SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir ThomasStamp"/1) | (@(roleclean,performerclean) "Sir ThomasStamp")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6040 matches on Performance Comments, 1603 matches on Author, 944 matches on Event Comments, 462 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By Command of his Royal Highness the Duke, and Their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Robin Goodfellow

Dance: III: Dance of Moors-Muilment, Mrs Walter

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Rape of Proserpine

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Colombine Courtezan

Dance: II: Flanderkins-Master Ferg, Miss Wright; III: Drunken Peasant-Philips; IV: Grand Dance-Mlle Roland

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Colombine Courtezan

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Mock Doctor

Dance: Muilment

Event Comment: Benefit Castelman, the Treasurer. Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden. [Tickets at Castelman's Lodgings, at Mr Watford's, Upholder, over-against the Sun Tavern, Russel Street, Bloomsbury.

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Mars and Venus

Dance: I: Punches Dance-Master Ferg, Miss Wright; III: Pierots-Leviez, Pelling; IV: Moors Dance-Muilment, Mrs Walter

Music: V: A Concerto-Henry Burgess Jr

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Mistake; Or, The Amorous Quarrel

Afterpiece Title: Apollo and Daphne

Event Comment: Mainpiece: Written by the late Sir Richard Steele. At Common Prices

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Afterpiece Title: The Toy Shop

Dance: I: Comic Ballet-Villeneuve, Miss Oates; III: La Badinage de Provence-Poitier, Mlle Roland; V: Scotch Dance-Glover, Mlle Anne Roland

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Robin Goodfellow

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf

Event Comment: Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Perseus and Andromeda

Dance: As17391226

Ballet: GGrand Dance in Momus. As17391204, but Country Lasses-Mrs _Rogers, Miss Dancy

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Pembroke-Walker; Lord Guilford Dudley-Giffard; Northumberland-Nelson; Suffolk-Crofts; Sussex-Linnet; Gardiner-Paget; Sir J. Gates-Marr; Dutchess of Suffolk-Mrs Steel; Lady Jane Gray-Mrs Giffard.

Afterpiece Title: The Virgin Unmask'd

Dance: III: A new dance-Master Matthews; V: Drunken Peasant-Chettle

Performances

Mainpiece Title: The Stratagem

Performance Comment: Aimwell-Gentleman who never appear'd on any Stage before; Archer-Giffard; Scrub-Yates; Sullen-Paget; Sir Chas. Freeman-Blakes; Foigard-Julian; Gibbet-Vaughan; Hounslow-Marr; Bagshot-Clough; Lady Bountiful-Mrs Bishop; Dorinda-Mrs E. Giffard; Cherry-Miss Hippisley; Gypsey-Mrs Dunstall; Countrywoman-Crofts; Mrs Sullen-Mrs Giffard.

Afterpiece Title: The Virgin Unmasked

Dance: As17410928

Song: As17410928

Event Comment: Mainpiece: Written by Sir John Vanbrugh. By Command of their Royal Highnesses the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: The Provok'd Wife

Song: Leveridge, Salway

Event Comment: Afterpiece: a New Dramatic Entertainment of Dancing combin'd With a New Pantomime in Grotesque Characters. [Author unknown. Apparently not printed.] Mainpiece: Written by Sir John Vanbrugh

Performances

Mainpiece Title: The Mistake; Or, The Lover's Quarrel

Afterpiece Title: Orpheus and Eurydice: with Metamorphoses of Harlequin

Dance: TThe Italian Peasants-Lalauze, Sga Barberini, accompanied by Villeneuve, Delagarde, Richardson, Dupre, Sga Domitella, Mrs LeBrun, Mrs Wright, Mrs Villeneuve; Villagers-Waltz, Thompson, Roberts, Smith, Davis, Stoppelaer, Miss Davis, Miss Dodson

Related Works
Related Work: The Blind Lady Author(s): Sir Robert Howard
Event Comment: WWalpole to H. Mann 5 Nov.: Vanneschi and Rolli allowes 300 guineas...Montevolli and Visconti to have a thousand guineas apiece; Amorevoli 850; the Muscovite 600.-Horace Walpole's Correspondence with Sir Horace Mann, I, 191

Performances

Mainpiece Title: Alexander In Persia

Event Comment: HH. Walpole to H. Mann, 24 Dec.: House full on Saturdays, never on Tuesday.-From Walpole's Correspondence with Sir Horace Mann, I, 282

Performances

Mainpiece Title: Penelope

Dance: Bettina

Event Comment: Mainpiece: Written by Sir John VanBrugh. For the Entertainment of the Grand Master, and the brethren of the Honourable and Antient Society of Free and Accepted Masons, for the Benefit of a Brother, who has had great misfortunes. None to be admitted Without printed Tickets (Daily Advertiser). The Brethren are desired to meet the Right Honourable the Grand Master, at Mr Filkes, at the Bedford Arms in the Piazza in Covent Garden, at Four o'clock in the afternoon, in order to accompany him to the play. Stage form'd into an amphitheatre. Servants allowed to keep places

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Honest Yorkshireman

Song: Songs in Masonry-Salway, Bencraft; Arra my Judy (by desire)-Stoppelaer

Entertainment: CCries of London-Salway

Dance: PPantaloon and Enamorata, as17420420

Event Comment: Mainpiece: By Particular desire. Afterpiece: Never Acted Before. [The Farce by Fielding is a sequel to The Virgin Unmasked.] Forbidden soon by the Lord Chamberlain. It being supposed that a particular man of quality was pointed at in one of the characters. The prohibition short of duration (Genest, III, 652). See A Letter to a Noble Lord to whom it alone belongs, occasioned by a representation at Drury Lane of a Farce call'd Miss Lucy in Town (1742), [a 20 page pamphlet criticizing the Lord Chamberlain for allowing this farce. Author gives a scene by scene account emphasizing the bawdry and discounting the pious conclusion. He concludes with remarks on theatrical dancing]: As to Dances, I think your province of prohibition does not extend; so the Public cannot owe their gratitude to you for several. I appeal to those who have been on the coast of Malabar and the banks of the Ganges whether we have not had some that have exceeded on posture, or anything of that kind so common amongst the polite Indians of Indostan. Afterpiece: Mrs Clive mimics the Muscovita admirably, and Beard Amorevoli intolerably (H. Walpole to H. Mann, 26 May).-Horace Walpole Correspondence with Sir Horace Mann, I, 435. Receipts: #70

Performances

Mainpiece Title: Othello

Afterpiece Title: Miss Lucy in Town

Event Comment: Written by Sir John Vanbrugh

Performances

Mainpiece Title: The Provok'd Wife

Dance: As17421026

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

Event Comment: WWalpole to H. Mann 14 April: To be performed by three good voices and forty bad ones, from Oxford, Canterbury, and the farces.-Horace Walpole's Correspondence with Sir Horace Mann, II, 231. An Entertainment of Vocal and Instrumental Musick, consisting of various Motetts, Chorus's, Concerto's & to be divided into three parts, after the manner of an Oratorio. The whole to conclude with the celebrated Piece of Vocal Musick from Rome. [Usual prices.

Performances

Mainpiece Title: Concert

Event Comment: WWalpole to Horace Mann, 14 Aug.: We were thirty subscribers, at two hundred pounds each, which was to last four years, and no other demands ever to be made. Instead of that we have been made to pay 56 pounds over and above the subscription in one winter.--Horace Walpole's Correspondence with Sir Horace Mann, II, 293-94

Performances

Event Comment: FFawkes and Pinchbeck's Great Theatrical Booth, facing the Hospital Gate, West Smithfield. Taken from Shakespear. [Possibly a puppet show.] The occasion is the Retaking the English Standard belonging to Sir Robert Rich's Regiment of Horse by George Darraugh

Performances

Mainpiece Title: Ephesian Duke; Or, Blunder Upon Blunder, Yet All's Right At Last

Afterpiece Title: The Battle of Dettingen

Dance: WWooden@Shoe Dance-LaPierre, never performed by any but himself; Le Paisans Leger-LaPierre, Mlle Mariette

Song: Blogg, Miss Atherton; The Whole to conclude with a Song made upon that Occasion, set to Musick, and-Mr Blogg

Event Comment: Notices of performances on this date had appeared since 8 Sept., as at common prices and written by the late Sir Richard Steele, yet under the unsettled circumstances Fleetwood may not have assembled the players necessary for the production. Macklin, Garrick, Mills, Pritchard, Havard, Berry, Leigh, Blakes, Woodburn, Mrs Clive, Mrs Pritchard, and Mrs Mills had withdrawn and were attempting to form a company for acting at the New Haymarket. See Drury Lane Management in the Introduction

Performances

Mainpiece Title: The Conscious Lovers

Event Comment: We hear that the Lord Chamberlain has refus'd granting a License to the seceding players to act in the Theatre in the Haymarket. (Daily Advertiser) To the Author of the London Daily Post, Sir: As I have engag'd myself for this winter to perform in Dublin, by an Invitation of Several Persons of Distinction in Ireland, I think it my duty before I leave London, by your paper, to return my sincere and hearty thanks to the Town for the many favours I have receiv'd during the Time of my Performing in Publick, which I hope they will Candidly accept from their most of Oblig'd, humble Servants, Thomas Lowe

Performances

Mainpiece Title: The Unhappy Favorite; Or, The Earl Of Essex

Afterpiece Title: The School Boy