SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir John Smith"/1) | (@(roleclean,performerclean) "Sir John Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11247 matches on Author, 8088 matches on Performance Comments, 1997 matches on Event Comments, 907 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; C 5, by Thomas Morton; with incidental music by John Moorehead. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With New Scenes [by Richards (Universal Magazine, Feb. 1800, p. 157)] and new Dresses. Morning Chronicle, 8 July 1800: This day is published Speed the Plough (2s.). Receipts: #256 7s. (253.4.6; 3.2.6)

Performances

Mainpiece Title: Speed The Plough

Performance Comment: Principal Characters by Pope, Munden, Fawcett, Knight, H. Johnston, Murray, Davenport, Waddy, Atkins, Street, Abbot, Curties, Klanert, Miss Murray, Mrs Davenport, Mrs Dibdin, Mrs H. Johnston. [Cast from text (T. N. Longman and O. Rees, 1800): Sir Philip Blandford-Pope; Sir Abel Handy-Munden; Bob Handy-Fawcett; Farmer Ashfield-Knight; Henry-H. Johnston; Morrington-Murray; Evergreen-Davenport; Gerald-Waddy; Peter-Atkins; Postillion-Abbot; Young Handy's Servant-Klanert; Susan Ashfield-Miss Murray; Dame Ashfield-Mrs Davenport; Lady Handy-Mrs Dibdin; Miss Blandford-Mrs H. Johnston; unassigned-Street, Curties; Prologue-Betterton; [This was spoken, as here assigned, at the 1st 9 performances only (see18000219).] Epilogue-Fawcett. [This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .
Cast
Role: Sir Philip Blandford Actor: Pope
Role: Sir Abel Handy Actor: Munden
Role: Henry Actor: H. Johnston
Role: Miss Blandford Actor: Mrs H. Johnston

Afterpiece Title: Rosina

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: Pave-Lewis; Warford-Pope; Sir ThomasRoundhead-Munden; Latitat-Fawcett; Smalltrade-Emery; Sir Charles Dazzle-Betterton; Hippy-Townsend; Nab-Farley; Plainly-Claremont; Servants-Curties, Blurton, Platt, Wilde, Rees; Robert-Simmons; Formal-Thompson; Miss Dazzle-Miss Chapman; Rosa-Miss Murray; Betty-Miss Leserve; Visitors-Ms Watts, Ms Follett, Ms Norton, Ms Gilbert; Lady Henrietta-the Late Miss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Performance Comment: Glib, the Author-Lewis; Manager-Davenport; Sir Toby Fuz-Gardner; Sir Macaroni Virtu-Farley; Wilson-Claremont; Mervin-Klanert; Prompter-Abbot; Carpenter-Rees; Scenemen-Wilde, Whitmore; Miss Fuz-Mrs Mills; Sweepers of the Stage-Mrs Whitmore, Mrs Norton; Lady Fuz-Mrs Davenport; Characters in the Burletta: Orpheus-Hill; Shepherds-Linton, Denman, Whitmore, Platt, Curties, Street, Bologna, Lee, Hawtin, Blurton, Coombs, Thomas, Noble, Lewiss; The Old Shepherd-Simmons; Rhodope-Mrs Martyr.
Cast
Role: Sir Toby Fuz Actor: Gardner
Role: Sir Macaroni Virtu Actor: Farley

Afterpiece Title: The Hermione; or, Valour's Triumph

Related Works
Related Work: Cadmus et Hermione Author(s): John Baptist Lully
Event Comment: The Duke's Company. There is no certainty that this date represents the premiere. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. Downes (Roscius Anglicanus, pp. 33-34): Loves Jealousy, and The Morning Ramble. Written by Mr Nevil Pain. Both were very well Acted, but after their first run, were laid aside, to make Room for others; the Company having then plenty of new Poets. Two songs, Ah Corydon in vain you boast and Some happy soul come down and tell, both set by Robert Smith, are in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Fatal Jealousie

Performance Comment: Edition of 1673: Don Antonio-Smith; Don Gerardo-Medburn; Don Francisco-Young; Don Sebastian-Crosby; Jasper-Sandford; Pedro-Burford; Servant-Norris; Captain of the Watch-Nath. Leigh; Caelia-Mrs Shadwel; Eugenia-Mrs Betterton; Flora-Mrs Osborn; Nurse-Nokes; Witch-Mrs Norris; Prologue-Smith; Epilogue-Harris.
Cast
Role: Don Antonio Actor: Smith
Role: Prologue Actor: Smith
Event Comment: Play never acted before. [This new tragedy by MacNamara Morgan is mercilessly scourged by Paul Hiffernan in Tuner No 1, (21 Jan.), pp. 41-61]: To Tune it in Lilliputian Score : @Such sighing@Such Billing@Such Flashing@Such Heeling@And Dying@And Killing@And Dashing@And Kneeling@Such Rizing@Surprizing!@Such Falling@And Bawling@Such Attitudes@And Flattitudes@Were ne'er exhibited before.@ In the representation Mr Barry spared no pains; Miss Nossiter and Mr Smith strained hard-Mrs Bland, as far as her part exposed itself, did it with alacrity, but vanished abruptly in a storm of Lust. Mrs Vincent put as good a face on wanton barbarity as possible-and Mr Sparks who can do justice to a more spirited character, supported his Arcadian Kingship with becoming equanimity...It is a Romance crush'd together without choice, unconnected and full of Exidents not Incidents. Musidorus and Pamela , are duplicates to Pyrocles and Philoclea , which lengthen by so much the play, with repetition of the same dull nauseous tale of love, stirr'd up now and then by a bounce and a cracker-many persons come on we know not why, and disappear we know not wherefore....This new piece is an outlaw from all rules of Criticism; the Unities of Time, Place, and Action are unobserv'd; Plot, Moral, Verisimilitude, or even Probability unknown: many scenes bid defiance to possibility....Mr Rich stopp'd at no expence as to the Dresses and Decorations, and reprieving the play's duration to the utmost extent of Managerian clemency

Performances

Mainpiece Title: Philoclea

Performance Comment: Parts-Barry, Sparks, Smith, Ridout, Usher, Mrs Bland, Mrs Vincent, Miss Kennedy, Mrs Griffith, Miss Nossiter. [ Basilius-Sparks; Pyrocles-Barry; Musidorus-Smith; Amphialus-Usher; Philanax-Ridout; Euristus-Anderson; Dametas-Redman; Thyrsis-Holtam; Gynecia-Mrs Bland; Pamela-Miss Kennedy; Philoclea-Miss Nossiter; Cecropia-Mrs Vincent; Eugenia-Mrs Griffith; Phebe-Miss Mullart; Prologue-Sparks; Epilogue-Mrs Bland [[Edition of 1754).][Edition of 1754).]
Event Comment: Benefit for Smith. Mainpiece: By Particular Desire. Part of Pit will be laid into the Boxes. No building on Stage. Tickets sold at the Doors will not be admitted. Afterpiece: A Ballad Farce Reviv'd. Receipts: #82 5s. 6d. in cash, plus #187 1s. from tickets (Boxes 399; Pit 492; GGalllery 135). Total #269 6s. 6d. Charges #63. [Mr Smith found his own candles.

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Smith; King-Sparks; Horatio-Ridout; Lucianus-Dunstall; Rosencraus-Bennet; Guildenstern-Wignell; Marcellus-Anderson; Bernardo-Weller; Laertes-Dyer; Ostrick-Cresswick; Francisco-Holtom; Player King-Redman; Player Queen-Mrs Ferguson; Polonius-Collins; Gravediggers-Shuter, Stoppelaer; Ghost-Ryan; Ophelia-Mrs Vincent; Queen-Mrs Elmy.
Cast
Role: Hamlet Actor: Smith
Related Works
Related Work: Hamlet Author(s): Sir William Davenant

Afterpiece Title: The Country Wake; or, Hob in the Well

Related Works
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: Hob's Wedding Author(s): John Leigh
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley

Dance: II: A Comic Dance-Granier, Miss Hilliard; End: The Lamp Lighters-Poitier Jr, Mlle Capdeville

Event Comment: Benefit for Marten, Anderson, R. Smith. Mainp1ece: Not acted this Season

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pilgrim-Smith; Roderigo-Clarke; Curio-White; Seberto-Davis; Old Pilgrim-Tindal; Porter-Barrington; Jaques-Lewis; Lopez-Wignel; Mad Priest-Bennet; Mad Taylor-Holtom; Master of Madhouse-Marten; Mad Welchman-Hayes; Mad Scholar-Dyer; Mad Englishman-Dunstall; Governor-Anderson; Drunken Servant-R. Smith; Alonzo-Young; Judge-Redman; Peasant-Weller; Outlaw-Perry; Alphonso-Shuter; Stuttering Cook (this night only)-Woodward; Alinda-Mrs Vincent; Julietta-Mrs Green; In Act IV, the Song Mad Bess set by Purcell-Miss Poitier in character.
Cast
Role: Pilgrim Actor: Smith
Role: Drunken Servant Actor: R. Smith
Related Works
Related Work: The Pilgrim Author(s): John FletcherJohn Vanbrugh

Afterpiece Title: The Intriguing Chambermaid

Dance: IV: The Jealous Woodcutter, as17621023

Event Comment: Benefit for T. Smith, Parsons, Arnauld, Miss Madden, Miss Cockayne, and others. Tickets deliver'd by Wild, Mrs Hitchcock, Francis, Widow Trott, Mrs Paddick, and for the fourteenth will be taken. [The Mourning Bride and Orpheus had been planned for the 14th. See foot of playbill 13 May.] @Tickets Pit Box Gallery Value 1!2 Value@T. Smith 67 61 #16 3s. #8 1s. 6d.@ Maddan 10 30 49 #11 18s. #5 19s.@19 183 58 38 19@Cockayne 7 23 48 #10 5@Wilde 2 27 33 #7 17s. #3 18s. 6d.@Francis 4 25 31 #7 17s. #3 18s. 6d.@Arnd Fishar 14 8 #2 18s. #1 9s.@Hitchcock 31 41 14 #15 6s. #7 3s.@ Trott 16 8 4 #5 12s. #2 16s.@Paddick 16 7 #3 2s. #1 11s.@Total #118 13s. #59 6s. 6d. (Account Book).@ [No charges were listed. The house took, instead one-half value of the tickets, leaving the other half as profit to the ten beneficiaries. House also took the cash receipts.] Receipts: #27 19s. (Account Book)

Performances

Mainpiece Title: The Inconstant

Performance Comment: Young Mirabel-Smith; Old Mirabel-Shuter; Duretete-Woodward; Dugard-Gardner; Petit-Cushing; Page-Mas. Besford; Maid-Miss Allen; Bravos-Wignel, Quick, Stoppelaer, Bates; Oriana-Mrs Lessingham, 1st time; Lamorce-Mrs Stephens; Bizarre-Mrs Vincent.
Cast
Role: Young Mirabel Actor: Smith
Related Works
Related Work: The Inconstant: or, The Way to Win Him Author(s): John Fletcher

Afterpiece Title: The Royal Chace

Song: II: A Song-Parsons

Dance: III: A Minuet-Hussey, Miss Madden; IV: Comic Dance-Arnauld, Miss Capon, as17680416

Event Comment: Benefit for Gardner and R. Smith. Charges #66 10s. Deficit to actors #15 7s. covered by income from tickets: Gardner #39 13s. (Box 44; Pit 105; Gallery 129); R. Smith #67 8s. (Box 28; Pit 268; Gallery 202). Rec'd from Mrs Trott and Symmonds their 1!2 value of tickets 6th Inst. (Account Book). Receipts: #51 3s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17690425 but Philario-Morris; Arviragus-R. Smith; Imogen-Mrs Bulkley, 1st time.
Cast
Role: Arviragus Actor: R. Smith
Role: Iachimo Actor: Smith

Afterpiece Title: The Upholsterer

Dance: III: The Merry Sailors, as17680920

Event Comment: Benefit for Gardner and R. Smith. Mrs Gardner's Indisposition preventing her from performing this evening, she hopes she shall be excused by her friends. [She was to have played Catherine in Afterpiece according to advance notice of 4 May.] Charges #64 10s. Deficit to each benefiticiary #15 6s. 6d., cover'd by income from tickets: Gardner, #61 1s. (Box 118; Pit 101; Gallery 164); Smith, #64 19s. (Box 35; Pit 264; Gallery 166). Paid half year's Land Tax for the Theatre due Lady day last, #61 5s.; paid ditto for window lights, #6 10s. 6d.; Paid ditto for House in Bow Passage #2 3s. 9d. and for its window lights 15s. Receipts: #33 17s. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17711031, but Shylock-Gardner, 2nd time; Duke-Thompson; Salarino-R. Smith; Salanio-Owenson; Launcelot-Quick.
Cast
Role: Salarino Actor: R. Smith

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17711217, but Pedro-R. Smith.
Cast
Role: Pedro Actor: R. Smith.
Related Works
Related Work: Sauny the Scot; or, The Taming of a Shrew Author(s): John Lacy

Dance: III: Comic Dance, as17711031; IV: A Tambourine, as17720501

Event Comment: Benefit for Mrs Smith. Paid one year's Watch Rate, St Martin's to 14 Feb. last #10 13s.; Chorus 2 nights (this incl.) #5 1s. (Treasurer's Book). Receipts: #217 19s.6d. Charges: #70 9s. Profits to Mrs Smith: #147 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Padlock

Performance Comment: As17720926, but Leonora-Mrs Smith, for that night only.
Event Comment: Benefit for Smith. Mainpiece: Not acted these 16 years. Part of Pit will be laid into the Boxes. Tragedy by Samuel Pordage. Charges #64 12s. Profit to Smith #62 19s. 6d., plus #110 from tickets (Box 380; Pit 68; Gallery 48) Receipts: #127 11s. 6d. (Account Book)

Performances

Mainpiece Title: Herod And Mariamne

Performance Comment: Herod-Smith; Sohemus-Bensley; Narbal-Clarke; Pheroas-Gardner; High Priest-Hull; Sameas-Davis; Flaminius-Wroughton; Arsinoe-Mattocks; Salome-Miss Sherman; Mariamne-Mrs Hartley.
Cast
Role: Herod Actor: Smith

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17740205; with an Allemande, as17740205

Event Comment: Mr Smith from Covent Garden Theatre made his first appearance upon this Stage in K. Richd the 3d & was receiv'd with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. Kemble also refers to borrowing Smith from cg 29 May 1759, which was actually his first appearance at dl.] Paid a Tow Bill 10s. (Treasurer's Book). [This is the customary monthly charge for tow for wicks. It came to #4 10s. for the whole season. No further itemizing of it will be made.] Receipts: #239 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith, first appearance there; King Henry VI-J. Aickin; Richmond-Palmer; Buckingham-Jefferson; Lord Mayor-Ackman; Prince Edward-Master Blanchard; Duke of York-Master Pulley; Tressel-Cautherly; Lord Stanly-Bransby; Norfolk-Hurst; Ratcliff-Wright; Lieutenant-Fawcett; Catesby-Packer; Lady Anne-Miss Younge; Duchess of York-Mrs Johnston; Queen-Mrs Hopkins.

Afterpiece Title: The Meeting of the Company

Cast
Role: Sir Patrick Actor: Moody

Afterpiece Title: Miss in Her Teens

Event Comment: Hamlet -Smith as usual (Hopkins Diary). Paid half year's Watch, St Martins #32 9s. 6d.; Housekeeper's 4 Bills #50 7s. 10d.; Music Books to Mr Stayner, #6 18s. (Treasurer's Book). [The housekeeper's weekly bill averaged #10, for a total of #380 the season. No further itemization of it will be made.] Receipts: #183 3s. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Smith; King-Jefferson; Ghost-Bransby; Horatio-Packer; Polonius-Baddeley; Laertes-Aickin; Rosencranz-Davies; Guildenstern-Fawcett; Marcellus-Wrighten; Player King-Usher; Lucianus-Parsons; Messenger-Wright; Bernardo-Griffiths; Francisco-Norris; Queen-Mrs Hopkins; Player Queen-Mrs Johnson; Ophelia-Mrs Smith.
Cast
Role: Hamlet Actor: Smith
Role: Player Queen Actor: Mrs Johnson
Role: Ophelia Actor: Mrs Smith.
Related Works
Related Work: Hamlet Author(s): Sir William Davenant

Afterpiece Title: The Theatrical Candidates

Cast
Role: Tragedy Actor: Mrs Smith

Afterpiece Title: Bon Ton

Cast
Role: Tragedy Actor: Mrs Smith
Event Comment: The Provoked Husband and Rival Candidates was given out for Tuesday. On Sunday Morning Mrs Yates sent word she was ill and could not play--sent to Miss Younge, and she sent word that she was ill in bed--King sent word he had a sore Throat, and could not play--so that we could do no Play but the Committee and Rival Candidates. On Monday the Managers met, but nothing was settled. At twelve o'clock Mrs Baddeley sent word she had a sore Throat, and could not play in the Riv[al] Can[didates] (Hopkins Diary). The Hypocrite and The Christmas Tale are obliged to be deferred. "[Smith] has a good figure, is gentlemanlike, and decent in everything he undertakes. When we allow that, we have said all; he wants both feeling to be affected, and powers to convey his feelings, if he had them. In fine, in spite of all the partiality of his friends, or the ignorant prejudices of those who never judge but at second hand, his performance of Richard was little more than a strong union of judgement and industry, unaided by nature. He should woo genteel Comedy oftener; and not that coy sister of hers, who certainly holds Smith at the point of her lance" (London Magazine, Oct. 1776, p. 511). Receipts: #186 18s. 6d

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-Smith; Richmond-Palmer; Buckingham-Jefferson; Tressel-Davies; Lord Stanley-Bransby; Norfolk-Hurst; Catesby-Packer; Prince Edward-Miss P. Hopkins; Duke of York-Master Pulley; Lord Mayor-Griffiths; Ratcliffe-Wright; Lieutenant-Fawcett; King Henry-Reddish; Lady Anne-Mrs Greville; Dutchess of York-Mrs Johnston; Queen-Mrs Hopkins.
Cast
Role: King Richard Actor: Smith
Role: Dutchess of York Actor: Mrs Johnston

Afterpiece Title: The Elopement

Cast
Role: George Hargrave Actor: Smith
Role: Sir Charles Seymour Actor: Brereton
Event Comment: Benefit for Lewis, Dancer & J. Smith. Tickets to be had of Lewis at the Europa; of Smith at the Ship, Seven Houses

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Captain Plume-Comerford; Worthy-Johnson; Captain Brazen-Russell; Justice Ballance-Lewis; Bullock-Newton; ThomasAppletree-Kenny; Costar Pearmain-Dancer; Serjeant Kite-Smith; Sylvia-Miss Reynolds; Melinda-Mrs West; Lucy-Miss Taylor; Rose-A Young Lady of Rotherhithe (1st appearance on any stage [unidentified]).unidentified]).
Cast
Role: Worthy Actor: Johnson
Role: Serjeant Kite Actor: Smith

Afterpiece Title: The Life and Death of Tom Thumb the Great

Cast
Role: Doodle Actor: Johnson
Role: Glumdalca Actor: Mr Smith

Dance: End: The Wapping Landlady; or, Jack in Distress-; [with a Hornpipe [in character,-a Lady from London [unidentified]

Song: As17760925

Entertainment: Imitations. As17760930 Monologue. Teague's Ramble to London. Captain O'Blunder-Broderick

Performances

Mainpiece Title: London's Royal Triumph For The City's Loyal Magistrate In An Exact Description Of Several Scenes And Pageants, Adorned With Many Magnificent Representations

Performance Comment: Performed on Wednesday, October XXIX. 1684. At the instalment and Inauguration of the Right Honourable Sir James Smith, Knight, Lord Mayor of the City of London. Illustrated with divers Delightful Objects of Gallantry and Jollity, Speeches and Songs, Single and in Parts. Set forth at the Proper Costs and Charges of the Worshipful Company of Drapers. Devised and Composed by Tho. Jordan, Gent.
Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308-the regular company at Drury Lane resumed acting (after the summer vacation) on 11 Oct. 1696 and acted 200 times to 7 July 1697, after which the young actors played 58 days to 7 Oct. 1697

Performances

Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308--Rich's Company acted 161 days from 6 Oct. 1697 to 19 May 1698, 41 days from that date to 10 July 1698, and the young actors played 24 days from 10 July 1698 to 10 Oct. 1698

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's Company acted 209 times from 9 Oct. 1698 to 9 July 1699, after which the young actors performed 27 times from 9 July 1699 to 10 Oct. 1699

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's company acted 218 times between 6 Oct. 1699 and 26 July 1700, and the young actors played 15 times from 26 July 1700 to 12 Oct. 1700

Performances

Event Comment: Tickets delivered by Smith, Bowles, Ledger, Mrs Morris, Miss Bassan and Miss Matthews for Love in a Village will be admitted this Evening. Receipts: #165 16s. 6d. (124.9.6; 0.12.0; tickets: 40.15.0)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17780226, but Sir H. Sycamore-Wilson; Giles-Reinhold; Mervin-Mahon; Ralph-Quick; Theodosia-Mrs Morton [i.e. formerly Miss Dayes].i.e. formerly Miss Dayes].
Related Works
Related Work: The Maid of the Mill; or, The Country Revels Author(s): John Fletcher
Related Work: The Maid in the Mill Author(s): John Fletcher

Afterpiece Title: Mother Shipton

Dance: As17770926

Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Cast
Role: Alphonso Actor: Johnson
Related Works
Related Work: The Pilgrim Author(s): John FletcherJohn Vanbrugh
Event Comment: Benefit for Yates. The Farce of The Knights intended and advertis'd to be acted is oblig'd to be laid aside on account of Mr Phillip's dangerous indisposition, who was to have perform'd the character of Sir Gregory Gazette. Tickets of Yates at Mr Walsh's Music shop in Catherine St. in the Strand, and at the stage door (playbill, 29 March). Receipts: #260 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17540112, but Don John-Bransby; Verges-Vernon; Dogberry-Yates (playbill). [Don John-$Davies (Public Advertiser).]
Cast
Role: Don John Actor: Bransby
Role: Don John Actor: Davies
Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: Lethe

Dance: II: Masquerade Dance-; Devisse, Mad Auretti

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Performances

Mainpiece Title: Teraminta

Related Works
Related Work: Teraminta Author(s): John Christopher Smith