Event Comment: Benefit for Younger [who is named in the Account-Book, but not on the playbill]. The Interlude of Henry and Emma [announced in Public Advertiser, 22 Mar.] cannot be performed on account of the Indisposition of Packer. Receipts: #255 6s. (182/5/0; 20/4/6; 0/2/6; tickets: 52/14/0) (charge: #108 16s. 10d.)

Event Comment: Benefit for Brandon, box-book and house-keeper. [The playbill announces as mainpiece King Henry the Eighth, and as afterpiece Barnaby Brittle, but the Account-Book has, "Alter'd to the Count of Narbonne" and "Alter'd to Comus."] Receipts: #300 8s. (66/2; tickets: 234/6) (charge: #105)

Event Comment: Afterpiece [1st time; F 2, by William Hodson, based on The Coffee House Politician, by Henry Fielding. Prologue by the author (see text)]. Public Advertiser, 2 May 1783: This Day is published The Adventures of a Night (ix.). Receipts: #166 7s. (112/9; 52/3; 0/10; tickets not come in: 1/5)

Event Comment: By Permission [of the Lord Chamberlain]. 1st piece [1st time; c 5, author unknown. Authors and speakers of Prologue and Epilogue unknown]. 2nd piece [1st time; m.int i, author unknown]. 3rd piece [1st time; f 2, by Walley Chamberlain Oulton, altered from The Letter Writers, by Henry Fielding. MSS of none of these pieces in Larpent; none of them published]. The Doors to be opened at 5:30. To begin at 6:30

Event Comment: 1st piece: Set to Music by Handel. [For singers of individual airs therein see 5 Mar.] 2nd piece: Composed by the late Henry Purcell

Event Comment: Benefit for Wild. Mainpiece: Not acted these 25 years [acted 15 Apr. 1760]. With a Grand Procession and Triumphal Entry of Dioclesian, the Dance of Tapestry Figures, the Monument of Aurelia, and the Dance of Chairs. Afterpiece [1st time; M. INT I, by David Henry Urquhart; composer of music unknown]: To conclude with an exact Representation of the Chairing of the Member. Receipts: #115 13s. (58/1; tickets: 57/12) (charge: #105)

Event Comment: Mainpiece [1st time; D 5]: Altered from Massinger [by John Philip Kemble. Prologue by the Hon. Henry Phipps (London Chronicle, 28 Jan.). Epilogue by George Colman, the elder (ibid). MS: Larpent 687; not published]. "This piece is considerably altered from the original; passages are expunged, and others added, in every scene; and several incidents transposed from the order in which they formerly stood. Some scenes are also introduced from the Maid's Tragedy of Beaumont and Fletcher" (London Magazine, Feb. 1785, p. 137). Receipts: #269 9s. (240/10/0; 27/6/6; 1/12/6)

Event Comment: Mainpiece: Not acted these 3 years [acted 19 Feb. 1784]. Afterpiece: Written by the late Henry Fielding, Esq. [The playbill lists Edwin as Coupee, but "Brown, in consequence of the sudden illness of Edwin . . . [undertook] the part of Coupee" (Morning Chronicle, 1 Feb.). He was from the Norwich theatre.] Receipts: #291 10s. (286/14/6; 4/15/6)

Event Comment: Benefit for Mrs Abington. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. "At the close of the entertainment Mrs Abington came forward, and delivered a short poetical address to her fashionable auditory [written by Maurice Morgann (Monthly Mirror, Nov. 1797, p. 263)], apposite to her feelings on the present occasion" (Morning Herald, 11 Feb.). "The character [of Scrub] throughout was well conceived, and executed with a sprightliness and degree of humour that kept the house in a continual roar of laughter" (Public Advertiser, 11 Feb.) "Mrs Abington's voice was in its usual tone; her manners and deportment were inattentive and torpid, rather than active and interesting" (Morning Post, 11 Feb.). "With all her endeavours to give new points to the character, she entirely failed. Her appearance en culottes, so preposterously padded, exceeded nature. Her gestures to look comical could not get the least hold of the audience, though they had seen her before in men's clothes, when playing Portia in The Merchant of Venice, where her figure, dressed as a lawyer in his gown, gave effect to her excellent delivery on mercy, and the audience had been always delighted. But this leu de benefice, comparatively speaking, was disgusting and absurd as she dressed the character ... However, I have heard it originated in a bet she had previously made" (Henry Angelo, Reminiscenes, 11, 281-82). Receipts: #406 13s. 6d. (249/9/6; 1/9/0; tickets: 155/15/0) (charge: free)

Event Comment: Paid Supernumeraries #9 13s. 6d.; Carpenters #15 12s. 1d. Afterpiece: Written by the late Henry Fielding, Esq. Receipts: #225 12s. (181.3; 43.18; 0.11)

Event Comment: Artaxerxes [announced on playbill of 21 May] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece [1st time; C 3, by Elizabeth Inchbald. Prologue by Henry Sampson Woodfall, Jun. (see text)]: Taken from the celebrated piece called Guerre Ouverte; ou, Ruse Contre Ruse [by Antoine Jean Bourlin, dit Dumaniant]. Public Advertiser, 1 Dec. 1787: This Day is published The Midnight Hour (1s. 6d.). Receipts: #74 5s. (70.2; 4.3)

Event Comment: Mainpiece [1st time; T 5, by Andrew McDonald. Prologue by the author (London Chronicle, 6 Sept.). Epilogue by Henry Mackenzie (see text)]

Event Comment: Afterpiece: Written by the late Henry Fielding, Esq. Receipts: #98 4s. 6d. (79.10.0; 18.2.0; 0.12.6)

Event Comment: Mainpiece: Never acted at this Theatre. By Beaumont and Fletcher, with Alterations [by Thomas Harris (Boaden, Kemble, I, 378)]. Public Advertiser, 15 Jan.: The alterations consisted of many curtailments, the last scene of Act IV being entirely omitted. [Prologue by Henry Sampson Woodfall Jun. (European Magazine, Dec. 1787, p. 503; Feb. 1788, p. 105).] Receipts: #150 2s. (146.18; 3.4)

Event Comment: 2nd piece [1st time; C 3, by Elizabeth Inchbald, said to be translated from a French comedy. Prologue by Henry Sampson Woodfall (World, 30 Apr.). Text 1st published, Dublin: C. Lewis, 1789; it assigns no parts]. [3rd piece in place of The Guardian, advertised on playbill of 28 Apr.] Receipts: #158 0s. 6d. (149.14.6; 8.6.0)