SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Richard Brown"/1) | (@(roleclean,performerclean) "Sir Richard Brown")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6715 matches on Performance Comments, 3684 matches on Author, 1378 matches on Event Comments, 1196 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Rich's Company. The date of the premiere is not known, but Cibber (see below) states that it was acted in January; the Dedication was signed 7 Feb. 1695@6, and the play was advertised in the London Gazette, No 3157, 10-13 Feb. 1695@6. Two songs were published separately: Go home, unhappy wench, set by Francks and sung by Mrs Cross and the Boy (in Thesaurus Musicus, The Fifth Book, 1696) and What an ungratefull devil moves you, set by Daniel Purcell (in Deliciae Musicae, The First Book of the Second Volume, 1696). A separately-printed sheet of the second song states that it was sung by "The Boy", Cibber, Apology, I, 212-14: The next Year I produc'd the Comedy of Love's last Shift; yet the Difficulty of getting it to the Stage was not easily surmounted; for, at that time, as little was expected from me, as an Author, as had been from my Pretensions to be an Actor. However, Mr Southern, the Author of Oroonoko, having had the Patience to hear me read it to him, happened to like it so well that he immediately recommended it to the Patentees, and it was accordingly acted in January 1695 [i.e., 1695@6]. In this Play I gave myself the Part of Sir Novelty, which was thought a good Portrait of the Foppery then in fashion. Here, too, Mr Southern, though he had approv'd my approv'd my Play, came into the common Diffidence of me as an Actor: For, when on the first Day of it I was standing, myself, to prompt the Prologue, he took me by the Hand and said, Young Man! I pronounce they Play a good one; I will answer for its Success, if thou dost not spoil it by thy own Action....I succeeded so well in both, that People seem'd at a loss which they should give the Preference to. A Comparison Between the Two Stages (1702), p. 16: Ramble: Ay, marry, that Play was the Philosopher's Stone; I think it did wonders. Sullen: It did so, and very deservedly; there being few Comedies that came up to 't for purity of Plot, Manners and Moral: It's often acted now a daies, and by the help of the Author's own good action, it pleases to this Day

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Performance Comment: Edition of 1696: Prologue By a Friend-Mr Verbruggen; Epilogue-Miss Cross who Sung Cupid; Sir Will Wisewoud-Johnson; Loveless-Verbruggen; Sir Novelty Fashion-Cibber; Elder Worthy-Williams; Young Worthy-Horden; Snap-Penkethman; Sly-Bullock; Lawyer-Mills; Amanda-Mrs Rogers; Narcissa-Mrs Verbruggen; Hillaria-Mrs Cibber; Flareit-Mrs Kent; Woman to Amanda-Mrs Lucas.
Event Comment: At the Desire of several Persons of Quality. Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Performance Comment: Foppington-Cibber; Berinthia-Mrs Heron; Loveless-A. Hallam; Worthy-Mills; Amanda-Mrs Butler; Hoyden-Mrs Charke; Sir Tunbelly-Shepard; Young Fashion-W. Mills; Coupler-Johnson; Lory-Oates; Seringe-Griffin; Shoemaker-Miller; Sir John-Ridout; Bull-Tenoe; Page-Miss Brett; Nurse-Mrs Shireburn .
Cast
Role: Sir Tunbelly Actor: Shepard
Role: Sir John Actor: Ridout

Music: Second Musick: First Concerto of Corelli. Third Musick: A Trumpet Overture. I: Concerto for French Horns, the French Horns by Charle and Giay, lately arriv'd from Paris. III: Solo for French Horn by Charle

Dance: Les Bergeries by Essex, Miss Robinson (the first Characters); F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Lempio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Rise Glory Rise, by Miss Arne, accompanied by French Horns

Event Comment: Mainpiece: Never Acted before. [By James Miller.] Daily Advertiser, 6 March: We hear that Sir John Barnard has offerM a Proposal limiting the Number of Playhouses, and for putting them under the Regulation of Parliament

Performances

Mainpiece Title: The Man Of Taste Or The Guardian

Performance Comment: Parts by Mills, Cibber, Griffin, Harper, Miller, Milward, W. Mills, Este, Cross, Turbutt, Mrs Thurmond, Mrs Clive, Miss Holliday, Mrs Pritchard, Mrs Cross, Miss Mann; but edition of 1735 lists: Sir Positive Bubble-Griffin; Freelove-Mills; Valentine-Milward; Sir Humphrey Henpeck-Harper; Harcourt-Mills Jr; Horatio-Este; Martin-Cibber; Reynard-Miller; Lewis-Cross; Almanzor-Master Arne; Justice Diligence-Turbut; Lady Henpeck-Mrs Cross; Maria-Mrs Clive; Dorothea-Mrs Pritchard; Dorinda-Mrs Thurmond; Angelica-Mrs Holiday; Lisetta-Mrs Mann. Prologue spoken by Cibber. Epilogue spoken by Mrs Clive .

Afterpiece Title: Harlequin Orpheus

Event Comment: Mainpiece: By Particular Desire. By Sir John Vanbrugh, being the Sequel of The Fool in Fashion. Receipts: #110

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Performance Comment: Lord Foppington-Cibber; Berinthia-Mrs Woffington; Loveless-Milward; Worthy-Mills; Coupler-Johnson; Sir Tunbelly-Shepard; Young Fashion-Havard; Lory-Neale; Sir John Friendly-Raftor; Shoemaker-Ray; La Varole-Leigh; Mendlegs-Green; Surgeon-Taswell; Bull-Woodburn; Taylor-Wright; Page-Miss Cole; Amanda-Mrs Butler; Hoyden-Mrs Clive; Nurse-Mrs Egerton.
Cast
Role: Sir Tunbelly Actor: Shepard
Role: Sir John Friendly Actor: Raftor

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Actor: Lowe
Event Comment: A New Comedy of three Acts [by Foote]. By Authority. Open'd by Mr Foote. Most of the performers entirely new. Boxes 5s. Pit 3s. Gallery 2s. Doors to be opened at five. Curtain drawn up at seven. [Notice repeated in subsequent bills. Genest, IV, 599, lists Smith as Sir George.

Performances

Mainpiece Title: The Minor

Performance Comment: Induction by Foote-Foote; Smart-Smith; Canker-Misdale; Pearse-Pearse; Play: Sir William-Baddeley; R. Wealthy-Hyde; Sir George-Shaw; Shift-Foote; Loader-Davis; Dick-Weston; Transfer-Blakey; Mrs Cole-Foote; Lucy-Miss Burden (Edition of 1760).
Cast
Role: Sir William Actor: Baddeley
Role: Sir George Actor: Shaw

Dance:

Event Comment: The New Comedy, The School for Wives, (which was to have been performed this evening) oblig'd to be deferred till tomorrow. Reddish hoarse. Paid tallow chandler's 3rd bill #44 19s. 11d.; Mr Smeltzer for men's cloaths #5; J. Stevens on note #3 3s. (Treasurer's Book). [In the bill for the first planned performance of Twelfth Night this season (namely for 4 Dec.) Antonio was to be done by Fawcett; Sir Toby by Love; and the Clown by Davies.] Receipts: #122 6s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Orsino-Jefferson; Antonio-Davies; Fabian-Waldron; Maria-Mrs Hopkins; Sir Toby-Palmer; Malvolio-King; Sir Andrew-Dodd; Sebastian-Cautherly; Clown (with Original Epilogue song)-Vernon; Viola-Miss Younge; Maria-Mrs Hopkins; Olivia (with Song)-Mrs Abington (playbill).
Cast
Role: Sir Toby Actor: Palmer
Role: Sir Andrew Actor: Dodd

Afterpiece Title: The Genii

Event Comment: [In afterpiece the playbill assigns Sir Harry's Servant to Dodd, but "King [asked that] Dodd, on account of illness, be released from his part in the farce. Whitfield was in consequence Sir Harry " (World, 24 Sept.).] Receipts: #185 12s. (133.18.0; 50.6.6; 1.7.6)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Bannister Jun.; Duke's Servant-R. Palmer; Sir Harry's Servant-Whitfield; Philip-Baddeley; Freeman-Fawcett; Coachman-Alfred; Kingston-Lyons; Kitty-Miss Pope.

Dance: In afterpiece: a Mock Minuet-R. Palmer, Miss Pope. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time; M. INT 1, by John Cartwright Cross. Larpent MS 1124; not published]: Founded on the recent and glorious Achievement, at the above French Fort, of Sir Sydney Smith. [On 17 Mar. 1796 a force under Sir William Sydney Smith had destroyed six French vessels in the Bay of Herqui.] To conclude with the British striking the French Colours on the Fort, burning their Corvettes in the Harbour. The new Music by Shield. Oracle, 29 Mar.: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett-court, Bow-street, Covent-Garden. Receipts: #384 11s. 6d. (192.14.0; 10.1.0; tickets: 181.16.6)

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry-Quick; Campley (for this Night only, with additional songs)-Incledon; Mate (with an additional song)-Townsend; Medium-Powel; Trudge-Fawcett; Wowski-Mrs Martyr; Narcissa-Mrs Mountain; Patty-Mrs Fawcett; Yarico-Mrs Clendining.
Cast
Role: Sir Christopher Curry Actor: Quick

Afterpiece Title: Three Weeks after Marriage

Cast
Role: Sir Charles Racket Actor: Lewis

Afterpiece Title: The Point at Herqui or British Bravery Triumphant

Dance: II: a Negro Dance-; 3rd piece: a new incidental Dance by Byrn-Mlle St.Amand, Holland, Byrn

Song: End I: Sweet Bird-Mrs Serres; accompanied on the German Flute (for this night only)-Ashe, from the Hanover-Square Concert; In Evening: Admiral Benbow-Incledon; 3rd piece: the following songs: The Mid Watch-Incledon; Tippy Bob-Munden; The Waiter-Fawcett; Irish Song-Johnstone; New Loyal Song-Mrs Martyr; Rondo-Mrs Clendining; Ye Gentlemen of England-Linton, Street, Incledon; Rule Britannia-Incledon, Johnstone, Chorus

Event Comment: Benefit for Mrs Jordan. [In mainpiece the playbill retains King as Sir Peter Teazle, but "Murray, on account of the indisposition of King, was the Sir Peter to Mrs Jordan's Lady Teazle" (Monthly Mirror, May 1797, p. 311).] Tickets delivered for the 15th [for which day the benefit was first announced] will be admitted. "On the whole, Mrs Jordan's Lady Teazle, if not excellent, was respectable; and at a time when it was thought that it would be impossible to personify her Ladyship [i.e. after the retirement of Miss Farren], Mrs Jordan is commendable in having endeavoured it...[Sir Peter] was a part well suited to Murray, who excels in the still and the pathetic...In the screen scene his mirth in revealing to Charles the story of the French milliner, and his amazement the moment after when Charles, throwing down the screen, presented that milliner in the shape of Lady Teazle, must confirm the reputation of Murray. 'Lady Teazle!' (exclaimed he, turning from her towards the door, and in an accent alarmingly impressive), 'Lady Teazle, by all that is damnable!" (Monthly Visitor, June 1797, pp. 531-32). True Briton, 6 May: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #550 3s. (232.4.0; 72.2.0; 7.10.6; tickets: 238.6.6) (charge: free)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17960927, but Sir Peter Teazle-Murray [of cg]; Careless-C. Kemble; Lady Teazle-Mrs Jordan (1st appearance in that character); Servants-.

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Loverule Actor: Dignum

Song: As17960927

Entertainment: Monologue. End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Richard Iii

Event Comment: At the Desire of several Ladies of Quality. As 14 Feb

Performances

Mainpiece Title: Richard The Third

Event Comment: Benefit Mrs Bicknell. At the Desire of several Ladies of Quality. As 14 Feb

Performances

Mainpiece Title: Richard The Third

Performances

Mainpiece Title: Richard The Third

Performances

Mainpiece Title: Richard The First King Of England

Performances

Mainpiece Title: Richard The First King Of England

Performances

Mainpiece Title: Richard The First King Of England

Performances

Mainpiece Title: Richard The First King Of England

Performances

Mainpiece Title: Richard The First King Of England

Performances

Mainpiece Title: Richard The First King Of England

Performances

Mainpiece Title: Richard The First King Of England

Performances

Mainpiece Title: Richard The First King Of England

Performances

Mainpiece Title: Richard The First King Of England

Performances

Mainpiece Title: Richard The First King Of England

Performances

Mainpiece Title: Richard The First King Of England

Performances

Mainpiece Title: Richard Iii