SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Rob Howard"/1) | (@(roleclean,performerclean) "Sir Rob Howard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6108 matches on Performance Comments, 1618 matches on Author, 978 matches on Event Comments, 466 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Upholsterer

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Englishman in Paris

Cast
Role: Sir John Buck Actor: Gardner
Event Comment: Benefit for Mrs Hartley. Mainpiece: By Particular Desire, with New Music, Dresses and Decorations. Interlude taken from Prior's celebrated poem, The Nut Brown Maid. Books of the Interlude to be had at the Theatre. Adapted by Henry Bate. Charges: #72 9s. 6d. Profit to Mrs Hartley #54 15s., plus #61 18s. from tickets (Box 202; Pit 76). Paid Whitfield for making cloaths #33 17s. 4d.; Paid Mr Walker for trimmings &c. #13 4s. Receipts: #127 4s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: Cross Purposes

Performance Comment: As17731008, but Robin-Harris.
Cast
Role: Robin Actor: Harris.

Dance: End: The Old Ground Young, as17731208; After which: New Poetical Interlude, Henry and Emma: Parts-Smith, Hull, Miss Brown, Mrs Hartley; To conclude with: a New Air and Chorus by Dr Arne-

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Country Madcap

Cast
Role: Zorobabel Actor: Quick

Song: End: The song of Mad Tom [will be sung in character-Reinhold. [See17740408]

Dance: After Song: The Merry Sailors, as17731007

Event Comment: Benefit for Smith. By Particular Desire. Afterpiece: Taken from The Jovial Crew. Part of pit laid into boxes. Send servants by 4 o'clock. Paid Mr Grimaldi's draft on Mrs Adams #100 (Treasurer's Book). Receipts: #291 9s. 6d. Charges: #68 18s. Profits to Smith: #212 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Ladies Frolick

Entertainment: End: the Favourite Interlude, Linco's Travels-, with Particular remarks on London; Linco-King; Old Woman-Mrs Bradshaw

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: St Patrick's Day

Performances

Mainpiece Title: The Man's The Master

Related Works
Related Work: The Man's The Master Author(s): Sir William Davenant

Afterpiece Title: The Padlock

Dance: End: The Pilgrim, as17750927

Performances

Mainpiece Title: The Man's The Master

Related Works
Related Work: The Man's The Master Author(s): Sir William Davenant

Afterpiece Title: Midas

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Man's The Master

Related Works
Related Work: The Man's The Master Author(s): Sir William Davenant

Afterpiece Title: Prometheus

Event Comment: Mainpiece: By Particular Desire. The Comedy of Old City Manners oblig'd to be deferr'd. On 31 Dec. (Sunday) died Th. Weston of Drury Lane Theatre (Winston MS 11). [See Memoirs of Thomas Weston that Celebrated Comedian (London, 1776, 59 pp). This year appeared A Serious Disuasion from Frequenting the Playhouse, by Jacob Orton (22 pp. pub. in Shrewsbury). His text is taken from Bulstrode's charge to the Grand Jury of Middlesex, 21 April 1718. "One Playhouse ruin'd more souls than fifty churches are able to save."] Paid Mr Grist on acct per Mr D. G. #20; Three extra trumpets 6 nights #6 15s. Supernumeraries for the Jubilee continued to cost 14s. 10d. during its run. Receipts: #219 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Hotel

Cast
Role: Sir John Seymour Actor: Davies
Role: Robin Actor: Burton
Role: Sir Jacob Thrift Actor: Parsons

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Two Misers

Song: Mainpiece: Vocal Parts-Mattocks, Baker, Fox, Miss Brown, Miss Dayes, Miss Valois, Mrs Willems

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier

Performances

Mainpiece Title: The Old Batchelor

Cast
Role: Sir Joseph Wittol Actor: King

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier

Performances

Mainpiece Title: Love For Love

Cast
Role: Sir Sampson Legend Actor: Moody

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier
Event Comment: Juliet by Mrs Robinson--a genteel Figure--a very tolerable first Appearance, and may do in time. [Note added by J. P. Kemble: Mrs Mary Robinson, whose maiden name was Darby, died Dec. 26, 1800 at Englefield Green. See her Life, of which the first part, namely as far as to her Acquaintance with the Prince of Wales, was written by herself] (Hopkins Diary). Receipts: #170 8s. (133.15; 31.15; 4.18)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Brereton; Fryar Lawrence-Packer; Capulet-Aickin; Benvolio-Davies; Tibalt-Grist; Prince-Norris; Paris-Farren; Peter-Burton; Apothecary-Waldron; Balthazar-Chaplin; Mercutio-Dodd; Lady Capulet-Mrs Johnston; Nurse-Mrs Love; Juliet-A Young Lady (1st appearance upon any stage [Mrs Robinson]).Mrs Robinson]).

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier

Dance: In I: Masquerade-; Dance-Giorgi, Blurton, Mrs Sutton. [This was included, as here assigned, in all subsequent perfomances.

Song: Mainpiece: with the Funeral Procession. Vocal Parts-Gaudry, Legg, Kear, Fawcett, Brown, Carpenter, Follett, Chaplin, Miss Abrams, Miss Collett, Mrs Scott, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Boyd, Mrs Booth, Mrs Pitt

Performances

Mainpiece Title: The Old Batchelor

Cast
Role: Sir Joseph Wittol Actor: King

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier

Dance: End II: The Triumph of Love, as17761107

Song: Mainpiece: with the Funeral Procession Vocal Parts, as17761210, but Mrs Smith

Performances

Mainpiece Title: Semiramis

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier

Dance: End II: The Double Festival-Gallet, Mlle Dupre, Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci, Mrs Sutton

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier

Song: As17761212