SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Robert Cooke"/1) | (@(roleclean,performerclean) "Sir Robert Cooke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7048 matches on Performance Comments, 2106 matches on Author, 1244 matches on Event Comments, 794 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rivals

Performance Comment: As17880328but Captain Absolute-Macready; Sir Anthony Absolute-Hull; The Author's original Epilogue-Mrs Pope.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant
Related Work: The Rival Sisters; or, The Violence of Love Author(s): Robert Gould
Related Work: The Rival Milleners; or, The Humours of Covent-Garden Author(s): Robert Drury

Afterpiece Title: Love and War

Related Works
Related Work: Love and War Author(s): Robert Jephson

Dance: As17871029

Entertainment: Monologue. End I afterpiece: Virtue its own Rewardexemplified in a Moral Tale, and founded on a Real Event,-Hull

Performances

Mainpiece Title: The Rivals

Performance Comment: As17901101, but Sir Anthony Absolute-Bannister Jun.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant
Related Work: The Rival Sisters; or, The Violence of Love Author(s): Robert Gould
Related Work: The Rival Milleners; or, The Humours of Covent-Garden Author(s): Robert Drury

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Loverule Actor: Dignum

Song: End: (for this night only) Mad Bess-Mrs Crouch, in character

Performances

Mainpiece Title: The Rivals

Performance Comment: As17971124, but Sir Lucius O'Trigger-R. Palmer; Fag-Russell; David-_; Coachman-_; Servants-_.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant
Related Work: The Rival Sisters; or, The Violence of Love Author(s): Robert Gould
Related Work: The Rival Milleners; or, The Humours of Covent-Garden Author(s): Robert Drury

Afterpiece Title: Blue-Beard

Dance: Two Pas Seulsincidental to the Ballet-Mlle Favre Guiardele (for that night only); In afterpiece: a new Pas Seul-Mlle Parisot

Ballet: End II: a New Ballet (for that night only), Kitty and Jemmy. Jemmy-Mlle Parisot; Kitty-Sga Bossi DelCaro; the Other Characters-Fialon (for that night only), Master Menage, Miss Menage, Roffey, Whitmell, Wells, Male, Garman, W. Banks, Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining

Performances

Mainpiece Title: The Rivals

Performance Comment: As17981110, but Sir Anthony Absolute-King; Faulkland-C. Kemble; Lydia Languish-Miss Mellon.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant
Related Work: The Rival Sisters; or, The Violence of Love Author(s): Robert Gould
Related Work: The Rival Milleners; or, The Humours of Covent-Garden Author(s): Robert Drury

Afterpiece Title: The Children in the Wood

Cast
Role: Sir Rowland Actor: Cory.

Performances

Mainpiece Title: The Rivals

Performance Comment: As17981110, but Sir Anthony Absolute-King; Lydza Languish-Miss Mellon; Servants-_.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant
Related Work: The Rival Sisters; or, The Violence of Love Author(s): Robert Gould
Related Work: The Rival Milleners; or, The Humours of Covent-Garden Author(s): Robert Drury

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Rivals

Performance Comment: As17991005, but Sir Anthony Absolute-King; Faulkland-C. Kemble.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant
Related Work: The Rival Sisters; or, The Violence of Love Author(s): Robert Gould
Related Work: The Rival Milleners; or, The Humours of Covent-Garden Author(s): Robert Drury

Afterpiece Title: Of Age To-morrow

Performances

Mainpiece Title: The Rivals

Performance Comment: As17991005, but Sir Anthony Absolute-King.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant
Related Work: The Rival Sisters; or, The Violence of Love Author(s): Robert Gould
Related Work: The Rival Milleners; or, The Humours of Covent-Garden Author(s): Robert Drury

Afterpiece Title: Blue-Beard

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. It is surprising to see a Davenant play acted by the King's Company. Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight at the Fleece Tavern...The gentlemen were discussing the play which they then came from, by name The Unfortunate Lover; at the latter end of the play there was a duel upon the stage; which, they, discounting upon, drew their swords in jest to show wherein they failed (HMC, 5th Report, 1876, p. 200)

Performances

Mainpiece Title: The Unfortunate Lovers

Related Works
Related Work: The Unfortunate Lovers Author(s): Sir William Davenant
Related Work: The Ungrateful [Unfortunate] Lovers Author(s): Sir William Davenant
Event Comment: The date of the first performance is not certainly known, but Pepys, on 2 July, saw Part II, stating that 2 July was the premiere of Part I and the opening of the Duke's Company's new theatre in Lincoln's Inn Fields. Downes (Roscius Anglicanus, pp. 20-21): His [Davenant's] Company Rehears'd the First and Second Part of the Siege of Rhodes...at Pothecaries-Hall: And in Spring 1662 [1661], Open'd his House with the said Plays, having new Scenes and Decorations, being the first that e're were Introduc'd in England....All Parts being Justly and Excellently Perform'd; it continu'd Acting 12 Days without Interruption with great Applause. Downes, p. 34: I must not forget my self, being Listed for an Acotr in Sir William Davenant's Company in Lincolns-Inn-Fields: The very first Day of opening the House there, with the Siege of Rhodes, being to Act Haly; (The King, Duke of York, and all the Nobility in the House, and the first time the King was in a Publick Theatre). The sight of that August presence, spoil'd me for an Actor too. HMC, 10th Report, Appendix, Part IV, p. 21: @For the Siege of Rhodes all say@It is an everlasting play@Though they wonder now Roxalana is gon@What shift it makes to hold out so long@For when the second part took, butt for Bully@The first did not satisfie so fully.@ [Presumably this verse was written after Mrs Davenport left the stage, in 1662(?).

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Related Works
Related Work: The Siege of Rhodes, Part I Author(s): Sir William Davenant
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant
Related Work: The Siege of Rhodes Author(s): Sir William Davenant
Event Comment: The Duke's Company. Pepys, Diary: To Sir William Davenant's Opera; this being the fourth day that it hath begun, and the first that I have seen it. To-day was acted the second part of The Siege of Rhodes. We staid a very great while for the King and the Queen of Bohemia. And by the breaking of a board over our heads, we had a great deal of dust fell into the ladies' necks and the men's hair, which made good sport. The King being come, the scene opened; which indeed is very fine and magnificent, and well acted, all but the Eunuch, who was so much out tha he was hissed off the stage

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

Related Works
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant
Related Work: The Siege of Rhodes, Part I Author(s): Sir William Davenant
Related Work: The Siege of Rhodes Author(s): Sir William Davenant
Event Comment: See Calendar of the Middle Temple Records, ed. Hopwood, p. 169, for a fee of #20 paid to Sir William Davenant's@company, the receipt being signed by Richard Baddeley; and for #1 5s. for baize to cover the stage and scenes. The play may well have been Love and Honour

Performances

Mainpiece Title: Love And Honour

Related Works
Related Work: Love and Honour Author(s): Sir William Davenant
Related Work: The Triumphs of Love and Honour Author(s): Thomas Cooke
Event Comment: See also 15 Dec. 1662. Evelyn, Diary: I went with Sir S. Tuke to heare the Comedians con, & repeate his new Comedy, the Adventures of 5 houres: a play whose plot was taken out of the famous Spanish Poet Calderon

Performances

Mainpiece Title: The Adventures Of Five Hours

Related Works
Related Work: The Adventures of Five Hours Author(s): Sir Samuel Tuke

Performances

Mainpiece Title: Pompey The Great

Performance Comment: Edition of 1664: wo actors' names. Prologue At the House-; Epilogue at the House-; Epilogue to the King at Saint James's-; Epilogue To the Dutchess at Saint James's-; [One Epilogue was written by Sir Edward Deering.] [At the end: After which a grand Masque [is Danc'd before Caesar and Cleopatra[, made (as well as the other Dances and the Tunes to them) by Mr John Ogilby-.
Related Works
Related Work: Pompey the Great Author(s): Sir Charles Sedley
Event Comment: The Duke's Company. This apparently was not the first performance, but the time of premiere is not known. Pepys, Diary: My wife and I and Mercer to the Duke's house, and there saw The Rivalls, which is no excellent play, but good acting in it; especially Gosnell comes and sings and dances finely, but, for all that, fell out of the key, so that the musique could not play to her afterwards, and so did Harris also go out of the tune to agree with her. Downes (p. 23): The Rivals, A Play, Wrote by Sir William Davenant; having a very Fine Interlude in it, of Vocal and Instrumental Musick, mixt with very Diverting Dances: M Price introducing the Dancing, by a short Comical Prologue, gain'd him an Universal Applause of the Town....And all the Womens Parts admirably Acted; chiefly Celia, a Shepherdess being Mad for Love; especially in Singing several Wild and Mad Songs

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant
Related Work: The Rival Sisters; or, The Violence of Love Author(s): Robert Gould
Related Work: The Rival Milleners; or, The Humours of Covent-Garden Author(s): Robert Drury

Performances

Mainpiece Title: Macbeth

Performance Comment: [Probably adapted by Sir William Davenant.] among those named in the quarto of 1673 these may have played at this time: Macbeth-Betterton?; Macduff-Harris?; Banquo-Smith?; Malcolm-Norris?; Lennox-Medbourne?; Donalbain-Cademan?; Lady Macbeth-Mrs Betterton?; Heccat-Sandford?.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Adapted by Sir William Davenant.] see16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Adapted by Sir William Davenant.] see16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Adapted by Sir William Davenant.] see16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Altered by Sir William Davenant.] See16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant
Event Comment: The Duke's Company. Pepys, Diary: With Sir W. Pen, my wife, and Mary Batelier to the Duke of York's house, and there saw Heraclius, which is a good play; but they did so spoil it with their laughing, and being all of them out, and with the noise they made within the theatre, that I was ashamed of it, and resolve not to come thither again a good while, believing that this negligence, which I never observed before, proceeds only from their want of company in the pit, that they have no care how they act

Performances

Mainpiece Title: Heraclius

Related Works
Related Work: Heraclius Author(s): Sir Thomas Clarges

Performances

Mainpiece Title: Macbeth

Performance Comment: [Altered by Sir William Davenant.] Macbeth-Young. But see16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Adapted by Sir William Davenant.] See16671016.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant
Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Man's The Master

Related Works
Related Work: The Man's The Master Author(s): Sir William Davenant
Event Comment: The King's Company. Pepys, Diary: It being almost twelve o'clock, or a little more, and carried [Mercer, Mrs Horsfield, and Mrs Gayet] to the King's playhouse, where the doors were not then open; but presently they did open; and we in, and find many people already come in, by private ways, into the pit, it being the first day of Sir Charles Sidly's new play, so long expected, The Mulberry Garden, of whom, being so reputed a wit, all the world do expect great matters. I having sat here awhile, and eat nothing to-day, did slip out, getting a boy to keep my place...And so to the play again, where the King and Queen, by and by, come, and all the Court; and the house infinitely full. But the play, when it come, though there was, here and there, a pretty saying, and that not very many neither, yet the whole of the play had nothing extraordinary in it, at all, neither of language nor design; insomuch that the King I did not see laugh, nor pleased the whole play from the beginning to the end, nor the company; insomuch that I have not been less pleased at a new play in my life, I think. And which made it the worse was, that there never was worse musick played--that is, worse things composed, which made me and Captain Rolt, who happened to sit near me, mad. So away thence, very little satisfied with the play, but pleased with my company. [For Bannister's setting a song for Mrs Knepp for this play, see 7 May 1668.

Performances

Mainpiece Title: The Mulberry Garden

Related Works
Related Work: The Mulberry Garden Author(s): Sir Charles Sedley
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage," p. 18: Love in a Tubb. Downes, Roscius Anglicanus, p. 32: [After Sir Martin Marall] Next was Acted Love in a Tub, it was perform'd 2 Days together to a full Audience

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege