SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Thomas DeVeil"/1) | (@(roleclean,performerclean) "Sir Thomas DeVeil")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6976 matches on Author, 6375 matches on Performance Comments, 1285 matches on Event Comments, 503 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: The Rivall Queene. See also Nicoll, Restoration Drama, p. 346. That this is the premiere is indicated by a letter from the Marquis of Worcester to the Marchioness, 17 March 1676@7: Sir Charles Sedley's Cleopatra has been acted often, and to-day a new play of the death of Alexander, but I have not been to see either, living a mighty drudging life (HMC, 12th Report, Appendix, Beaufort MSS., IX, 66). Downes (Roscius Anglicanus, p. 11), has a cast which agrees (except for omissions) with that in the edition of 1677. Downes adds (p. 16): [Hart in] Alexander, towards the latter End of his Acting; if he Acted in any one of these but once in a Fortnight, the House was fill'd as at a New Play, especially Alexander, he Acting that with such Grandeur and Agreeable Majesty, That one of the Court was pleas'd to Honour him with this Commendation; That Hart might Teach any King on Earth how to Comport himself

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: Edition of 1677: Prologue to Alexander by Sir Char. Scroop, Baronet-; Epilogue-; Alexander-Hart; Clytus-Mohun; Lysimachus-Griffin; Hephestion-Clarke; Cassander-Kenaston; Polyperchon-Goodman; Philip-Powell; Thessalus-Wiltshire; Perdiccas-Lydall; Eumenes-Watson; Meleager-Perin; Aristander-Coysh; Sysigambis-Mrs Corey; Statira-Mrs Boutell; Roxana-Mrs Marshall; Parisatis-Mrs Baker.
Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft

Performances

Mainpiece Title: Sir Hercules Buffoon; Or, The Poetical Squire

Performances

Mainpiece Title: Sir Courtly Nice

Performances

Mainpiece Title: Sir Courtly Nice

Performances

Mainpiece Title: Sir Courtly Nice

Performances

Mainpiece Title: Sir Martin Marall; Or, The Feign'd Innocence

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan

Performances

Mainpiece Title: Sir Courtly Nice

Event Comment: Luttrell, A Brief Relation, II, 437: This being the queen s birth day, a new ode was sung before her upon the occasion: the nobility and gentry, with the lord mayor and aldermen of this citty, attended to compliment thereon. Gentleman's Journal, May 1692: The 30th of April, being Her Majesties Birth-day, was observ'd with all the usual Solemnity. I design'd to have sent you an Attempt of mine in Verse, on that noble Subject: But having happily obtain'd a Copy of those writ by Sir Charles Sidley, it would have been an unpardonable Crime, to have joyn'd my weak Essay to a Piece by so great a Master. [The Ode, Love's Goddess Sure, the music by Henry Purcell, is in Purcell's Works, Purcell Society, XXIV (1926), i.

Performances

Mainpiece Title: Concert

Performance Comment: An Anniversary Ode sung before Her Majesty...the Words by Sir Charles Sidley: Set by Mr Henry Purcell-.

Performances

Mainpiece Title: Sir Harry Wildair

Performances

Mainpiece Title: Sir Harry Wildair

Performances

Mainpiece Title: Sir Harry Wildair

Performances

Mainpiece Title: Sir Mannerly; Or, The Country Wit

Performances

Mainpiece Title: Sir Courtly Nice

Song:

Dance:

Performances

Mainpiece Title: Sir Solomon Single

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Sir Solomon Single

Dance: Firbank, Firbank's Scholar, Godwin, Mrs Clark, Miss Evans, others

Song: Mrs Hodgson

Performances

Mainpiece Title: Sir Solomon Single

Entertainment: Between each Act: Scotch Dances and Songs-

Performances

Mainpiece Title: Sir Martin Marall

Dance: As17031007

Event Comment: Benefit Miss Evans and Miss Mountfort. At the Desire of several Persons of Quality. Tickets given out for Hannibal taken at this play

Performances

Mainpiece Title: Sir Mannerly Shallow; Or, The Country Wit

Afterpiece Title: The Stage Coach

Song: Spinning Wheel Dialogue-Cook, another

Dance: Chacone-Miss Evans

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Sir Courtly Nice

Song: As17050102

Dance: As17050102

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Sir Courtly Nice

Song: As17050104

Dance: duRuel, Cherrier, Mrs duRuel, Mrs Moss

Performances

Mainpiece Title: Love In A Tub

Cast
Role: Sir Nicholas Actor: Dogget
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Music: As17041127

Song: As17050215

Dance: As17041129

Performances

Mainpiece Title: Sir Solomon Single; Or, The Cautious Coxcomb

Song:

Dance:

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be