter; Hawthorn-Reinhold; Young Meadows-Mattocks; Sir W. Meadows-Saunders; Eustace-Owenson; Hodge-Dunstall; Deborah-Mrs Pitt; Margery-Mrs Baker; Lucinda-Mrs Mattocks; Rosetta-Miss Catley, first appearance in two years.

Afterpiece Title: The Commissary

Dance: II: The Corsican Sailor's Punch House-Fishar, Miss Twist, Hussey, Mas. Blurton, Miss Besford. [See17110930.