SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir John Moore"/1) | (@(roleclean,performerclean) "Sir John Moore")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 12451 matches on Author, 6694 matches on Performance Comments, 1729 matches on Event Comments, 683 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Woodman

Performance Comment: Sir Walter Waring-Munden (1st appearance in that character); Captain O'Donnel-Johnstone; Fairlop-Townsend; Medley-Hill; Bob-Emery (Their 1st appearance in those characters); Ralph-Linton; Wilford-Incledon; Dolly-Mrs Martyr; Miss Di Clackit-Mrs Davenport; Polly (1st time)-Miss Sims; Bridget-Mrs Watts; Emily-Mrs Atkins (1st appearance in that character).
Cast
Role: Sir Walter Waring Actor: Munden
Role: Captain O'Donnel Actor: Johnstone

Afterpiece Title: The Rendezvous

Performance Comment: Jack at the Windlass-Fawcett; The Death of Admiral Benbow-Incledon; Fat Dolly the Cook Maid-Munden; song-Johnstone; The Tight Little Island-Townsend; Our Laws, Constitution and King (composed by Shield)-Incledon, Linton; Great Britain still her Charter boasts (composed by Shield)- Incledon.
Cast
Role: song Actor: Johnstone

Afterpiece Title: The Jew and the Doctor

Song: End I: The Storm (by G. A. Stevens)-Incledon; In course Evening: an entire new Glee, composed by King, The Witches[, the Words from the First Scene of Shakspeare's Macbeth, -Incledon, Townsend, Linton, Chorus; [Also Black Ey'd Susan-; Old Towler- [Incledon]

Event Comment: By Desire of his Excellency the Turkish Ambassador [Ismail Ferrouh Effendi]. Benefit for Miss Waters. 1st piece: Not acted these 5 years [acted 13 May 1796]. 2nd piece: Not acted these 3 years [acted 14 May 1798]. [As 3rd piece the Account-Book lists The Death of Captain Cook.] Morning Chronicle, 14 May: Tickets to be had of Miss Waters, No. 43, Conduit-street, Hanover-square. Receipts: #436 19s. (101.14; 6.19; tickets: 328.6)

Performances

Mainpiece Title: Speculation

Performance Comment: Tanjore-Lewis; Project-Emery; Jack Arable-Fawcett; Sir Fred. Faintley-Claremont; Promptly-Thompson; Vickery-Klanert; Capt. Arable-Macartney; Meanwell-Atkins; Alderman Arable-A Young Gentleman (1st appearance on any stage [unidentified]); Lady Project-Mrs Davenport; Cecilia-Miss Mills; Emmeline-A Young Lady (1st appearance on any stage [unidentified]).unidentified]).

Afterpiece Title: Marian

Performance Comment: Sir Henry Freeman (with Old Towler)-Incledon; Edward-Hill; Robin-Simmons; Thomas-Denman; Peggy-Mrs Chapman; Patty-Miss Wheatley; Kitty-Mrs Iliff; Fanny-Mrs Sydney; Marian (with a New Song) He has left me-the Youth, the dear youth I adore (Dramatic Censor, II, 198), written by T. Dutton, the Music by Mazzinghi-Miss Waters (1st appearance in that character).
Cast
Role: Sir Henry Freeman Actor: Incledon

Afterpiece Title: The Soldiers Festival

Song: End II 1st piece: a Musical Address Mark when beneath the western main (Dramatic Censor, II, 197), Written expressly for the occasion by T. Dutton, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Sir Charles Marlowe-Packer; Young Marlowe-Barrymore; Hardcastle-Dowton; Hastings-Holland; Tony Lumpkin-Wathen; The Country Club-Wathen (1st appearance in that character); Diggory-Suett; Mrs Hardcastle-Mrs Walcot; Miss Hardcastle-Mrs Jordan (1st appearance in that character); Miss Neville-Miss DeCamp.
Cast
Role: Sir Charles Marlowe Actor: Packer

Afterpiece Title: The Deserter

Ballet: End: The Scotch Ghost. As17991202, but Saundy-_; Donald-_

Entertainment: In which a Trial of Skill, in the exercise of the Austrian and Highland Broadsword-Nine of the First Swordsmen in this Kingdom

Performances

Mainpiece Title: The Lie Of The Day

Performance Comment: Aircourt-Lewis; Alibi-Quick (1st appearance on this stage these 3 years); Metheglin-Fawcett; Larry Kavanagh-Knight; Sir Carrol O'Donnovan-Waddy; Young O'Donnovan-Claremont; Lady Arable-Miss Chapman; Katty Kavanagh-Mrs Davenport; Fib-Mrs Watts; Sophia-A Young Lady (2nd appearance [see18000517]).see18000517]).
Cast
Role: Sir Carrol O'Donnovan Actor: Waddy
Related Works
Related Work: The Lie of the Day; or, A Party at Hampton Court Author(s): John O'Keeffe

Afterpiece Title: Three Weeks after Marriage

Performance Comment: Sir Charles Racket-Lewis; Woodly-Claremont; Lovelace-Farley; Drugget-Quick; Dimity-Mrs Litchfield; Mrs Drugget-Mrs Davenport; Nancy (with a song)-Miss Sims; Lady Racket-Mrs Jordan [of dl].of dl].
Cast
Role: Sir Charles Racket Actor: Lewis

Afterpiece Title: Paul and Virginia

Cast
Role: Virginia Actor: Mrs H. Johnston

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Performances

Mainpiece Title: Ways And Means

Performance Comment: Sir David Dunder-Fawcett; Young Random-Barrymore; Scruple-Farley; Old Random-Davenport; Roundfee-Suett; Quirk-Wathen; Carney-Abbot; Peery-Atkins; Passengers-Klanert, Ledger, Chippendale; Tiptoe-Palmer; Lady Dunder-Mrs Davenport; Harriet-Miss Gaudry; Kitty-Mrs Gibbs.
Cast
Role: Sir David Dunder Actor: Fawcett

Afterpiece Title: Obi

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Sir Edward Mortimer-Barrymore; Fitzharding (1st time)-Davenport; Wilford-C. Kemble; Adam Winterton-Fawcett; Rawbold (1st time)-Emery; Samson Rawbold-Suett; David Rawbold-Master Suett; Armstrong-Trueman; Orson-Palmer; Servants-Abbot, Chippendale, Atkins; Robbers-Caulfield, Bannister, Klanert; Helen (1st time)-Miss Chapman; Blanch-Mrs Gibbs; Barbara-Mrs Mountain; Judith (1st time)-Miss DeCamp.

Afterpiece Title: The Village Lawyer

Event Comment: John Dryden to Lord Latimer, July 1677: But the Kings Comedy [probably Mr Limberham] lyes in the Sudds till you please to send me into Northamptonshyre: it will be almost such another piece of business as the fond Husband, for such the King will have it, who is parcell poet with me in the plott; one of the designes being a story he was pleas'd formerly to tell me; and therefore I hope he will keep the jeast in countenance by laughing at it...I have a farther honour to beg, that my Tragedy [All for Love], which will be acted at Michaelmasse, & is already written, may have the honour to be addressed to my Lord Treasurer; & that your Lordship and My Lord Mulgrave wil I hope beg together for me (The Letters of John Dryden, ed. Ward, pp. 11-12)

Performances

Event Comment: John Dryden to Jacob Tonson, ca. August 1684: I desire to know whether the Dukes house are makeing cloaths & putting things in a readiness for the singing opera [The Tempest?], to be playd immediately after Michaelmasse: for the Actors in the two plays, which are to be acted of mine, this winter [All for Love and The Conquest of Granada], I had spoken with Mr Betterton by chance at the Coffee house the afternoon before I came away: & I believe that the persons were all agreed on, to be just the same you mentioned. Only Octavia was to be Mrs Buttler, in case Mrs Cooke were not on the Stage. And I know not whether Mrs Percivall who is a Comedian, will do so well for Benzayda (Letters of John Dryden, ed. Ward, pp. 23-24)

Performances

Event Comment: John Dryden to Jacob Tonson: I have broken off my Studies from The Conquest of China (Letters of John Dryden, p. 97)

Performances

Event Comment: John Dryden to Mrs Steward, 26 Nov. 1699: If you come up next Week, you will be entertaind with a New Tragedy; which the Author of it, one Mr Dennis, cryes up at an Excessive rate, & Colonel Codrington, who has seen it, prepares the world to give it loud Applauses. Tis calld Iphigenia, & Imitated from Eurypides, an old Greek poet. This is to be Acted at Betterton's House, & another play of the same name, is very shortly to come on the stage in Drury Lane (The Letters of John Dryden, p. 129)

Performances

Event Comment: John Dryden to Mrs Steward, 11 April 1700: Within this Moneth there will be played for my Profit, an old play of Fletcher s, called the Pilgrim, corrected by my good friend Mr Vanbrook; to which I have added A New Masque, & am to write a New Prologue & Epilogue. Southern s tragedy, called the Revolt of Capoua, will be played At Bettertons House within this fortnight. I am out with that Company, & therefore if I can help it, will not read it before tis Acted; though the Authour much disires I shou'd (The Letters of John Dryden, p. 136)

Performances

Event Comment: Benefit Thurmond. At the Desire of several Ladies of Quality. With all the Original Decorations proper to the Play

Performances

Mainpiece Title: The Libertine Destroyd

Performance Comment: John-Mills; Jacomo-Johnson; Antonio-Thurmond; Lopez-Bickerstaff; Francisco-Keene; Leonora-Mrs Knight; Maria-Mrs Porter; Octavia-Miss Sherburn; Flavia-Miss Willis; Shepherds-Norris, Leigh, Pack, Burkhead.
Cast
Role: John Actor: Mills
Role: Jacomo Actor: Johnson

Dance: Dutch Skipper and Wife-

Performances

Mainpiece Title: The Libertine Destroyd

Performance Comment: John-Mills; Maria-Mrs Porter; Jacomo-Johnson.
Cast
Role: John Actor: Mills
Role: Jacomo Actor: Johnson.

Music: With the Shepherds' Musick by the late Mr Henry Purcell-

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Comerford; Portius-Russell; Marcus-Smith; Lucius-Dancer; Sempronius-Johnson; Juba-Stokes; Decius-Mrs Kenny; Syphax-Lewis; Marcia-Miss Taylor; Lucia-Mrs Wilks.
Cast
Role: Sempronius Actor: Johnson
Related Works
Related Work: Cato Author(s): John Ozell

Afterpiece Title: The Election

Performance Comment: John-Kenny; Dick-Comerford; Trusty-Russell; Sally-Mrs Davies; Wife-Mrs Wilks.
Cast
Role: John Actor: Kenny

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Russell; Freeman-Johnson; Philip-Lewis; Lord Duke-Comerford; Sir Harry-Smith; Robert-Dancer; Coachman-G. Smith; Tom-Kenny; Kingston (the Black Boy)-Master Russell; Kitty (with song)-Mrs Russell; Lady Charlotte-Miss Taylor; Lady Bab-Mrs Wilks; Cook-Mrs Newby.
Cast
Role: Freeman Actor: Johnson
Role: Sir Harry Actor: Smith

Song: 2nd piece: With all the original Songs, Chorusses-

Entertainment: Imitations, as17760930

Event Comment: Sir Samuel Tuke's The Adventures of Five Hours was probably intended to have its first performance on this day. The edition of 1663 reads: The Prologue Enters with a Play-Bill in his hands, and Reads, This day being the 15th of December, shall be Acted a New Play, never Plai'd before, call'd The Adventures of Five Hours. [On the other hand, Evelyn, on 23 Dec. 1662, saw a rehearsal of the comedy, and Pepys, 8 Jan.1662@3, refers to a performance on that day as the first one.

Performances

Event Comment: Sir Ralph Verney, 11 May 1670: The King & Duke are at dover...all the Towne is gonn, & the Kings Musicke, & Duke's players, & all the Bravery that could be got on such a sudden (Memoirs of the Verney Family [London, 1899], IV, 201). See also a newsletter, 17 May 1670 (HMC, Fleming MSS. 12th Report, VII, 70)

Performances

Event Comment: Sir Charles Lyttleton, 10 Nov. 1677: [The Princess of Orange] is gone to ye play to-night in these and all ye Duchesses jewells (Hatton Correspondence, Camden Society, 1878, XXII, 155). The Prince and Princess had been married on 4 Nov. 1677

Performances

Event Comment: Sir Robert Southwell to Edward Southwell, 26 Aug. 1685 (in Morley, Bartholomew Fair, pp. 224-26): I think it not now so proper to quote you verses out of Persius, or to talk of Caesar and Euclide, as to consider the great theatre of Bartholomew Fair....You wou'd certainly see the garboil there to more advantage if Mr Webster and you wou'd read, or cou'd see acted, the play of Ben Jonson, call'd Bartholomew Fair:...The main importance of this fair is not so much for merchandize, and the supplying what people really want; but as a sort of Bacchanalia, to gratify the multitude in their wandring and irregular thoughts. Here you see the rope-dancers gett their living meerly by hazarding of their lives, and why men will pay money and take pleasure to see such dangers, is of separate and philosophical consideration. You have others who are acting fools, drunkards, and madmen, but for the same wages which they might get by honest labour, and live with credit besides. Others, if born in any monstrous shape, or have children that are such, here they celebrate their misery, and by getting of money forget how odious they are made

Performances

Performances

Mainpiece Title: The Fortune Hunters Or Two Fools Well Met

Performance Comment: Sir Wm. Wealthy-Bullock; Elder Wealthy-Mills; Young Wealthy-Wilks; Sham Town-Pack; Littlegood-Bowman; Spruce-Norris; Maria-Mrs Oldfield; Sophia-Mrs Bradshaw; Widow Sly-Mrs Lee; Mrs Spruce-Mrs Bicknel.

Performances

Mainpiece Title: A Trip To Scarborough

Cast
Role: Sir Tunbelly Clumsey Actor: Moody
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: Bon Ton or High Life above Stairs

Performance Comment: Sir J. Trotley (with the original Prologue)-King; Col. Tivy-Brereton; Davy-Parsons; Jessamy-Lamash; Lord Minikin-Dodd; Lady Minikin-Miss Pope; Gymp-Mrs Colles; Miss Tittup-Mrs Brereton (1st appearance in that character).

Dance: End: New Dance-the Miss Stageldoirs

Performances

Mainpiece Title: The Bird In A Cage Or Money Works Wonders

Afterpiece Title: The Drummer or The Haunted House

Performance Comment: Sir G. Trueman-Farren; Tinsel-Palmer; Fantom-Cubitt; Butler-Swords; Coachman-Stevens; Vellum-Quick; Abigail-Mrs Pitt; Lady Trueman-Mrs Bates .

Dance: In Act III of mainpiece a Grand Dana of Ladies [performers not listed]; End of mainpiece The Drunken Sailor Reclaim'd [performers not listed, but see17860304

Event Comment: John Lacy's The Old Troop; or, Monsieur Raggou was probably acted by this time. Not published until 1672, it was, however, referred to in the Epilogue to The Vestal Virgin (which was entered in the Stationers' Register, 7 March 1664@5): @If nothing pleases but Variety,@I'll turn Ragou into a Tragedy.@When Lacy, like a whining Lover dies.

Performances

Event Comment: John Evelyn, writing to Viscount Cornbury this day, protested the frequency of theatrical performances during the Lenten "Indiction" after hearing that there was to be "no Lent indicted this year." He wondered if Fridays and Saturdays could not be spared from the licentiousness of plays. (See Diary and Correspondence, ed. Bray III, 150-52.

Performances

Event Comment: John Aubrey to Anthony a Wood, 26 Oct. 1671: I am writing a comedy for Thomas Shadwell, which I have almost finished since I came here, et quorum pars magna sui.... And I shall fit him with another, The Countrey Rebell, both humours untoucht, but of this, mum! for 'tis very satyricall against some of my mischievous enemies which I in my tumbling up and down have collected (Aubrey's Brief Lives, ed. Andrew Clark [Oxford, 1898], I, 52n). See also the season of 1670-71

Performances

Event Comment: John Dryden wrote a Prologue to the University of Oxford and an Epilogue to the University of Oxford in 1674. The Prologue was apparently spoken by Hart, the Epilogue by Mrs Marshall. See also Sybil Rosenfeld, Some Notes on the Players in Oxford, 1661-1713, Review of English Studies, XIX (1943), 368

Performances