Event Comment: The King's Company. Pepys, Diary: With my wife by coach to the Duke of York's play-house, expecting a new play, and so stayed not no more than other people, but to the King's house, to The Mayd's Tragedy; but vexed all the while with two talking ladies and Sir Charles Sedley; yet pleased to hear their discourse, he being a stranger. And one of the ladies would, and did sit with her mask on, all the play, and, being exceeding witty as ever I heard woman, did talk most pleasantly with him; but was, I believe, a virtuous woman, and of quality. He would fain know who she was, but she would not tell.... By that means lost the pleasure of the play wholly, to which now and then Sir Charles Sedley's exceptions against both words and pronouncing were very pretty

Event Comment: The King's Company. Pepys, Diary: All alone to the King's playhouse, and there did happen to sit just before Mrs Pierce, Mrs Knepp, who pulled me by the hair; and so I addressed myself to them, and talked to them all the intervals of the play, and did give them fruit. The play is Brenoralt, which I do find but little in, for my part. Here was many fine ladies--among others, the German Baron, with his lady, who is envoye from the Emperour, and their fine daughter, which hath travelled all Europe over with them, it seems; and is accordingly accomplished, and indeed, is a wonderful pretty woman. Here Sir Philip Frowde, who sat next to me, did tell me how Sir H. Belasses is dead, and that the quarrel between him and Tom Porter, who is fled, did arise in the ridiculous fashion that I was first told it, which is a strange thing between two so good friends. The play being done, I took the women, and Mrs Corbett, who was with them, by coach, it raining, to Mrs Manuel's, the Jew's wife, formerly a player, who we heard sing with one of the Italians that was there; and, indeed, she sings mightily well, and just after the Italian manner, but yet do not please me like one of Mrs Knepp's songs, to a good English tune, the manner their ayre not pleasing me so well as the fashion of our own, nor so natural

Event Comment: The King's Company. Pepys, Diary: Thence called Knepp from the King's house, where going in for her, the play being done, I did see Beck Marshall come dressed, off of the stage, and looks mighty fine, and pretty, and noble: and also Nell Gwyn?, in her boy's clothes, mighty pretty. But, Lord! their confidence! and how many men do hover about them as soon as they come off the stage, and how confident they are in their talk! Here I did kiss the pretty woman newly come, called Pegg Hughes?, that was Sir Charles Sidly's mistress, a mighty pretty woman, and seems, but is not, modest. Here took up Knepp into our coach, and all of us with her to her lodgings, and thither comes Bannister with a song of her's, that he hath set in Sir Charles Sidly's play [The Mulberry Garden] for her, which is, I think, but very meanly set; but this he did, before us, teach her, and it being but a slight, silly, short ayre, she learnt it presently. But I did get him to prick me down the notes of the Echo in The Tempest, which pleases me mightily. Here was also Haynes, the incomparable dancer of the King's house, and a seeming civil man, and sings pretty well

Event Comment: On this day and on Friday the 20th the Duke's players gave The Impertinents; or, The Sullen Lovers or Sir Salomon. Downes (Roscius Anglicanus, p. 29) lists these as the two plays presented by the Duke's Company, but no contemporary statement indicates for certain which play was given on each day. The Journal of Sir Richard Bulstrode: Yesterday [19] at five of ye clocke, the Court were entertained with a comedy acted by the Duke's player (The Bulstrode Papers, 1879, I, 139). Saturday 28 May 1670: The absence of the court which continues at Dover till Wensday next makes us very barren of news. There is the greatest gallantry and mirth imaginable. The Dukes players have beene there all the time past came up yesterday and the kings goe downe this day (Aston Papers, Vol. XVI, Add. Mss. 36916, folio 182)

Event Comment: The Prologue and Epilogue to Sir William Cartwright's The Ordinary were printed in A Collection of Poems Written Upon Several Occasions, 1673, and the play was licensed for a revival, the date of the license being 15 January 1671. See The Plays and Poems of Sir William Cartwright, ed. G. Blakemore Evans (Madison, Wisc., 1951), p. 262. The fact that this day falls on Sunday and the fact that the Prologue and Epilogue were printed in 1673, raise the possibility that this date should be regarded as 15 January 1671@2 rather than 15 January 1670@1

Event Comment: A quarrel occurred at the King's Theatre on this day (apparently) between Ravenscroft and Sir George Hewitt. See Letters Adressed from London to Sir Joseph Williamson, Camden Society, VIII (1874), 87

Event Comment: On this date, James Vernon, writing to Sir Joseph Williamson, reported: Senior Scaramouchio and his band have begged his Majesty's leave to returne, theire affaires requiring their presence att home (Letters to Sir Joseph Williamson at Cologne, Camden Society, I, 179)

Event Comment: The Duke's Company. The date of the premiere is not known, but a licensing date of 18 Feb. 1677@8 suggests a premiere not later than January 1677@8. It is possible, however, that this play followed Sir Patient Fancy (17 Jan. 1677@8), as the licensing date of Timon follows that for Sir Patient Fancy. Part of the music for Timon was composed by Louis Grabu and was published, without the singers' names, in Choice Ayres and Songs, 1679. Downes (Roscius Anglicanus, p. 37): Timon of Athens, alter'd by Mr Shadwell; 'twas very well Acted, and the Musick in't well Perform'd; it wonderfully pleas'd the Court and City; being an Excellent Moral

Event Comment: The King's Company. The date of the premiere is not known, but a licensing date of 28 March 1678 suggests a first performance not later than February 1678. One song, One night while all the village slept, with music by Louis Grabu and words by Sir Car Scroop, is in Choice Ayres and Songs, The Third Book, 1681. Downes (Roscius Anglicanus, p. 17): Major Mohun...[in] Mithridates, &c. An Eminent Poet seeing him Act this last, vented suddenly this Saying: Oh Mohun, Mohun! Thou little Man of Mettle, if I should write a 100 Plays, I'd Write a Part for thy Mouth; in short, in all his Parts, he was most Accurate and Correct. [Downes, p. 12, gives an identical cast except for omissions.] Princess Anne apparently played Ziphares and Frances Apsley played Semandra in a production of this drama, probably at St James's Palace or at Sir Allen Apsley's house in St James's Square, between January 1677@8 and August 1679. See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 61

Event Comment: The Memoirs of Sir John Reresby, ed. Browning (p. 137): This day in the afternoon I had a quarrell in the King's playhous upon this occasion. As I sate in the pit a gentleman, whose name I afterwards heard to be Mr Symons came and placed himself next to me, and not content to rest ther, after a while desired me to give him my seat, or to exchange with him, (pretending he was to speake to one of his acquaintances on the other side). I had noe mind to quitt my seat, which was better to see than his; besides, he haveing been drinking, his manner of askeing was not altogather soe gratefull, insomuch as I denyed it. Here upon he said I was uncivil, and I tould him he was a rascall; upon which words we were both prepared to strike one another, had not a gentleman that sate near us (one Sir Jonathan Trelany) put his hand between us to prevent it