SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Thomas DeVeil"/1) | (@(roleclean,performerclean) "Sir Thomas DeVeil")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7237 matches on Author, 6375 matches on Performance Comments, 1285 matches on Event Comments, 503 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: Bonds without Judgement

Song: As17870515

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: Love a la Mode

Performances

Mainpiece Title: The World In A Village

Cast
Role: Sir Henry Check Actor: Powel

Afterpiece Title: NINA

Related Works
Related Work: Nina Author(s): William Thomas Parke

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17961220

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970221

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17961220

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Rendez@vous (1st time; composed by Gallet)-Mme Hilligsberg [will perform in Man's Cloaths]

Ballet: End Opera: Sapho et Phaon. As17970406

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Rendez@vous, as17970511, but Mme _Hilligsberg

Ballet: End Opera: Sapho et Phaon. As17970406

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Ballet: Sapho et Phaon. As17970513

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970513

Ballet: Sapho et Phaon. As17970513

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Acis et Galatie, as17970615 End Opera: Pizarre, as17970211

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970620

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Les Delassements Militaires-, as17970124; End Opera: Acis et Galatie, as17970617

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End Opera: Le Triomphe de Themis- [see17971220]

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: La Chasse d'Amour, as17980102; End Opera: Le Triomphe de Themis, as17971226

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17971230

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As18000322

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Mariage Mexicain, as18000225; Pas de Quatre of Panurge-; End Opera: Hyppomene et Atalante, as18000322

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As18000429

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par LAmour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear. Afterpiece: Written by the Author of the Toy Shop. Weekly Journal or British Gazetteer, 26 Feb.: On Monday Night last a great Disturbance happened at Drury-lane Play-house, occasioned by a great Number of Footmen, who assembled themselves in a riotous and tumultuous Manner, with great Outcries of burning the House, unless they were immediately admitted into what they call their Gallery; and in order to strike a Terror, they began to hew down the Door of the Passage which leads to the said Gallery, of which Col. Deveil, who was then in the House, had immediate Notice, and thereupon came out where they were thus assembled, and notwithstanding they threatened to knock his Brains out, he read the Proclamation to them, admonish'd them to retire, and desist from so unlawful an undertaking. [The footmen soon withdrew.

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: Timon of Athens Author(s): Thomas Hull
Related Work: The History of Timon of Athens, the Man-Hater Author(s): Thomas Shadwell

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Benefit Denoyer. By Command of their Royal Highnesses the Prince and Princess of Wales. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Tickets at Denoyer's House in St. James's-Street, over-against Park-Place. Daily Advertiser, 7 March: On Saturday Night the Mob attempted to force into Drury-Lane Playhouse, and were so insolent, that Justice Deveil was oblig'd to go out and read the Proclamation concerning Rioters; the Guard was order'd to his Assistance, and some of the Offenders were apprehended and sent to Newgate. [For Occasional Prompter XXIV (on the alteration of Much Ado About Nothing), see Daily Journal, 5 March.

Performances

Mainpiece Title: Loves Last Shift

Cast
Role: Sir Novelty Actor: Cibber
Role: Sir William Actor: Johnson

Afterpiece Title: Phebe

Dance: I: Serious Dance-Denoyer; II: Harlequin-Denoyer's Apprentice; III: Grand Ballet-Denoyer, Mrs Roland; V: Minuet-Denoyer, Mrs Walter

Event Comment: Mainpiece: At the Desire of Several Persons of Quality. N.B. Some few days ago Mrs Catherine Penny was Committed, by Col DeVeil, to Bridewell, for selling Counterfeit tickets, for the Theatre Royal in Drury Lane; and as she has deliver'd out others for several Benefits to come (Mrs Clive's in particular) it is thought proper to give this public notice of the fraud, in order to prevent any tickets being bought in the Passages of the Theatre, proper care being taken to prevent all Tickets so bought from coming into the House

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Cast
Role: Thomas Actor: Raftor

Performances

Mainpiece Title: The Female Fop Or The False One Fitted

Performance Comment: Persons who never yet appear'd in Public. Edition of 1724 lists: Sir Zealwou'd Fainall-Alleyn; Sir Obstinate Lecture-Thomas; Manworth-Hawker; Trueman-Milward; Timothy-Williams; 1st Companion-Dyas; 2d Companion-Richards; Eudmia-Mrs Thomas; Clarinda-Mrs Howey; Manilia-Mrs Herold; Isabella Wealthy-Mrs Marlow; Hearty-Mrs Wadderburn; Prologue-Milward.

Song: Singing in Italian and English-Mrs Hill