SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir Robert Rich"/1) | (@(roleclean,performerclean) "Sir Robert Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6855 matches on Performance Comments, 2743 matches on Author, 1611 matches on Event Comments, 583 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece An Historical Dramatic Piece of on act (taken from Shakespear) with a representation of the Trials of the Lords for High Treason, in the Reign of King Henry V. The Characters dress'd in the Habits of the times. With proper Scenes and Decorations. On account of the Extraordinary Scenery, &c, and to prevent any interruption in the performance, it's desired no persons will take it ill that they cannot admitted behind the Scenes.--General Advertiser. [This adaption most certainly occasioned by the trial, which began in Westminster Hall on 28 July of Lord Kilmarnock, Lord Cromarty, and Lord Balmerino for participation in the Rebellion of '45! (Hogan, Shakespeare in the Theatre, p. 199).] An Historical Dramatic Piece of one act, taken from Shakespear, will be perform'd, after a play, at Drury Lane; it will be a Representation of the trials of Lord Cambridge, Lord Scroopv, &c for High Treason, in the reign of King Henry the Fifth. The Characters are to [be] dress'd in rich antique Habits of the times.--Daily Advertiser, 31 July. Last night the Dramatick Piece call'd The Conspiracy Discover'd; or French Policy Defeated, with a representation of the Trials of the Lords for High Treason, was acted at dl, with great applause, and will be performed again tomorrow night at the desire of several persons of Distinction.--General Advertiser, 5 Aug

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17460308 but Miranda-Mrs Giffard; Marplot-Cibber; Sir George-Giffard; Sir Francis-Phillips; Whisper-Oates; Patch-Mrs Cross; Scentwell-Mrs Bridges.
Cast
Role: Sir George Actor: Giffard
Role: Sir Francis Actor: Phillips
Role: Sir Jealous Actor: Bridges

Afterpiece Title: The Conspiracy Discovered or French Policy Defeated

Event Comment: Benefit for the Author of the Prologue, Epilogue and Pastoral Dialogue. Mainpiece: Written by Mr Addison. A New Pastoral Dialogue for the benefit of ye Author of ye Dialogue, Cook ye Poet (Cross). [The Prologue was on comic poetry (spoken by Ryan); the Epilogue was on the Comic Characters of Women (spoken by Mrs Bland). See published version (London, 1753 "to which is prefixed an Ode to John Rich, Esq:"--British Museum 11795 K 31).

Performances

Mainpiece Title: The Drummer Or The Haunted House

Afterpiece Title: The What Dye Call It

Performance Comment: As17521024, but Sir Roger-_; Sir Humphrey-_; Statue-_; Peter-_; Steward-_; Constable-_; Corporal-_; Stave-_.
Cast
Role: Sir Roger Actor: Marten
Role: Sir Humphrey Actor: Bransby

Entertainment: NNew Prologue, Epilogue, likewise a New Pastoral Dialogue (never perform'd before)-Lowe, Mrs Lampe; The music by Mr Arne-

Dance: LLes Chasseurs Allemandes, as17521207

Event Comment: [Mainpiece in place of The Recruiting Officer, announced on playbill of 12 Oct.] Afterpiece [1st time; P 2(?), by James Messink. Not in Larpent MS; synopsis of action in London Chronicle, 15 Oct.]: The Scenes partly new and partly compiled from Rich's Pantomimes [i.e. The Rape of Proserpine, Perseus and Andromeda, Apollo and Daphne, all three written by Lewis Theobald (Morning Chronicle, 15 Oct.)]. The new Music by Dibdin. The new Scenes painted by Carver

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Millamour-Lewis; Malvil-Wroughton; Bygrove-Aickin; Sir Harry Lizard-Whitfield; Sir John-Fearon; Capt. Bygrove-Booth; Dashwou'd-Lee Lewes; Miss Neville-Miss Leeson; Mrs Bromley-Mrs Jackson; Lady Jane-Mrs Morton; La Rouge-Miss Ambrose; Lady Bell-Mrs Mattocks.
Cast
Role: Sir Harry Lizard Actor: Whitfield
Role: Sir John Actor: Fearon

Afterpiece Title: The Medley or Harlequin At All

Related Works
Related Work: Harlequin Executed Author(s): John Rich
Related Work: Harlequin Junior; or, The Magic Cestus Author(s): Carl Friedrich Baumgarten

Dance: Afterpiece: The dances-Aldridge, Dagueville, Miss Valois. [These were danced, as here assigned, in all subsequent Performances.

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle Or The Witty False One

Performance Comment: Edition of 1677: Prologue-Mr Smith; Epilogue-; Lord Bellamore-Betterton; Manley-Smith; Sir Arthur Oldlove-Sandford; Captain Tilbury-Medbourn; Zechiel-Anthony Leigh; Toby-James Nokes; Old Jollyman-Underhill; Harry-Jevan; Flaile-Richards; Dorrel-Norrice; Madam Fickle-Mrs Mary Lee; Constantia-Mrs Barrer [Barry]; Arbella-Mrs Gibbs; Silvia-Mrs Napper.
Cast
Role: Sir Arthur Oldlove Actor: Sandford
Role: Flaile Actor: Richards
Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: Londons Triumph Or The Goldsmiths Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Edition of 1693: Prologue intended for the Old Batchelor [sent to the Author, by an unknown Hand-; Prologue-Mrs Bracegirdle; Epilogue-Mrs Barry; Heartwell-Betterton; Bellmour-Powel; Vainlove-Williams; Sharper-Alexander [Verbruggen]; Sir Joseph-Bowen; Bluff-Hains; Fondlewife-Dogget; Servant-Underhill; Araminta-Mrs Bracegirdle; Belinda-Mrs Mountfort; Laetitia-Mrs Barry; Sylvia-Mrs Bowman; Lucy-Mrs Leigh.
Cast
Role: Sir Joseph Actor: Bowen
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3151, 20-23 Jan. 1695@6, and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than December 1695. According to the Edition of 1696, the music was set by John Eccles: Come, Thyrsis, come was sung by Reading and Mrs Hodgson; the other songs in the edition lack the names of the singers. In addition, Rich mines of hot love are rooted here, sung by Bowman, was in Deliciae Musicae, The First Book of the Second Volume, 1696; and Let us revel and roar, set by John Eccles and sung by Curco and Reading, was published in Thesaurus Musicus, The Fifth Book, 1696. Downes, Roscius Anglicanus, p. 44: Lovers Luck, a Comedy, Wrote by Captain Dilks, which fill'd the House 6 Days together, and above 50# the 8th, the Day it was left off. A Comparison Between the Two Stages (1702), p. 20, lists it among the plays under the heading: Damn'd

Performances

Mainpiece Title: The Lovers Luck

Performance Comment: Edition of 1696: Prologue-Mr Hodgson; Sir NicholasPurflew-Bright; Alderman Whim-Underhil; Bellair-Betterton; Breviat-Freeman; Goosandelo-Bowman; Eager-Bowen; Sapless-Dogget; Jacona-Mrs Ayloff; Mrs Purflew-Mrs Bracegirdle; Mrs Plyant-Mrs Bowman; Vesuvia-Mrs Lee; Sprightly-Mrs Lawson; Landlady-Mrs Perin.
Cast
Role: Sir NicholasPurflew Actor: Bright
Event Comment: Benefit Glover. [Tickets at Glover's, Chandos Street, cg. See Grub St. Journal, 11 March, for a discussion of Rich as a manager.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Falstaff-Delane; Shallow-Chapman; Sir Hugh-Hippisley; Ford-Ryan; Page-A. Hallam; Slender-Clarke; Caius-Mullart; Fenton-Master A. Ryan; Mrs Ford-Mrs Horton; Mrs Page-Mrs Hallam; Anne Page-Miss Bincks; Mrs Quickly-Mrs Mullart.
Cast
Role: Sir Hugh Actor: Hippisley

Afterpiece Title: The Cheats of Scapin

Dance: I: Clown-Nivelon; II: Grand Comic Dance-Lalauze; accompanied-Desse, Richardson, Baudouin, Mrs Moreau, Mrs Ogden, Mrs Delorme, Miss Norman; III: By particular Desire, The Louvre (a Ball Dance), concluding with a Minuet-Glover, Mrs Laguerre; IV: The Kilkenny (an Irish Dance)-Glover, Mrs Laguerre; V: Scot's Dance-Glover, Mrs Laguerre, Desse, Mrs Ogden, Tench, Mlle Delorme

Event Comment: [Letter from Mlle Auguste to the Public stated that Fleetwood had refused to answer her letter, whence she had withdrawn and engaged with Rich, of which fact she appraised Fleetwood who still kept her name on the bills. Her reason for leaving Fleetwood was her having heard that on 4 Dec. he had read a letter on the stage at dl to her discredit. See London Daily Post and General Advertiser.] Receipts: #80

Performances

Mainpiece Title: The Double Gallant

Performance Comment: Double Gallant-[T. ]Cibber; Sir Soloman-Johnson; Careless-Mills; Clerimont-Havard; Lady Dainty-Mrs Butler; Silvia-Mrs Mills; Lady Sadlife-Mrs Cross; Old Wilful-Shepard; Old Atall-Turbutt; Strut-Neale; Dr Bolus-Taswell; Apothecary-Gray; Finder-Berry; Supple-Ray; Wishwell-Mrs Macklin; Situp-Miss Bennet; China Woman-Mrs Egerton; Clarinda-Mrs Woffington.
Cast
Role: Sir Soloman Actor: Johnson

Afterpiece Title: Harlequin Shipwrecked

Song: I: Early Horn-Lowe; III: Happy Pair-Beard

Dance: II: Sailor's Dance, as17411015; IV: The Italian Peasants, as17411205

Event Comment: KKing did Tom (Well) Mrs Clive being taken ill-Mrs Abington did Phillis & I borrow Mrs Baker from Rich to do Lucinda. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Fleetwood1st time; Myrtle-Palmer; Sir John-Burton; Sealand-Havard; Cimberton-Philips; Humphrey-Blakes; Daniel-Vaughan; Tom-King (from Dublin); Phyllis-Mrs Abington; Lucinda-Mrs Baker (from cg); Mrs Sealand-Mrs Cross; Isabella-Mrs Bennet; Indiana-Mrs Cibber; In Act II Singing-Miss Young.
Cast
Role: Sir John Actor: Burton
Related Works
Related Work: The Conscious Lovers Author(s): Richard Steele

Afterpiece Title: The Englishman in Paris

Event Comment: Benefit for Mrs Hamilton. Mainpiece: Not acted these 16 years. Ladies send sevants by 3 o'clock. Mrs Hamilton is obliged to change her Farce on account of Miss Brent's indisposition. Receipts: #85 10s. 6d. in cash, plus #161 1s. from tickets (Boxes 230; Pit 481; Gallery 314). Total income #246 11s. 6d. Charges #64 5s. Paid Stede a bill for writing #10 13s. 6d. Paid Mr Long for 3 dozen drums #2 14s. [To the house charges this season Rich adds extras: candles (wax) #1 5s.

Performances

Mainpiece Title: The Tender Husband Or The Accomplishd Fools

Performance Comment: Captain Clerimont-Smith; Clerimont Sr-Ridout; Sir Harry-Dunstall; Numps-Shuter; Tipkin-Collins; Pounce-Gibbs; Mrs Clerimont-Mrs Vincent; Aunt-Mrs Pitt; Feignlove-Mrs White; Jenny-Miss Sledge; Biddy-Mrs Hamilton, 1st time.
Cast
Role: Sir Harry Actor: Dunstall
Related Works
Related Work: The Tender Husband; or, The Accomplish'd Fools Author(s): Richard Steele
Related Work: Accomplished Fools Author(s): Richard Steele

Afterpiece Title: The Honest Yorkshireman

Performance Comment: As17591001, but Combrush (by desire)-Mrs Hamilton; Muckworm-Collins; Blunder-Dunstall; Slango-Davis.

Song: WWhen Gentle Parthenissa-Lowe

Music: Several pieces on the Harp, particularly the favourite Irish Ballad Ellen@a@Roon, with variations, -Evans

Dance: FFingalian Dance, as17591102; The Plowman, as17591121

Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Virtuoso. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. The Diary of Robert Hooke, 25 May 1676: Mr Abraham Hill gave J. Hoskins, Aubery and I an account of Vertuoso play. A song, How retched is the slave to love, the music by Francis Forcer, is in Choice Ayres and Songs, The Second Book, 1679. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the company great Reputation

Performances

Mainpiece Title: The Virtuoso

Performance Comment: Edition of 1676: Prologue-; Epilogue-; A copy in the William Andrews Clark Jr Memorial Library, Los Angeles, has the following manuscript cast, which may well be the original cast. (The trimming of the page has sometimes cut off the first letter or two of a name, and these have been supplied.) Sir NicholasGimcrack-Percivall; Sir Formal Trifle-Anthony Leigh; Sir Samuel Hearty-Underhill; Longvill-Betterton; Bruce-Smythe; Hazard-Jevon; Lady Gimcrack-Mrs Shadwell; Clarinda-Mrs Currer; Miranda-Mrs Betterton; unassigned-Mrs Price.
Event Comment: Benefit for T. Ansell, Pilfold, Marks & Furkins. Tickets delivered by Claridge, Doe, Wells, Roberts, Walker, Cox, Abbot, R. Ledger, Sargent, Seymour for She Stoops to Conquer [announced on playbill of 27 May] will be admitted this Evening. [Afterpiece in place of Retaliation, announced on playbill of 27 May. This was Miss Catley's last appearance on the stage (erroneously stated in DNB, Grove, &c. as taking place in 1784).] Receipts: #245 3s. (26/0/6; 2/10/6; tickets: 216/12/0)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lee Lewes; Sir George Airy-Wroughton; Charles-Whitfield; Sir Jealous Traffick-Thompson; Sir Francis Gripe-Quick; Whisper-Cushing; Scentwell-Mrs Poussin; Isabinda-Miss Ambrose; Patch-Mrs Pitt; Miranda-Mrs Mattocks .

Afterpiece Title: The Devil to Pay

Performance Comment: As17820214, but Sir John Loverule-Davies; Jobson (1st time)-Booth; Butler-J. Wilson .
Cast
Role: Sir John Loverule Actor: Davies

Dance: End of mainpiece The Merry Sailors by Langrish and others

Event Comment: The Last Night of the Company's performing this Season. [Account-Book: Tickets delivered by Mrs Lloyd, W. Bayzand, Timkins (box-keeper), Street, Barnes, Morris, Rye, Dosel, Wells, King, Timkins (carpenter), Thompson (near Stage), Coates, Roberts, Thompson, (gallery door-keeper) will be admitted.] Receipts: #419 1s. (38.16; after-money: not listed; tickets: 380.5)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewis; Sir George Airy-Holman; Sir Jealous Traffic-Thompson; Charles Gripe-Macready; Whisper-Farley; Sir Francis Gripe-Quick; Patch-Mrs Mattocks; Isabinda-Mrs Mountain; Scentwell-Mrs Platt; Miranda-Mrs Pope.

Afterpiece Title: The Irish Mimick

Dance: End: a Scotch Reel-Bayzand, King, Mlle St.Amand

Event Comment: Mainpiece: Alter'd from Shakespear by Sir Wm. Davenant and Mr Dryden. At 7 p.m

Performances

Mainpiece Title: The Tempest

Performance Comment: As17301130, but Prospero-Roberts; Caliban-Wetherilt Sr; Stephano-Shepard; Ariel-Miss Brett; Antonio-Berry; Sycorax-Charke; Mirnada-Mrs Walter; Milcha-Mrs Boman; Amphitrite-Miss Raftor; Watermen-Bridgwater, Oates, Harper, Charke, Burnet, Wright; Infernal Spirits-Boman, Rainton, Charke, Evans, Teno, Tench.
Cast
Role: Prospero Actor: Roberts
Related Works
Related Work: The Tempest Author(s): Sir William Davenant

Afterpiece Title: Damon and Phillida

Performance Comment: Phillida-Miss Raftor; Cimon-Fielding; Mopsus-Oates; Arcas-Berry; Corydon-Roberts; Damon-Charke.
Cast
Role: Corydon Actor: Roberts

Dance:

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Sir John Vanbrugh. [Daily Journal, 30 Sept., has a poem: On the Death of Mr Wilks.

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Performance Comment: Foppington-Cibber; Amanda-Mrs Cibber; Berinthia-Mrs Thurmond; Loveless-Watson; Worthy-Mills; Young Fashion-Cibber Jr; Sir Tunbelly-Shepard; Coupler-Johnson; Lory-Oates; Syringe-Griffin; Shoemaker-R. Wetherilt; Hoyden-Mrs Mills; Nurse-Mrs Wetherilt.
Cast
Role: Sir Tunbelly Actor: Shepard

Afterpiece Title: The Mock Doctor

Performance Comment: As17320921, but Hellebore-Roberts; Harry-R. Wetherilt.
Cast
Role: Hellebore Actor: Roberts
Role: Sir Jasper Actor: Shepard
Role: Hellebor Actor: Roberts

Dance: LLes Bergeries, as17320923

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Tender Husband

Performance Comment: Clerimont-Mills; Capt. Clerimont-W. Mills; Sir Harry-Harper; Humphrey-Miller; Pounce-Shepard; Tipkin-Griffin; Biddy-Mrs Heron; Mrs Clerimont-Mrs Grace; Fainlove-Mrs Charke; Mrs Tipkin-Mrs Shireburn .
Cast
Role: Sir Harry Actor: Harper
Related Works
Related Work: The Tender Husband; or, The Accomplish'd Fools Author(s): Richard Steele
Related Work: Accomplished Fools Author(s): Richard Steele

Afterpiece Title: The Livery Rake Trappd or The Disappointed Country Lass

Performance Comment: Toby Slang-Harper; Tom-Berry; Harry-Ridout; James-Roberts; Phillis-Mrs Pritchard; Phillis (the Chambermaid)-Miss Oates; Lucy-Miss Mann; Dorcas-Mrs Shireburn. musIc AND.
Cast
Role: James Actor: Roberts

Dance: V: Comic Dance by Nivelon, from CG

Song: As17331013

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Mistake Or The Wrangling Lovers

Performance Comment: Carlos-Giffard; Alvarez-Hulett; Felix-Lyon; Lorenzo-Bardin; Metaphrastus-Monlass; Sancho-Penkethman; Lopez-Rosco; Toledo-Pearce; Leonora-Mrs Giffard; Camilla-Mrs Hamilton; Isabella-Mrs Monlass; Jacinta-Mrs Roberts .
Cast
Role: Jacinta Actor: Mrs Roberts
Related Works
Related Work: The Coquette; or, The Mistakes of the Heart Author(s): Robert Hitchcock

Afterpiece Title: The Mock Doctor

Cast
Role: Dorcas Actor: Mrs Roberts

Dance: As17331208

Event Comment: Benefit Salway. Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Tender Husband

Cast
Role: Sir Harry Actor: Harper
Related Works
Related Work: The Tender Husband; or, The Accomplish'd Fools Author(s): Richard Steele
Related Work: Accomplished Fools Author(s): Richard Steele

Afterpiece Title: Colombine Courtezan

Performance Comment: Pierot-Poitier; Harlequin-Le Brun; Colombine-Mrs Clive; Spaniard-Salway; Two Monkeys-Towers, Roberts; With Ridotto Al Fresco, but cast not listed; see17351206 . With Ridotto Al Fresco, but cast not listed; see17351206 .
Cast
Role: Two Monkeys Actor: Towers, Roberts

Dance: III: Drunken Peasant by Philips. V: Drunken Man by Salway

Event Comment: Benefit Chetwood. Tickets for Mr and Mrs Marshall taken. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse

Cast
Role: Sir Tunbelly Actor: Shepard

Afterpiece Title: Harlequin Restord

Performance Comment: Flash-Este; Longbib-Stoppelaer; Trot-Hough; Harlequin-Philips; Colombine-Miss Mann; Mlle la Modestie-Harlequin Phillips; Ballad Singers-Stoppelaer, Mrs Pritchard; Somerset-Roberts; Roundall-Hough.
Cast
Role: Somerset Actor: Roberts
Related Works
Related Work: Harlequin Restor'd Author(s): Richard Charke
Related Work: Harlequin Restor'd; or, Taste a la Mode Author(s): Richard Charke

Music: Second Music-; The first Concerto-of Corelli; I: Song for the Bassoon-; II: Concerto for German Flutes-composed by Festin; III: Concerto of Geminiani's for the Hautbois-; IV: The March in Zara-; The Overture to the Entertainment: Handel's Water Musick-; with the Preamble on the Kettle Drums-Benj. Baker

Dance: I: Drunken Peasant-Philips; II: Wooden Shoe Dance-Livier, Villeneuve; III: Harlequin-Denoyer's@Prentice; IV: Minuet-Rector, Mrs Anderson; V: English Maggot-Villeneuve, Mrs Walter

Event Comment: Benefit Bradshadow (Boxkeeper) and Moor (Box Bookkeeper). Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Cast
Role: Mrs Amlet Actor: Mrs Roberts.

Afterpiece Title: The Lovers Opera

Performance Comment: See17380525, but Lucy-Mrs Roberts; Epilogue-Miss Wright, as17380519.
Cast
Role: Lucy Actor: Mrs Roberts

Dance: I: Minuet-Master Ferg, Miss Harwood; III: Drunken Peasant-Phillips; V: Grand Ballet, in Comic Characters, -the Lilliputians

Song: IV: See from the Silent Groves-Beard; End Afterpiece: The Life of a Beau-

Music: II: Preamble on the Kettle Drums-Master Ferg

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Performances

Mainpiece Title: King Richard The Third

Performance Comment: See17380930, but King Richard-Cibber Sr, the first time of his appearing in that character these seven years; King Henry-Milward; Buckingham-Mills; Richmond-Cibber Jr; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Pritchard; Lady Anne-Mrs Mills.

Afterpiece Title: The Mock Doctor

Dance: Muilment

Event Comment: We hear that the Lord Chamberlain has refus'd granting a License to the seceding players to act in the Theatre in the Haymarket. (Daily Advertiser) To the Author of the London Daily Post, Sir: As I have engag'd myself for this winter to perform in Dublin, by an Invitation of Several Persons of Distinction in Ireland, I think it my duty before I leave London, by your paper, to return my sincere and hearty thanks to the Town for the many favours I have receiv'd during the Time of my Performing in Publick, which I hope they will Candidly accept from their most of Oblig'd, humble Servants, Thomas Lowe

Performances

Mainpiece Title: The Unhappy Favorite Or The Earl Of Essex

Performance Comment: Essex-Delane; Southampton-Giffard; Burleigh-Winstone; Raleigh-W. Giffard; Lieutenant-Ray; Rutland-Mrs Giffard; Nottingham-Mrs Bennet; Queen Elizabeth-Mrs Roberts.
Cast
Role: Queen Elizabeth Actor: Mrs Roberts.

Afterpiece Title: The School Boy

Event Comment: Mainpiece: Not acted these 9 years. [Mrs Worthington is identified in MS list in Kemble playbills of new performers for this season.] Ballet: 1st time; composed by Giacomo? Gentili. Afterpiece [1st time: ENT 1, by Richard Brinsley Sheridan; acted in place of The Prize, advertised on playbill of 4 Mar. Text (C. Lowndes, 1797)]: Altered from a Dramatick Entertainment performed 1794 [The Glorious First of June]. In the course of which will be introduced a representation of the late Glorious Engagement between the British and Spanish Fleets on the Fourteenth of February [1797, under Sir John Jervis, off Cape St. Vincent]. Receipts: #253 9s. (151.2.6; 100.17.0; 1.9.6)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Cape St

Song: III: a Masquerade Scene-; with Hark! the Lark at Heaven's Gate sings-Sedgwick, Dignum, Welsh, Master Welsh

Ballet: End: The Labyrinth; or, The Country Madcap. Joseph-Gentili; Robert-Grimaldi; Philip-Master Menage; Rosina-Sga Bossi DelCaro; Countess-Mrs Wild; Lauretta-Miss S. DeCamp

Performance Comment: Joseph-Gentili; Robert-Grimaldi; Philip-Master Menage; Rosina-Sga Bossi DelCaro; Countess-Mrs Wild; Lauretta-Miss S. DeCamp.
Cast
Role: Robert Actor: Grimaldi