SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir James Smith"/1) | (@(roleclean,performerclean) "Sir James Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 8142 matches on Performance Comments, 3725 matches on Author, 1590 matches on Event Comments, 709 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: This is a farce of Macklin's Writing, it went off very greatly-he play'd Shylock too (Cross). Receipts: #190 (Cross). [Garrick and Lacy had contracted with Macklin for this Farce two weeks before this performance, according to the following document (BM Add. MS 27925): Memorandum of an Agreement relating to Mr Macklin's Farce and his Playing & performing in the said Farce, with such plays as shall be performed on which the said Farce shall be acted as aforesaid as follows: Imprimis: The said Farce to be publicly performed before Christmas, otherwise not this season on account of the Managers other engagements. Item: Mr Macklin to have for his performing in the said plays and Farce a Fifth part of the profits of the first five nights after deducting sixty-three pounds for the charges of each night during the said five nights-and the sixth night to be for the Benefit of Mr Macklin, he paying the usual charges of sixty-three pounds. Item: The Managers to have it in their power to stop the performances of the said Farce at the end of Six nights on account of their other engagements,-and in case the Receipt of any one night of the said nights on which the said Farce shall be performed as aforesaid shall fall short of One Hundred pounds. Then the Managers to have it in their power to stop the performance of said Farce as the Receipt does not amount to One Hundred pounds. Item: The said Six nights for the said Farce & plays in which Mr Macklin shall perform as aforesaid not to be played immediately succeeding one another, but alternately with such plays as the Managers shall think Convenient. Lastly: That if the said Farce shall meet with the disapprobation of the Publick, that then it shall be in the Power of Discretion of the Managers to stop the performance thereof. Dated this 28th day of November, 1759. S@ James Lacy, D. Garrick. Witness: R. Cross, Geo. Garrick.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Performance Comment: Actors only listed, but Genest, IV, 579, lists: Sir Archy Macsarcasm-Macklin; Sir Callaghan-Moody; Squire Groom-King; Mordecai-Blakes; Sir Theodore Goodchild-Burton; Charlotte (with Prologue)-Miss Macklin.

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances

Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Cast
Role: Hamlet Actor: Smith
Related Works
Related Work: Hamlet Author(s): Sir William Davenant

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians by Moody, Farren, Aickin, Waldron, Lamash, Burton, Chaplin, Holcroft, Hurst, Wright, Wrighten, Grimaldi, Bannister Jun, Mrs Bradshaw, Mrs Davenett, Miss Pope; [Cast from text (T. Becket, 1781): Puff-King; Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Signor Pasticcio Ritornello-Delpini; Under Prompter-Philimore; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Field, Miss Abrams; [Tragedians: Lord Burleigh-Moody; Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Son-Lamash; Sir Walter Raleigh-Burton; Beefeater-Wright; Governor of Tilbury Fort-Wrighten; Don Ferolo Whiskerandos-Bannister Jun.; Master of the Horse-Kenny; Justice-Packer; Constable-Fawcett; Thames-Gaudry; Confidante-Mrs Bradshaw; Justice's Lady-Mrs Davenett [in text: Mrs Johnston]; Tilburina-Miss Pope; Nieces-Miss Collett, Miss Kirby; unassigned-Aickin, Chaplin, Holcroft, Hurst, Grimaldi; Prologue-King. [This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]
Event Comment: Benefit Mrs Clive. Part of the Pit railed into Boxes and Stage will be formed into Amphitheatre, where servants will be admitted to keep places. Afterpiece: Farce of Two Acts never before acted. [MacMillan lists the characters from the Larpent MS and points out that no indication of assignment appeared: Sir John Bayfield , Sir Charles Freelove , Sir James Trueman , Mr Lovenight , Captain Squander , Lady Bayfield , Miss Croston , Lady Di Clatter , Miss Gibberish , Mrs Lovenight , Miss Prue , Mrs Goodfellow , and servants . Two deputy licensers seem to have been operating at this time, for Garrick sends his plays to Edward Capel, and Rich his to Chetwyn.

Performances

Mainpiece Title: The Mistake

Related Works
Related Work: All Mistaken; or, The Mad Couple Author(s): James Howard
Related Work: She Stoops to Conquer; or, The Mistakes of a Night Author(s): Oliver Goldsmith

Afterpiece Title: Every Woman in Her Humour

Dance: TThe Cow Keepers, as17600313

Event Comment: To begin at 7:00 p.m. Boxes 5s. Pits 3s. Gallery 2s. Places for the Boxes to be had of Mr Jewell at the Theatre. Vivant Rex et Regina. [Repeated in the bills. Note in St James Chronicle speaks of great crowd and of numbers turned away.

Performances

Mainpiece Title: The Minor

Performance Comment: Mrs Cole-Foote; Sir Richard Wealthy-Aickin; Sir William Wealthy-Castle; The Minor-Davis; Loader-Palmer; Dick-M'George; Shift, Transfer, Squintum-Weston; Folly-Quick; Constables-Francis, Strutton; Smirk-Shuter; Lucy-a young Gentlewoman, first appearance on any stage.

Afterpiece Title: Miss in Her Teens

Entertainment: Dancing-

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Glorieux, by Philippe Nericault, dit Destouches. In 1793 reduced by the author to an afterpiece of 3 acts. Prologue and Epilogue by the author (Knapp, 101, 307). This play was originally attributed to James Marshall (Public Advertiser, 5 Feb.); on 8 Feb. he wrote a letter to the editor of the Oracle, stating that "The School for Arrogance is not mine, but Mr Holcroft's...By appearing for a time as the ostensible author I hope I have contributed to heal what was most unaccomodating between Mr Harris and Mr Holcroft." And see Genest, VII, 24, 27.] Oracle, 19 Feb. 1791: This Day is published The School for Arrogance (1s. 6d.). "If Mrs Wells could be prevailed upon to speak out, so that the audience might hear, it would be of some advantage to the new play. At present, the performer who happens to be on the stage with her has it all in confidence" (Gazetteer, 9 Feb.). Receipts: #186 11s. (181.8; 5.3)

Performances

Mainpiece Title: The School For Arrogance

Performance Comment: Principal Characters by Lewis, Johnstone, Aickin, Farren, Wilson, Munden, Marshall, Thompson, Farley, Evatt, Cross, Mrs Wells, Miss Brunton, Mrs Mattocks. [Cast from text (G. G. J. and J. Robinson, 1791): Count Conolly Villars-Lewis; MacDermot-Johnstone; Mr Dorimont-Aickin; Edmund-Farren; Sir Paul Peckham-Wilson; Sir Samuel Sheepy-Munden; Picard-Marshall; Exempt-Thompson; Footmen-Farley, Evatt, Letteney, Blurton; Bailiffs-Cross, Lee; Lucy-Mrs Wells; Lydia-Miss Brunton; Lady Peckham-Mrs Mattocks; Prologue-Bernard [in the Character of a News-hawker]; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Sir Paul Peckham Actor: Wilson
Role: Sir Samuel Sheepy Actor: Munden

Afterpiece Title: The Picture of Paris

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by James Boaden. Epilogue by Edward Topham (see text). For this play Reynolds and the cg manager made a new plan for payments to the author. Benefits for the author on the 3rd, 6th and 9th nights were abandoned; instead he received #33 6s. 8d. for each of the first nine nights and #100 on the 20th night. "This was the foundation of that bargain between manager and author which, I believe, exists to the present period [1826]" (Reynolds, II, 182-83)]. Morning Chronicle, 19 Jan. 1795: This Day is published The Rage! (2s.). Receipts: #259 13s. 6d. (255.17.6; 3.16.0)

Performances

Mainpiece Title: The Rage

Performance Comment: Principal Characters by Lewis, Quick, Holman, Munden, Fawcett, Bernard, Middleton, Davenport, Cross, Rees, Mrs Mattocks, Mrs Mountain, Mrs Pope. [Cast from text (T. N. Longman, 1795): Gingham-Lewis; Sir Paul Perpetual-Quick; Darnley-Holman [in text: Pope]; Flush-Munden; The Hon. Mr Savage-Fawcett; Signor Cygnet-Bernard; Sir George Gauntlet-Middleton; Ready-Davenport; Servants-Cross, Abbot, Ledger, Wilde; Waiter-Rees; Groom-Simmons; Lady Sarah Savage-Mrs Mattocks; Clara Sedley-Mrs Mountain; Mrs Darnley-Mrs Pope; Prologue-Holman; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 24 performances only (see17941213).]These were spoken, as here assigned, at the 1st 24 performances only (see17941213).]

Afterpiece Title: Cymon

Dance: Afterpiece to conclude with: a Dance-

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Tender Husband

Performance Comment: Clerimont-Mills; Capt. Clerimont-W. Mills; Sir Harry-Harper; Humphrey-Miller; Pounce-Shepard; Tipkin-Griffin; Biddy-Mrs Heron; Mrs Clerimont-Mrs Grace; Fainlove-Mrs Charke; Mrs Tipkin-Mrs Shireburn .
Cast
Role: Sir Harry Actor: Harper

Afterpiece Title: The Livery Rake Trapp'd; or, The Disappointed Country Lass

Performance Comment: Toby Slang-Harper; Tom-Berry; Harry-Ridout; James-Roberts; Phillis-Mrs Pritchard; Phillis (the Chambermaid)-Miss Oates; Lucy-Miss Mann; Dorcas-Mrs Shireburn. musIc AND.
Cast
Role: James Actor: Roberts

Dance: V: Comic Dance by Nivelon, from CG

Song: As17331013

Event Comment: Benefit Johnson. Mainpiece: Written by the late Sir Richard Steele. Afterpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Mock Doctor

Performance Comment: Doctor-Cibber; Dorcas-Mrs Clive; Leander-Stoppelaer; James-Mullart; but see DL, 19 Dec. 1733, and HAY, 10 Oct. 1733 . but see DL, 19 Dec. 1733, and HAY, 10 Oct. 1733 .
Cast
Role: James Actor: Mullart

Dance: I: Dutchman and his Wife by Le Brun and Mrs Walter. III: Two Pierrots by Poitier and Nivelon. IV: Polish Dance, as17340318 but Miss Mann added. V: Revellers

Song: II: By Miss Arne

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Mistake; Or, The Amorous Quarrel

Performance Comment: Carlos-Ryan; Leonora-Mrs Horton; Alvarez-Bridgwater; Felix-Mullart; Lorenzo-Hale; Metaphrastus-Neale; Toledo-James; Camillo-Mrs Stevens; Isabella-Mrs Mullart; Jacinta-Mrs Kilby; Sancho-Hippisley; Lopez-Rosco.
Cast
Role: Toledo Actor: James
Related Works
Related Work: All Mistaken; or, The Mad Couple Author(s): James Howard
Related Work: She Stoops to Conquer; or, The Mistakes of a Night Author(s): Oliver Goldsmith

Afterpiece Title: Apollo and Daphne

Event Comment: Mainpiece: Written by the late Sir Richard Steele. At Common Prices

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Lady Brumpton-Mrs Horton; Hardy-Delane; Trim-Cibber; Sable-Hippisley; Brumpton-Roberts; Campley-Hallam; Lady Harriet-Mrs Vincent; Lady Charlotte-Mrs Stevens; Trusty-Stephens; Puzzle-Rosco; Mlle D'Epingle-Mrs Cross; Tattleaid-Mrs Martin; Cabinet-Gibson; Swagger-Mullart; Bumkin-Anderson; Tom-James; Mrs Fardingale-Neale; Kate Matchlock-Stoppelaer.
Cast
Role: Tom Actor: James

Afterpiece Title: The Toy Shop

Dance: I: Comic Ballet-Villeneuve, Miss Oates; III: La Badinage de Provence-Poitier, Mlle Roland; V: Scotch Dance-Glover, Mlle Anne Roland

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: Aesop

Performance Comment: Aesop-Quin; Learchus-Hippisley; Hogstye-Woodward; Oronces-Hale; Hortensia-Mrs Horton; Euphronia-Mrs Hale; Roger-Marten; Quaint-James; Steward-Anderson; Fruitful-Dunstall; Tradesman-Stoppelaer; Mrs Fruitful-Mrs Martin; Doris-Mrs Clive.
Cast
Role: Quaint Actor: James

Afterpiece Title: The Rape of Proserpine

Cast
Role: Old Man Actor: Smith
Event Comment: Mainpiece: Written by Sir John Vanbrugh. Afterpiece: By Desire

Performances

Mainpiece Title: The Mistake; Or, The Lover's Quarrel

Performance Comment: Carlos-Ryan; Lorenzo-Hale; Sancho-Hippisley; Lopez-Chapman; Alvarez-Bridgwater; Felix-Marten; Metaphrastus-Gibson; Camillo-Mrs Bland; Isabella-Mrs James; Jacinta-Mrs Havard; Leonora-Mrs Horton.
Cast
Role: Isabella Actor: Mrs James
Related Works
Related Work: All Mistaken; or, The Mad Couple Author(s): James Howard
Related Work: She Stoops to Conquer; or, The Mistakes of a Night Author(s): Oliver Goldsmith

Afterpiece Title: Pyramus and Thisbe

Event Comment: Benefit for Mrs Horton. [A "puff" for Leveridge's forthcoming benefit (31 March) in a letter to the General Advertiser, followed by 3 stanzas of verse]: Sir, The Remembrance of the pleasure I have often receiv'd, in a series of years, by hearing Mr Leveridge's Performances on the stage, occasion'd the following Lines: which however artless they are wrote, will I dare say give no offense to the good natur'd part of Mankind. I am your constant reader. T.H.: @I Whilst Garrick justly claims applause,@Old Leveridge humbly sues,@That you'll not quite neglect his cause@Nor now his suit refuse.@Whilst youthful vigor tun'd his voice@With song he rais'd the heart;@To cheer that voice, now chilled with Age@Becomes a noble part.@Then shew that faithful service past@Your thoughts does still employ;@And by your num'rous Presence grac'd@Revive old age with joy.

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Performance Comment: Brilliant-Cibber; Wronglove-Gibson; Moral-Bridges; Mrs Conquest-Mrs Vincent; Brush-Anderson; Porter-Paddick; 1st Bravo-James; Surgeon-Stoppelaer; Lady Gentle-Mrs Hale; Miss Notable-Miss Morrison; Mrs Hartshorn-Mrs Bland; Lady Wronglove-Mrs Horton.
Cast
Role: 1st Bravo Actor: James

Afterpiece Title: Damon and Phillida

Cast
Role: Corydon Actor: James.

Song: n Irish Song %Ellen a Roon-Mrs Storer

Dance: Master Granier, Miss Granier

Event Comment: Benefit for Simpson, Raftor, Usher. Tickets and places of Hobson at the stage door. Receipts: #180 (Cross); charges, #63 (Powel). [This month, the Gentleman's Magazine Register of Books listed as published Remarks on Three Plays of B. Johnson, viz: The Fox, Silent Woman, and Alchymist, by James Upton.] This week will be published The Hen Peck'd Captain,...as it was intended to be acted...on Saturday last. Taken from The Campaigners; or, the pleasant Adventures at Brussels with a Preface by R. Cross, prompter (General Advertiser)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17490403 but Humphrey-Simpson; Isabella-Mrs James; Phillis-Mrs Clive; Myrtle-Lee.
Cast
Role: Isabella Actor: Mrs James
Role: Sir John Bevil Actor: Winstone

Afterpiece Title: Miss in Her Teens

Performance Comment: As17490414 but Fribble-Yates; Sir Simon-Taswell; Jasper-Blakes; Scene from The Triumph of Peace-_.
Cast
Role: Sir Simon Actor: Taswell
Role: Puff Actor: James

Dance: SSavoyards, as17480920

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere. A song, A heart in love's empire, with music by Robert Smith, and another, Let's drink dear friends, set by Thomas? Farmer, are in Choice Songs and Ayres, The First Book, 1673. The Dedication in the edition of 1672 is to Prince Rupert and states: tho' of thirty times it has been acted, you seldom fail'd to honour it with your presence. Downes (Roscius Anglicanus, p. 32): The next new Comedy [at dg] was the Mamamouchi, or the Citizen turn'd Gentleman, Wrote by Mr Ravenscroft [cast as in edition of 1672 except French Tutor and Singing Master, by Mr Haines: (He having Affronted Mr Hart, he gave him a Discharge and then came into our House)]; This Comedy was look[ed] upon by the Criticks for a Foolish Play; yet it continu'd Acting 9 Days with a full House; upon the Sixth the House being very full: The Poet added 2 more Lines to his Epilogue, viz. @The Criticks came to Hiss, and Dam this Play,@Yet spite of themselves they can't keep away.@ However, Mr Nokes in performing the Mamomouchi pleas'd the King and Court, next Sir Martin, above all Plays

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performance Comment: Edition of 1672: Mr Jorden-Nokes; Young Jorden-Cademan; Mr Cleverwit-Crosby; Sir Simon Softhead-Underhil; Trickmore-Harris; Cureal-Sandford; Maistre Jaques-Angel; Lucia-Mrs Bitterton; Marina-Mrs Burroughs; Betty Trickmore-Mrs Leigh; Prologue-; Epilogue-. See also below.
Cast
Role: Sir Simon Softhead Actor: Underhil
Event Comment: Mainpiece: In Act I The Cardinal's Banquet. In Act II The Court for the Trial of Queen Katharine. In Act V a Grand Procession to the Christening of Princess Elizabeth. Paid Charles Smith on Acct. of Upholders Work at Drury Lane Theatre #400. Powell: Henry VIII rehearsed at 10 (for Packer, lame, and Mrs Siddons); Siege of Belgrade music at 12 (for Storace, Bannister Jun., Crouch, Davis, Danby). The Iron Curtain being finish'd was this Evening exhibited for the first Time with the Epilogue [and see 21 Apr.]. "On the 24th February, 1809, this theatre was burnt down . . . Every care had been taken to guard against such a calamity. Two large reservoirs for water, on the top of the house, happened, unfortunately, at this crisis to be empty; and an iron curtain, intended to separate the auditory from the stage, for the purpose of saving a part of the edifice in case of conflagration, was, with its machinery, so much out of order as to be useless; it was, in fact, utterly immoveable" (Brayley, p. 8). Receipts: #451 8s. 6d. (389/4/0; 56/5/0; 4/6/6; tickets not come in: 1/13/0)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Palmer; Cardinal Wolsey-Bensley; Campeius-Packer; Capucius-Phillimore; Cranmer-Aickin; D. of Norfolk-Whitfield; D. of Buckingham-Wroughton; Duke of Suffolk-Caulfield; Earl of Surry-Barrymore; L. Chancellor-Maddocks; L. Chamberlain-Trueman; Gardiner-Suett; Lord Sands-Baddeley; Sir Henry Guilford-Bland; Sir ThomasLovell-Dignum; Cromwell-C. Kemble; Dr Butts-Waldron; Surveyor-Benson; Brandon-Banks; Serieant-Lyons; Cryer-Evans; Doorkeeper-Jones//Queen Katharine-Mrs Siddons; Anne Bullen-Mrs Powell; Gentlewoman-Mrs Booth; Patience (with a song)-Mrs Bland; Agatha-Miss Collins. Prologue, Epilogue as17940421.
Cast
Role: Sir Henry Guilford Actor: Bland
Role: Sir ThomasLovell Actor: Dignum

Afterpiece Title: THE CHILDREN IN THE WOOD

Cast
Role: : Sir Rowland Actor: Barrymore
Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Performance Comment: Edition of 1683: The Prologue-Mr Smith; The Epilogue-Mr Lee in the Character of Bartaline the Old Lawyer.
Cast
Role: The Prologue Actor: Mr Smith
Event Comment: Ndt acted these Eight Years [but see dl 15 July 1712]. Written by the late Mr Crown, Author of Sir Courtly Nice. Receipts: #25 1s

Performances

Mainpiece Title: The City Politicks

Performance Comment: Parts-Leigh, Smith, Spiller, Bullock, Bullock Jr, Hall, Mrs Bullock Jr [late Miss Rogers Jr], Mrs Spiller.late Miss Rogers Jr], Mrs Spiller.

Dance:

Event Comment: [By Thomas Moore.] With Musick Vocal and Instrumental, Dances, and other Decorations proper to the same. Victor, History of the Theatres, II, 144: Three or four Years after the Performance of this famous Tragedy, I had the following account from several of the Actors who performed in it: That Sir Thomas gave them many good Dinners and Suppers during the Rehearsals of the Play, which they all laugh'd at as ridiculous; but as the Company was, at that Time, composed chiefly of young Actors, and got but small Encouragement from the Public; it may be justly said, their Necessities compelled them to perform this strange Tragedy, which stood some chance to divert from its Absurdities

Performances

Mainpiece Title: Mangora, King Of The Timbusians

Performance Comment: edition of 1718 lists: Sebastian Gavot-Rogers; Nuno de Lara-Smith; Sebastian Hurtado-Leigh; Ruiz Mosquera-Bullock Jr; Father Jaques-Bullock Sr; Mangora-Williams; Siripus-Ogden; Malivag-Knapp; Spirit-Giffard; Lucy de Miranda-Mrs Knight; Donna Isabella-Mrs Bullock; Francisca-Mrs Finch; Ilogen-Mrs Kent; Prologue-Mrs Spiller in Man's Clothes; Epilogue-Mrs Bullock.
Cast
Role: Nuno de Lara Actor: Smith
Role: Siripus Actor: Ogden
Event Comment: Paid John Doe, Claridge, and Smith each 15s. for performing six nights in the Ass and Hog to 1 Jan. [i.e., in Mother Shipton]. Receipts: #176 4s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17711130, but Sir George-Mattocks; Charles-Wroughton.
Cast
Role: Sir George Actor: Mattocks
Role: Sir Francis Actor: Shuter
Role: Sir Jealous Actor: Dunstall
Role: Whisper Actor: R. Smith

Afterpiece Title: Mother Shipton

Event Comment: Benefit for Mrs Bulkley. Mainpiece: Not acted these 5 years. [See 19 April 1769.] Afterpiece: A Farce Never acted there [Wm Whitehead]. Tomorrow (for the only Time this Season) The Merchant of Venice with Love-a-la-Mode. Shylock and Sir Archy by Mr Macklin being the only time of his performing this season. For the Benefit of Miss Macklin (playbill). Charges #66. Profit to Mrs Bulkley #43 6s. 6d. plus #103 16s. from tickets (Box 194; Pit 298; Gallery 106). Paid one half year's paving &c. for the Theatre due Lady Day #26 5s. (Account Book). Receipts: #109 6s. 6d

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Smith; Morton-Clarke; Cecil-Hull; Davison-Perry; Giffard-Gardner; Douglas-Miss Macklin; Queen Elizabeth-Miss Miller; Queen Mary-Mrs Bulkley, being their first appearance in those characters.
Cast
Role: Duke of Norfolk Actor: Smith

Afterpiece Title: A Trip to Scotland

Entertainment: Epilogue End: (By Particular Desire) New Occasional Epilogue-Mrs Bulkley

Dance: Minuet-Aldridge, Mrs Bulkley (playbill) Fisher, Mrs Bulkley (Public Advertiser)

Event Comment: Benefit a Family in Distress. For the Entertainment of Che-sazan Outsim, Hindy-Gylesangbier, Charadab-sina, Gulgulachem-Chemaunim, and Tichucbactey Ormophan, Sacheoutzim-Sinadab Caocormin, the Chineze Mandarines, lately arrived in England, on a Tour through Europe, being the only People of that Nation, who have been in England since the Reign of King James I. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Mrs Charke; Morelove-Benson; Sir Charles-Cross; Lady Easy-Mrs Cross; Lady Betty-Miss Binks; Lady Graveairs-Mrs Egerton; Edging-Miss Brett. A New Epilogue addressed to the Town to be spoken by Mrs Charke in the Character of Lord Foppington .
Cast
Role: Sir Charles Actor: Cross

Afterpiece Title: The Devil to Pay

Performance Comment: Nell-Miss Atherton; Lady Loverule-Miss Lewis; Sir John-Mrs Charke; Jobson-a Gentleman of Lombard Street .
Cast
Role: Sir John Actor: Mrs Charke

Music: Select Pieces. I: A Minuet in Ariadne. III: Minuet by Geminiani

Dance: V: Minuet by Mrs Charke and Miss Brett. End of Afterpiece: Black Joak by Mrs Charke and Miss Brett

Song: II: Was ever Nymph like Rosamond. IV: Scacciato dal suo nido

Event Comment: Benefit for Wilson. Second Course [1st time; M. INT I, by James Cobb. Larpent MS 567; not published]: With Songs and a New Overture. Entrement [1st time: INT I, by Charles Stuart. Larpent MS 566; not published]. Desert: Never acted here; by Permission of Harris [proprietor of cg. The playbill assigns Princess Huncamunca to Mrs Kennedy, but "Huncamunca was very well performed by a Lady who resembled Mrs Kennedy in her voice" (Public Advertiser, 23 Aug.; and see 24 Aug.)]

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Performance Comment: As Act I on 7 Aug., but Sir John Falstaff-Wilson (1st appearance in that character); Francis-Edwin; Poins-R. Palmer; Peto-Painter; Prince of Wales-Palmer; Hostess-Mrs Love.
Cast
Role: Sir John Falstaff Actor: Wilson

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Performance Comment: Characters by Edwin, Blissett, Staunton, Wood, Barrett, Painter, Pierce, Miss Harper; Cast from Larpent MS: Thimble-Edwin; Sir Harry Optic-Blissett; Dick-Barrett; Toupee-Wewitzer (see17810831); Letitia-Miss Harper; unassigned-Staunton, Wood, Painter, Pierce.
Cast
Role: Sir Harry Optic Actor: Blissett
Related Works
Related Work: Kensington Gardens; or, The Walking Jockey Author(s): James Cobb

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

Event Comment: Afterpiece [1st time; f 2, by Miles Peter Andrews, with incidental music by James Hook. MS: Larpent 607; not published; synopsis of plot in Public Advertiser, 12 Dec. Prologue by Edward Topham {London Chronicle, 20 Dec.)]. Receipts: #129 13s. 6d. (76/6/0; 53/0/0; 0/7/6)

Performances

Mainpiece Title: Hamlet

Cast
Role: Hamlet Actor: Smith
Related Works
Related Work: Hamlet Author(s): Sir William Davenant

Afterpiece Title: The Best Bidder

Performance Comment: Principal Characters by Palmer, Dodd, Baddeley, Barrymore, Suett, R. Palmer, Wright, Chaplin, Parsons; Mrs Wrighten, Mrs Bulkley. [Cast from European Magazine, Dec 1782, p. 465: Count Bam-Palmer; Lord Beauboot-Dodd; Snarem-Baddeley; Captain Standard-Barrymore; Inkhorn-Suett; Skip-R. Palmer; Watchman-Wright; Sir Tedious Prose-Parsons; Mrs Brocade-Mrs Wrighten; Arabella-Mrs Bulkley. Chaplin is unassigned.] Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Sir Tedious Prose Actor: Parsons