SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir Tho Armstrong"/1) | (@(roleclean,performerclean) "Sir Tho Armstrong")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6086 matches on Performance Comments, 1605 matches on Author, 1086 matches on Event Comments, 529 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Funeral Or Grief A La Mode

Music: Select Pieces-

Dance: I: Countrywoman-Miss Brett; III: Dutchwoman-Miss Robinson; IV: Scots Dance-Houghton, Mrs Walter; V: Flute Chacone, Minuet-Mrs Booth

Song: II: Song In Italian and English-Ellis Roberts

Event Comment: A new Opera. Written by the late Mr Gay. With New Habits and Scenes. Receipts: #207 11s. 6d. Daily Courant, 12 Feb.: Mr Pultney and Mr Pope were in the Pit....They were in the House before any body else was admitted. Sir William Windham was also present at this Performance; but notwithstanding the Countenance given to it, there was so much Obscenity and Scurrility in it, that it raised a general Abhorrence in the Audience. [See also The Bee, 17 Feb., for a puff concerning this performance and the play in general.

Performances

Mainpiece Title: Achilles

Related Works
Related Work: Achilles in Petticoats Author(s): Thomas Arne
Event Comment: Benefit W. Grove, M.R. by Command of the Honourable Court of Non-Common-Pleas. The Gentlemen of the Society are desir'd to meet at their Court, at Sir John's, at 5 o'Clock exactly, from thence to proceed to the Theatre. 6 p.m. 5s., 4s., 2s

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora

Music: I: Trumpet Concerto-Burk Thumoth; II: Concerto-Vivaldi; III: Solo on the German Flute-Thumoth; V: Sonata for the Harpsichord and Violin Harpsichord-Thumoth

Dance: II: Dutch Skipper-Jones Sr, Jones Jr; IV: Sailor's Dance-Jones

Event Comment: SSt. James's Evening Post, 2 June, quoted in Grub St. Journal, 7 June: Sir, As Mr Cibber has had various ill-natured reflections cast upon him, for selling his share of the patent for Drury-Lane house, and for not making it over to his son; it will be a piece of justice to inform the publick, that the reason which he gave for such a conduct was, that he chose to convert it into ready money, that he might make a proportionable division of what fortune he may happen to have among all his children. Craftsman, 2 June: We have likewise received undoubted Intelligence from [dl], that a considerable Body of malcontent Players, under the Command of that puissant Captain, Mr The@@lus C@@r, have lately enter'd into a mutinous Association against their Masters, the Patentees, and still continue in a State of Hostility; which hath prevented any Plays being acted there this Week

Performances

Mainpiece Title: Griselda

Event Comment: As 15 Oct. Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Funeral

Dance: IV: Friendly Lasses by Miss Wherrit and Miss Sandham. V: The Amorous Couple by D'Vallois and Mrs D'Vallois

Event Comment: Mainpiece: Written by the late Sir Richard Steele. With an entire new Sett of Scenes, particularly a view of Stocks-Market. Afterpiece: A new Farcical Ballad Opera. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Funeral

Afterpiece Title: King and no King or The Polish Squabble

Related Works
Related Work: King and No King Author(s): Thomas Harris

Dance: IV: A new Scots Dance by Miss Wherrit. V: Two Pierrots by D'Vallois and J. Delagarde

Event Comment: Afterpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The CountryHouse

Dance: As17331203 Also The Nassau, as17331112

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Mistake Or The Wrangling Lovers

Related Works
Related Work: The Jealous Clown; or, The Lucky Mistake Author(s): Thomas Gataker

Afterpiece Title: The Mock Doctor

Dance: As17331208

Event Comment: Mainpiece: Not Acted these thirty Years. Taken from the French of Moliere by Sir John Vanbrugh. [This version by James Ralph.] The Songs new set by John Frederick Lampe, and a new Grand Dance, in Grotesque Characters, proper to the Play. Afterpiece: a Farce of two Acts. Alter'd from Beaumont and Fletcher. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Cornish Squire

Afterpiece Title: The Sham Pilgrims

Event Comment: Benefit Johnson. Mainpiece: Written by the late Sir Richard Steele. Afterpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Mock Doctor

Dance: I: Dutchman and his Wife by Le Brun and Mrs Walter. III: Two Pierrots by Poitier and Nivelon. IV: Polish Dance, as17340318 but Miss Mann added. V: Revellers

Song: II: By Miss Arne

Event Comment: Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Cupid and Psyche

Event Comment: Benefit John Roberts, in lieu of one last Season at DL. Afterpiece: Written by Henry Fielding, Esq. 6:30 P.M. N.B. The Play and Entertainment will be conducted with the utmost Decorum: And whereas several Irregularities have been committed, as to Hours of beginning, &c. this is to assure all Gentlemen and Ladies that please to favour us with their Presence, that the Play will certainly begin at the time propos'd; and particular Care is taken that the whole Performance will endeavour at universal Satisfaction. Tickets for Sir Walter Raleigh taken at this Play

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Don Quixote in England

Related Works
Related Work: Squire Badger Author(s): Thomas Arne

Dance: I: Prince of Wales's Saraband and Minuet by Davenport and Miss Brett. III: Les Bergers Heureux by Davenport and Miss Brett. V: The Black Joke by Davenport and Miss Brett

Song: In II: Lempio Rigor del Fato by Miss Jones. IV: Was ever Nymph like Rosamond by Miss Jones. End Afterpiece: A Dialogue by Master Arne and Miss Jones

Event Comment: Benefit Thompson, Le Sac, Miss Rogers

Performances

Mainpiece Title: The Provokd Wife

Cast
Role: Sir John Actor: Bridgwater

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Actor: Stoppelaer

Dance: I: Richmond Maggot by Le Sac and Miss Rogers. III: Grecian Sailors by Glover, Le Sac, Dukes, Delagarde, Dupre. IV: A new dance by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, &c. Mainpiece: Written by Sir John Vanbrugh

Performance Comment: III: Grecian Sailors by Glover, Le Sac, Dukes, Delagarde, Dupre. IV: A new dance by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, &c. Mainpiece: Written by Sir John Vanbrugh .

Song: II: As17350422

Event Comment: Mainpiece: Written by Sir J. Vanbrugh. Receipts: #53 17s

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Fall of Phaeton

Related Works
Related Work: The Fall of Phaeton: With Harlequin a Captive Author(s): Thomas Arne

Afterpiece Title: The Royal Chace

Event Comment: Not Acted these Thirty Years. Benefit Mrs Roberts. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Maids The Mistress

Performance Comment: Gaylove-Johnson; Beauford-Wright; Sir D. Fancy-W. Giffard; Empty-Penkethman; Roger-Norris; Nicholas-Yates; Lady Fancy-Mrs Marshall; Harriet-Mrs Hamilton; Charlot-Mrs Roberts.

Afterpiece Title: The Lovers Opera

Dance: I: Pierrots-Vallois, Delagarde; V: Scots Dance-Haughton, Mlle Roland

Song: II: The Early Horn Salutes the Morn-Miss Jones; III: Singing in Italian-Mrs Chambers

Performances

Mainpiece Title: The Fond Husband Or The Plotting Sisters

Performance Comment: Pergrine-Penkethman; Rashly-Giffard; Emilia-Mrs Haughton; Maria-Mrs Roberts; Ranger-Richardson; Old Fumble-Norris; Sneak-Woodward; Sir R. Petulant-Lyon; Spatterdash-Hamilton; Mrs Snare-Mrs M. Giffard; Governess-Mrs Wetherilt; Betty-Miss Tollet; Cordelia-Mrs Penkethman; the first time of her appearing on any stage. Likewise (by Desire) an Epilogue-Penkethman, riding on an Ass.
Related Works
Related Work: A Fond Husband; or, The Plotting Sisters Author(s): Thomas D'Urfey

Afterpiece Title: Hymens Triumph

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Afterpiece Title: Harlequin Restord

Related Works
Related Work: Harlequin Restor'd; or, Taste a la Mode Author(s): Thomas Arne
Related Work: Harlequin Restor'd; or, The Country Revels Author(s): Thomas Arne

Dance: In II: Dance of Winds-Muilment, Thurmond; In IV: Comic Dance of Fantastical Spirits (in Grostesque Characters)-Thurmond, Villeneuve, Levier, Pelling; In V: Waterman's Dance-Harper; with a Grand ballet of Sailors-Mlle Roland

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Afterpiece Title: Harlequin Restord

Related Works
Related Work: Harlequin Restor'd; or, Taste a la Mode Author(s): Thomas Arne
Related Work: Harlequin Restor'd; or, The Country Revels Author(s): Thomas Arne

Dance: As17370411

Event Comment: EEgmont, Diary, II, 390: To the Haymarket Playhouse, where a farce was acted called Eurydice First Hiss'd?, an allegory on the loss of the Excise Bill. The whole was a satire on Sir Robert Walpole, and I observed that when any strong passages fell, the Prince, who was there, clapped, especially when in favour of liberty. [The Princess of Wales was also present.

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hissd

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden. Afterpiece: Written by the Author of the Toy Shop

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Afterpiece Title: The King and the Miller of Mansfield

Dance: As17370411

Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame or Queen Elizabeths Trumpets or Never pleads Hopes of being a Lord Chancellor or The Lover turnd Philosopher or The Misers Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.
Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par LAmour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden

Performances

Mainpiece Title: The Pilgrim

Related Works
Related Work: The Pilgrim Author(s): Thomas Killigrew

Afterpiece Title: Colombine Courtezan

Dance: II: Flanderkins-Master Ferg, Miss Wright; III: Drunken Peasant-Philips; IV: Grand Dance-Mlle Roland

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Mock Doctor

Dance: Muilment

Event Comment: Benefit Castelman, the Treasurer. Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden. [Tickets at Castelman's Lodgings, at Mr Watford's, Upholder, over-against the Sun Tavern, Russel Street, Bloomsbury.

Performances

Mainpiece Title: The Pilgrim

Related Works
Related Work: The Pilgrim Author(s): Thomas Killigrew

Afterpiece Title: Mars and Venus

Dance: I: Punches Dance-Master Ferg, Miss Wright; III: Pierots-Leviez, Pelling; IV: Moors Dance-Muilment, Mrs Walter

Music: V: A Concerto-Henry Burgess Jr