SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Thomas Robinson"/1) | (@(roleclean,performerclean) "Sir Thomas Robinson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7240 matches on Author, 6605 matches on Performance Comments, 1405 matches on Event Comments, 957 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; F 2, by Thomas Vaughan, based on Il Servitor di due Padroni, by Carlo Goldoni. Prologue by the author (Town and Country Magazine, Dec. 1776, p. 663)]: With New Dresses. Public Advertiser, 2 Dec. 1776: This Day at Noon is published The Hotel (1s.). Receipts: #182 1s

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Hotel; or, The Double Valet

Performance Comment: Principal Characters by King, Brereton, Packer, Davies, Burton, Griffiths, Parsons; Miss P. Hopkins, Miss Jarratt, Mrs Wrighten. [Cast from text (T. Becket, 1776): Trimwell-King; Neville-Brereton; Wentworth-Packer; Sir John Seymour-Davies; Robin-Burton; Irish Chairman-Griffiths; Sir Jacob Thrift-Parsons; Clarissa-Miss P. Hopkins; Flavia-Miss Jarratt; Tabby-Mrs Wrighten; Prologue-King. [This was spoken, as here assigned, at the first 7 performances only (see17770201).]This was spoken, as here assigned, at the first 7 performances only (see17770201).]
Cast
Role: Sir John Seymour Actor: Davies
Role: Sir Jacob Thrift Actor: Parsons
Related Works
Related Work: The Hotel; or, The Double Valet Author(s): Thomas Vaughan
Event Comment: Mainpiece [1st time; C 5, by Thomas Lewis O'Beirne, based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by Frederick Pilon (Crouch, 1, 90). Author of Epilogue unknown. For Pastoral Interlude see 23 Nov.]: With new Scenery and Dresses. Public Advertiser, 13 Dec. 1780: This Day at Noon is Published The Generous Impostor (1s. 6d.). Receipts: #197 3s. 6d. (183.4.0; 13.10.6; 0.9.0)

Performances

Mainpiece Title: The Generous Impostor

Performance Comment: [Principal Characters by Palmer, Dodd, Bensley, Parsons, Baddeley, Burton, R. Palmer, Norris, Fawcett, Phillimore, Vernon, Mrs Baddeley, Miss Pope, Miss Farren. Cast from text (J. Robson, 1781 [i. e. 1780]): Sir Harry Glenville-Palmer; George Oldgrove-Dodd; Supple-Bensley; Holdfast-Parsons; Sir Jacob Oldgrove-Baddeley; Harpin-Burton; Trimbush-Vernon; Mrs Courtly-Mrs Baddeley; Phillis-Miss Pope; Dorinda-Miss Farren; unassigned-R. Palmer, Norris, Fawcett, Phillimore [are unassigned; Prologue-Palmer; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: The Generous Impostor Author(s): Thomas Lewis O'Beirne

Afterpiece Title: The Padlock

Event Comment: Benefit for Mr and Mrs Knight. 1st piece [1st time; C 3, by Thomas Holcroft, altered by author from his Duplicity. Larpent MS 1129; not published]. Oracle, 13 Apr.: Tickets to be had of Mr and Mrs Knight, No. 47, Rathbone Place. Receipts: #331 5s. (159.7.0; 16.7.6; tickets: 155.10.6)

Performances

Mainpiece Title: The Mask'd Friend

Performance Comment: Principal Characters-Quick, Munden, Knight, Macready, Holman, Mrs Knight, Miss Chapman, Miss Wallis. Cast from Larpent MS: Timid-Quick; Sir Hornet Armstrong-Munden; Squire Turnbull-Knight; Sir Harry Portland-Macready; Mr Osborne-Holman; Scrip-Thompson; Miss Turnbull-Mrs Knight; Melissa-Miss Chapman; Clara-Miss Wallis.
Related Works
Related Work: The Mask'd Friend Author(s): Thomas Holcroft
Related Work: Duplicity Author(s): Thomas Holcroft

Afterpiece Title: The Way to Get Un-Married

Cast
Role: Sir Gregory Forrester Actor: Quick

Afterpiece Title: The Farmer

Song: In 2nd piece: The Sportman's snug little Cot-Incledon

Entertainment: Monologues, with Songs.End: The Barber's Petition-Fawcett (1st time); [with a song in character, Wigs [including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett; End 2nd piece: A Ramble to Bath (1st time) [with a descriptive song in the character of Jacob Gawkey [in The Chapter of Accidents]-Knight

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Performance Comment: Edition of 1677: Prologue-Mr Smith; Epilogue-; Lord Bellamore-Betterton; Manley-Smith; Sir Arthur Oldlove-Sandford; Captain Tilbury-Medbourn; Zechiel-Anthony Leigh; Toby-James Nokes; Old Jollyman-Underhill; Harry-Jevan; Flaile-Richards; Dorrel-Norrice; Madam Fickle-Mrs Mary Lee; Constantia-Mrs Barrer [Barry]; Arbella-Mrs Gibbs; Silvia-Mrs Napper.
Cast
Role: Sir Arthur Oldlove Actor: Sandford
Related Works
Related Work: Madam Fickle; or, The Witty False One Author(s): Thomas D'Urfey
Event Comment: Betterton's Company. It is not certain that this play was given at this time, but Vanbrugh, writing on 25 Dec. 1699, states that Thomas Dogget, who had been acting in Norwich, was in London "last Week," and acted six times, presumably on 18, 19, 20, 21, 22, 23 Dec. 1699. The Amorous Widow is a likely play for this week, as Barnaby Brittle was one of Dogget's best roles. In addition, the Inner Temple, which usually requested popular plays, selected it for its revels on 3 Feb. 1699@1700. Nearly all the individuals in the cast in the 1710 edition acted in London during this season, with two exceptions: Fieldhouse and Mrs Hunt. Their roles may have been played by them or by other performers if they were not in the company at this time. I owe the suggestion that this was the play in which Dogget appeared to Professor Lucyle Hook

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Performance Comment: . A cast in the edition of 1706 is compatible with the company at this time: Sir Peter Pride-Freeman; Cuningham-Verbruggen; Lovemore-Betterton; Barnaby Brittle-Dogget; Jeffrey-Fieldhouse; Clodpole-Bright; Merryman-Underhill; Lady Laycock-Mrs Leigh; Lady Pride-Mrs Willis; Mrs Brittle-Mrs Bracegirdle; Philadelphia-Mrs Porter; Prudence-Mrs Hunt; Damaris-Mrs Prince.
Cast
Role: Sir Peter Pride Actor: Freeman
Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton
Event Comment: [Text by Joseph Addison. Music by Thomas Clayton.] A new Opera never yet perform'd. By Subscription. None to be admitted into the Boxes or Pit but by the Subscribers' Tickets. [Both A Critical Discourse upon Operas (1709) and Jacobs (I, 3) refer to the unsatisfactory nature of the music; as a result, according to Jacobs, "It had not the Success due to its Merit."

Performances

Mainpiece Title: Rosamond

Performance Comment: Edition of 1707 lists: King Henry-Hughes; Sir Trusty-Leveridge; Page-Holcomb; Messenger-Lawrence; Queen Elinor-Mrs Tofts; Rosamond-Mrs Gallia; Grideline-Mrs Lindsey.
Cast
Role: Sir Trusty Actor: Leveridge
Related Works
Related Work: Rosamond Author(s): Thomas Clayton
Related Work: Henry the Second; or, The Fall of Rosamond Author(s): Thomas Hull
Event Comment: [By Thomas Baker.] Never Acted before

Performances

Mainpiece Title: The Fine Lady's Airs; Or, An Equipage Of Lovers

Performance Comment: Edition of 1709 lists: Sir Harry Sprightly-Mills; Brigadier Blenheim-Wilks; Nicknack-Cibber; Major Bramble-Johnson; Master Totty-Bullock; Knapsack-Pinkethman; Shrimp-Norris; Lady Rodomont-Mrs Oldfield; Lady Tossup-Mrs Porter; Mrs Lovejoy-Mrs Bradshaw; Mrs Flimsey-Mrs Saunders; Orangewoman-Pack; Prologue written by Motteux. Epilogue-Mrs Bradshaw.
Cast
Role: Sir Harry Sprightly Actor: Mills
Related Works
Related Work: The Fine Lady's Airs: or, an Equipage of Lovers Author(s): Thomas Baker
Event Comment: [By Thomas D'Urfey.] Never Acted before

Performances

Mainpiece Title: The Modern Prophets; Or, New Wit For A Husband

Performance Comment: Edition ca. 1709 lists: Lord Noble-Powell; Sir Charles Courtly-Mills; Squire Whimsey-Norris; Ned Whimsey-Booth; Zekiel Magus-Johnson; Father Marrogn-Boen; Scire Facias-Cary; Limbeck-Bullock; Sal Magottile-Fairbank; Solid-Birket; Cub Deviling-Pack; Fidelia-Mrs Porter; Clora-Mrs Bradshaw; Betty-Mrs Bicknel; Kate Spunge-Mrs Powell; Mrs Guiacum-Mrs Willis; Prologue-Mrs Bradshaw; Epilogue-Mrs Bicknell, Mrs Porter.
Cast
Role: Sir Charles Courtly Actor: Mills
Related Works
Related Work: The Modern Prophets: or New Wit For a Husband Author(s): Thomas D'Urfey
Event Comment: Mainpiece: [By Thomas Odell.] A new Farce of one Act. Benefit J. and Ch. Rich. Receipts: money #112 5s.; tickets #14 5s

Performances

Mainpiece Title: The Chimera; Or, An Hue And Cry To Change Alley

Performance Comment: Edition of 1721 lists Lord Gracebubble-Boheme; Selfroth-Bullock; Hide@and@seek-Hall; Sir NicholasNinnyhammer-Bullock; Teartext-Pack; Captain Scout-Barnes; Scrawl-Egleton; Snap-Spiller; Lady Meanwell-Mrs Seymour.
Related Works
Related Work: The Chimera; or, An Hue and Cry to Change Alley Author(s): Thomas Odell

Afterpiece Title: The Emperor of the Moon

Afterpiece Title: Amadis

Event Comment: Benefit the Author. Mainpiece: a New Play of Three Acts. [By Thomas Cooke.] At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Triumphs Of Love And Honour

Performance Comment: Edition of 1731 lists: Aristarchus-W. Mills; Philocles-Wetherilt; Philander-Cibber Jr; Dion-Fielding; Damon-Stoppelaer; Urania-Miss Raftor; Thalia-Mrs Charke; Selena-Miss Oates; Prologue by Sir Robert Henley-W. Mills; Epilogue-Mrs Charke.
Cast
Role: Sir Robert Henley Actor: W. Mills
Related Works
Related Work: The Triumphs of Love and Honour Author(s): Thomas Cooke

Afterpiece Title: The What D'ye Call It

Music: Select Pieces-

Dance:

Event Comment: Mainpiece [1st time; CO 3, by Thomas Hull, altered from The School for Guardians by Arthur Murphy. Not in Larpent MS; synopsis of plot in Public Advertiser 19 Nov.]: With New Dresses, &c. The Music chiefly compiled; the rest composed by Dr Arne, Sacchini and Fisher. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1777: This Day is published the Airs in Love Finds the Way (6d.). [Miss Courtenay is identified in the Airs.] Receipts: #233 8s. 6d. (232.5.0; 1.3.6)

Performances

Mainpiece Title: Love Finds The Way

Performance Comment: [Principal Characters by Mattocks, Quick, Wilson, Wewitzer, Fearon, Mrs Farrell, Miss Brown, Mrs Wilson, A Young Lady (1st appearance on any stage Miss Courtenay]). [Cast from Airs (J. Bell, 1777) and Public Advertiser, 19 Nov.: Young Brumpton-Mattocks; Oldcastle-Quick; Lovibond-Wilson; Peter-Wewitzer; Sir Theodore Brumpton-Fearon; Bellford-Mrs Farrell; Mary@Ann-Miss Brown; Bridget-Mrs Wilson; Harriet-Miss Courtenay.
Cast
Role: Sir Theodore Brumpton Actor: Fearon
Related Works
Related Work: Love Finds the Way Author(s): Thomas Hull
Related Work: The School for Guardians Author(s): Thomas Murphy

Afterpiece Title: The Upholsterer

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104

Event Comment: Mainpiece [1st time; CO 3, by Richard Tickell, some of the songs attributed to Richard Brinsley Sheridan; synopsis of plot in Public Advertiser, 18 Dec. Songs (no pub., 1781) omits several [i.e. all the non-singing] characters. MS not in Larpent; not published]: With entirely new Music and a new Overture [by Thomas Linley Sen.]. To conclude with a View of St. Mark's Place, and a grand Representation of the Carnival. With new Scenes, Dresses, and Decorations, designed by De Loutherbourg, and executed under his Direction. Books of the Songs to be had at the Theatre. Public Advertiser, 19 Dec. 1781: This Day are published the Songs in The Carnival of Venice (6d.). Account-Book, 11 Jan. 1782: Received from Miss Giles for 1,550 Books of the Songs in the Carnival #31. Receipts: #225 18s. 6d. (216/4/0; 9/14/6; 0/0/0)

Performances

Mainpiece Title: The Carnival Of Venice

Performance Comment: Principal Characters by Palmer, Bannister, Parsons, Du-Bellamy, Bannister Jun., Suett, Dodd; Mrs Cargill, Mrs Wrighten, Miss Phillips, Miss Pope. [Cast from London Chronicle, 13 Dec: Valencio-Palmer; Lucio-Bannister; Sir Peter Pagoda-Parsons; Melvil-Du-Bellamy; Travelling Author-Bannister Jun.; Piano-Suett; Charles-Dodd; Servant-Chaplin; Marinetta-Mrs Cargill; Francisca-Mrs Wrighten; Emily-Miss Phillips; Isabella-Miss Pope; Maid-Miss Simson.] hathi. hathi.
Cast
Role: Sir Peter Pagoda Actor: Parsons
Related Works
Related Work: The Carnival of Venice Author(s): Thomas Linley Sr.

Afterpiece Title: The Apprentice

Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Performance Comment: Characters-Ryder, Bernard, Fearon, Macready, Rock, Booth, Mrs Webb, Miss Wewitzer, Miss Fontenelle. [Larpent MS 818 lists the parts: Mr Traffick, Sir Patrick Prospect, Clack, Tom Prospect, Pat Conelly, Jew Pedlar, Servant, Fanny Traffick, Mrs Traffick, Biddy, Orange Girl.]Larpent MS 818 lists the parts: Mr Traffick, Sir Patrick Prospect, Clack, Tom Prospect, Pat Conelly, Jew Pedlar, Servant, Fanny Traffick, Mrs Traffick, Biddy, Orange Girl.]
Related Works
Related Work: Such Things Have Been Author(s): Thomas Ryder

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

Event Comment: Benefit for Bannister Jun. 2nd piece [1st time; C 3, by Thomas Bellamy; on 24 Aug. and thereafter reduced to 2 acts. MS: Larpent MS 841; not published]. Public Advertiser, 4 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: The Comet; or, How to Come at Her

Performance Comment: Principal Characters by Bannister Jun., Williamson, Burton, Baddeley, Mrs Taylor, Miss Brangin, Mrs Webb. Cast from European Magazine, Aug. 1789, p. 135: Kicksey-Bannister Jun.; Belmont-Williamson; Stitch-Burton; Sir Credulous Testy-Baddeley; Emily-Mrs Taylor; Maid-Miss Brangin; Lady Testy-Mrs Webb.
Cast
Role: Sir Credulous Testy Actor: Baddeley
Related Works
Related Work: The Comet; or, How to Come at Her Author(s): Thomas Bellamy

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Benevolent Planters

Cast
Role: Sir John Loverule Actor: Davies
Related Works
Related Work: The Friends; or, The Benevolent Planters Author(s): Thomas Bellamy

Dance: As17890805

Entertainment: Monologue As17890617

Event Comment: Benefit for Munden. Mainpiece [1st time; CO 3, by Thomas Hurlstone. Text (J. Debrett [1792]) gives cast for season of 1792-93. Poetical Sketch by John Wolcot (Morning Herald, 11 May)]: With new Scenery, Dresses, and other Decorations. The Overture and Music entirely new, composed by Carter. Morning Herald, 13 Apr.: Tickets to be had of Munden, No. 15, Catherine-street. Ibid, 1 Dec. 1792: This Day is published Just in Time (1s. 6d.). Receipts: #415 3s. (126.4.6; 4.9.6; tickets: 284.9.0) (charge: #105)

Performances

Mainpiece Title: Just In Time

Performance Comment: Principal Characters by Quick, Blanchard, Munden, Powel, Marshall, Thompson, C. Powell, Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton, Incledon, Mrs Martyr, Mrs Mountain, Mrs Webb, Miss Dall (1st appearance this season). The other Vocal Parts-Mrs Arnold, Miss Francis, Mrs Davenett, Miss Leserve, Mrs Watts, Mrs Gray, Mrs Lloyd, Mrs Powell, Miss Barnett, Mrs Masters, Mrs Cross; Cast from London Chronicle, 12 May 1792: Sir Solomon Oddly-Quick; Handy-Blanchard; Stave-Munden; Commodore Larboard-Powel; Dr Julep-Marshall; Roger-Thompson; Le Friz-C. Powell; Captain Melville-Incledon; Judith-Mrs Martyr; Maria-Mrs Mountain; Lady Oddly-Mrs Webb; Augusta-Miss Dall; Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned. Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned.
Cast
Role: Sir Solomon Oddly Actor: Quick
Related Works
Related Work: Just in Time Author(s): Thomas HurlstoneCharles Thomas Carter

Afterpiece Title: The Deaf Lover

Dance: In: Dance incidental to the piece,-Byrne, Mlle St.Amand

Entertainment: Monologue End: (by way of Epilogue) Poetical Sketch, Jemmy Jumps in the Dumps; or, A Sunday Lounge in Hyde Park-Munden

Event Comment: Afterpiece [1st time; DO 2, by Thomas Morton]: The Music, with a new Overture, by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Children in the Wood

Performance Comment: Characters by Bannister Jun., Dignum, Barrymore, Suett, Benson, Caulfield, Waldron Jun., Lyons, Cooke, Master Menage, Miss Menage, Miss DeCamp, Mrs Booth, Mrs Bland. [Cast from text (No pub.. 1794): Walter-Bannister Jun.; Lord Alford-Dignum; Sir Rowland-Barrymore; Apathy-Suett; Gabriel-Benson; Oliver-Caulfield; Ruffians-Waldron Jun. [in text: Burton], Cooke; Servant-Lyons [in text: Maddocks]; Boy-Master Menage; Girl-Miss Menage; Lady Helen-Miss DeCamp; Winifred-Mrs Booth [in text: Mrs Hopkins]; Josephine-Mrs Bland.
Cast
Role: Sir Rowland Actor: Barrymore
Related Works
Related Work: The Children in the Wood Author(s): Thomas Morton
Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lover's Vows

Performance Comment: Principal Characters by Pope, Munden, H. Johnston, Knight, Murray, Powel, Thompson, Rees, Curties, Mrs Johnson, Mrs Davenport, Miss Leserve, Mrs H. Johnston. [Cast from text (G. G. and J. Robinson, 1798): Frederick-Pope; Verdun the Butler-Munden; Anhalt-H. Johnston; Count Cassel-Knight; Baron Wildenhaim-Murray; Cottager-Powel [in text: Davenport (see17981022)]; Landlord-Thompson; Farmer-Rees; Countryman-Curties [in text: Dyke]; Agatha Friburg-Mrs Johnson; Cottager's Wife-Mrs Davenport; Country Girl-Miss Leserve; Amelia Wildenhaim-Mrs H. Johnston; Prologue-Murray; [This was spoken, as here assigned, at the 1st 9 performances only (see17981029).] Epilogue-Munden. [This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]

Afterpiece Title: A Day at Rome

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, Townsend, Rees, Linton, Gray, Street, Abbot, Blurton, Platt, Dyke, Whitmore, Lee, Mrs Davenport, Miss Wheatley, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts, Mrs Martyr. Cast from text (H. D. Symonds and G. Cawthorn, 1798): Rivers-Incledon; Sir Timothy Hopkins-Munden; Pisani-Fawcett; MacRusty-Townsend; Gioachino-Abbot; Lady Hopkins-Mrs Davenport; Juliana-Miss Wheatley; Mrs Blarney-Mrs Martyr; unAssigned-Rees, Linton, Gray, Street, Blurton, Platt, Dyke, Whitmore, Lee, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts.
Cast
Role: Sir Timothy Hopkins Actor: Munden
Related Works
Related Work: A Day at Rome Author(s): Thomas Attwood
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349. There is no certainty that this is the first performance, but a licensing date of 28 Jan. 1677@8 and Mrs Behn's statement in the Preface that she hurried the play into print suggest a premiere not far from this date. Edition of 1678: To the Reader: I Printed this Play with all the impatient haste one ought to do, who would be vindicated from the most unjust and silly aspersion, Woman could invent to cast on Woman; and which only my being a Woman has procured me, That it was Bawdy, the least and most Excusable fault in the Men Writers, to whose Plays they all crowd, as if they came to no other end then to hear what they condemn in this: but from a Woman it was unnaturall. One song, Sitting by yonder river side, with music by Thomas? Farmer, is in Choice Ayres and Songs, The Second Book, 1679

Performances

Mainpiece Title: Sir Patient Fancy

Performance Comment: Edition of 1678: Prologue-Mr Betterton; Sir Patient Fancy-Anthony Leigh; Leander Fancy-Crosby; Wittmore-Betterton; Lodwick Knowell-Smith; Sir Credulous Easy-Nokes; Curry-Richards; Lady Fancy-Mrs Corrar; Lady Knowell-Mrs Gwin [Quin]; Lucretia-Mrs Price; Isabella-Mrs Betterton; Maundy-Mrs Gibbs; Epilogue-Mrs Gwin [Quin].Quin].
Event Comment: Afterpiece With the Scene of the Drawing. [William Hint in a Letter on Managers (Daily Gazetteer 26 Oct.) laments that Dunstall was cast as Sir William Belfond in the mainpiece and that Hippisley was cast in an inferior part. He thought Hippisley would have done better as Sir William.

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Squire-Chapman; Belfond Jun.-Hale; Sir Edward Belfond-Bridgwater; Sir William Belfond-Dunstall; Lolpoop-Hippisley; Trueman-Cashell; Attorney-Ridout; Scrapeall-James; Cheatly-Rosco; Shamwell-Gibson; Capt Hackem-Marten; Termagant-Anderson; Teresia-Mrs Hale; Isabella-Mrs Vincent; Lucia-Miss Hippisley; Ruth-Mrs Martin; Mrs Hackem-Stoppelaer; Mrs Termagant-Mrs Pritchard.
Related Works
Related Work: The Squire of Alsatia Author(s): Thomas Shadwell

Afterpiece Title: The Lottery

Dance: LLe Gondalier-Cooke, Villeneuve, Delagarde, Rector, Destrade, Mrs Delagarde, Mrs Norman, Mrs LeBrun, Mrs Villeneuve; La Provencale-Picq, Mlle Duval

Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Cast
Role: Scholar Actor: Thomas
Related Works
Related Work: The Pilgrim Author(s): Thomas Killigrew
Event Comment: [By Thomas Moore.] With Musick Vocal and Instrumental, Dances, and other Decorations proper to the same. Victor, History of the Theatres, II, 144: Three or four Years after the Performance of this famous Tragedy, I had the following account from several of the Actors who performed in it: That Sir Thomas gave them many good Dinners and Suppers during the Rehearsals of the Play, which they all laugh'd at as ridiculous; but as the Company was, at that Time, composed chiefly of young Actors, and got but small Encouragement from the Public; it may be justly said, their Necessities compelled them to perform this strange Tragedy, which stood some chance to divert from its Absurdities

Performances

Mainpiece Title: Mangora, King Of The Timbusians

Performance Comment: edition of 1718 lists: Sebastian Gavot-Rogers; Nuno de Lara-Smith; Sebastian Hurtado-Leigh; Ruiz Mosquera-Bullock Jr; Father Jaques-Bullock Sr; Mangora-Williams; Siripus-Ogden; Malivag-Knapp; Spirit-Giffard; Lucy de Miranda-Mrs Knight; Donna Isabella-Mrs Bullock; Francisca-Mrs Finch; Ilogen-Mrs Kent; Prologue-Mrs Spiller in Man's Clothes; Epilogue-Mrs Bullock.
Cast
Role: Siripus Actor: Ogden
Related Works
Related Work: Mangora, King of the Timbusians. Or The Faithful Couple Author(s): Thomas Moore
Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could

Performance Comment: Edition of 1668: No actors' names, no prologue, no epilogue. Downes (Roscius Anglicanus, p. 28): Courtall-Smith; Freeman-Young; Sir Joslin-Harris; Sir Oliver-Nokes; Ariana-Mrs Jenning; Getty-Mrs Davies; Lady Cockwood-Mrs Shadwell.
Cast
Role: Sir Joslin Actor: Harris
Role: Sir Oliver Actor: Nokes
Event Comment: [Miss Humphries, who was from the Private Theatre, Tottenham Court Road, is identified by MS annotation on Kemble playbill. In afterpiece the playbill retains Barrymore as Sir Rowland, and Bannister Jun. as Walter, but "The Public are respectfully informed that Bannister being suddenly afflicted with a Hoarseness, and Barrymore having met with an unfortunate Accident, are both rendered incapable of the honour of appearing before them this Evening. To prevent a disappointment of The Children in the Wood Dowton will perform...Walter, and C. Kemble Sir Rowland, presuming humbly upon the usual kind indulgence experienced upon such emergencies" (printed slip attached to Kemble playbill).] Receipts: #259 18s. (160.0.6; 98.12.6; 1.5.0)

Performances

Mainpiece Title: The Heiress

Performance Comment: Sir Clement Flint-King; Clifford-Wroughton; Lord Gayville-Palmer; Alscrip-Suett; Chignon-Wewitzer; Mr Blandish-Holland; Prompt-R. Palmer; Rightly-Aickin; Chairman-Wentworth; Servant-Webb; Lady Emily-A Young Lady (1st appearance on this stage [Miss Humphries]); Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Sagely-Mrs Maddocks; Tiffany-Miss Tidswell; Mrs Blandish-Miss Heard.
Cast
Role: Sir Clement Flint Actor: King
Related Works
Related Work: The Richmond Heiress; or, A Woman Once in the Right Author(s): Thomas D'Urfey
Related Work: The Heiress; or, the Antigallican Author(s): Thomas Mozeen

Afterpiece Title: The Children in the Wood

Performance Comment: As17970919, but Sir Rowland-C. Kemble; Walter-Dowton; added: Oliver-Maddocks.
Cast
Role: Sir Rowland Actor: C. Kemble
Related Works
Related Work: The Children in the Wood Author(s): Thomas Morton

Entertainment: Entertainment. Not listed on playbill (see17971016). Morning Herald, 16 Oct.: A representation of the late engagement with the Dutch-; was unexpectedly given after the play. It was followed by some fire@works-, in which was a star, ending after various mutations in a sun, emblematic of British Glory!

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher, by Sir John Vanbrugh and Mr Dryden. Afterpiece: An English Opera, written by the late Mr Addison, and new set to Musick by Mr Arne, reserving two or three Favourite Songs, out of his former Opera

Performances

Mainpiece Title: The Pilgrim

Related Works
Related Work: The Pilgrim Author(s): Thomas Killigrew

Afterpiece Title: Rosamond

Performance Comment: King Henry-Beard; Sir Trusty-Rheinhold; Page-Miss Edwards; Queen-Mrs Arne; Rosamond-Mrs Clive; Grideline-Mrs Jones.
Cast
Role: Sir Trusty Actor: Rheinhold
Related Works
Related Work: Rosamond Author(s): Thomas Clayton
Related Work: Henry the Second; or, The Fall of Rosamond Author(s): Thomas Hull

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf; IV: Punches-Master Ferg, Miss Wright

Event Comment: Benefit for Hull. [Monologue by Thomas Hull (Moral Tales, 1797, I, 5-12).] Receipts: #164 5s. (82.9; 9.1; tickets: 72.15)

Performances

Mainpiece Title: The Rivals

Performance Comment: As17880328but Captain Absolute-Macready; Sir Anthony Absolute-Hull; The Author's original Epilogue-Mrs Pope.
Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: Love and War

Related Works
Related Work: The Campaign; or, Love in the East Indies Author(s): Sir Nathaniel Barry

Dance: As17871029

Entertainment: Monologue. End I afterpiece: Virtue its own Rewardexemplified in a Moral Tale, and founded on a Real Event,-Hull