SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir James Jay M D"/1) | (@(roleclean,performerclean) "Sir James Jay M D")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6667 matches on Performance Comments, 3750 matches on Author, 1259 matches on Event Comments, 478 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Larpent MS 961; not published; synopsis of plot in Universal Magazine, Nov. 1792, p. 393]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Music composed principally by Storace, with a few Pieces selected from Anfossi, Bianchi and [La Bella Pescatrice, by] Guglielmi. Books of the Songs to be had at the Theatre. The Doors to be opened at 5:15. To begin at 6:15 [see 15 Apr. 1793]. "The dialogue of operas now a days is thought of little consequence, and in this instance, the author has certainly strictly adhered to that opinion; however, by the aid of Painter, Composer, Taylor and Performers [The Pirates] will certainly long continue to attract admiration" (Thespian Magazine, Jan. 1793, p. 169). Receipts: #359 10s. 6d. (336.6.6; 23.0.0; 0.4.0)

Performances

Mainpiece Title: At Kings The Pirates

Afterpiece Title: Katharine and Petruchio

Dance: The Dances (composed by D'Egville)-Hamoir, D'Egville, Master D'Egville, Miss Prevot, Miss Menage, Miss Phillips, the Miss D'Egvilles. [These were danced, as here assigned, in all subsequent performances until 8 Apr. 1793.

Event Comment: The Proprietor of this Theatre having informed us that a report has been recently circulated, highly injurious to this Building; we, in consequence of his request, beg leave to asure the Public that such report is unfounded. John Johnson, Mary-le-bone; James Paine, Northend, Hammersmith; Thomas Hardwicke, Rathbone Place; Robert Brettingham, Berkley-Square. Architects

Performances

Mainpiece Title: I Giuochi Dagrigento

Dance: As17930216

Event Comment: Benefit for Mrs Twistleton. Mainpiece: Masquerade as 7 Oct. 1793. Morning Chronicle, 9 Apr.: Tickets to be had of Mrs Twistleton, No. 2, James-street, Adelphi. Receipts: #262 10s. 6d. (167/13/0; 4/7/0; tickets: 90/10/6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: PATRICK IN PRUSSIA i

Dance: As17931022

Song: As17931007, but added: Townsend, Richardson//Miss Hopkins, Miss Kirton; omitted: Williamson, Gray, Mrs Watts, Mrs Davenett, Mrs Masters

Event Comment: 3rd piece [1st time; M. ENT 2, by Samuel James Arnold. Larpent MS 1090; not published]: The new Music, with a Martial Overture, by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Dead Alive

Afterpiece Title: Tit for Tat

Afterpiece Title: Who Pays the Reckoning

Event Comment: Afterpiece [1st time; CO 2, by Samuel James Arnold]: The Overture and Musick by Dr Arnold. Books of the Songs to be had in the Theatre. Receipts: #224 7s. 6d. (121.19.0; 99.9.0; 2.19.6)

Performances

Mainpiece Title: The Jew

Cast
Role: Sir Stephen Bertram Actor: Aickin

Afterpiece Title: The Shipwreck

Related Works
Related Work: The Shipwreck; or, French Ingratitude Author(s): James Byrne
Related Work: The Shipwreck Author(s): Samuel James Arnold
Event Comment: Benefit for Hull, Mrs Litchfield & Waddy. 1st piece [1st time; C 5, by Thomas Hull. Larpent MS 1215; not published]: Altered from [The Bashful Lover, by] Massinger. [In it the playbill assigns Hortensio to Pope, but he was ill, and in his "stead Johnston read the part of Hortensio" (European Magazine, June 1798, p. 396). Prologue by John Taylor Poems (I, 60).] Morning Herald, 29 May: Tickets to be had of Hull, Duke's Court, Dean's-yard, Westminster; of Mrs Litchfield, James-street, Covent-Garden; of Waddy, No. 214, opposite Southampton-street, High Holborn. Receipts: #261 2s. 6d. (53.9.6; 4.16.6; tickets: 202.16.6; of which Hull took #72 7s.; Mrs Litchfield #60 17s., Waddy #69 12s. 6d.)

Performances

Mainpiece Title: Disinterested Love

Afterpiece Title: Starboard Watch

Afterpiece Title: The Highland Reel

Cast
Role: Sir Charles Racket Actor: Knight
Role: Sir Harry Sycamore Actor: Munden

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman

Performances

Mainpiece Title: Pizarro

Performance Comment: Characters by Powell, Kemble, C. Kemble, Barrymore, Caulfield, Wentworth, Trueman, Surmont, R. Palmer, Aickin, Suett, Dowton, Cory, Holland, Russell, Wathen, Maddocks, Sparks, Ryder, Master Chatterley, Webb, Fisher, Evans, Mrs Jordan, Mrs Siddons. [Cast from text (James Ridgway, 1799), and Genest, VII, 420: Ataliba-Powell; Rolla-Kemble; Alonzo-C. Kemble; Pizarro-Barrymore; Almagro-Caulfield; Gonzalo-Wentworth; Davilla-Trueman; Gomez-Surmont; Valverde-R. Palmer; Las Casas-Aickin; Diego-Suett; Orozembo-Dowton; Old Blind Man-Cory; Centinel-Holland; Peruvian Officer-Archer [see17990525]; Attendant-Maddocks; Boy-Master Chatterley; Soldiers-Webb, Fisher, Evans, Chippendale; Cora-Mrs Jordan; Elvira-Mrs Siddons; unassigned-Russell, Wathen, Sparks, Ryder; Prologue-King; Epilogue-Mrs Jordan.

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Fortunes Frolic

Performance Comment: Principal Characters by Fawcett, Knight, Clarke, Emery, Simmons, Abbot, Mrs Davenport, Miss Sims, Mrs Martyr. Cast from text (James Ridgway, 1799), and Genest, VII, 441: Robin Roughead-Fawcett; Rattle-Knight; Mr Frank-Clarke; Snacks-Emery; Clown-Simmons; Servant-Abbot; Margery-Mrs Davenport; Miss Nancy-Miss Sims; Dolly-Mrs Martyr.

Dance: The Highland Lovers [see17990423]-; with Un Pas de Trois-Bologna, Miss E. Cabanel, Miss H. Cabanel; Un Pas Seul Serieux-Miss H. Cabanel; Un Pas Seul de Demie Caractere-Miss E. Cabanel, Platt

Song: End II: The Death of Admiral Benbow-Incledon; End IV: Black Ey'd Susan-Incledon; The Tight Little Island-Townsend

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry-Aickin; Medium-Davenport; Campley-Davies; Mate-Clarke; Waiter-Chippendale; Planters-Usher, J. Palmer, Abbot; Sailors-Ledger, Lyons, Linton; Trudge-Fawcett; Narcissa-Mrs Edward; Wowski-Mrs Bland; Patty-Mrs Gibbs; Yarico-Miss Chapman.
Cast
Role: Sir Christopher Curry Actor: Aickin

Afterpiece Title: Fortunes Frolick

Performance Comment: Characters by Fawcett, Davenport, Clarke, Chippendale, Abbot, Lyons, Palmer, Mrs Davenport, Mrs Edward, Mrs Gibbs. Cast from text (James Ridgway, 1799): Robin Rough@head-Fawcett; Snacks-Davenport; Mr Frank-Clarke; Clown-Chippendale; Servant-Abbot; Villager-Lyons; Rattle-Palmer; Margery-Mrs Davenport; Miss Nancy-Mrs Edward; Dolly-Mrs Gibbs.
Event Comment: [This was James Aickin's last appearance on the stage.] Receipts: #364 10s. 6d. (295.17.0; 67.19.0; 0.14.6)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: Of Age To morrow

Song: As17991228

Event Comment: By Command of Their Majesties. [On this night an unsuccessful attempt was made to assassinate the King. As he entered his box he was shot at by James Hadfield, who was in the pit. The royal family remained in the theatre throughout the performance, during which God save the King was sung on four different occasions. Hadfield was subsequently adjudged insane. See Gentleman's Magazine, May 1800, pp. 478-80.] Receipts: #438 13s. 6d. (345.15.6; 87.9.0; 5.9.0)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Humourist

Cast
Role: Sir Anthony Halfwit Actor: Suett
Related Works
Related Work: The Humourist; or, Who's Who? Author(s): James Cobb
Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Performances

Mainpiece Title: The Alchemist

Performance Comment: Downes (Roscius Anglicanus, pp. 4-5) lists a cast, a part of which may have acted in the play at this time: Face-Mohun; Sir Epicure-Cartwright; Surly-Burt; Ananias-Lacy; Wholesome-Bateman; Downes also lists Wintersel for Subtil, but since Clun acted it on 3 Aug. 1664, he may have done so at this time. Subtil-Clun?; Prologue to the Reviv'd Alchemist-.
Cast
Role: Sir Epicure Actor: Cartwright
Event Comment: Pepys, Diary: Thence after dinner to a play, to see The Generall; which is so dull and so ill-acted, that I think it is the worst I ever saw or heard in all my days. I happened to sit near to Sir Charles Sidly; who I find a very witty man, and he did at every line take notice of the dullness of the poet and badness of the action, that most pertinently; which I was mightily taken with; and among others where by Altemire's command Clarimont, the Generall, is commanded to rescue his Rivall, whom she loved, Lucidor, he, after a great deal of demurre, broke out, "Well, I'le save my Rivall and make her confess, that I deserve, while he do but possesse." "Why, what, pox," says Sir Charles Sydly, "would he have him have more, or what is there more to be had of a woman than the possessing her?" Thence...vexed at my losing my time and above 20s. in money, and neglecting my business to see so bad a play

Performances

Mainpiece Title: The Generall

Performances

Mainpiece Title: Volpone

Performance Comment: Downes (Roscius Anglicanus, p. 4) lists a cast which may well represent one for this period: Volpone-Mohun; Mosca-Hart; Corbachio-Cartwright; Voltore-Shatterel; Corvino-Burt; Sir Politique Would@be-Lacy; Peregrine-Kynaston; Lady Woud@be-Mrs Corey; Celia-Mrs Anne? Marshal.
Cast
Role: Sir Politique Would@be Actor: Lacy

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: . the cast may be that in Downes (p. 6): Elder Loveless-Burt; Younger Loveless-Kynaston; Welford-Hart; Sir Roger-Lacy; The Lady-Mrs Rebecca? Marshal; Martha-Mrs Rutter; Abigail-Mrs Corey.
Cast
Role: Sir Roger Actor: Lacy

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: See16661210 l666 Elder Loveless-Burt?; Younger Loveless-Kynaston?; Welford-Hart?; Sir Roger-Lacy?; The Lady-Mrs Rebecca? Marshal?; Martha-Mrs Rutter?; Abigail-Mrs Cory; Widow-Mrs Knipp.
Cast
Role: Sir Roger Actor: Lacy?
Event Comment: Pepys, Diary: Discoursed most about plays and the Opera, where, among other vanities, Captain Cooke had the arrogance to say that he was fain to direct Sir W. Davenant in the breaking of his verses into such and such lengths, according as would be fit for musick, and how he used to swear at Davenant, and command him that way, when W. Davenant would be angry, and find fault with this or that note--but a vain coxcomb I perceive he is, though he sings and composes so well. But what I wondered at, Dr Clerke did say that Sir W. Davenant is no good judge of a dramatick poem, finding fault with his choice of Henry the 5th, and others, for the stage, when I do think, and he confesses, The Siege of Rhodes as good as ever was writ

Performances

Event Comment: The King's Company. Pepys, Diary: With my wife by coach to the Duke of York's play-house, expecting a new play, and so stayed not no more than other people, but to the King's house, to The Mayd's Tragedy; but vexed all the while with two talking ladies and Sir Charles Sedley; yet pleased to hear their discourse, he being a stranger. And one of the ladies would, and did sit with her mask on, all the play, and, being exceeding witty as ever I heard woman, did talk most pleasantly with him; but was, I believe, a virtuous woman, and of quality. He would fain know who she was, but she would not tell.... By that means lost the pleasure of the play wholly, to which now and then Sir Charles Sedley's exceptions against both words and pronouncing were very pretty

Performances

Mainpiece Title: The Maids Tragedy

Performances

Mainpiece Title: The English Princess Or The Death Of Richard The Third

Performance Comment: The edition of 1667 lists no actors' names, but Downes (Roscius Anglicanus, p. 27) lists: King Richard-Betterton; Duke of Richmond-Harris; Sir William Stanly-Smith; Prologue-; Edition of 1673: Epilogue. Edition of 1673: Epilogue.
Cast
Role: Sir William Stanly Actor: Smith
Event Comment: The King's Company. Pepys, Diary: All alone to the King's playhouse, and there did happen to sit just before Mrs Pierce, Mrs Knepp, who pulled me by the hair; and so I addressed myself to them, and talked to them all the intervals of the play, and did give them fruit. The play is Brenoralt, which I do find but little in, for my part. Here was many fine ladies--among others, the German Baron, with his lady, who is envoye from the Emperour, and their fine daughter, which hath travelled all Europe over with them, it seems; and is accordingly accomplished, and indeed, is a wonderful pretty woman. Here Sir Philip Frowde, who sat next to me, did tell me how Sir H. Belasses is dead, and that the quarrel between him and Tom Porter, who is fled, did arise in the ridiculous fashion that I was first told it, which is a strange thing between two so good friends. The play being done, I took the women, and Mrs Corbett, who was with them, by coach, it raining, to Mrs Manuel's, the Jew's wife, formerly a player, who we heard sing with one of the Italians that was there; and, indeed, she sings mightily well, and just after the Italian manner, but yet do not please me like one of Mrs Knepp's songs, to a good English tune, the manner their ayre not pleasing me so well as the fashion of our own, nor so natural

Performances

Mainpiece Title: Brenoralt Or The Discontented Colonel

Performances

Mainpiece Title: The Sullen Lovers Or The Impertinents

Performance Comment: Edition of 1668: Prologue-; Downes (Roscius Anglicanus, p. 29): Sir Positive At@All-Harris; Poet Ninny-Nokes; Woodcock-Angel; Standford-Smith; Emilia-Mrs Shadwell.
Cast
Role: Sir Positive At@All Actor: Harris
Event Comment: The Duke's Company. Pepys, Diary: [Creed] and I to the Duke of York's playhouse; and there coming late, he and I up to the balcony-box, where we find my Lady Castlemayne and several great ladies; and there we sat with them, and I saw The Impertinents once more, now three times, and the three only days it hath been acted. And to see the folly how the house do this day cry up the play more than yesterday! and I for that reason like it, I find, the better, too: by Sir Positive At-all, I understand, is meant Sir Robert Howard. My Lady [Castlemayne] pretty well pleased with it

Performances

Mainpiece Title: The Sullen Lovers

Event Comment: The King's Company. Pepys, Diary: Thence called Knepp from the King's house, where going in for her, the play being done, I did see Beck Marshall come dressed, off of the stage, and looks mighty fine, and pretty, and noble: and also Nell Gwyn?, in her boy's clothes, mighty pretty. But, Lord! their confidence! and how many men do hover about them as soon as they come off the stage, and how confident they are in their talk! Here I did kiss the pretty woman newly come, called Pegg Hughes?, that was Sir Charles Sidly's mistress, a mighty pretty woman, and seems, but is not, modest. Here took up Knepp into our coach, and all of us with her to her lodgings, and thither comes Bannister with a song of her's, that he hath set in Sir Charles Sidly's play [The Mulberry Garden] for her, which is, I think, but very meanly set; but this he did, before us, teach her, and it being but a slight, silly, short ayre, she learnt it presently. But I did get him to prick me down the notes of the Echo in The Tempest, which pleases me mightily. Here was also Haynes, the incomparable dancer of the King's house, and a seeming civil man, and sings pretty well

Performances

Mainpiece Title: The Virgin Martyr

Event Comment: Pepys, Diary: But, Lord! to see how this play of Sir Positive At-all [The Sullen Lovers], in abuse of Sir Robert Howard, do take, all the Duke's and every body's talk being of that, and telling more stories of him, of the like nature, that it is now the town and country talk, and, they say, is most exactly true. The Duke of York himself said that of his playing at trap-ball is true, and told several other stories of him

Performances